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华体会体育登录采用百度引擎7(Baidu 9)Neil Gaiman’s Good Omens arrives this weekend, bringing both heaven and hell with it. Based on 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Gaiman and Terry Pratchett, the Amazon Prime limited series tells the story of agents of God and Satan who want to stop the Apocalypse — simply because it sounds like a terrible idea. Fortunately, it seems like the reluctant Antichrist has similar inclinations.Michael Sheen (The Queen) plays angel Aziraphale, and David Tennant (Broadchurch) is demon Crowley. The two first met when Crowley turned into a snake and slipped past Aziraphale into the Garden of Eden to tempt Eve. Theirs has been a fine bromance ever since.Rotten Tomatoes met up with the stars, Gaiman, director Douglas MacKinnon (Doctor Who), and, representing Terry Pratchett’s estate, executive producer Rob Wilkins, ahead of the series’ London premiere to find out just what makes the Amazon Studios and BBC Studios co-production Good Omens such a delicious binge-watching option.1. A Monty Python NonsensibilityStarting out the gate with the credit sequence, the series pays homage to Monty Python.But while in sketch series Monty Python s Flying Circus, nobody expects the Spanish Inquisition, Agnus Nutter actually does expect the Spanish Inquisition when her time of judgment arrives.2. The Celestial Bromance at Its Core(Photo by Amazon Studios)Aziraphale and Crowley build their lovingly adversarial relationship one historical clash after another – including, during another nod to Monty Python, when Crowley turns up as the Black Knight. Sketches of Aziraphale and Crowley’s bond strengthening over the ages are pure joy and recommend further adventures of the collegial duo. And Welsh actor Sheen and Scottish actor Tennant spark onscreen in a way that critics have hailed.“Most of the show s charm hinges on the unlikely camaraderie between an Angel and a Demon, played, with considerable gusto, by Michael Sheen and David Tennant,” CNN’s Brian Lowry wrote.New York Magazine’s Keith Phipps wrote, “Good Omens can work only with the right leads, so cheers to bringing in Sheen and Tennant, two actors who know how to make a three-course meal out of understated dialogue and cosmic absurdity.”And, from Allison Shoemaker of RogerEbert.com: “Together, it s like watching two musicians at the top of their game play a duet; they positively sing.”In a press conference before meeting with reporters, Tennant explained the relationship further.“They re not particularly good representatives of their respective head offices. They ve rubbed off on each other, so much, that Crowley s not that mean anymore, and Aziraphale s not that holy,” he said. “So, between them, they ve reached a common ground, and they ve become each other s, sort of, significant other, really They ve only got each other to rely on, and they ve become — although they would deny it until the end of time, quite literally, they re sort of each other s yin and yang … But, it s only when you see what head office is like — for instance, when the angel, Gabriel, appears — that you realize how humanized they ve become by the mortal world, that they really like, quite a lot because it s got wine.”3. The Obscene Wealth of Talent(Photo by Scott Garfitt/BACKGRID)Sheen and Tennant are just the start. The rest of the cast fills out with an enviable assemblage of talent for serialized entertainment:Jon Hamm (Mad Men) as Archangel Gabriel, who leads the angelic hostAnna Maxwell Martin (The Bletchley Circle) as Beelzebub, leader of the forces of HellJosie Lawrence (Enchanted April) as 17th-century witch Agnes Nutter, who produces the only accurate book of prophecies ever writtenAdria Arjona (True Detective) as Anathema Device, a witch and Agnes Nutter’s descendantMiranda Richardson (Harry Potter franchise) as part-time medium and prostitute Madame TracyMichael McKean (This Is Spinal Tap) as Witchfinder Sergeant ShadwellFrances McDormand (Three Billboards Outside Ebbing, Missouri) voices GodBenedict Cumberbatch (The Hobbit film franchise) voices SatanSam Taylor Buck as reluctant Antichrist Adam YoungThe series, a coproduction of Amazon Studios and BBC Studios, is directed by Douglas Mackinnon (Doctor Who) and also features Jack Whitehall, Mireille Enos, Brian Cox, Nick Offerman, Ned Dennehy, Ariyon Bakare, Nina Sosanya, Steve Pemberton, and Mark Gatiss.4. Expertly Drawn Characters(Photo by Amazon Studios)The series’ stars raved about bringing Gaiman and Pratchett’s characters to life.“Nothing is odd about this character; I think she s entirely relatable. Particularly, the channeling of many, many souls, alive and dead, and riding a motorbike, in a cape, with a former member of Spinal Tap. It s just part of the day job, really,” Richardson related in a press conference before breaking off to meet with reporters. “It feels like my element. I love it. Transformation and costume and inhabiting of other, but at the same time, the character is, all the characters are, incredibly humane. I just I love that about this project. That s what comes across, I think.And what will book fans think, especially given changes like Archangel Gabriel’s expanded role?“I think had we gone into this project without Neil,” Hamm said, “there would have been a different reaction, but because Neil was involved from the get-go and was so involved during the process of making it, it became like a version 2.0. So I think the fan base was jazzed, they were like, Oh my God, we re getting more, we re almost getting a sequel or something, we re getting the extended version, the EP. … We were at New York Comic Con and there were 5,000 people that showed up for a panel discussion. It was bonkers. It was like a rock concert. It didn t hurt that we had Doctor Who on stage. It was still pretty cool and that was when I was like, Oh yeah there are way more people that are just as excited about this as I am. Worldwide, it s been published in 70 languages.”5. A Story With Heart(Photo by Mike Marsland/WireImage)Good Omens has a lot of heart. That’s baked into the series by Gaiman, the stars attest.“The writing is absolutely promoting humanity,” Richardson said. “You know, it s very affirmative and optimistic, really, isn t it?”“[Neil is] very centered,” she continued. “He knows what he thinks about everything. That doesn t mean he s not open. He is completely open. So you ask him a question, and it s really considered. It s not, You don t need to worry about that. It s this is just what s happened, or I think you should try that, or whatever it is. You know, everything is very considered. It s great.”Lawrence: “He has time for you, which is wonderful.”Richardson: “Like having Daddy on set.”Lawrence: “Yes, it is, or a beautiful angel.”Hamm also noted that Gaiman brings something different to the process of creating a series.“What Neil really brings to everything he does is the capacity for storytelling,” Hamm said, “and that s first and foremost. Also I think some people in the more traditional Hollywood aspect, they re trying to make money. They re making product, whether it s a Marvel movie or what have you franchise, they re not necessarily concerned with storytelling. They re concerned with IP, or what s it going to be on the second weekend or what s the third movie going to be at franchise – Neil just wants to tell a story. That s how he s created this career that s been so wide-ranging, and I think you re going to see a lot more Neil Gaiman stuff get filmed because the stories are so compelling.”6. The Antichrist Has Never Been More EnchantingAntichrist Adam Young has the wide-eyed English-schoolboy charm of classic heroes like Mark Lester’s 1968 Oliver or any number of Nicholas Nicklebys throughout the cinematic age – until, of course, the boy inherits his powers. Aziraphale and Crowley’s attempts to manage the situation are akin to trying to stop a tornado with a butterfly net — a magical butterfly net, but still.7. Evolved Female Characters(Photo by Scott Garfitt/BACKGRID)Though Good Omens’ main characters, Aziraphale and Crowley, are male, we find engaging and richly drawn women among the secondary stars of the series. Anathema spends most of her time chasing a McGuffin, but in the end contributes greatly to the stop-the-Apocalypse cause.