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皇冠体育注册采用百度引擎2(Baidu 2)(Photo by Rotten Tomatoes)WATCH NOW: Peacock | The Roku Channel | XUMO TVAt Rotten Tomatoes, we’re always trying to take you beyond the score, and our new always-on streaming channel does just that with a non-stop serving of shows all about the best in movies and TV and the people who make it.On The Rotten Tomatoes Channel, you’ll discover exclusive new premium series giving you the stories behind some of your favorite movie and TV moments; hilarious and insightful interviews and games with stars and filmmakers (Jordan Peele! The Rock! Awkwafina!); feisty and fun movie and TV debates with the sharpest minds in the biz; awesome trailers for upcoming movies and shows (as well as the chance to relive old favorites); and – of course – recommendations to ensure your watchlist stays super Fresh. (Or Rotten – sometimes we’re in the mood for some green.)Basically: If you’re a movie and TV fan, it’s where you want to be. Any time of day.Where Can I Find The Rotten Tomatoes Channel? You can currently find us on The Roku Channel, Peacock, XUMO TV, Samsung TV Plus, and will soon be available in more places. We’ll keep you updated here as we launch.What Is It? The Rotten Tomatoes Channel is a brand-new streaming channel that launches with 10 originally produced shows from the Rotten Tomatoes team and tons more awesome long- and short-form videos showcasing the movies and TV you love. And, of course, there’s more to come. It is our first ever linear video channel – “linear” being a fancy word for TV that’s programmed as opposed to on-demand – and runs 24 hours a day, seven days a week. So, if you want to fan out at 2am, or dip in during a muted morning Zoom call… we’re there for you.What’s on the Channel Exactly? Everything a movie and TV fan could possibly want, if we might be so bold. In addition to what you’d expect from Rotten Tomatoes – movie and TV recommendations and guides; celebrity interviews; hilarious games; news, trailers, and scene breakdowns – you’ll find original video series. These include some fan favorites, like our hugely popular Vs. showdowns, as well brand-new shows created just for the channel. Check out some of them of the new stuff below:RT Essentials: In this fun and info-packed show, we give you the stories behind the movies that defined eras, genres, and the careers of some of our biggest stars.

1. 皇冠体育注册
Those in the industry keeping an eye on the progress of Avengers: Endgame in its hunt to take down the global box record set by Avatar are probably some combination of bored, tired, and frustrated. It must feel like watching a sporting event with the most incredible offensive performance in the first half and a slow petering out in the second. Nevertheless, it has seemed inevitable for weeks now that Disney and Marvel would need to take alternative routes if they were indeed dead-set on achieving that ultimate goal: Beating Avatar’s global haul of ,787,965,087 (.79 billion). As of Tuesday, Endgame is currently at ,744,012,261 (.74 billion), or ,952,826 million behind.Marvel Studios president Kevin Feige announced on Tuesday that Avengers: Endgame’s theatrical run is far from finished. The Marvel behemoth is taking a major step to snatch up more millions in the box office race: Come next week there will be “a deleted scene, a little tribute, and a few surprises” for those who make it out to see Endgame again. But unlike those who bought tickets to Meet Joe Black back in 1998 to get their first whiff of The Phantom Menace trailer, fans will have to wait through the three-hour film to get their new kernels during the end credits.(Photo by © Twentieth Century Fox)Will this be enough to bring Avengers: Endgame over the finish line? The quick answer is probably no, but it is worth exploring its chances – beginning with its path to the present. When Endgame opened on April 25 with Thursday night previews, it grossed 7.1 million through Sunday night. That was .4 million more than Star Wars: The Force Awakens made in December 2015. Despite such an incredible head start, it would still end up well short of Awakens’ domestic record of 6.6 million; Endgame was at 1.7 million on Tuesday, good enough for second all-time at the domestic box office.AVENGERS: ENDGAME (Weekends)Weekend #2 7,383,211 (#2 second weekend all-time)Weekend #3 ,299,904 (#4 third weekend all-time)Weekend #4 ,973,505 (#5 fourth weekend all-time)Weekend #5 ,200,742 (#13 fifth weekend all-time)Weekend #6 ,037,491 (#77 sixth weekend all-time)Weekend #7 ,870,963 (#146 seventh weekend all-time)Weekend #8 ,725,855 (#134 eighth weekend all-time)Some of those later numbers get skewed in the weeds of platform releases and award chasers getting later wide launches, but that is still quite the drop from weekend five to six. Three new releases this week will likely push Endgame out of the top 10 temporarily, but the new launch with extra footage may help it reclaim the slot it has held for eight weeks. (Avatar spent 14 straight weeks in the top 10; The Force Awakens spent 10.)The most successful re-releases in the past have been those that have offered new experiences. The special editions of the original Star Wars trilogy in 1997 included renewed special effects as well as excised and new footage that resulted in grosses of 8.2 million (Star Wars), .5 million (The Empire Strikes Back), and .4 million (Return of the Jedi). Disney had similar successes with its 3D conversions of The Lion King (.2 million), Beauty and the Beast (.6 million), Finding Nemo (.1 million), and Monsters, Inc. ( million). 3D re-issues of Titanic (.8 million), Jurassic Park (.3 million), and even The Phantom Menace (.4 million) did solid numbers.These numbers are precisely in the wheelhouse of what Endgame is chasing since, as of Tuesday, it was .95 million behind Avatar’s global record. However, these films were events not just for their extras but because for a number of people they offered an opportunity to see these films for the first time on the big screen. The earliest re-release amongst all those films mentioned was Monsters, Inc., which came just 11 years after its first run. Avengers: Endgame would be 10 weeks – so it might not even technically be a “re-release.”What does Endgame have going in its favor? Recent history for starters. Black Panther was 11 weeks and 1 million into its run when it jumped back into the top five, dropping just 4% from the week prior. A week before Endgame’s release, Captain Marvel rose 5.7% from the week prior, jumping from sixth to fourth and having the 17th best seventh weekend ever. Then, on Endgame’s record-breaking weekend, Captain Marvel was the number 2 film in the country on its eighth week of release, dropping just 8.7% for the 12th best eighth weekend ever. The Endgame re-issue release would come four days before the next chapter in the MCU, Spider-Man: Far From Home, opens. That film could see the same kind of post-Avengers bump that propelled Iron Man 3 to over 0 million.