天天幻想采用百度引擎1（Baidu 8）(Photo by Francois Duhamel/Columbia Pictures)Daniel Craig famously said he d rather resort to self-harm than take on another James Bond project after he completed production on 2015 s Spectre, but somebody somewhere managed to convince him to do one more, and now we have No Time to Die. This one, though, this one is really the last time he ll step into 007 s bespoke suit that s what pretty much everyone assumes, anyway. As a result, the same conversations that popped up post-Spectre about who might replace Craig in the role have resurfaced, if they ever truly went away in earnest.With that in mind, as James Bond prepares to take on his 25th assignment, we here at RT have put together a list of 25 potential candidates who could step into the role after No Time to Die, and we want to know who you think is the best fit. With all the various discussions about the possibility of passing the torch to a non-white actor or a woman, we decided to cast our net wide and offer up a wide variety of choices, from dapper gentlemen and leading ladies to brooding brawlers and even a few outside-the-box options. So cast your vote below and let us know who you think should be the next James Bond!Note: You can vote for as many of the candidates below as you want, but you ll only be able to vote for them once.
(Photo by Claudette Barius/Universal Pictures)The SXSW Conference has announced its features lineup, adding to the previously announced opening night film US, Jordan Peele s follow up to his winning mega-hit Get Out. Film, interactive, episodic, and immersive media all converge during the 10-day film conference, known for Texas-sized crowds and raucous reactions, in March. Last year s opener, A Quiet Place, parlayed a glowing SXSW reaction into a 0 million juggernaut, and Us, we would assume, hopes for the same. This initial release of films is already stacked with a number of festival favorites like Seth Rogan and Matthew McConaughey and new offerings from first-time filmmakers Olivia Wilde and Logan-Marshall Green.In the documentary section, lookout for Stuffed, which chronicles the surprising world of taxidermy, and Running with Beto, a behind-the-scenes look at Beto O Rourke s 2018 breakaway campaign to unseat Ted Cruz in the US Senate. Not to be overlooked is the impressive Episodic slate, which has become a premier stop for new and continuing series. A highlight this year is Taika Waititi and Jemaine Clement s hotly anticipated What We Do in the Shadows series, an episodic continuation of their cult feature of the same name. Last year, HBO built an entire town to recreate Westworld in the Lone Star State, and with the final season of Game of Thrones premiering in April, don t be surprised if a larger-than-life installation pops up in the streets of Austin. The Headliners section and the Narrative Spotlight section include new films featuring Seth Rogen, Charlize Theron, Lupita Nyong o, and Winston Duke, and those titles are joined by SXSW regulars Jay Duplass, Ethan Hawke, and Robert Rodriguez.Films screening in Festival Favorites, Midnighters, Shorts, Virtual Cinema, Episodic Pilot Competition, Title Design Competition, Music Videos, and late-breaking Features will be announced on February 6. Read up on the full of SXSW Film Slate below:NARRATIVE FEATURE COMPETITIONAliceDirector/Screenwriter: Josephine MackerrasCast: Emilie Piponnier, Martin Swabey, Chloe BorehamShe did everything right until it all went wrong. (World Premiere)Extra OrdinaryDirectors/Screenwriters: Mike Ahern, Enda LoughmanCast: Maeve Higgins, Barry Ward, Will Forte, Claudia DohertyRose, a mostly sweet and mostly lonely small-town driving instructor, must use her supernatural talent to save the daughter of Martin (also mostly sweet and lonely), from a washed-up rockstar who is using her in a satanic pact that will reignite his fame. (World Premiere)Go Back to ChinaDirector/Screenwriter: Emily TingCast: Anna Akana, Richard Ng, Lynn Chen, Kelly Hu, Kendy Cheung, Aviva WangAfter spoiled rich girl Sasha Li (Anna Akana) blows through half of her trust fund, she is cut off by her father (Richard Ng) and forced to go back to China and work for the family toy business. (World Premiere)Mickey and the BearDirector/Screenwriter: Annabelle AttanasioCast: Camila Morrone, James Badge Dale, Calvin Demba, Ben Rosenfield, Rebecca HendersonFaced with the responsibility