“There s a big difference between a tough female character and a strong female character and Anathema s strong, she s very in her essence,” Arjona said. “She s a woman and she s sure of herself and so unsure of what she s doing and messes up, and she s flawed and she doesn t get it right all the time — sometimes she does — and she has this guy that s following her and never falls into romance. She’s like, ‘I gotta do what I gotta do — maybe after babe. I ll catch you later.’ She s doing her own thing and I love that about her, and I wish a lot of other characters would be like that because relatable to me, and I see my friends and the way they deal with their careers and their own life, and it s very similar to Anathema.”Richardson’s Madame Tracy is a very rich character, who, despite her own flaws, endures a level of verbal abuse and emotional sabotage from Shadwell.“Madame Tracy has her own strengths. She, in some ways, feels a bit retro. I mean, her part is retro, and the fact that she s making a living in the way she is, is a bit retro. But at the same time she s providing an incredible help in the community, and she s also very supportive, and she s trying to be a little bit life-enhancing … so there are those feminine traits, things showing. She takes care of Shadwell, and she looks out for people. It s rather lovely, but she s her own woman.”Good Omens sets out to prove a love bond between the prostitute and the Witchfinder, but where she definitely shuts the door on the risk of her infidelity, his name-calling promises to continue.“I know it is a bit questionable,” Richardson said, “but maybe it s, pardon the pun, better the devil you know. I don t know, you know? She s practical.”8. Unique Artistry(Photo by Amazon)The production design, effects, and costuming on the series lend a distinctive voice to the characters’ surroundings. Several of the actors noted that the costumes and unique environments helped them fully inhabit their characters.“There s an opportunity to sort of portray this guy as the boss that everyone has, that everyone hates, who s constantly smiling and telling you, ‘Great job,’ while also subconsciously saying, ‘You re terrible,’” Hamm related. “And, I ve worked for that guy before, and I ve hated him, and it was kind of fun to play. Just like, ‘Everything you re doing is wrong. Keep going.’ And, I got to wear so much cashmere in this, that it was A: warm, B: soft, C: comfy. But yeah, there was a lot to recommend for being on the heavenly side of thing, from a fabric point of view.”Arjona similarly credited the series’ style choices for aiding her performance: “I just tried on her boots and something happened, and I got really lucky because I didn t have to do much work after I tried on her boots.”9. An Uncompromised Creative Vision(Photo by Ian Gavan/Getty Images)With Good Omens, Gaiman sought to fulfill a deathbed wish of his collaborator on the book, Terry Pratchett, and so, dug in his heels.“Being the writer was relatively pleasant and entirely stress-free in that nobody was really waiting for this. I wrote it, I promised Terry I would write it, I wrote it, did the adaptation, divided the book into six, every 50 pages: OK, that s episode one, that s episode two. Fair enough, I ll write a mini movie through time that will kick off episode three. That was all simple and very stress free,” Gaiman said.“The problem is that I d promised Terry Pratchett that I would make a TV show that he would want to watch, and I d learned through my previous outings in television — some of which have been incredibly successful and some of which hadn t — that the measure of which were successful and which weren t were not the quality of the script to begin with; it was what actually wound up on the screen at the end. And I thought, OK, I have to be in a place where I can control that, where I have a director who I can work with who we share a vision with, where I can cast the people who I see in my head, where I m there just making sure that a producer who — producers don t understand scripts. I wish they did, but they don t —”MacKinnon: “Some of them do.”“Some of them do,” Gaiman conceded. “A lot of the time, what a producer will do when they go, ‘OK, we have X amount of money. We have this in the script and here is a sequence that is both expensive and if we lose it, we ll save a day of filming and nobody s going to notice if that scene is gone,’ completely failing to understand that if they pull that scene out, nothing that follows it will actually make any more sense. This is something producers have been doing since the dawn of time.“To make this thing for Terry, what I had to do was be in a place where I could just say no when somebody said, ‘So, we think we re going to lose Shakespeare s Globe.’ I go, ‘Yeah, no we re not.’ Sometimes I would come back with, ‘I ll tell you what. If we need to save that money, we can lose this scene after that you really like but that actually doesn t change anything. It can go.’”It’s the only instance of anyone tied to Good Omens who we’ve spoken to describing Gaiman’s behavior on the production as anything other than “lovely.”10. Heavenly Irreverence(Photo by Amazon Studios)Both Sheen and Tennant aren’t strangers to supernatural beings; Sheen appeared as Head Lycan in Charge Lucian in the Underworld vampires-versus-werewolves film franchise, then as The Twilight Saga vampire Aro. Tennant, meanwhile, not only played the titular extraterrestrial in Doctor Who for three seasons and in specials as the tenth Doctor, whose abilities were anything but earthly, but also turned up as witch and Voldemort loyalist Barty Crouch, Jr. in Harry Potter and the Goblet of Fire.The actors appear to take on these heavenly creatures with ease and a sort of glee.“All those characters like vampires, werewolves, angels, demons, they get reinvented — don t they? — by each generation, because they come to represent different things for each generation,” Sheen said. “And also budgets have changed. There s a lot more money to make stuff that can really use those sort of effects quite well. But in terms of Heaven and Hell and angels and demons — the end of time s and apocalypse is a whole other thing, I suppose — we re starting to think about slightly differently. I think the angels and demons thing and Heaven and Hell is always partly about going, well you have these two extremes and real life is about somehow being in the middle somewhere and being in the gray area and that s certainly what, I think, Good Omens is about.”There’s a good chance that Good Omens will ruffle some feathers, but Gaiman isn’t worried.“One of the things that I made a call writing literally page one, which was, I thought, Well, it could be Adam and Eve in the Garden of Eden, and they re not going to be white. So, in the first five minutes, you re going to have to deal with the voice of God and she s a woman and she s Frances McDormand, and you re going to have to deal with a non-white Adam and Eve. That s your first five minutes. You can stop watching now. If you were upset or offended, great excuse to stop watching now. You will probably be much more offended by things later on like an 11-year-old Antichrist who is actually a good kid … But look, that was there for you: You had a five-minute warning — [Good Omens] actually starts with the word ‘warning.’”Good Omens debuts on Friday, May 31 on Amazon Prime.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