(Photo by © Sony Pictures)Will a pre-Spider-Man launch in the film’s 10th week of release be enough though? Black Panther made a little over million from weekend 10 on. Captain Marvel made a little more than million. We could just as easily say that Endgame is only .2 million away from the true record as that would discount Avatar getting a re-release as a “Special Edition” in 812 theaters on Aug. 27, 2010, just a few weeks before its first run finished with 9.7 million. Therein lies the potential rub though.How much business does Endgame lose this weekend with Toy Story 4 seeking to break its own records – let alone with people now knowing if they wait just another week they could pay the same amount and see the new additions? Optimistically, another to million this weekend worldwide, and let’s double that with the reissue the week after; Endgame would still need another to million going forward. Marvel and Disney could certainly try another re-release around awards time, as there will certainly be some outside chatter for a legacy reward. But that is likely small peanuts, too. Christopher Nolan’s Dunkirk made just .69 million in its awards season re-release in December 2017.Maybe Avengers: Endgame will need another decade to pass Avatar. When the dust is settled and a new generation of Marvel lovers are finishing up the latest phase of the MCU and discovering the tales of the original group that their parents loved and supported, perhaps an anniversary re-issue is announced and the final few bucks it needs for the record will be handed over for one last ticket. Unless Avatar 2, 3, 4, or 5 has already moved the record forward.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. 当然,对于摩尔庄园手游的评价也是臧否不一的。一方面,就有玩家反应游戏指引冗长且比较限制玩家的自主性。尽管游戏引导是必要的,但摩尔庄园手游每出现一个角色都会以长对话来指引,且每一个步骤、去的场景都需要跟着官方指引来进行,这就导致人们只是复制式地玩游戏、做任务。让闯进摩尔庄园的打工人更加感到疲惫。
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2. 公平游戏环境
Chris Evans took a break from his Marvel superhero duties in 2013 to star in Bong Joon-ho s sci-fi movie Snowpiercer. Based on the 1982 French graphic novel Le Transperceneige, the story followed a high-speed, non-stop bullet train filled with the final remnants of the human race as a second Ice Age turned the planet into an unlivable, post-climate change wasteland.The inhabitants on-board the locomotive represent a sampling of a society that was all but wiped out. The overcrowded back-end of the train is where the underprivileged exist, forced to follow the various orders handed down by militia, while they eat gelatinous blocks of protein for every meal. Contrasting this gritty despair is that of the passengers residing in the front of the train. Here, it s like a high-class vacation every day, where the elite are pampered with all sorts of perks like sushi, pedicures, and lavish nighttime parties.Bong s film was widely celebrated, so it wasn t too surprising when it was announced two years later that a Snowpiercer TV series was in development. A pilot was ordered in 2016, and TNT ordered the series in 2018.It s been four years since the news hit, though. During that time, the project has been hit with a flurry of setbacks. Behind-the-scenes creative disputes and the shuffling of the project — it was moved from TNT to TBS, and then back again — has kept the series stuck in development hell.After all this time, it is looking like the small-screen adaptation of this futuristic dystopian tale is finally on a hopeful trajectory. So let s get into the nitty-gritty and explore everything we know about the upcoming Snowpiercer TV series.A STELLAR CAST IS ON BOARD(Photo by Monica Burns/Turner)For such a high-concept TV series, one would expect a collection of top-notch actors to come along for the ride, and the ensemble brought together for the TNT series is pretty impressive. After 19 years, Academy Award-winner Jennifer Connelly (Alita: Battle Angel) returns to television — anyone remember the short-lived procedural, The $treet? — to play first-class passenger and head of hospitality Melanie Cavill. Tony Award–winner Daveed Diggs, who is best known for his roles in the musical Hamilton and his feature writing debut Blindspotting, plays former police detective Layton Well, a man who lives in squalor in the back of the train.Other actors featured in the show s cast include Mickey Sumner (American Made), Tony Award-winner Lena Hall (Hedwig and the Angry Inch), Annalise Basso (Slender Man), Steven Ogg (The Walking Dead), and Timothy V. Murphy (Sons of Anarchy).EXPECT MORE CLASS STRUGGLES, SOCIAL POLITICS, AND SOME EPIC WORLD-BUILDING(Photo by TNT)In the new series, the constantly-moving, self-sustaining train that is known to its inhabitants as the Rattling Ark will still be there. But while we re getting the futuristic visuals of this post-apocalyptic version of Noah s Ark — along with the similar themes of class, race, and social politics featured in the graphic novel and movie — the mechanics of the Snowpiercer world will be expanded. As a fan of the film and reading the scripts, it broadens the world exponentially. And that s one of the advantages of TV: you have time, series star Diggs previously told IGN. So the politics that are hinted at in the film are explored in much more depth, and the mechanism of the train [is explored further] — just the little things that create a world, world specificity. During a panel at the 2017 Television Critics Association press tour, TNT boss Kevin Reilly teased a central mystery that would be the throughline in season 1, saying it would focus on characters stuck together in an intense environment in a game of survival. Diggs further touched on the class commentary featured in the series at the program s NYCC panel.“Anyone who’s from a marginalized community knows there’s a kind of togetherness that comes out of necessity, and a feeling of family and lack of lying from having to band together,” Diggs said. “So there are some good things, but no amenities. It’s pretty bleak; it’s hard to raise children with no resources. They’re dealing with truly extreme circumstances, so the idea that there’s something to fight for is pretty intense.”A SHOWRUNNER SHAKE-UP SLOWED EVERYTHING DOWN (Photo by Michael Kovac/Getty Images)A year after TNT ordered Snowpiercer to series, Josh Friedman (War of the Worlds) was brought on to run the show. Just weeks later, after production officially began, Friedman was replaced by Orphan Black co-creator Graeme Manson (pictu皇冠体育注册哈喽,朋友们大家好。传奇3重燃这款手游不知道大家有没有玩过,但是传奇3这款游戏大家应该都知道,这款手游就是按照端游的玩法,百分百复刻而来的,还原度非常的高,在这款手游中,使用端游的玩法也可以在这款游戏中畅玩。

3. 激战团竞模式
WARNING: MASSIVE SPOILERS!The final chapter of the Marvel Cinematic Universe s Infinity Saga came to a close with Avengers: Endgame, and at just over three hours long, the movie not only tied up a bunch of loose ends, but also offered up a franchise s worth of fan service. Whether it was a reference (or two, or three) to an iconic 1980s teen adventure, a nod to the pages of the source material, the requisite Stan Lee cameo, or even one of the several callbacks to previous MCU movies, there was a little something in Endgame for everyone, from casual fans to hardcore comics geeks. Check out our video for every Easter Egg and fun fact we could piece together from the movie, and let us know what we missed!