to take care of her addict, veteran father, headstrong teen Mickey Peck keeps her household afloat. When she has the opportunity to leave for good, she must choose between familial obligation and personal fulfillment. (World Premiere)Ms. White LightDirector/Screenwriter: Paul ShoulbergCast: Roberta Colindrez, John Ortiz, Judith Light, Carson Meyer, Zachary SpicerLex Cordova s business is dying. She has a unique ability to connect with her clients that are terminally ill. It s just everyone else that she has a problem with. Valerie is a no bullshit woman who loves living her life. Her only way out is thru Lex. (World Premiere)(Photo by Sam Probst)Pig HagDirectors: Sam Probst, Colby HoltScreenwriter: Colby HoltCast: Anna T Schlegel, Tony Jaksha, Pete Zias, Michael Henry, Nate Stoner, Maxwell Esposito, Amanda DeSimone, Alex Myerchin, Andrew KudlaJodie, a woman in her mid-thirties, struggles with the pressure to find a partner and have children. When she attends a Guns N Roses concert, she thinks she may have met a potential match — until he immediately ghosts on her. (World Premiere)PornoDirector: Keola RacelaScreenwriters: Matt Black, Laurence VannicelliCast: Evan Daves, Larry Saperstein, Jillian Mueller, Glenn Stott, Robert Tann, Bill Phillips, Katelyn Pearce, Peter ReznikoffWhen a group of naive teens working at a movie theater in a small Christ (Photo by Dominique Charriau/WireImage)The 72nd Cannes Film Festival is in the books and though Quentin Tarantino s Once Upon a Time... In Hollywood (2019) 85% was the toast of the Riviera, the Pulp Fiction director was shut out from all of the final night s major awards. This year s jury was led by the Jury President and Birdman director Alejandro González Iñárritu and included actress Elle Fanning (Teen Spirit), and directors Pawel Pawęska (Cold War) and Yorgos Lanthimos (The Favourite); the group picked a surprising selection of varied work from famed directors and dynamic newcomers.Most of the night s prizes were given to films that championed the poor, marginalized, and unsung, including Snowpiercer and Okja director Bong Joon-ho s Parasite (2019) 98%, which took home the festival s biggest prize, the Palme d Or. French actress turned director Mati Diop continued to make history as the first Black female director to take home the Grand Prix, the festival s second most prestigious prize, for her debut film Atlantics (2019) 95%. (Diop already made history by being the first Black woman to compete for the Palme d Or in the festival s 72-year history.) You can read the full list of winners of the Competition section below, and if you re curious about what films debuted at the festival, and how they fared on the Tomatometer, check out our Cannes Scorecard.Palme d OrParasite (2019) 98%Grand PrixAtlantics (2019) 95%Jury PrizeNighthawk (2019) 93%,Les misÃ©rables (2019) 88%Best DirectorLuc and Jean-Pierre Dardenne, for Young Ahmed (2019) 59%Best ActressEmily Beecham for Little Joe (2019) 67%Best ActorAntonio Banderas for Pain and Glory (2019) 96%Best ScreenplayCéline Sciamma for Portrait of a Lady on Fire (2019) 98%Special MentionElia Suleiman for It Must Be Heaven (2019) 96%Agustina San Monstruo DiosLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
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As the series end to Arrow looms, the characters in the Arrowverse, as well as the program s huge fanbase, were dealt an emotional blow when Oliver Queen (Stephen Amell) sacrificed his life to save all of humanity. Oliver may have perished several times throughout the series, but his death in the recent crossover event, Crisis on Infinite Earths, proved to be his final bow. But all is not lost, though. The show s penultimate episode, titled Green Arrow and the Canaries, not only explores this loss through his daughter, Mia Smoak (Katherine McNamara), it ll also act as the backdoor pilot for CW s new superhero series of the same name.Before his death, Oliver passed the vigilante mantle to Mia, naming her the new Green Arrow. With the title, comes a cool new suit, which is all pretty awesome, considering the conflicted relationship Mia had with her father throughout the past two seasons. This is where things get sticky, though. When Oliver Queen saved the world, he created a new Earth-Prime timeline. And in the process, Mia s memories of her dad and this whole debacle were erased.