1. 华体会体育登录
Ernest Scared Stupid (1991) 17% It s redneck saint Ernest P. Worrell versus a soul-stealing troll in Ernest Scared Stupid, the last in the vaunted series to be released in theaters. Jim Varney stars as the latest Worrell in a bloodline that has been cursed long ago by a troll to get dumber each generation, until a Worell is born foolish enough to release the troll from its prison beneath an old tree. And the 1990 edition of the Worell-sapien is the one to do it. Yep, this movie has Ernest lore and backstory. Varney was a generous comic actor, ready and willing to tear apart his face and tumble around the camera in whatever context the script called for. Scared Stupid has fairly high stakes for this series (the troll turns children into wood carvings, and even Ernest s sole companion, Rimshot the Jack Russell Terrier, is lost). The movie s requirement that you actually take him seriously as a hero may have been too frightening for audiences, and that s what got Ernest kicked out of theaters. Imagine what joys the world could have shared together with him on the big screen, what kingdoms and alternate realities he could ve passed through with his indefatigable spirit and puckered twisting lips, what history he could re-write (you know they d give him a time machine at some point) had he not passed on into the sunless void, a.k.a. the 90s home video market. Something to think about. Happy Halloween!Available on YouTube, Amazon Video, iTunes, Google Play, Vudu, FandangoNOW It s been a month since Apple TV+ launched – just ahead of rival Disney+ – and began to make its case for why you should subscribe to the tech company s streaming service. How successful has the case been? That s what we re looking at in this episode of Couch Tomatoes.We ve now had time for Apple s big launch shows – The Morning Show, See, Dickinson, For All Mankind – to hit their strides, and we ve just been hit with the service s most critically acclaimed series yet in M. Night Shyamalan s super-creepy Servant. Couch Tomatoes host Naz Perez is digging into each series with TV hosts Heather Gardner and Jackie Iadonisi, and IndieWire TV critic Ben Travers. Has The Morning Show delivered on the prestige TV promise of its cast and creators? Is Dickinson the modern-period mashup we ve been waiting for? And does Servant serve up the Shyamalan scares fans are hoping for? We ll tackle all those questions, as well as share what s on the horizon for the streaming service.Our guide to the Best Apple TV+ ShowsPlus, with each episode of Couch Tomatoes, we dig into a major series or event and provide Fresh picks of great shows to help you cut through the clutter and only binge the best.Apple TV+ is now available. Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
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This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Halloween Kills, Peter Pan Wendy, and Wolfman. This WEEK S TOP STORYBRAD PITT BOARDING BULLET TRAIN FOR JOHN WICK DIRECTOR(Photo by Andrew Cooper/©Columbia Pictures)Brad Pitt has enjoyed steady success throughout his career, even as recently as last year, when his performance in Quentin Tarantino s Once Upon A Time in Hollywood garnered widespread acclaim, but it s been a little while since he appeared in a proper, traditional action film unless, of course, you count his blink-and-you ll-miss-it cameo in Deadpool 2. With that in mind, he s now set to work with the guy who helped re-establish Keanu Reeves as an action star: David Leitch (John Wick, Atomic Blonde, and the aforementioned Deadpool 2). Pitt has signed with Sony Pictures to star in an action thriller called Bullet Train that will be directed by Leitch, whose most recent film was last year s Fast Furious Presents: Hobbs Shaw (Fresh at 67%). Bullet Train will be an adaptation of the Japanese novel Maria Beetle by Kotaro Isaka and will tell the story of five assassins who find themselves on the same train from Tokyo, which undoubtedly leads to lots of shooting and stabbing and kicking and punching. Because, you know, action.Other Top Headlines1. JUDE LAW IN TALKS FOR CAPTAIN HOOK IN DISNEY S LIVE-ACTION PETER PAN WENDY(Photo by Alex Bailey/©Focus Features)It certainly seems like there have been a lot of live action takes on J.M. Barrie s Peter Pan in recent years, including films as 2003 s Peter Pan (Certified Fresh at 77%), 2015 s Pan (Rotten at 27%), this year s Wendy (Rotten at 37%). One of the companies that has stayed out of the live-action Peter Pan business until this point has actually been the one that would ve seemed the most obvious choice, which is Walt Disney Pictures. Disney s 1953 animated Peter Pan is arguably the play s most famous adaptation, and that film s version of Tinker Bell became an icon for Walt Disney Pictures, used in various opening credit animations over the years. On top of that, Disney is very much in the ongoing process of adapting its most famous animated films into live-action ones. The live-action adaptation of Peter Pan will be called Peter Pan Wendy, and it will be directed by David Lowery, who previously directed the live remake of Pete s Dragon (Certified Fresh at 88%). We don t yet know which young actors will play the title characters (or Tinker Bell, for that matter), but this week, the news broke that Jude Law is in talks with Disney to play the villain, Captain Hook. If he signs on, he will take on a role previously played by the likes of Dustin Hoffman (Hook), Jason Isaacs (Peter Pan), and Hugh Jackman (Pan).2. THE INVISIBLE MAN DIRECTOR ALSO IN TALKS FOR RYAN GOSLING S WOLFMAN (Photo by Saeed Adyani/©Columbia Pictures/courtesy Everett Collection)Australia s Leigh Whannell is a producer, director, and screenwriter who got his start collaborating on Saw with future Aquaman director James Wan in a career arc that most recently included Universal Pictures reboot of The Invisible Man (Certified Fresh at 91%), starring Elisabeth Moss. That film happened after Universal Pictures scrapped their previous Dark Universe plans for rebooting their classic monsters, which would have included Johnny Depp starring in The Invisible Man and rumors of Dwayne Johnson possibly starring in Wolfman. Despite the COVID-19 pandemic happening just as The Invisible Man was opening in theaters, the film was otherwise a financial success, so Univeral Pictures is moving forward with similar reboots, including Wolfman. Just about a month ago, the news broke that Ryan Gosling was the studio s top choice to star in Wolfman, and it now appears that Gosling has indeed signed on, as Universal Pictures is in talks with Leigh Whannell about writing and directing Wolfman to continue the thread between The Invisible Man and their ambitious werewolf movie. Whannell and Gosling have reportedly wanted to work with each other for some time. 3. OPRAH WINFREY LAUNCHES PARTNERSHIP TO ADAPT PULITZER PRIZE-WINNING THE 1619 PROJECT (Photo by Priscilla Grant/Everett Collection)Last year, The New York Times Magazine began a new series called The 1619 Project, named after the arrival of the first ship of enslaved Africans to the coast of the colony of Virginia. Producer Oprah Winfrey is now collaborating with Lionsgate and The New York Times on a series of feature films and television projects that will be based on The 1619 Project. Journalist Nikole Hannah-Jones won the 2020 Pulitzer Prize for The 1619 Project, and she will be a key participant in the projects Oprah Winfrey has planned. It is not yet known which of the true stories documented in The 1619 Project will be adapted as feature films, but the Variety s news item references titles like, America Wasn t a Democracy Until Black Americans Made It One and American Capitalism is Brutal: You Can Trace That to a Plantation. The 1619 Project scope will reportedly include  multiple feature films, TV series, documentaries, and other cross-platform content for a global audience. 