4. 呼朋唤友 随心所欲
Few shows have the ability to dangle Easter eggs over a fan base who already know, to some degree, how things end up more than Breaking Bad prequel Better Call Saul on AMC.But things are becoming particularly overly scrutinized now that Saul starts its fifth season on February 23, and AMC announced that season 6 will be the show’s last. As we prepare for the penultimate season of creators Vince Gilligan and Peter Gould’s backstory of how Bob Odenkirk’s Slippin’ Jimmy McGill went from being a regular con-artist who couldn’t keep his nose clean to the show’s titular shyster attorney, there are rampant fan theories not just about the character spent his final days before he came into contact with Bryan Cranston and Aaron Paul’s meth cooking duo Walter White and Jesse Pinkman – but what was going on with others involved in the criminal underbelly of Albuquerque, New Mexico.“I feel like this is the first season where we could really say, to all the Breaking Bad fans, This is the season you ve been waiting for, and to all the Better Call Saul fans, This is the payoff you ve been waiting for, ” Saul co-star Michael Mando told Rotten Tomatoes after he participated in a panel for the show at the winter Television Critics Association press tour.(Photo by James Minchin/AMC)Mando comes to Saul with a unique perspective. As opposed to other characters on the drama — such as Jonathan Banks’ permanently exasperated fixer Mike Ehrmantraut or Giancarlo Esposito’s Gus Fring, the fastidious small business owner participating in an extremely long revenge scheme — Mando’s laconic cartel lieutenant Ignacio “Nacho” Varga is not seen in Breaking Bad. Although his character is briefly referenced in the original series in a way that suggests he does make it out of Saul alive, Mando is mum to say more other than “this is Nacho’s biggest season, and he’s very heavily involved both at the beginning and at the end.”He specifically spoke of Nacho’s relationship with his father, Manuel (played by Juan Carlos Cantu). A working-class upholstery shop manager who just wants his son to stay out of trouble, Manuel has already had some dealings with Nacho’s business associations — and was not too pleased about it.“You really get to see how deeply Nacho loves his father in the third episode [of this season], and you really get to see how hard their relationship is,” Mando said, adding that “[Nacho] gets his heart broken in every direction. It’s like his stars are so dim, and everyone seems to break his heart, and I think his sanity is questioned at times. Someone’s got to care. Someone’s got to say this is wrong. I think it’s heartbreaking for a character to realize that maybe no one will — or, maybe Mike will.”(Photo by James Minchin/AMC)By “Mike,” he means Banks’ aforementioned gruff henchman – for whom Saul is as much an origin story, even if his name is not in the show’s title (“Are you talking about the animated series, Baby Mike?,” Banks joked during the show s TCA panel when asked if there could be more Bad-related spin-offs, given the success of this show and last year’s El Camino movie). A dirty cop with his own guilt over his derailed father-son relationship, Mike’s time on Saul has been a penance as he routinely gets his hands bloody out of an obligatory need to support his granddaughter and widowed daughter-in-law.“Mike doesn’t put much value on his own life,” Banks told Rotten Tomatoes in an interview after the TCA panel. “It’s not bravado. It’s just, in many ways, a beaten man.”Mike becomes a regular presence on Bad, but Banks deadpanned that it’s not a given that he’ll stick around Saul because “they could put him in a coma.” He added that, although much of his screen time on this show has been spent developing his relationship with Odenkirk’s character, “any time you spend with a human being, you learn more, you like them more, or dislike them more. And that does unfold to a greater extent with Jimmy’s and Mike’s [relationship].”Plus, he said, he’ll be creating the backstory for Mike “until the day I die,” reminding us both that the character spoke of his own rough childhood last season and that we’d previously learned that he was a sniper in Vietnam.“My opinion? Nobody comes back clean,” Banks said matter-of-factly of Mike’s veteran status.

5. HD 画质与高品质音讯
使用強大的百度引擎3建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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7.75.6 1月喜迎根据小编在英雄联盟手游吧观察到的情况来看,不止一名玩家在更新LOL手游1.2新版本后出现了进不去游戏界面的情况,随即出现系统判定的挂机行为。看来这应该是官方的一个大bug了。仅仅是开服后的第二次更新就遇上了这样的情况,不知是该说玩家运气太好还是官方太不上心呢。想起第一次更新后,就有很多玩家发出不满的声音,认为版本之子没被吊销只是换人了,几个集中的槽点比如玩家开挂、匹配机制等都没得到解决。本以为第二次更新能好点,谁知直接进入不了游戏。
Every great accomplishment begins with a small idea, something that sparks the imagination or inspires a flurry of creative impulses, but sometimes small ideas stay small ideas. They may get gussied up in the trappings of larger ideas, but they remain small ideas. That appears to be what happened with Countdown, a high-concept horror flick that asks and answers the question, What if there was a mobile phone app that could predict the exact moment of my death? Elizabeth Lail stars as Quinn, a young nurse who, along with her colleagues, downloads the titular app out of morbid curiosity after an unusual encounter with a patient and discovers, much to her chagrin, that she may only have days before her time is up. And what happens to those who attempt to side-step their digitally predestined fate? It still comes to pass, of course, albeit under spookier circumstances. Critics say Countdown is a derivative thriller that reinterprets familiar ideas into a just-different-enough hodgepodge of jump scares and unnecessary subplots in order to stretch its central conceit to feature length. That said, most also agree that Lail and co-star Jordan Calloway are both likable leads, and it s a fairly short run to the finish line, so if you re just looking to get the heart rate up for a little bit, it may do the trick.
Watch: Actor Andy Serkis on the making of The Lord of the Rings: The Two Towers above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, The Lord of the Rings: The Two Towers actor Andy Serkis recalls auditioning for Peter Jackson, creating the sound of Gollum, and shooting the movie s most chilling scene. VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLTHE MOVIE: The Lord of the Rings: The Two Towers (2002) 95%The Two Towers was the film that proved Fellowship wasn t a fluke – that director Peter Jackson s Lord of the Rings trilogy was going to be a landmark event, with each entry equal to the last. It showed that Jackson and his fellow writers had the skill to match their gargantuan ambition. A year after Fellowship stunned moviegoers, the world once again joined a large collection of characters on their journeys across Middle-earth – Gandalf the (now) White, Sam and Frodo, Aragorn, and the rest – but it was one character, with two natures, who would steal the show. Andy Serkis s Gollum, only glimpsed in Fellowship, took center stage in The Two Towers, and Serkis s performance, along with the technology that made it possible, would change cinema for decades to come. Here, the actor remembers auditioning for the role – one he thought at the time was only going to involve his voice. Can you just get me a decent audition for one of the proper roles? “The way that the job had been explained to me was that they were making these films of The Lord of the Rings down in New Zealand and that they wanted a voice for a digital character. One of my first responses to my agent was, ‘Well, you know, I m not really a voice actor. Can you just get me a decent audition for one of the proper roles?’ When I found out it was Gollum it was like, ‘Wow, gosh, that s a really exciting character.’ I d read The Hobbit when I was at school and I remembered [Gollum] hugely from that. I was fortunate enough to witness my cat throwing up a fur ball It suddenly gave me this idea. I d never considered myself a voice actor, just a regular actor, and I had to kind of think my way into it. I started to work on this notion that he s called Gollum because of the way he sounds – and what would make his voice sound like that? I started to think about constriction of the throat, and as I was doing that, I was actually fortunate enough to witness my cat throwing up a fur ball. It suddenly gave me this idea that the whole physicality of the role would be determined by this force within, which is kind of built out of guilt and torment – this involuntary physical action is what caused this sound coming out of his mouth. The cat throwing up a fur ball is actually what generated the idea for this involuntary spewing out of words. Andy Serkis in motion-capture suit while shooting The Two Towers. (Photo by New Line/courtesy Everett Collection) We are looking at this new technology called motion capture. “[My audition] was at the American [International] Church in Tottenham Court Road in London, and I d already done one audition on tape for Peter. I went inside, and down this long corridor there was this tiny little room. It was quite mysterious actually, and I remember sitting in that corridor waiting for my turn. Then I went down into the corridor, went into the room, and met Pete and Fran [Walsh]… They were saying to me, ‘You ll be on set and you ll be working with these guys, but finally you ll be manifested as a CG character; we are looking at this new technology called motion capture. It s in its early stages and we re not quite sure how it s going to work, and it ll be a cross between that and some animation.’ I said, ‘Look, the only way I can do this character is by acting it out, by actually playing it. I m not a voice actor as such. I ve never done that.’ I started to crawl around and get into character and go through the coughing-up-fur-ball voice and sort of getting into the scene, and played the tortured nature of Gollum. Pete was giggling away, and I thought, ‘OK.’ I think they were just really tickled by what I was doing. Pete was sort of crawling around too with his camera and filming it from various different angles and all sorts of different ways of shooting it.”Gollum as he appears in 2003 s The Return of the King. (Photo by @ New Line/courtesy Everett Collection) When I saw the first fully re-sculpted version of Gollum, it totally looked like my dad. Gradually they asked me to play the former role of Smeagol, before he becomes Gollum. Once that had happened, they decided to redesign the whole of Gollum s face just around my features. Then my performance was filmed on 35mm for every scene, and then the animators, using faders… would then match every single facial expression of mine. In fact, when I first saw the first fully re-sculpted version of Gollum, it absolutely, totally looked like my dad, which was kind of freaky and extraordinary and made sense really. Now I know what I m going to look like when I m you know, 22 years older.”THE MOMENT: Gollum and Smeagol TalkThe Two Towers packs its 179 minutes with a slew of memorable moments and sequences – chief among them the 40-minute-long climactic Battle of Helm s Deep, still considered by many the greatest battle committed to film. Yet it s the dialogue between Gollum and Smeagol, a tortured, moonlit exchange between both sides of the one soul, that lingers. The almost photo-realistic realization of the creature impresses, but it s the writing, sharp editing, and Serkis s performance that make it more than just a memorable evolution in film technology. Gollum is basically an addict or a Ring junkie. “The evolution of the character changed en route. Rather than it just being Gollum, we teased out the notion of Gollum as being this almost schizophrenic personality, and we pushed the voice in different directions. Working with Fran Walsh, and [co-writer] Philippa Boyens as well, we pushed the notion of Gollum being the more visceral, brutal kind of survivor character and Smeagol being the young, innocent sibling, if you like – abused sibling. I had to find for myself something tangible, something real, in the real world, so that the power of the Ring would resonate, and so for me it was really about addiction. Gollum is basically an addict or a Ring junkie. His physicality as such was very much based on someone suffering the terrible physical symptoms of a very strong addiction. It s tearing the body apart and tearing the mind apart, and the decrepitude of his body and the tortured, twisted, emaciated look was the externalizing of what was going on inside his mind and soul. Then Philippa and Fran pushed the writing to really embolden those ideas, and that was exemplified with the scene in The Two Towers where Gollum literally talks to himself. Andy Serkis as Gollum in The Return of the King (Photo by @ New Line/courtesy Everett Collection)“At that time we couldn t do on-set, physical motion capture I would have to go back onto a motion-capture stage. “At that time we couldn t do on-set, physical motion capture. That was something that s actually happened since. For instance, in the Apes movies that I was involved in, we had direct capture on set with motion-capture cameras in the trees – on location, capturing everything in one take. At that point, in the early stages, especially in The Two Towers, I would have to go back onto a motion-capture stage and repeat [the scene] a third time [after shooting it first with the other actors, then again reading lines out of frame with the other actors shooting it]. I would have to then do my performance again on my own in a motion-capture stage. We shot [the scene of Gollum and Smeagol talking] on a location, so the tree that he used and the rocks that he was sort of hiding behind and going either side of in the first few shots, that was all built. That was a real set, and we shot all that on a location, doing that two-part process. We constructed the whole scene like that, with the fallen log and Gollum eventually jumping down and spinning around with all the leaves and all of that being kicked up. It was maybe a month later that we went back into the motion-capture stage and we were able to refine that. Peter Jackson directing on the set of The Two Towers. (Photo by @ New Line/courtesy Everett Collection) You re not going to run out of film, you don t have to change lights, you don t have to do anything. You can just concentrate on performance. “There was rewriting. The thing is with Fran and Philippa and Pete, there s always a sort of constant rewriting of the script and evolving the script, and with every take they re looking for something new and something fresh in the moment. Also, from a writing point of view, once they ve shot something, they like to be able to go back in, and with performance capture you have that ability. That is one of the joyful things about performance capture: the ability to completely improvise and try something different, and keep going and keep going and exploring, without the pressure of being on a live-action film set. You re not going to run out of film, you don t have to change lights, you don t have to do anything. You can just concentrate on performance, which is an amazing thing.”THE IMPACT: An Unexpected Journey The Lord of the Rings trilogy would make almost billion worldwide, and its conclusion, The Return of the King, would win Best Picture at the Academy Awards (the two previous films were also nominated in the category, but neither won). The trilogy s impact on film, and studio decision-making, was huge: the 2000s saw a number of fantasy titles get the green light, Jackson would later return to Middle-earth with The Hobbit films, and viewers of TV smash Game of Thrones say its makers owe much to what Jackson and his team put into cinemas every December between 2001 and 2003. For Serkis, The Lord of the Rings was life-changing; he would become the go-to actor for performance-capture roles, starring in The Rise of the Planet of the Apes and its sequels as Caesar, as King Kong in Jackson s 2005 take on that classic story, and he would direct his own film, Mowgli, which would push technology to new places. With each step, the technology advanced and the wow-factor intensified – what remained constant was the strength of the Serkis performance driving it. If I lifted up my arm, Gollum would lift his. The first epiphany moment for me, where I realized how much I loved performance capture, or motion capture as it was at the time, was being on the motion-capture stage and seeing in real time: If I lifted up my arm, Gollum would lift his. I could see a gray-shaded model of Gollum lifting up his arm, and that for me cemented this affair, really, with the technology, and the realization of what it could actually do. It allows an actor to actually play anything. It opened up so many possibilities for me over the last two decades. Andy Serkis at the Two Towers premiere in New York City, December 2002. (Photo by @ New Line / courtesy Everett Collection) I could literally feel the audience leaning in, not quite sure what this was. Was this an actor? Was this a creature? I ll never forget [when I first saw the character on the big screen]. It was at the Ziegfeld Theater in New York; it was at the world premiere of The Two Towers. The movie just was so potent and powerful, with the halls of Helm s Deep. Politically where we were – it was just post-911 and there was this sense of doom, of just the world changing. The world seemed so fractured and dangerous and frightening, and seeing that film, it just felt so much like it was reflecting that in some way. It was a very potent experience; such an amazing experience seeing it with a live audience. I did have this extraordinary experience when [the scene with Gollum and Smeagol talking] came up. I could literally feel the audience leaning in and just, like, not quite sure what this was. They couldn t quite work it out. Was this an actor? Was this a creature? Literally people were leaning forward in their seats – it was like real hairs-on-the-back of the neck stuff, actually. Andy Serkis in motion-capture suit shooting The Rise of the Planet of the Apes. (Photo by ©20th Century Fox Film Corp. All rights reserved/Courtesy Everett Collection) People either feel something very strongly about him, towards him, or they feel themselves to be like him in some way. That character for me defined a big, big turning point in my career, and opened up a huge world. You know, there isn t a single day that goes past when someone doesn t come up to me and talk to me about Gollum. I mean, it really is quite extraordinary. He s a beloved character, because I think everyone feels something for him. They either feel something very strongly about him, towards him, or they kind of feel themselves to be like him in some way. I think that s why people do respond to that character, that there is self-recognition in there – we re not all heroes, we are flawed.”The Lord of the Rings: The Two Towers was released on December 18, 2002. Buy or rent it at FandangNOW.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

185合击神途传奇手游是一款非常好玩有趣的掌上神途传奇手游,游戏场景中每天都有着万人攻城,能给玩家带来非常热血刺激游戏体验。游戏还有着非常震撼的PVP玩法,场景中还有着大量的神兽等着玩家们捕捉。
其次呢泰拉瑞亚手游的容量可谓是小得很,只有区区不到300m,说白了,你拍个几十张自拍,那占用的内存都超过泰拉瑞亚手游了,这就意味着一方面下载速度和安装速度很快,另一方面呢,游戏不占用手机内存,不玩的时候哪怕放在那里纯当个图标,也是非常不错的。
枯燥的对战,本身就违背了《使命召唤》系列游戏的初衷,而东拼西凑一些历代COD内容后,就匆忙上线的《使命召唤手游》,也一定无法让老粉们满意。少了情怀玩家,只有新玩家的《使命召唤手游》,究竟能走多远呢?抛弃了《使命召唤》系列的精髓之处,《使命召唤手游》与其它射击手游相比又有什么出彩之处呢?是玩法模式,还是游戏平衡性?不知道《使命召唤手游》的制作团队,有没有思索过这些问题?还是说,《使命召唤手游》的制作团队,从一开始就没有想着将这款手游做的长远,只是为了收割一波情怀?
