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亚博手机登录网址采用百度引擎8(Baidu 3)首先,众所周知IP手游之所以能够常年保持强势的市场表现,主要得益于每一个知名IP都有着庞大的原生用户基础。譬如艾媒咨询发布的一项调研结果就显示,超半数移动游戏用户在面对喜欢的IP游戏时一定会选择去玩。

1. 亚博手机登录网址
When Tom Hooper s Cats debuted in theaters back in December, critical response to the film was swift and savage (it currently sits at 20% on the Tomatometer), which wasn t a surprise to anyone paying attention to the internet chatter following the release of the film s first trailer. But once the initial hubbub died down, it seemed like audiences were content to move on. There were much more important things to worry about, after all.However, when shelter-in-place orders began to go into effect across the country during the first few weeks of March, people everywhere scrambled to find something to watch at home, and it just so happened that Cats entered the digital market on March 17. Thanks to the musings of Seth Rogen, who live-tweeted while watching the film, and another writer who received information about a potential butthole cut of the movie, Cats blew up again, and we now have a collection of officially licensed clips that help illustrate what made it so fascinating to so many people. Check out all 10 of the clips below, and let us know in the comments what you thought about the movie!The One That Doesn t Tell Us What Jellicles AreIf you re looking for any clues as to what exactly a Jellicle Cat is, your best bet would be this musical number, appropriately titled Jellicle Songs for Jellicle Cats. We re not saying it will necessarily clarify anything for you, as the song sets up even more questions than it answers, but it s apparently sufficient for Francesca Hayward s Victoria, who seems content to take phrases like Jellicles can and Jellicles do at face value.The Rebel Wilson Scene That s As Wild As You ve HeardIt s the clip you never you knew you needed to see until you saw it and couldn t figure out if it was a good idea that you did or not, but you re glad you got it over with anyway. Rebel Wilson s Jennyanydots, a Gumbie Cat, attempts to explain what it is she does that makes her a Gumbie Cat. In the meantime, she sashays around an oversized kitchen, unzips her fur coat to reveal another more bedazzled one underneath, and devours a few cockroaches with human faces. You know, Gumbie Cat things.The One Where Jason Derulo Does a British AccentThis is Jason Derulo s big song, which, like pretty much all of the others, serves to shed some light on who his character is. And, like pretty much all of the others, you don t learn a whole lot, except maybe that Rum Tum Tugger will do basically the opposite of what you want him to. Oh, and Derulo can pull off a somewhat halfway decent British accent.The One Where James Corden Eats TrashJames Corden spends most of his number demonstrating why his dumpster connoisseur Bustopher Jones is, as the song explains, so fat. He s also one of the few cats who wears human clothes, though he eventually sheds his tux and top hat to go prancing through the garbage, like every true gentleman does.The One That Takes Place in a Giant HouseMungojerrie and Rumpleteazer are a pair of delinquent cats who have developed a reputation for petty theft and general chaos, or so they claim. The most notable thing about this clip is arguably the production design, which takes center stage as Mungo, Rumple, and Victoria do somersaults on oversized bedroom furniture, slide down bannisters, and crawl around on a giant dinner table. It actually looks kind of fun.The One Where Ian McKellen Gets MetaIan McKellen musters all of the world-weariness he can to sing the song of Gus, an old theater cat reminiscing on his past accomplishments, and of course, he makes it easy to believe that all the other cats would sit around in awe as he tells his stories. He also gets to sing the shockingly self-aware line, The theater is certainly not what it was, and he sells it without a hint of irony. In other words, Ian McKellen is incredible no matter how furry he is, and no one else could have played Gus.The One with Tap DancingSteven McRae makes the most of his appearance here as Skimbleshanks, the Railway Cat, tap dancing his way through train cars and across the tracks. The song that accompanies him is predictably meaningless, but as a showcase for his abilities, it s pretty great.The One With Taylor Swift and Nude Idris ElbaOh, that s right. Taylor Swift is in this movie. Her British accent is decidedly less effective than Jason Derulo s, but when you ve got magical catnip and nude cat Idris Elba to distract viewers, no one is likely to notice.The One With Magic and Awkward NuzzlesThis is the first of the clips in which we actually hear Dame Judi Dench s voice, as she sings the praises of Laurie Davidson s Mr. Mistoffelees, a magician cat with a penchant for awkward neck nuzzles and nose kisses. He also shoots playing cards out of his top hat and flowers out of his sleeves. Because he