4. MAZE RUNNER AND JOJO RABBIT STARS SOUGHT FOR PETER FARRELLY S NEXT FILM(Photo by Dee Cercone, Elizabeth Goodenough/Everett Collection)Before winning an Academy Award for Best Picture for Green Book (Certified Fresh at 77%), director Peter Farrelly was probably best known for comedies like Dumb and Dumber and There s Something About Mary. For his next film, Farrelly is returning to the 1960s setting of Green Book with an adaptation of the non-fiction book The Greatest Beer Run Ever, about a young man who traveled to Vietnam to reunite with friends who were soldiers in the war. The first actor to sign on for The Greatest Beer Run Ever a few weeks ago was Viggo Mortensen, who also starred in Green Book. This week, Mortensen was reportedly joined by Dylan O Brien, one of the stars of MTV s Teen Wolf (who s speculated but not confirmed to be playing the lead role). For the female lead, producers are also reportedly eyeing Jojo Rabbit co-star Thomasin McKenzie, but she s not signed yet.5. TIFFANY HADDISH WILL TRAVEL TO AFRICA TO BE CROWNED HOMECOMING QUEEN (Photo by Michele K. Short/Universal Pictures)Once a separate Hollywood studio, the former DreamWorks SKG, co-founded by Steven Spielberg, has in recent years been divided a few times over, with the live-action production company now being called Amblin Partners (not to be confused with Spielberg s own Amblin Entertainment). Some of the recent films produced by Amblin Partners have included First Man, Best Picture Oscar-winner Green Book, and ten-time Academy Award nominee 1917. Amblin Partners is now developing a comedy for Tiffany Haddish (Girls Trip, Night School) called Homecoming Queen to be written by Raamla Mohamed, a TV writer who s worked on Scandal and Little Fires Everywhere. Haddish will star in and also produce Homecoming Queen, which is reportedly inspired by Haddish s own experience traveling to Africa thinking she was royalty, only to find out that that designation means something completely different there. Other upcoming movies that share an African royalty theme include Eddie Murphy s sequel Coming 2 America (12/18/2020) and Marvel s Black Panther II (5/6/2022).6. JANELLE MONAE S ACTIVELY PETITIONING TO BE MARVEL S STORM IN X-MEN REBOOT (Photo by Elizabeth Goodenough/Everett Collection)Most sites reporting on movie development news try to avoid stories that hew too close to rumors, but every once in a while, a big enough star will actively campaign for a role that it will inevitably become a story, even if there s no deal in negotiation. The most recent example of this came just this week from singer and actress Janelle Monáe (Moonlight, Hidden Figures), whose horror film Antebellum is among those that would have originally been released in theaters if not for the COVID-19 pandemic. In a recent interview, Monáe revealed that one of the roles she hopes to take on is the mutant superhero Storm of Marvel s X-Men, who has previously been played in film by both Halle Berry and Alexandra Shipp (in X-Men: Apocalypse). Monáe said she brought it up while talking to director Ryan Coogler (currently working on Black Panther II, scheduled for 5/6/2022). It s worth noting that Marvel Studios has not yet announced when any o华体会体育登录剑来传说录魔童降世官方版一款好评度极高的RPG仙侠手游,这款游戏不仅拥有着精美的游戏画面,更是为玩家打造了一个全新的仙侠玩法,而且游戏的玩法十分丰富,还有萌宠,坐骑,羽翼,时装等丰富元素等待玩家体验,喜欢仙侠的玩家可一定不要错过。

3. 激战团竞模式
We have been busy at Rotten Tomatoes these last two months recommending tons of movies and TV series to watch during quarantine (you can find a ton of lists here). But sometimes you re not in a position, or mood, to plonk yourself down in front of a screen. Perhaps you re working, or gardening, or cooking, or exercising, or hiding in a closet for a few minutes of peace and quiet away from your kids/pupils/audience. Either way: tough to follow the twists and turns of Ozark as you do that. To help in these moments – and to generally keep you sane and healthy as we endure our collective cabin fever – the RT staff curated a list of 15 scores to pair with different parts of your quarantine life. Looking for something to push you through that last set of burpees? We have an orchestral doozy for you. Got a swoony Zoom date? Try something with French flavors. Want a new soundtrack to your Animal Crossing hours? Daft Punk is here to help.What movie music are you listening to at home? Let us know in the comments. Gattaca (1997) 83%(Photo by © Columbia/courtesy Everett Collection)Composer: Michael NymanThere are moments in Gattaca where nothing much is happening on-screen, but the rich Michael Nyman score is going in hard. In my early Gattaca-watching career (I ve seen the movie eight or nine times now), I thought this was faulty, like the music was overcompensating. Plainly, this was a bad take. The music is devastatingly romantic. And not just how it informs the relationship between Jerome and Irene (Ethan Hawke, Uma Thurman), but also Jerome s love for himself, to believe he is capable of something far beyond his cursed birthright. These times ask us to search for this kind of inner strength, to navigate daily life s new chaos, and carry a torch of hope for the not-too-distant-future. Gattaca s soundtrack, culminating in the impossible beauty of The Arrival, is the music of that guiding light.Listen when: Working from home – this s t is motivating! – but only if you like your job, and you re not on a call. – Alex Vo, EditorRomeo and Juliet (1968) 95%(Photo by Courtesy Everett Collection)Composer: Nino RotaItalian composer Nino Rota has quite the résumé: La Dolce Vita, 8 1/2, and, of course, the first two Godfather films, both of which earned him Oscar nominations, and the second of which got him a win. My personal favorite, though, is his score for Franco Zeffirelli’s 1968 version of Romeo and Juliet, starring Leonard Whiting and Olivia Hussey. Maybe it takes me back to the high school English class in which I first saw the film, but there’s something about Rota’s love theme – a little trepidatious at first before a rousing strings-led swell, all laced with a certain feeling it’s not going to turn out well – that helps me focus when editing or reading. Be warned though: The score’s final tracks, which accompany the tragic finale on screen, are intense. Skip those, re-start from the beginning, and pretend the young lovers had a dagger-less ending.Listen when: You’ve carved out some time in your day to read (and have got your looking interested photo programmed to your Zoom feed). – Joel Meares, Editor-in-ChiefAnatomy of a Murder (1959) 100%(Photo by Courtesy the Everett Collection )Composers: Duke Ellington, Billy StrayhornThere are several reasons why Otto Preminger s Anatomy of a Murder is one of the greatest courtroom dramas ever, but it s arguably best remembered for its striking opening title sequence by Saul Bass and its incredible soundtrack, composed by none other