天天幻想 Ryan Fujitani for Rotten Tomatoes: You ve written, what, literally hundreds of novels across various series R.L. Stine: I know. Now, let s not say the number or I ll have to go take a nap or something. It s 26 years of Goosebumps. Do you believe it? I think they are about 140 titles now. I don t know. How did it happen? The Fear Street series; there are about 80 in the Fear Street series for teenagers.RT: So you ve not only done that, but you ve done short stories, anthologies, even comics. Did you have any inkling that the Goosebumps series in particular would attract the kind of fan following that it did?Stine: No, we had no idea. And we thought we were doing something kind of dangerous. No one had ever done a scary book series for seven-to-12 year olds. It had never been done, and I was really reluctant. For one thing, Fear Street was doing really well, the teen series, and I didn t want to mess that up. I was very reluctant to do Goosebumps. And then finally I said, All right, okay, we ll try two or three. The kind of businessman I am, right? We ll try two or three. And they just sat on the shelves. It took about six months for kids to discover them. I think if it were today with computers and everything, the stores would ve pulled them off the shelf, and that would ve been it.About six months. Somehow, kids discovered them, and then started telling other kids the secret kids network and it just went crazy. There was no advertising, no hype. Nobody knew me. It was just one of those insane things that no one had planned on. Nobody.RT: Considering you were so skeptical about it working, what was it that finally made you take the plunge?Stine: Well, they kept after me, my editors, and then finally I said, All right. If I can think of a good name for the series, let s try a few. And then I tried to figure out how I could do it and not really terrify seven-to-12 year olds, and I decided I d have a blend of horror and humor.RT: It took quite a while for the Goosebumps movie to come to fruition.Stine: 23 years, it took.RT: Was it satisfying to finally see your creations on the big screen in blockbuster scale that way?Stine: Yeah, it was, and it was a wonderful surprise because I had very little input in the movie. No one wants the author around. No one wants the author around, and I just felt so lucky that the film was so good. It really was a good movie, and I was just very happy about that. And also so weird to be a character. It was all about me. How weird is that, right?So I really enjoyed it. Yeah, I had a really good time with it, and it s totally revitalized the Goosebumps book series. We re back. It s been incredible. I just signed on to do six more. Some of us don t know when to quit, right? We just keep going.Goosebumps 2: Haunted Halloween is available to stream and on DVD/Blu-ray now.
There’s a lot of excitement to be had with the release of Black Widow (out in theaters and on Disney+ with Premier Access on July 9). For one, the title character, played by Scarlett Johansson in the Marvel Cinematic Universe since 2010, finally has her own solo movie. Also, MCU fans finally get a new theatrical feature after two years of drought due to an unfortunate delay. And, finally, it’s also apparently pretty good and worth those two waits.The first crop of reviews for Black Widow, most of them positive, highlight additional things to be excited about specifically, from the performances by Johansson and Marvel newbie Florence Pugh to the relatively grounded action scenes and darker emotional themes for the franchise. It’s obviously not as epic as the last two Avengers movies, though, and whether that makes this a lesser entry or a breath of fresh air will be up for debate.Here’s what critics are saying about Black Widow:Is it worth the wait?Black Widow is finally here after years of delays and pushbacks due to the state of the world – but does it deliver where it needs to? The short answer is yes. Tessa Smith, Mama s GeekyAfter the extended delays of Natasha Romanoff’s long-overdue solo film, Black Widow was certainly worth the wait. Doug Jamieson, The Jam ReportOur patience pays off… Marvel Studios does it again and delivers the goods. Danielle Solzman, Solzy at the MoviesBlack Widow manages to be an extremely welcome case of better late than never. Jamie Jirak, ComicBook.comTruly better so very late than never. Brian Tallerico, RogerEbert.comThere is a too little, too late sense of closure that makes some of the film’s narrative choices confusing at times. Mae Abdulbaki, Screen RantHow does it compare to other parts of the MCU?The best aspects of Black Widow echo the ‘70s spy movie tone of one of the best films in the MCU, Captain America: The Winter Soldier. Brian Tallerico, RogerEbert.comThink a scaled-down version of Captain America: The Winter Soldier. Joey Magidson, Awards RadarBetter than Captain America: The Winter Soldier? Probably not. Superior to anything with the word Ant, Doctor, Hulk or even Thor in the title? Most def. Joey Morona, Cleveland Plain DealerBlack Widow is certainly no Thor Ragnarok or Black Panther and has fairly average MCU visuals and fight