s magic.The One With Jennifer Hudson s SnotCats culminates in this moment, the iconic song that has been covered and parodied countless times. Jennifer Hudson belts it out with the requisite emotion, and it s shot with an air of reverence, but the computer effects and the copious upper-lip snot are admittedly a little distracting. It s the big finale the movie deserves.Cats is available to own now on FandangoNOW, Amazon, Google, iTunes, and Vudu. Actor and musician Ben Platt is so closely associated with the role of awkward and anxious teenager Evan Hansen – he came onto the musical Dear Evan Hansen during workshops and originated the role on Broadway – that it’s sometimes hard, especially among musical theater lovers, to remember they’re two separate people. It’s not just that Platt has been with Evan for so long, but that he has portrayed him with such unforgettable power and raw emotion – enough, it turns out, to nab him a Tony.This month, after a few years away from the role, he steps back into Hansen’s scruffy joggers for the film adaptation of the beloved musical, something that both excited and terrified him – and which may not help with that confusion. Ahead of the movie’s release in theaters, Platt sat down with Rotten Tomatoes for an exclusive, extended talk about how he initially developed the character of Evan, how he’s evolved his performance for the screen, and what it means to him to play someone who’s inspired so many.Dear Evan Hansen is in theaters from Friday September 24, 2021. On an Apple device? Follow Rotten Tomatoes on Apple News.Thumbnail image: © Universal Pictures
全球在地化体验,支援12种语言:英语、西班牙语、葡萄牙语、俄语、土耳其语、印尼语、泰语、简中、繁中、阿拉伯语、德语、法语。

2. 公平游戏环境
Join us for a deep discussion of John Wick: Chapter 3 – Parabellum, the movie many critics say is the most ambitious and inventive in the series. Host Mark Ellis, Beyond the Trailer host and creator Grace Randolph, Rotten Tomatoes editor Alex Vo, and John Wick: Chapter 3 stunt coordinator Scott Rogers break down the movie kick-by-kick, headshot-by-headshot, and tackle the big questions: How good is Halle Berry? Which is the best fight scene? And should there be a Chapter 4. Watch it above and let us know what you thought of John Wick: Chapter 3 Parabellum in the comments.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.亚博手机登录网址(Photo by FUNimation, Walt Disney Studios Motion Pictures, Warner Bros., DreamWorks, Focus Features, Fox Searchlight/courtesy Everett Collection)The 50 Best Anim

3. 激战团竞模式
As the 2010s comes to a close, so do a number of beloved comedy series this month — cheers to you, Schitt’s Creek and Bojack Horseman! But not to worry: The rest of January has plenty of returning fan-favorites, plus an ultra-buzzy sci-fi sequel series decades in the making. Catch up on all that and more in this month’s binge guide.Doctor Who 92% (BBC America)What it is: Considering Doctor Who is about nothing less than fantastical adventures through the space-time continuum, it’s difficult to sum up in a sentence or two. But just know that it follows an alien Time Lord who’s known as the Doctor (who’s been inhabited by a number of actors, and now an actress, over the years) and his companions — in the two newest seasons called her “friends.”Why you should watch it: Doctor Who is making a case for being one of those timeless sci-fi properties that’s earned a devout following akin to Star Wars or Star Trek. The decades-spanning series always finds ways to one-up itself, and with Jodie Whittaker making her grand debut last season as the first female Doctor, there’s never been a better time to jump aboard. Season 12 premiered Jan. 1 on BBC America — we recommend you begin with the 2006 relaunch.Where to watch: Amazon, FandangoNOW, Google Play, Microsoft, VuduCommitment: Approx. 101 hours (for the first 11 seasons of the relaunch)Schitt's Creek 93% (Pop TV)What it is: Father and son co-creators Dan Levy and Eugene Levy pack in the laughs as the fictional father and son within the Roses, a millionaire mogul family. They are joined by Catherine O’Hara as wacky matriarch Moira and Annie Murphy as the ditzy daughter Alexis. When they lose their fortune, they’re forced to relocate to their sole possession: the town of Schitt’s Creek, which was bought as a gag gift years prior. The ensuing five seasons follows the family as they adjust to their new life and learn to call that small, unfortunately-named town home.Why you should watch it: We love a success story, and Schitt’s Creek has one of our favorite little-show-that-could narratives of the decade. While always well-received and enjoyed by its niche Pop TV and CBC audience, this Canadian television series didn’t really bloom until hitting Netflix, where its bingeable 30-minute episodes — full, in equal measure, of both humor and heart — were eaten up by American audiences who became eager for more. Cut to 2018 Emmy nominations for best comedy series and lead actors Eugene Levy and O’Hara, and we’ve no doubt that season 6 will wrap the series on a touching — and hilarious — high note. Season 6 premieres Jan. 6 on Pop TV.Where to watch: Amazon, FandangoNOW, Google Play, Microsoft, Netflix, VuduCommitment: Approx. 