In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating with a series of features that look back at the brightest moments on screen of the past two decades – and one year – and the things that have us excited for the future. Rotten Tomatoes is celebrating its 21st year in existence! But we didn t get here alone. Nope, RT exists because of you, the fans, and the critics whose invaluable work makes up our Tomatometer. To kick off the start of our birthday celebrations, we ve gone and gathered up majorly fun facts and stats about RT that we ve accrued since 1998! (Note: All Tomatometer factoids are accurate up until February 26, 2019.)1. Total Number Of Reviews Featured on RT: 1,106,872 For Movies; 99,616 For TV(Photo by Walt Disney Co./courtesy Everett Collection)Last month, we hit the major million milestone for movies! It only took 21 years, eight office moves, and, conservatively, 50,000 cups of coffee. In 2013, we began collecting and adding TV and streaming reviews, and though we re still a ways away from hitting a million, we re hopeful that the legend of a trove of Law Order reviews buried in the Hollywood Hills proves true.2. Number of Tomatometers Generated: 25,688 For Movies, 1,625 For TVIt takes five reviews to generate an initial Tomatometer score for movies and TV shows. This has happened 27,313 times on Rotten Tomatoes, so far. Would you believe it never gets less thrilling?3. Average Tomatometer For All Movies: 62%(Photo by Columbia Pictures Television/courtesy Everett Collection)That number is proof that people generally do set out to make good movies – and succeed – or at least not make one that would get laughed out of theaters. And it s proof that critics come not with knives drawn, but with the hope that a discovery will be made that everyone needs to know about.4. Average Tomatometer For All Movies (With At Least 20 Reviews Each): 65%And the average percentage goes up if you add a 20-review minimum, suggesting that a movie that s generated enough interest to get rated professionally 20 times has something to warrant it getting that far. And why 20 reviews? That s the number when a movie becomes eligible for our patented, pithy Critics Consensus write-ups.5. Unlikely Celebrity Inspiration For Rotten Tomatoes: Jackie Chan(Photo by New Line/courtesy Everett Collection)Site creator Senh Duong was famously inspired to start Rotten Tomatoes in 1998 after searching for reviews of Jackie Chan movies which, like all reviews at the time, sat uncollected across disparate corners of the internet. Rumble in the Bronx had released nationwide in 1996, which got Duong looking for reviews of Chan s other imports: Supercop, Twin Dragons, and First Strike. Two years later, on August 18, 1998, Rotten Tomatoes went live.6. Unlikely Movie Inspiration For Rotten Tomatoes Name: Léolo (1992) 90%The name Rotten Tomatoes came to Duong while watching the fantasy film Leolo, from 1992, about a boy who imagines himself to be the offspring of an Italian peasant and a giant tomato. It is, appropriately, Fresh.7. First Movie to Ever Get a Tomatometer: Your Friends & Neighbors (1998) 77%After the founding of RT, the first movie to officially get a Tomatometer was Your Friends Neighbors, Neil LaBute s modern tale of urbane immorality. It even went Certified Fresh, currently sitting at 77%! The critics consensus reads that though it may strike some viewers as cold and unpleasant, it s also an incisive critique of sexual politics wrapped up in scathing black comedy. Truly, a light and pleasant start to Rotten Tomatoes dominion.8. Oldest Movie With A Tomatometer: A Trip to the Moon (1902) 100%(Photo by Courtesy the Everett Collection)Georges Méliès little sci-fi epic, which generated cinema s first iconic image in The Man in the Moon with a rocket ship embedded in his right eye. Trip is 100% on the Tomatometer, but at nine reviews, it doesn t meet the 20-review threshold to be eligible for a critics consensus. Look, just give it another 117 years, will ya?9. Number of Certified Fresh Movies: 3,310; Number of Certified Fresh TV Seasons: 715The Certified Fresh label is the greatest designation on Rotten Tomatoes. We have 196,013 movies in our database, which means your movie has a historic 1.69% chance of becoming Certified Fresh. Meanwhile, there are a total of 14,333 listed TV seasons knocking around on the site, equaling a much-friendlier 5% chance of a TV season being Certified Fresh.10. Oldest Movie To Be Certified Fresh: The Cabinet of Dr. Caligari (1919) 99%What s it take to become Certified Fresh? For movies, it s having a 75% Tomatometer score after 40 reviews (or 80, if you re a modern wide release), with five of those coming from Top Critics. Caligari, with its gaunt German Expressionism theatrics, is the oldest movie to qualify for that prestigious designation, and is considered one best horror movies ever made to this day. (It s #2 on our list of the 150 Best Horror Movies.)11. Oldest TV Series With A Tomatometer: The Honeymooners: Lost Episodes 100%Are we detecting some kind of moon motif when it comes to these oldest milestones on Rotten Tomatoes? The Jackie Gleason classic show lasted only one season (or 39 episodes) but it s endured thanks to its assorted catchphrases and its historical significance as the first major depiction of the working class in sitcoms.12. Number of 100% Movies (With At Least 20 Reviews): 332You could watch nearly a different perfectly-rated movie every day for a year, taking in some stone-cold masterpieces like Citizen Kane, Seven Samurai, and Repulsion, and contemporary classics like Before Sunrise, Toy Story 2, and Leave No Trace. And at the rate these kinds of movies are cropping up, you could likely fill up a 365-day watching schedule by 2020.13. 100% Movie With The Most Reviews: Paddington 2 (2017) 99%(Photo by Warner Bros. / courtesy Everett Collection)The most lovable bear in all of cinema, at least until Annihlation came out. Just last year Paddington, this genteel beacon of hope in cynical times, and his movie usurped the best-reviewed crown from Toy Story 2, which had had the distinction since 1999. Lady Bird was also able to briefly do the same, before it was felled by its first Rotten review.14. Number of 99% Movies (With At Least 20 Reviews): 45So you just made a movie and it didn t hit 100%. After your feeling of debilitating failure leaves the body, would you be willing to accept the second-best percentage on the site? Members of the 99 Club include hunger-inducing Jiro Dreams of Sushi, indie breakthroughs (Lady Bird, Eighth Grade), something from Pixar (Finding Nemo), horror classics (Aliens, Rosemary s Baby), and Metropolis, whose sole Rotten review comes from a 1926 issue of Variety.15. Number of 60% Movies (With At Least 20 Reviews): 131Better not catch y all slippin , because one percentage point drop and these movies are in Rotten! Some movie fans may be shocked to learn which films the sword of Damocles hangs so perilously over, like Rush Hour or Mystery Men. Then there are other movies, like the primal and basic 300, for which a 60% feels juuuuust right.16. Number of 59% movies (With At Least 20 Reviews): 91So close to Freshness! Some 91 movies – with at least 20 reviews – are right on the cusp of being Fresh, which of course didn t stop the likes of Mr. Mrs. Smith and Oz the Great and Powerful from being boffo box office smashes. Included in this pile of barely Rotten movies are enduring 90s trash classics (Deep Blue Sea), literal trash (Trash Humpers), failed prestige pics (The Front Runner, Concussion), and of course a later-period Liam Neeson action movie (Run All Night).17. Number of 1% movies (With At Least 20 Reviews): 5(Photo by Freestyle Releasing/courtesy Everett Collection)Getting a Tomatometer score of 1% is probably the most difficult ignoble feat to achieve on Rotten Tomatoes. Not only do you have to get enough reviews for it to be mathematically possible, you have to count on only one or two critics willing to come forward to say they liked it. Let s give a hand to Alone in the Dark, Left Behind, Daddy Day Camp, Twisted, and Disaster Movie!18. Number of 0% Movies (With At Least 20 Reviews): 36It takes a lot of effort to make a movie. It takes a lot of effort to get critics to review it. And it takes a lot of effort for all of them to hate it. Jaws: The Revenge, Mac and Me, Bucky Larson shine on, you crazy diamonds.19. 