than jazz legend Duke Ellington and his longtime collaborator Billy Strayhorn. Together, Ellington and Strayhorn put together a complete musical package that was alternately sultry ( Flirtibird ), playful ( Happy Anatomy ), melancholic ( Almost Cried ), and mysterious ( Midnight Indigo ), and it all still feels fresh and alive today. Of course, the most memorable song is probably the Main Title theme that accompanies Bass opening credits, but the whole score just drips with style. It s also worth noting that it was not only one of the first soundtracks entirely scored by jazz musicians, but also the first one for a major Hollywood film that was created by an African-American composer. Movie soundtrack or not, it s a masterpiece.Listen when: You re feeling fancy and having a glass of wine in a bubble bath. – Ryan Fujitani, Snr. EditorThe Handmaiden (2016) 95%(Photo by © Amazon Studios /Courtesy Everett Collection)Composer: Jo Yeong-wookThe Handmaiden, like so many others, is the type of film that Bong Joon-ho spoke of when he urged English-speaking audiences to hurdle over the one-inch barrier of subtitles during one of his acceptance speeches last year for Parasite. The Korean- and Japanese-language film, which was not selected for Best International Film in 2016, sadly never reached a wide audience and was instead relegated to join other underrated/unknown non-English gems (most of which are available to stream – so get busy). Due to its under-the-radar status, many not only missed the seductive romance-thriller director Park Chan-wook weaved, but also the humorous and erotic score that plays throughout most of the film. The music, like the film it plays beneath, is surprising and genre-defying, mixing dark themes employing strings, clarinets, and harps with romantic melodies.Listen when: You re scrolling through exotic locales, dreaming of the day you can travel to distant lands once again. – Jacqueline Coley, EditorDrive (2011) 93%(Photo by Richard Foreman Jr/©FilmDistric/Courtesy Everett Collection)Composer: Cliff MartinezYou can split Drive s original Cliff Martinez soundtrack into three categories: Pensive, ethereal, and fittingly, driving. Kick Your Teeth and Skull Crushing are among the pensive songs, and they suggest a shadow looming high over your shoulders, like a clockwork beast wound up to strike. The ethereal songs make you feel like you re drifting through a hazy dream, and have incongruous names like They Broke His Pelvis and Wrong Floor. These two moods converge in the driving songs ( Rubber Head, Where s the Deluxe Version?, Hammer ) that speak to those luxuriating in their delusional power fantasies and modern fairy tales. And, in this world, who can blame them?Listen when: You re out for a sanctioned late-night drive, on the route with the most lights. – VoToy Story (1995) 100% and Toy Story 2 (1999) 100%(Photo by © Walt Disney Studios Motion Pictures, © Pixar)Composer: Randy NewmanOver four films, the themes and movements of Randy Newman’s Toy Story scores have become as familiar to many ’90s kids as “The I

4. 呼朋唤友 随心所欲
Taupin s new song for Rocketman, (I m Gonna) Love Me Again, is the one we think should and will win next Sunday. It s racked up a number of awards already, gives the Academy the chance to honor the largely snubbed Rocketman, and, well, all those years of hosting Oscar parties are surely set to pay off for Elton, right?Sound Editing(Photo by © Universal)Who will win?Oliver Tarney and Rachael Tate – 1917 (2019) 89%Who should win?The precise sound effects of 1917 work with the incredible cinematography of Roger Deakins to plunge audiences in the trenches, and that s why it s our pick for the one that should and will win in this category.Sound Mixing(Photo by © Twentieth Century Fox)Who will win?Paul Massey, David Giammarco, and Steven A. Morrow – Ford v Ferrari (2019) 92%Who should win?Ford v. Ferrari. If the precise sound editing of 1917 puts you in the trenches of WWI, the sound work on Ford v. Ferrari places you squarely in the driver s seat for some epic F1 racing. We re predicting a split ticket in the sound awards so the Academy can allow itself to honor both films for their incredible sonic achievements.Makeup and Hairstyling(Photo by © Lionsgate)Who will win?Kazu Kiro, Anne Morgan, and Vivian Baker – Bombshell (2019) 68%Who should win?Ever since Charlize Theron emerged from the elevator in the trailer for Bombshell looking eerily like former Fox News host Megyn Kelley, we have had the film down as our pick for Best Makeup and Hairstyling and nothing – not even Joker s iconically painted face – has changed our opinions since. It will and should win.Costume Design(Photo by © Sony Pictures)Who will win?Jacqueline Durran – Little Women (2019) 95%Who should win?Mayes C. Rubeo for Jojo Rabbit. Corseted dramas usually top all other costumed contenders at the Oscars, making Little Women an easy pick to win, but Jojo Rabbit s colorful take on WWII Germany is a fashion wonder that many during our deliberations felt was just as worthy of the gold.CinematographyWho will win?Roger Deakins – 1917 (2019) 89%Who should win?Roger Deakins is a god of cinematography at this point and was long overdue for an Oscar when he won for Blade Runner:2049. If you want to know why he should and will win for 1917, just check out our extended interview with Deakins above, in which he breaks down his craft and the challenges he faced while shooting Mendes film.Production Design(Photo by Andrew Cooper / © Columbia Pictures)Who will win?Barbara Ling, Nancy Haigh – Once Upon a Time... In Hollywood (2019) 85%Who should win?Production designer Barbara Ling and Quentin Tarantino managed to shut down Hollywood Boulevard for several hours while shooting Once Upon a Time in Hollywood, and we believe that enviable boast alone will secure their win here. However, the incredibly detailed production design for Parasite – the central home was constructed for the film, as was the squalid apartment and surrounding area the poorer family lives in – had more than a few defenders and is our pick for who should win. It might just cause an upset.Film Editing(Photo by © Neon )Who will win?Yang Jin-mo – Parasite (2019) 98%Who should win?Frequent Scorsese collaborator Thelma Schoonmaker clearly put in work to cut Martin Scorsese s three-and-a-half–hour gangster epic, The Irishman, but the intricate camera work and editing is a huge part of what makes Parasite a masterful piece of cinema. Go back and check out the TB sequence if you need further proof.Visual Effects(Photo by © Universal)Who will win?Guillaume Rocheron, Greg Butler, and Dominic Tuohy – 1917 (2019) 89%Who should win?Dan DeLeeuw, Russell Earl, Matt Aitken, and Dan Sudick for Endgame. With over 2,000 visual effects shots and an Oscar-worthy motion-capture performance from Josh Brolin as Thanos, Avengers: Endgame should be the odds-on choice for Best Visual Effects, but we are betting the Academy s love for 1917 s imperceptible VFX will give it the edge. Perhaps one day The Academy will choose to honor motion-capture or stunt performances in their own categories.The ShortsFor this section we relied on the truly obsessive members of our staff who have seen all (or most) of the shorts. These are their picks and likely your best bet if you haven t seen any of them.Documentary Short  Learning to Skateboard in a Warzone (If You re a Girl)Short Film (Live Action) The Neighbor s WindowShort Film (Animated)  Hair Love The 92nd annual Academy Awards will be presented Sunday, February 9, at 5pm PST / 8pm EST.Are you as obsessed with awards as we are? Check out our Awards Leaderboard for 2019/2020.