scenes. Nicole Ackman, Next Best PictureBlack Widow reminds me the most of Doctor Strange — a movie about a complicated adult character facing up to their own actions and redefining their place in the world without blaming it all on bad daddies. Evan Dossey, Midwest Film JournalShifting away from the superhero template into high-octane espionage thriller territory, it makes a far more satisfying female-driven MCU entry than the blandly bombastic Captain Marvel. David Rooney, Hollywood ReporterBlack Widow may be the least Avenger-like movie in the series so far. No offense to the other Avengers, but after all this time a tweak in the formula is a good thing. Caryn James, BBC.com(Photo by ©Marvel Studios)Does it bring anything new to the franchise?More than other Marvel movies, Black Widow tries to ground the story in a personal, character-driven narrative. Brian Lloyd, entertainment.ieIt has some of Marvel s best character dynamics to date. Jamie Jirak, ComicBook.comWhat sets Black Widow apart from the other MCU movies is that it embraces the darkness inherent in the premise of the character. Evan Dossey, Midwest Film JournalMuch of it doesn’t feel like a Marvel film at all, thanks to the darker tone. Nicole Clark, IGN MoviesDoes it work as a standalone movie?The plot… feels small by MCU standards, but that simplicity is a refreshing change of pace for a franchise that’s too often about saving the world. Rob Hunter, Film School RejectsIt s the palate cleanser the franchise needed… a self-contained, back-to-basics adventure that works just as well for newbies and casual viewers as it does for longtime fans. Angie Han, MashableBlack Widow is a pleasure exactly because it is inessential. Nick De Semlyen, Empire MagazineBlack Widow reminds us of the pleasure that can be offered by an MCU movie that isn’t having to do the legwork of setting up the next five chapters. Alonso Duralde, The WrapSomething is definitely set up for the future, but… Marvel could use these occasionally more self-contained films. Joey Magidson, Awards RadarBlack Widow is a rare Marvel production… that almost, almost pulls off the trick of being wholly its own thing. Richard Lawson, Vanity FairBlack Widow is merely a stepping stone film that fills in a few blanks that weren’t really there to begin with. Matt Rodriguez, ShakefireThis movie feels more like an introduction and set up for what is to come, than the solo film this character deserves. Tessa Smith, Mama s Geeky(Photo by ©Marvel Studios)How is the action?The film has some of the best action sequences in recent memory. Mae Abdulbaki, Screen RantA vast team of choreographers, stunt folks and trainers… gives the movie a visual coherence that most Marvel movies lack. Roger Moore, Movie NationThe fight choreography and stunt work here is impressive and occasionally thrilling, but more often than not, the effect is undercut by the over-cutting. Alonso Duralde, The WrapThe editing of the fight scenes is perhaps a touch too unrelentingly fast, often blurring the choreography, but the physical side never feels overwhelmed by CG enhancement. David Rooney, Hollywood ReporterThe physics are different here than in other Marvel movies, more finely attuned to the hardness and weight of things. It all feels a bit more real. Richard Lawson, Vanity FairFeels more grounded than many MCU entries… while we still get some comic book antics showing the expected disregard for physics we also see the physical toll that all that fighting takes on a human body. Rob Hunter, Film School RejectsThe (comparatively) grounded choreography leads to some of Marvel s most thrilling battles since at least Captain America: The Winter Soldier. Angie Han, MashableIt’s a nice dial back from Marvel films whose heroes can feel immortal… feels satisfyingly street level, in a Jessica Jones kind of way. Nicole Clark, IGN MoviesHow is Cate Shortland s work as director?There are moments where Black Widow absolutely benefits from having a woman in the director’s chair. Alonso Duralde, The WrapShortland proves to be one of the few filmmakers to make the leap from the indie circuit and put her own singular fingerprint on the visual identity of the film — Black Widow is one of the most visually coherent solo films of the MCU, with a gritty, streetwise style that feels like Shortland didn’t just hand off the action scenes to a second unit director. Hoai-Tran Bui, SlashfilmShortland s previous work in psychological thrillers The Berlin Syndrome and Lore gives her an edge with the kind of pulpy material at play here. Brian Lloyd, entertainment.ieShortland keeps things moving along, never letting you feel the runtime — efficiently paced and exciting. Joey Magidson, Awards Radar(Photo by Jay Maidment/©Marvel Studios)What about Scarlett Johansson s performance as Natasha?Scarlett Johansson [is] at her best. Jenna Busch, VitalThrills.comJohansson shines in the role, layering her signature bad assery with a previously unseen vulnerability. Joey Morona, Cleveland Plain DealerThe actress makes the most of it and delivers a powerful, moving performance that serves as a fitting farewell to her tenure as this Avenger. Josh