0% Movie With The Most Reviews: Ballistic: Ecks vs. Sever (2002) 0%The title doesn t make any sense and it only goes downhill from there. The incomprehensible spy-thriller starred Antonio Banderas and Lucy Liu and came out in 2002, a year when their careers were peak enough that neither had any reason to make this movie. To date, 117 critics have been able to re-assemble their shattered minds after experiencing Ballistic to submit Rotten reviews. Meanwhile, back in 2017 we celebrated the movie s 15th anniversary with some cake:
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Saturday, Dec. 125 Days of Christmas, Freeform — The annual nearly month-long programming event features family-friendly Christmas movies including The Santa Clause, Home Alone, and The Holiday; Disney movies including all three Toy Story films and Tim Burton s The Nightmare Before Christmas, and, for the first time on cable television, the Rankin-Bass holiday classics, Frosty the Snowman and Rudolph the Red-Nosed Reindeer.31 Days of Holiday Survival, Comedy Central — Professional basketball star Blake Griffin will host this month of programming dedicated to getting you through the holidays with your sanity intact. Movies like Bad Santa 2, 21 Jump Street, Meet the Parents and Office Space will air throughout the month-long lineup. Holiday-themed episodes of South Park and The Office will join Chappelle s Show to close out the year.You Light Up My Christmas, Lifetime, 8 p.m. — Inspired by true events, Emma (Kim Fields) returns to her hometown built around her family s pioneer Christmas Light Factory two weeks before Christmas. However upon Emma s return, she discovers the lights have gone dim in the once festive town, prompting her to reconnect with an old flame to set their hearts and the town ablaze with light again.Christmas Town, Hallmark Channel, 8 p.m. — Lauren Gabriel (Candace Cameron Bure) leaves everything behind in Boston to embark on a new chapter in her life and career. But an unforeseen detour to the charming town of Grandon Falls has her discover unexpected new chapters — of the heart and of family — helping her to embrace, once again, the magic of Christmas.Holiday Wars, Food Network, 9 p.m. — Five teams of cake masters and sugar artists face-off to create mind-blowing holiday displays that are as festive as they are delicious. Hosted by Jonathan Bennett, and featuring award-winning cake decorator Shinmin Li and Food Network s Jason Smith as judges, the teams must compete in two jolly rounds. First up is the Snowball Fight challenge, where the artists must use cake and sugar to create an edible holiday design in just 45 minutes. One winning team gets a vital advantage going into the second round. In the Winter Blizzard challenge, the teams are tasked with developing an eye-popping, masterful Christmas display made up entirely of cake and sugar. At the end of this battle, one team will jingle all the way home with a ,000 grand prize.Holiday Gingerbread Showdown, Food Network, 10 p.m. —  On this four-part stunt, host Paige Davis tests the skills of three gingerbread artists in each holiday-themed challenge. Judges Mary Berg, Maneet Chauhan, and Adam Young determine the winner of each episode that advances to the grand finale where they will square off in the ultimate showdown. But it s not all gumdrops and candy canes as the clock is ticking on dreams of the ,000 prize. Only one will be crowned Best Gingerbread Artist and will be featured in Food Network Magazine. Monday, Dec. 2Team Kaylie: Part 2 (Holiday Episode), Netflix — To try to help Amber get through her first Christmas since her mom passed away, Kaylie decides to try to buy Amber the dollhouse she always wanted.Unhappy Holidays, Shudder — Last year, the streaming platform added a whole collection of gruesome holiday goodies including titles like Better Watch Out, All the Creatures Were Stirring, and 1974 slasher classic, Black Christmas. AMC s small screen adaptation of Joe Hill s NOS4A2 is a recent addition to the lineup. On Dec. 2, Silent Night, Deadly Night Part 2 will be available to view, along with the previously hard-to-find ‘80s cult film Deadly Games which is described as a French Home Alone meets Rambo — but released a year before Macaulay Culkin faced off with Joe Pesci.The Great Christmas Light Fight, ABC, 8 p.m. — Season seven of the holiday hit will once again showcase the most extravagant and utterly spectacular Christmas displays America has to offer. In each one-hour episode, four families with dazzling household displays will compete to win ,000 and the coveted Light Fight trophy. (Photo by ABC)Making It, NBC, 10 p.m. — Emmy Award nominees Amy Poehler and Nick Offerman host a craft-worthy and comedy-filled new eight-episode season.Tuesday, Dec. 3How the Grinch Stole Christmas, NBC, 8 p.m. — The iconic 1966 cartoon features the voice of Boris Karloff as the Grinch.How to Train Your Dragon Homecoming, NBC, 8:30 p.m. — The new animated special features the return of Jay Baruchel as the voice of Hiccup, America Ferrera as Astrid, Gerard Butler as Stoick, Craig Ferguson as Gobber, and Christopher Mintz-Plasse as Fishlegs.CMA Country Christmas, ABC, 9 p.m. — Trisha Yearwood will host and perform on the 10th annual CMA Country Christmas. The two-hour music celebration features a night filled with Christmas classics and festive one-of-a-kind collaborations by Yearwood, Kristin Chenoweth, for KING COUNTRY, Chris Janson, Tori Kelly, Lady Antebellum, Rascal Flatts, Runaway June, CeCe Winans, Brett Young, and Chris Young. Wednesday, Dec. 487th Annual Christmas in Rockefeller Center, NBC, 8 p.m. — For eight decades the tree lighting ceremony has been one of the iconic New York City holiday moments, with thousands on hand and millions watching across the country. The Moodys, Fox, 9 p.m. — The six-episode remake of Australia s miniseries A Moody Christmas stars Denis Leary and follows a tight-knit but slightly dysfunctional family of five, all of whom gather in their hometown of Chicago for the perfect holiday. The holiday event series will air over three nights on Wednesday, Dec. 4; Monday, Dec. 9; and Tuesday, Dec. 10. Ghosting: The Spirit of Christmas, Freeform, 9 p.m. — This is the quirky and heart-warming story of Jess (Aisha Dee), who goes on the greatest first date of her life, but inadvertently “ghosts” Ben when she tragically dies in a car accident on the way home. Stuck on Earth, with no idea how to ascend, Jess will need the help of her best friend Kara (Kimiko Glenn), the only person who can still see and hear her. A Saturday Night Live Christmas Special, NBC, 9 p.m. — Santa brings the laughs as “SNL” goes into the time capsule for two hours of Christmas-themed sketches.Thursday, Dec. 5(Photo by Netflix)A Christmas Prince: The Royal Baby, Netflix — It’s Christmastime in Aldovia, and