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2.44.0 7月喜迎最近LOL手游上线,游戏市场来了一波大冲击。原本以来这款游戏几年才上线,屡次延期,突然公测,让所有玩家措手不及。
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Resistance keeps certain aspects of these larger-than-life baddies grounded and relatable. We do have amazing villains. People read into the villains as villains in their own lives or they may read into them as historical villains, Henson explained. We talked about the ancient Romans as conquerors who appropriated different lands that they settled in. Those were more of our references for the villains. But [the Skeksis] are delicious villains and they re great and are very horrible and very scary. From the sound of things, The Dark Crystal: Age of Resistance will blend a fair share of horror, fantasy and drama together that is sure to appeal to all ages. You may even need a reminder from time to time that these are puppets you re rooting for.The Dark Crystal: Age of Resistance premieres on August 30 to Netflix.The Dark Crystal Cast With Character PhotosThe Gelfling:
The DC Extended Universe has been on a roll with solo superhero movies, and now coming off the franchise’s biggest global hit yet with Aquaman, they have another winner on their hands, according to the first reactions from critics on social media. Shazam! is smaller but arguably more fun, and it’s less connected to the DCEU than past installments, which makes it especially appealing. The real sell, though, seems to be how much heart there is in this installment. It sounds like it’s not just great but totally lovable.Here’s what the critics are saying about Shazam!:Does DC have another hit?Shazam! is another win for DC. Germain Lussier, io9DC is finally building a solid run. Shazam! is a delight! Eric Eisenberg, CinemaBlendShazam! is an absolute delight! Perri Nemiroff, ColliderI LOVED every second of it. A colorful, vibrant, vital addition to the DCEU. Courtney Howard, Fresh FictionHow does it compare to other DC movies?I absolutely loved Shazam! It s my favorite DC film yet.  Dorian Parks, Geeks of ColorI m gonna go out on a limb and call Shazam! my favorite DCEU movie.  Mike Ceccini, Den of GeekDC didn t try and make a movie that fits in perfectly with the larger DC Universe. They just focused on making a great Shazam movie and hit a home run.  Steve Weintraub, ColliderShazam! is DC’s most joyful and sweet movie since the era of Christopher Reeve’s Superman… as liberated a comic book movie for DC as Deadpool was for Fox-Marvel.  Jim Vejvoda, IGN Movies(Photo by Warner Bros. Pictures)What makes it stand out?Shazam! is the superhero film that you never knew you needed… This is what going to the movies is all about. Scott Menzel, We Live EntertainmentIt encapsulates the wish fulfillment and wonder of superhero comics in a way that will appeal to kids whilst being filled with non stop surprises for big comic book fans too. I loved it. Rosie Knight, NerdistIt is really well balanced, gets the magical wonder of the character and his world right, and somehow never feels like it s trying too hard. Mike Ceccini, Den of GeekIt doesn’t reinvent the superhero movie wheel, but it’s undeniably fun! Jim Vejvoda, IGN MoviesIt s basically the superhero version of Big, right?Shazam! is a super-powered Big… vivid character-driven action, heartrending central relationships and fully earned, totally satisfying emotional moments.  Courtney Howard, Fresh FictionIt’s a superhero Big. (How did it take so long?) Drew Taylor, The PlaylistShazam! is parts Home Alone, parts Big, a crowd pleasing family-friendly joy-filled wish-fulfillment superhero film. Peter Sciretta, SlashfilmIt’s exactly what they set out to make: Big meets Superman. Steve Weintraub, Collider(Photo by Warner Bros. Pictures)Is it funny?Hilarious and cute. Rachel Heine, NerdistIt s funny and the tone is exactly right. Jenna Busch, Legion of LeiaFunny yet earnest. Jim Vejvoda, IGN MoviesEven funnier than the trailers make it look. Mike Ceccini, Den of GeekAn absolute blast from start to finish, full of heart and hilarity. My face hurt from smiling so much. Dan Casey, NerdistLoved Shazam! It s super fun, very funny (a few times people were laughing so loud I missed dialogue). Steve Weintraub, ColliderDoes it dare to go dark?Sometimes feels like if Joe Dante or Robert Zemeckis made a superhero movie in 1985. It s a family movie, but the villain and the magical stuff is just scary enough to give it that edge, and it never swings too far in either direction. Mike Cecchini, Den of GeekReminds of me of when kids’ movies were legitimately scary (in a good way). Dan Casey, Nerdist(Photo by Warner Bros. Pictures)Does it work as a family movie?Shazam! stands out because of the emotional, family story at its center… the family stuff is dynamic and powerful. Germain Lussier, io9Its familiar origin structure is forgivable because of all the new it brings to the table, primarily it s gleeful, childlike enthusiasm and heartfelt perspective on family.  Eric Eisenberg, CinemaBlendSuper vibrant, tons of heart and a great fun-loving vibe. The family element is a big charmer.  Perri Nemiroff, ColliderFantastic! Full of heart and pure childhood wish fulfillment.  Jenna Busch, Legion of LeiaI was surprised at how much it wears its heart on its sleeve.  Peter Sciretta, SlashfilmIt s an amazing family movie with dope fight scenes and great humor! You guys are going to love it.  Dorian Parks, Geeks of ColorHow is Zachary Levi?Zachary Levi as Shazam was perfect casting. Dorian Parks, Geeks of ColorZachary Levi is perfectly cast. Steve Weintraub, ColliderIt s the role Zachary Levi was born to play. Eric Eisenberg, CinemaBlendZachary Levi is terrific! Drew Taylor, The PlaylistZachary Levi is perfect in the role, and so is Asher Angel. Jenna Busch, Legion of Leia(Photo by Warner Bros. Pictures)Are there any other standouts?Said this after IT but it s worth repeating: Jack Dylan Grazer is a star. Perri Nemiroff, ColliderThe kids absolutely steal the show. Dorian Parks, Geeks of ColorThe real surprise is Jack Dylan Grazer as Freddy Freeman. Steals the show. Steve Weintraub, ColliderAny complaints at all?I had some small issues with the hero/villain aspects. Germain Lussier, io9Gets a bit over the top and cheesy at times. Peter Sciretta, SlashfilmWhat does this mean for DC, then?Excited to see more fun superhero moves from DC. Rachel Heine, NerdistDC is def on a winning streak. Bring on Todd Phillips’ Joker! Steve Weintraub, ColliderShazam! opens everywhere on April 5.