Wilding, ComicBookMovie.comIt’s Scarlett Johansson who holds the film together and gives it its touch of soul… [She] makes the most vulnerable emotions part of the humanity of her strength. Owen Gleiberman, VarietyDoes Florence Pugh fit well into the franchise?If you re not already a fan of Pugh, you will be by the end of Black Widow. Yelena s a firecracker with great one-liners. Kirsten Acuna, InsiderOne of the most exciting additions to the MCU in some time. Josh Wilding, ComicBookMovie.comShe nails it with the spark of someone who’s been kicking around the Marvelverse since day one. Philip De Semlyen, Time OutShe shares much of Natasha’s fighting style while displaying even more sass. Rob Hunter, Film School RejectsHer deadpan is pitch-perfect, coaxing humor out of a traditionally stoic Scarlett Johansson. Where Natasha has coped by turning cold, Yelena has coped with humor. Nicole Clark, IGN MoviesPugh has a dangerous physicality to her as well, which lends to one of the best aspects of Black Widow. Hoai-Tran Bui, Slashfilm(Photo by Jay Maidment/©Marvel Studios)How are the villains in the film?Taskmaster certainly isn’t going to go down as one of the MCU’s best villains, but Black Widow makes good use of the character [as] a seemingly unstoppable force. Josh Wilding, ComicBookMovie.comRay Winstone also makes a great antagonist as Dreykov, conveying an insidious cruelty that is more devastating than most other MCU villains that have come before. Mae Abdulbaki, Screen RantOne of the better executions of villainy in the MCU… Dreykov’s character coheres effortlessly and successfully, feeling earned and without a hint of desperate pandering to feminists. Courtney Howard, Fresh FictionJust having Winstone in this picture lifts it several notches, and he is deliciously fun and scarily authentic as the villain of the piece. Pete Hammond, DeadlineRay Winstone is one of the weakest in the franchise. Joey Magidson, Awards RadarHow is the script?The plot [is] blessedly clean, caulking the spaces in between the stepping stones with characters’ interpersonal dynamics while avoiding any convolution. Courtney Howard, Fresh FictionThere is a lot of talking here, and if you aren’t willing, interested or inclined to invest yourself in the characters, it will likely be at the bottom of your re-watch pile. Evan Dossey, Midwest Film JournalThere is a moment that the writers seem to have decided they didn t have an answer to so they just skipped past it and onto the resolution. Amelia Emberwing, WhatToWatchBlack Widow feels of little consequence, delivering a story that has written itself into a corner with nowhere to go. Matt Rodriguez, ShakefireRyan FujitaniIs it a positive step for female characters in the MCU?We finally get to see Natasha… in a film full of women. Sorry, I mean freaking badass women. And it’s wonderful. Jenna Busch, VitalThrills.comBlack Widow puts female issues front and center without ever making it feel forced or preachy. Rob Hunter, Film School RejectsNeedless to say, the movie does a far better job than the rah-rah inclusivity gesture at the end of Endgame to play up its feminist leanings. Black Widow not only passes the Bechdel Test; it forces men to squeam as it puts them in their place. Eric Kohn, IndieWireDeriving strength from enduring suffering feels as slimy as it does tragic, a nail in the coffin to Marvel’s handling of women superheroes. Nicole Clark, IGN MoviesDoes the movie have any major problems?Natasha is more of a driving force for the other characters around her… even with her name in the title, the spotlight is constantly on someone else. Matt Rodriguez, ShakefireThe movie definitely wraps up a little too quickly; it s as if Marvel Studios had suddenly remembered they had to get Natasha where she needed to be for Infinity War. Josh Wilding, ComicBookMovie.comDescribing the horrors of the Red Room and the Black Widow program in a scene that s meant to be solely comedic because Disney s too afraid to get real with its media? That s maybe something we could have done without. Amelia Emberwing, WhatToWatch(Photo by Jay Maidment/©Marvel Studios)Will it leave fans hopeful for the future of the MCU?The themes of family and women s agency that it explores are a welcome addition to the MCU and hopefully a good indication of where Phase 4 is going. Nicole Ackman, Next Best PictureThe swings that the film takes make it an interesting entry… I’m glad the studio was willing to go all the way with it. Here’s to Marvel taking more risks in the future. Evan Dossey, Midwest Film Journal[It] should hopefully set the bar of inclusiveness for the remainder of Phase Four. Nate Adams, The Only CriticBy delivering a story that satisfies on its own terms… it makes a compelling case for moving ahead with this franchise into the future. Angie Han, MashableThe sorry thing of the film, really, is that this needn’t have been a Marvel movie at all. Richard Lawson, Vanity FairBlack Widow releases in theaters and streams on Disney+ with Premier Access on July 9, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News. 虽然还是有抱着希望的玩家，希望手游可以回馈端游，但似乎大部分人已经觉得，当手游这个计划确定的时候，古剑无疑是已经放弃了端游。