a royal baby is on the way. Queen Amber (Rose McIver) and King Richard (Ben Lamb) are getting ready to take some time off to prepare for their first child’s arrival, but first they have to host King Tai (Kevin Shen) and Queen Ming (Momo Yeung) of Penglia to renew a 600-year-old sacred truce.Magic For Humans: Season 2 (Holiday Episode), Netflix — Justin embraces the holiday spirit by visiting Santa school and teaching kids about the magic of giving.Into the Dark: A Nasty Piece of Work, Hulu — The Christmas-themed installment of Blumhouse s horror holiday series follows a mid-level employee at a large company who finds out he’s not getting the bonus or promotion he was expecting. But then his boss invites him over for dinner with a proposal for how he can climb the corporate ladder … by beating his professional rival in a violent competition.A Charlie Brown Christmas, ABC, 8 p.m. — Celebrate the joy of the holidays with the classic animated Christmas-themed Peanuts specialBest Christmas Bingo, IFC, 9 p.m. – Starting Thursday, December 5, Wrestling Legend Mick Foley will be hosting an interactive BINGO game during holiday movies every Thursday in December at 9:00 p.m. ET/PT, featuring Planes, Trains Automobiles, Gremlins, Year Without Santa Claus and Snow Day.Same Time, Next Christmas, ABC, 9 p.m. — In this original holiday film, Olivia Anderson (Lea Michele) is a successful young woman who met her childhood sweetheart during her family s annual Christmas visit to Hawaii. After being separated by distance and years, the two reunite at the same Hawaiian resort years later, and the old chemistry between them flares up anew-but circumstances conspire to keep them apart. Friday, Dec. 6Three Days of Christmas, Netflix — Three Days of Christmas is the story of four sisters through time united by a secret. A story told through their eyes in three key moments in their lives: when they are daughters, mothers, and grandmothers, each episode corresponds to one generation. With Christmas as a backdrop, we will discover th

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Ghcxuf Watch: Cinematographer James Laxton on the making of Moonlight above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, Moonlight cinematographer James Laxton shares how a surprise storm disrupted production, but added lasting richness to the film s most enduring scene. VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLTHE MOVIE: Moonlight (2016) 98%Moonlight is by any measure a landmark film: the first LGBTQ-themed movie to win Best Picture at the Academy Awards, the first film with a mostly black cast to win that prize, too, and, according to our Tomatometer, the best-reviewed LGBTQ film of all time. And yet beyond the accolades, and laurels, and Certified Fresh badges, the movie was and remains potent because the story it splashed onto the screen – in so many vivid hues – was one most viewers had never seen. That story began life in 2003 as the semi-autobiographical In Moonlight Black Boys Look Blue, an unpublished play by writer Tarell Alvin McCraney (whose Choir Boy is up for Best Play at this year s Tony Awards). Screenwriter and director Barry Jenkins would adapt it for the big screen some 12 years later, breaking out its tale of Chiron, a black man in Miami whose homosexuality is at war with his and his world s expectations of masculinity, into three distinct chapters: Little, Chiron, and Black. Each showed Chiron at a different age, played by different actors, at different points of his struggle. Jenkins enlisted college friend and cinematographer James Laxton, who had lensed the director s debut film Medicine for Melancholy, to give each section, and the film itself, a distinct look. Here, Laxton reveals how he worked to achieve Jenkins vision and tell Chiron s story.Trevante Rhodes as Chiron in Moonlight. (Photo by David Bornfriend, ©A24/courtesy Everett Collection) You start to think about what kind of films you want to make, and then for me, what those films look like. “I first met Barry Jenkins when I was 20. I think he was maybe 21. We were at Florida State University Film School in Tallahassee, Florida, two young kids who found our way into this film education world. We were really excited about trying to find new ways to express ourselves, and I think first bonded over the things that kids bond over all the time: similar tastes in music, or food. Once we became friends, we started talking about films, and all of a sudden also seemed to share a great interest in the kinds of films we were interested in watching. Then, as happens in film school, you start to think about what kind of films you want to make, and then for me, what those films look like. We started to realize we shared a great deal in aesthetics and in terms of how we wanted to visually tell stories. That friendship very quickly became a collaborative one. I don t know that much has changed, to be totally honest, in whatever it s been… 17, 18 years or so of this relationship. It s a really wonderful one.” Barry says he s working on something, and it s about kids in Miami. “Learning about what films Barry wants to make is an interesting thing. It s different than any other director I work with in that I find out about [projects in] whispery, secret-y sort of side conversations. He won t be all official like, ‘Let s have a meeting on Wednesday and let s sit down and read the script together, and hash it out.’ It evolves over long periods of time; over dinner, or at a friend s house, he ll mention he s working on something, and it s about kids in Miami, or he found a project he s interested in, and it sounds like we ll maybe make this in the near future. So it first starts there. I feel like I heard about Moonlight first in a very casual setting. It was sort of [the way] you might find out your friend is getting married in a few months, or is engaged.”Jharrel Jerome and Ashton Sanders in Moonlight. (Photo by David Bornfriend/ © A24 /courtesy Everett Collection) Images that would grab you by the scruff of your neck and take you inside this world and not let you look away from the screen. “I think we started to share imagery back and forth [in the lead up to Moonlight], which is what we often do: So I ll send him a series of photographs, he’ll send me a series of photographs. Very quickly after sharing of images back and forth, it became clear the movie wanted to have a very, very bold sensibility visually, and have images that would really grab you by the scruff of your neck and take you inside this world and not let you look away from the screen. To us, that had to do with strong color palettes with shooting in anamorphic aesthetics, where you re having these epic sensibilities apply to what in the material was very subtle and nuanced. That combination of epicness and intimacy is what Moonlight came to look like. That s how I see it, anyway, and that’s largely to do with just those early conversations about wanting those bold sensibilities to be at the forefront of our storytelling.”THE MOMENT: The Swimming LessonIn the first chapter of Moonlight,  Little, Jenkins offers one of the most moving and often surprising relationships between a boy and a father figure we ve seen in cinema. Juan (played by Mahershala Ali, who would win the first of his two Best Supporting Actor Oscars for the role) is a drug dealer whose softer, nurturing side is drawn out by Chiron, known as Little here. In a scene that defines the relationship, and came to define the film for many, Juan takes Chiron out off of a Miami Beach and teaches him to swim. Laxton was in the water with Ali and young