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Ghcxuf Taupin s new song for Rocketman, (I m Gonna) Love Me Again, is the one we think should and will win next Sunday. It s racked up a number of awards already, gives the Academy the chance to honor the largely snubbed Rocketman, and, well, all those years of hosting Oscar parties are surely set to pay off for Elton, right?Sound Editing(Photo by © Universal)Who will win?Oliver Tarney and Rachael Tate – 1917 (2019) 89%Who should win?The precise sound effects of 1917 work with the incredible cinematography of Roger Deakins to plunge audiences in the trenches, and that s why it s our pick for the one that should and will win in this category.Sound Mixing(Photo by © Twentieth Century Fox)Who will win?Paul Massey, David Giammarco, and Steven A. Morrow – Ford v Ferrari (2019) 92%Who should win?Ford v. Ferrari. If the precise sound editing of 1917 puts you in the trenches of WWI, the sound work on Ford v. Ferrari places you squarely in the driver s seat for some epic F1 racing. We re predicting a split ticket in the sound awards so the Academy can allow itself to honor both films for their incredible sonic achievements.Makeup and Hairstyling(Photo by © Lionsgate)Who will win?Kazu Kiro, Anne Morgan, and Vivian Baker – Bombshell (2019) 68%Who should win?Ever since Charlize Theron emerged from the elevator in the trailer for Bombshell looking eerily like former Fox News host Megyn Kelley, we have had the film down as our pick for Best Makeup and Hairstyling and nothing – not even Joker s iconically painted face – has changed our opinions since. It will and should win.Costume Design(Photo by © Sony Pictures)Who will win?Jacqueline Durran – Little Women (2019) 95%Who should win?Mayes C. Rubeo for Jojo Rabbit. Corseted dramas usually top all other costumed contenders at the Oscars, making Little Women an easy pick to win, but Jojo Rabbit s colorful take on WWII Germany is a fashion wonder that many during our deliberations felt was just as worthy of the gold.CinematographyWho will win?Roger Deakins – 1917 (2019) 89%Who should win?Roger Deakins is a god of cinematography at this point and was long overdue for an Oscar when he won for Blade Runner:2049. If you want to know why he should and will win for 1917, just check out our extended interview with Deakins above, in which he breaks down his craft and the challenges he faced while shooting Mendes film.Production Design(Photo by Andrew Cooper / © Columbia Pictures)Who will win?Barbara Ling, Nancy Haigh – Once Upon a Time... In Hollywood (2019) 85%Who should win?Production designer Barbara Ling and Quentin Tarantino managed to shut down Hollywood Boulevard for several hours while shooting Once Upon a Time in Hollywood, and we believe that enviable boast alone will secure their win here. However, the incredibly detailed production design for Parasite – the central home was constructed for the film, as was the squalid apartment and surrounding area the poorer family lives in – had more than a few defenders and is our pick for who should win. It might just cause an upset.Film Editing(Photo by © Neon )Who will win?Yang Jin-mo – Parasite (2019) 98%Who should win?Frequent Scorsese collaborator Thelma Schoonmaker clearly put in work to cut Martin Scorsese s three-and-a-half–hour gangster epic, The Irishman, but the intricate camera work and editing is a huge part of what makes Parasite a masterful piece of cinema. Go back and check out the TB sequence if you need further proof.Visual Effects(Photo by © Universal)Who will win?Guillaume Rocheron, Greg Butler, and Dominic Tuohy – 1917 (2019) 89%Who should win?Dan DeLeeuw, Russell Earl, Matt Aitken, and Dan Sudick for Endgame. With over 2,000 visual effects shots and an Oscar-worthy motion-capture performance from Josh Brolin as Thanos, Avengers: Endgame should be the odds-on choice for Best Visual Effects, but we are betting the Academy s love for 1917 s imperceptible VFX will give it the edge. Perhaps one day The Academy will choose to honor motion-capture or stunt performances in their own categories.The ShortsFor this section we relied on the truly obsessive members of our staff who have seen all (or most) of the shorts. These are their picks and likely your best bet if you haven t seen any of them.Documentary Short  Learning to Skateboard in a Warzone (If You re a Girl)Short Film (Live Action) The Neighbor s WindowShort Film (Animated)  Hair Love The 92nd annual Academy Awards will be presented Sunday, February 9, at 5pm PST / 8pm EST.Are you as obsessed with awards as we are? Check out our Awards Leaderboard for 2019/2020. 😈😈

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华体会体育登录 Johnson is both executive producer and star of the series, appearing as a future version of himself (a 2032 presidential candidate). The show takes place during four different time periods, with Adrian Groulx starring as 10-year-old Dwayne Johnson, Bradley Constant as a 15-year-old version, and Uli Latukefu as the 18-year-old Rock. Young Rock also portrays of famous early wrestlers, including Andre the Giant, Randy Savage, Iron Sheik, and Junkyard Dog, which is not unexpected, since Johnson grew up wrestling royalty as the son of WWE champ Rocky Johnson, who is played by Joseph Lee Anderson in the series. It was truly a love letter to professional wrestling, which is a business that I grew up in and a business that I ve loved all my life and learned some of my most valuable, while very unorthodox, lessons, Johnson said. It was a pleasure to be able to highlight and showcase these men who were, in essence, my superheroes — they didn t wear capes when I was a little boy. SNL Star Kenan Thompson Is Multitasking With Sitcom KenanKenan, the new sitcom starring longest-tenured Saturday Night Live cast member Kenan Thompson, underwent two full creative overhauls before its current iteration.But when it premieres on February 16 on NBC, the show will follow a widowed actor–turned–morning show host as he raises his two daughters with the help of his father-in-law (played by Don Johnson) and brother (SNL castmate Chris Redd). The lengthy development of the series, Thompson said, allowed the team time to figure out how to put a new twist on the ‘uplifting father figure’ kind of show.”Thompson and Redd are filming the sitcom concurrently with SNL. While cast members previously would have to leave the late-night comedy sketch series or film in the summertime if they wanted to pursue other creative pursuits, the TV world (and specifically the SNL universe) is a little more flexible than it used to be, they said.“I think we’re living in a different time,” Thompson said. “There was a time when people would leave the show to go into their career. But I’m of a different kind of thinking. I think you can do both as long as you can, then if the departure comes in a natural way then so be it. Redd also said he wasn t thinking of the show as some kind of SNL exit strategy. Said the actor, I just see it as an opportunity to create. Hunting for Extraterrestrial Debris Gives Upcoming Sci-fi Drama a New Case Each WeekThe title of NBC s new sci-fi drama Debris, premiering March 1, is literal — each week, two intelligence agents hunt extremely powerful shards of an alien spaceship that bestow fantastical powers on their possessors, from walking through walls to manipulating the weather.The weekly component will be complemented by a larger mystery — sound familiar? The series comes from former Fringe showrunner and Almost Human creator J.H. Wyman. You can have a case of the week, but you can also have meaningful character development and the mythological rollout over the course of at least this first season, Wyman told reporters in the show s virtual session.A CIA agent played by Jonathan Tucker and an MI-6 agent played by Riann Steele are the investigators at the center of the series. The duo work together as a part of the U.S.-U.K. collaborative agency Orbital to recover as many pieces as possible before others can use them for nefarious purposes. And while each new UFO scrap they discover will provide a weekly through-line for the series, it ll also show the unique capabilities of the alien matter and how it affects the world, Tucker said.On an Apple device? Follow Rotten Tomatoes on Apple News.