actor Alex Hibbert as the moment unfolded.Mahershala Ali and Alex Hibbert in the swimming instruction scene. (Photo by David Bornfriend/ © A24 /courtesy Everett Collection) Juan is one of these characters who really champions and gives this sense of trust to Little. One of the concepts in the film that s discussed is this idea of love generally, and more specifically trust in our parental figures. I think there s a lot of conflict within Moonlight s coming-of-age [story], of Chiron s journey finding adult figures that can help guide him through some difficult moments in his youth. Juan is one of these characters who really champions and gives this sense of trust to Little, or to Chiron. I think he does that specifically within this swimming scene, which for us had to have a sense of intimacy and a sense of struggle with it. There’s a lot of symbolism that is going on in that scene, especially visually. That iconic imagery that is epic in its sort of nature… we knew that was going to be part of the scene. Our approach in terms of camera work was to try to make the scene feel intimate, and as nuanced, and small, in a way, because the scene conceptually was going to be so big. If we could provide an intimate portrayal of it, in terms of how the scene is lensed, we felt like that would be the trick, so to speak. That would be the way into our audience s hearts and minds. That was how we came about this idea of, well, let s get the camera out into the water.” We wanted it to feel like a struggle, throwing me out there with this big camera unit, trying to fight the currents myself in the same way that Little is. “There are some pictures of me online struggling with this massive, behemoth underwater housing [a substantial camera case] – and we shot this film anamorphically, before some of these cameras that now are much smaller were available to us, so it was a very large contraption that you see me wrestling around the surf with. But I think that was in many ways part of it. Barry and I are so often trying to find ways to visually represent a character s perspective; [that’s] how we go about making choices photographically. It s all about character for us, and so for me, it was about trying to have a swimming lesson on my own in many ways, trying to learn how to use this camera in the water. I by no means am an underwater cinematographer. I mean, there are people who do that job specifically, and they re really great at it. We didn t necessarily want that, though. We wanted it to feel like a struggle… throwing me out there with this big thing and trying to fight the currents myself in the same way that Little is fighting the currents. We felt like there would be something in there, in the struggle between how it s being visually represented and then what the scene is about at its core – this sense of trust that Juan is giving this young man in the water.”Hibbert and Ali during the swimming lesson scene. (Photo by David Bornfriend/ © A24 /courtesy Everett Collection) Barry, who’s from Miami, is ankle deep in the surf looking out at the horizon. He quickly realized, ‘Oh, look. There s a storm coming.’ “I think we had scheduled at least half a day to shoot this scene, specifically the water, swimming portion of the scene; we thought we had about six hours or so. So, we re setting up the equipment, we re getting the camera into the water, which takes a little while. Meanwhile, Barry, who’s from Miami, is ankle deep in the surf looking out at the horizon. I m not from Florida myself, but he quickly, being native to the space, realized, ‘Oh, look. There s a storm coming.’ He might as well be a meteorologist. I think he said that we have about an hour-and-a-half to get this scene shot. He was probably about right: it was about an hour-and-a-half or so later we had to run for cover, because a massive rainstorm had come. We had to hide underneath all kinds of tents and take a very long break. I mean, it was hours before we got back out there. When Barry alerted us to the storm approaching, we gathered our equipment together as quickly as possible, ran out into the water, and in some respects… I don t want to say improvised, because what is in the script is on camera, if not in the exact way it was depicted. But we had a lot more shots in our shot list, and [were going to be] much more organized about capturing it. But I think because of the elements approaching, we had to really get out there and just specifically have a swimming lesson, and let Mahershala as Juan guide this young man, and [have] me out in the water, as well, trying to capture this swimming lesson as it came. It [was shot] almost like a documentary, less so like a film in some respects. I think in the end, all for the good. Sometimes your reaction to moments is as good as a well detailed plan might be. Sometimes it s even better.” By the end of the scene, these dark rainclouds have come over us. “The sky does change on us at some point. We begin the scene in beautiful, somewhat partially clouded skies, and by the end of it, these dark rainclouds have kind of come over us, and as we end that scene, it kind of alludes to what is coming in the journey of Chiron, this impending cloud. THE IMPACT: A Clearer HorizonMoonlight s success announced some major new talents. Ali, Trevante Rhodes, Ashton Sanders, Hibbert, and Janelle Monae would all become in-demand actors – especially Ali, who would win a second Academy Award for Green Book in 2019. McCraney would write a TV series for OWN and win stage acclaim on Broadway for Choir Boy. Jenkins follow-up film, the adaptation of James Baldwin s If Beale Street Could Talk, was one of the most anticipated movies of the fall last year, and would go on to become one of the best-reviewed films of the year (Jenkins would win Best Director at the 2019 Independent Spirit Awards and the film would win Best Picture that same night). Laxton was nominated for an Oscar for his work on Moonlight, and his work on Beale Street honored throughout last year s awards season. The cinematographer says he didn t expect all the red carpets when Moonlight wrapped its 21-day shoot in Miami back in 2015; he simply says the crew were proud of the work they d done. Today, he says he s proud that the work they did has connected with so many people, and continues to do so. Mahershala brings a number of things with him when he comes on to a set There s someone there who s ready for anything. “Mahershala definitely brings a number of things with him when he comes on to a set. There s a professionalism, of course, but there s a strength, and there s also a calmness; there s just someone there who is ready for anything. I don t know Mahershala really well; I know him from this experience filming the movie. But at the same time, he s such a giver. I think in a way he brought not just him as Juan [to the scene], but there s something of Mahershala in there, too. I don t think Alex knew how to swim, or at least proficiently swim in that moment, and so, I think, yeah, Mahershala, again, in the sense of really getting out there and us all, camera included, kind of going through a swimming lesson in real life, in real time, with the storm coming over us… I don t think that a different person could ve done that. I think it s so him. The part wasn t necessarily written for him, I don t believe, but he brought himself into that role in a way that I think very clearly comes out in that swimming scene.”Barry Jenkins and James Laxton at the 2017 Independent Spirit Awards. (Photo by Alberto E. Rodriguez/Getty Im 😈😈

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