(Photo by Warner Bros./Courtesy Everett Collection)All Jennifer Lopez Movies RankedBefore 2019 s Hustlers, Lopez hadn t had a Fresh movie since 1998, though her 21st century filmography still includes commercial hits (The Wedding Planner, Monster-in-Law, The Boy Next Door) among notorious bombs like Gigli. And The Cell certainly has its fans.With Hustlers drawing joining the ranks of her other star-making hits like Out of Sight and Selena, we re taking a whole u-turn on her career as we rank all Jennifer Lopez movies by Tomatometer! Of course, the Client’s real aims are yet to be discovered, but from the nature of the asset, we can speculate. Either this branch of the Imperial Remnant is after control of the Force or they seek to use the asset’s natural longevity to keep their sense of order alive across centuries. Sadly, Herzog, nor any other member of the cast, could speak to the implications of The Mandalorian’s assignment.Nonetheless, Herzog said the story introduces a “new mythology” to fans and people, like him, who are coming fresh to the Star Wars galaxy. “Not very often in the cultural history we have had new mythologies. We have had it in ancient Greek mythology, we had it in antiquity, and very rarely are [there] moments where new mythologies are evolving. And I find it very significant. And it is also full of fantasy, full of fever dreams, full of new characters that you haven t expected. So it s a wonderful possibility for filmmaking.”Was That Jodo Kast?(Photo by Twentieth Century Fox)Moments after the first episode went live on Disney+, eagle-eyed viewers spotted several Mandalorians in Beskar Steel armor lurking in the shadows of the encampment the Mandalorian visits to drop off his cut of recent bounties and the first ingot of Beskar Steel he accepted from the Imperial client. One warrior in particular, seemed to closely resemble Star Wars’s previous iconic Mandalorian, Boba Fett. The mix of green and yellow on his armor seemed striking familiar. But as we always hope to see Expanded Universe character Jodo Kast — a bounty hunter who pretended to be Boba Fett in the years immediately following Return of the Jedi — make his way onto the show, we’re inclined to believe he may be the Mando in question. Then again, would a group of Mandalorians desperate to rebuild their culture tolerate a phony in their midst?The possibility of Kast appearing may seem slight, but back on both Clone Wars and Star Wars Rebels, Filoni found ways to bring discarded EU characters like Admiral Thrawn and planets like Malachor back into the story or, at least, the galaxy’s history. And Favreau’s gleeful inclusions of

2021-10-28

Watch: Makeup artist John Caglione Jr. and 42 Entertainment CEO Susan Bonds on creating the look of the Joker, and revealing it to the world.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, makeup artist John Caglione Jr. and Susan Bonds, CEO of 42 Entertainment, break down how the iconic look of Heath Ledger s Joker came to be, and how it was first shown to the world.VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLThe Movie: The Dark Knight (2008) 94%It may not have kicked off a cinematic universe, but there’s no denying that Christopher Nolan’s The Dark Knight is among the most important superhero movies ever made – and some would say one of the most important movies, period. Released in the summer of 2008, just a few months after Iron Man, it would go on to earn rave reviews (Certified Fresh at 94% on the Tomatometer), make billion at the global box office, and be nominated for eight Oscars, ultimately winning for Best Sound Editing and Best Supporting Actor for Heath Ledger. It would also change the Oscars forever: the outcry over the film’s Best Picture nomination snub led to the Academy changing its rules to allow 10 nominees. We found it impossible to isolate a single moment from the film to celebrate for this series, and instead landed on Ledger’s Joker as a whole – a performance, a visual, and a legacy that feels like one mammoth moment in and of itself. And yet, not everyone was convinced the young Australian actor had what it would take to inhabit the character. Here, Susan Bonds, CEO of experiential marketing company 42 Entertainment, reveals how she worked with the filmmakers on the viral campaign that first revealed the Joker to fans, more than a year out from the film’s release – a bravura instance of viral marketing that turned the conversation around and gave fans their first taste of what was going to be one of the most incredible characters and performances to ever hit the big screen. John Caglione Jr., the makeup artist who collaborated with Ledger on the Joker, then reveals how they discovered the character’s iconic look.42 Entertainment was charged with engaging fans with the new film. (Photo by ©Warner Bros./Courtesy Everett Collection)“Remember the Joker card at the end? It was kind of like, well, who is this guy?”Susan Bonds: “One of the first things that our chief creative Alex Lieu suggested to me is go to read The Killing Joke, and go read The Long Halloween, and just go read some of these seminal stories that the Joker was featured in to understand his character. He was very unpredictable. He was an agent of chaos, I believe, is what the Nolans referred to him as, but he was someone who was a very compelling character as well. He had a tragic past; he had a tragic story. We started [the story of the marketing experience] from the last frame of Batman Begins: The head of the mob had been killed, Jim Gordon and Batman were kind of forging their relationship, Harvey Dent wasn t even a conversation at that point. But the Joker… remember the Joker card at the end? It was kind of like, well, who is this guy? The Joker had just barely been introduced. [We wanted to] use the Joker and lead up to TheDark Knight.To give people in Gotham City exposure to who this character might be.”“Quite frankly, the community was very split about how Heath Ledger was going to come in and play one of the most iconic villains of all time.”Bonds: It s hard for us to remember now, because, the film has been out and it s so beloved, but at the time there was a huge amount of curiosity, from fans, about this character. Another thing that we always do [when preparing a campaign], is we go on the message boards and read, and obviously there are very strong fan communities around superhero properties. There was a lot of discussion, and quite frankly, the community was very split about how Heath Ledger was going to come in and play one of the most iconic villains of all time. Jack Nicholson had put an amazing stamp on the character in the first film. And also Heath hadn t really done anything similar to this. In fact, he d done some things that were quite the opposite of this, and I think that there were a lot of questions about whether or not he could play this villain. Now we [at the company], had the benefit of seeing Heath in makeup and even the first reports off the set were just that he was absolutely just transformational. But how do you close that gap, of that uncertainty in the public vein? Of course, it s going to be a year-and-a-half before they see the film. So, one of the things that we did is we put a spotlight on that character from the beginning, and the filmmakers wanted to get out to the community the very first picture of Heath in the Joker make-up.”The first photo the world saw of Ledger s Joker. (Photo by © Warner Bros. Pictures, 42 Entertainment)“I think it took over 20 hours and 97,000 e-mails for people to reveal this image.”Bonds: “We devised a scenario where, in comic-book stores all across the country, [fans] found Joker cards that said, ‘I believe in Harvey Dent, too.’ We had put up a little teaser on the Warner Bros. site where you could find ‘I believe in Harvey Dent’ and see the campaign poster featuring Aaron Eckhart for the first time. And so they followed the cards to a URL where, essentially, they got to cast their vote and put in their e-mail address to get x and y co-ordinates, and that allowed them to take a pixel away from the campaign poster revealing the first image of the Joker. This was over year, about fifteen months, before it was coming out. It caught on fire, and I think it took over 20 hours and 97,000 e-mails for people to reveal this image. And, of course, in the process, they re putting up their own pictures of what they think it s going to be like. It really was a very, very effective and dramatic way to change the conversation. I remember having a very visceral reaction to [that first image]. I probably had the same emotional reaction most people had when they saw it. It s very intriguing. I couldn t even really tell it was Heath, you know. It definitely made me want to get more involved in the world.”The Moment: A Different Kind of JokerFrom the moment the world saw that first image of the Joker, the conversation did change. Fans were no longer skeptical: this was the unique, dark take on the character that many had been waiting for. Here was a Joker that wore clown makeup, of a kind, but was no clown. It set the tone not just for the character, but the whole film, and the marketing campaign that led up to it (including landmark activations from 42 Entertainment). Eventually, “Why So Serious?” would become a catch cry for the film – a line smeared in red across posters, repeated in trailers – and one that captured the Joker’s taunting of Batman but also the character and the movie’s taunting of the audience. But more than anything, it was that scarred, smudged, terrifying grin, with Ledger lurking somewhere beneath it, that would stick with us for years: the face of a maniac who was capable of anything. Here, Caglione explains how he and Ledger created it.“Chris brought in books of Francis Bacon paintings, these very blurry images. That really set the tone and set us in a direction of really just muting down and degrading the makeup.”John Caglione Jr.: “I think Heath was in a preliminary wardrobe fitting when I met him. And he was with Chris. And then from there, I did some sketches based on reading the script and meeting with those guys. I think that universe that Chris wanted to create was a very real universe. I went away and started doing little sketches… But it didn t really start to happen until I got to London and we started playing with makeup on Heath and experimenting with a very decaying, kind o

华体会体育登录 总体来说,这次的LOL手游是在外服版本的基础上,进一步优化游戏,加入了一些国服独有的功能,尤其是加强社交性。此外,外服一周后才会发布的2.5版本新内容,如装备系统改动,则是会提前在这次国服测试中就可以体验到。目前还不清楚外服8月上线的新英雄锤石,是否可以在国服版本提前体验到,但这次的超燃测试中应该会有更多英雄可用,上个版本有10个以上的英雄尚未加入测试名单中。

2021-10-28
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