24 hours (for the first five seasons)The New Pope 90% (HBO)What it is: From the mind of Italian filmmaker Paolo Sorrentino, The New Pope is a John Malkovich–starring follow-up to The Young Pope, which dramatizes the controversial rise of Pope Pius XIII (Jude Law), the world’s first American Pope.Why you should watch it: As the first Italian series to be nominated at the Primetime Emmy Awards and the first television series to host its world premiere at the Venice International Film Festival, The Young Pope is nothing if not cinematic in scope and aesthetic — and led by Law and Diane Keaton on season 1, it’s got the star power to back it all up. Season 2 premieres Jan. 13 on HBO.Where to watch: Amazon, FandangoNOW, Google Play, HBO Now, Microsoft, VuduCommitment: Approx. 10 hours (for the first season)The Magicians 91% (SyFy)What it is: Based on the acclaimed fantasy series by Lev Grossman and from producers Michael London, Janice Williams, John McNamara, and Sera Gamble, The Magicians follows Quentin Coldwater (Jason Ralph) after he enrolls in Brakebills University for Magical Pedagogy in New York. What follows for the young magician is a collision between our world and a threatening fantasy world with nothing less at stake than reality as we know it. Why you should watch it: The Magicians has all the straight-up drama that comes with magic, secret academies, and battles between good and evil — and it’s a whole lot of crazy fun, too. Season 5 premieres Jan. 15 on Syfy.Where to watch: Amazon, FandangoNow, Google Play, Microsoft, Netflix, VuduCommitment: Approx. 39 hours (for the first four seasons)Sex Education 96% (Netflix)What it is: This British teen dramedy from creator Laurie Nunn tells the story of a high school outsider who, buoyed by the tricks he’s picked up from his sex therapist helicopter mom, begins his own sex therapy practice out of an abandoned bathroom — to booming results.Why you should watch it: You’d be hard-pressed to find a 2019 series whose ensemble was quite as immediately loveable — though a bit chaotic — as this one. The pitch-perfect cast is led by Asa Butterfield as Otis and a scene-stealing, never-better (if you can believe it) Gillian Anderson as his mother, Jean; the nuances of their fraught and evolving relationship paired with the high school dramas of puberty and beyond make this a must-watch. Season 2 premieres Jan. 17 on Netflix.Where to watch: NetflixCommitment: Approx. 8 hours (for the first season)The Bold Type 91% (Freeform)What it is: With industry-specific dramas pulled directly from Cosmopolitan editor-in-chief (and series executive producer) Joanna Coles’ decades-spanning career, The Bold Type follows the day-to-day adventures of three millennial New Yorkers and best friends who work together at the fictional fashion magazine Scarlet.Why you should watch it: From Ugly Betty to The Devil Wears Prada, the New York fashion magazine and media industry has proven a fine playing field for high-stakes drama and fantastic wardrobes. The Bold Type dives right in and still finds ways to make this well-documented world newly exciting. That’s largely thanks to a stellar cast led by Katie Stevens as Jane Sloan, one-third of the BFF and co-worker trio that also includes Aisha Dee as Kat Edison and Meghann Fahy as Sutton Brady. Season 4 premieres Jan. 23 on Freeform.Where to watch: Amazon, FandangoNow, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 21 hours (for the first three seasons)Star Trek: The Next Generation 91% (CBS All Access)What it is: To catch up on the Star Trek universe as shown in this month s Star Trek: Picard, we’re recommending you revisit The Next Generation (and perhaps the franchises 2002 feature film, Nemesis) for a wintry binge. As the series that first introduced the USS Enterprise’s Captain Picard, played by the legendary Sir Patrick Stewart, TNG sets the stage for the 20-years-later action that befalls the captain after he disassociates from Starfleet.Why you should watch it:  While the Picard creative team, including showrunner Alex Kurtzman, have emphasized that this series will be accessible to newbie Trekkies, a binge of TNG will inform your foundational knowledge of those revisiting the Picard world (including Data and William Riker from the trailer alone) while giving you a fine excuse to watch a classic!Set 20 years after Picard goes into retirement and isolation, the new CBS All Access series marks the grand return of one of today’s most iconic heroes. The story picks up with the unexpected arrival of Dahj (Isa Briones), a young woman who turns to Picard for help following an enormous trauma, in turn reigniting the former captain’s desire to return to Starfleet. Season 1 of Star Trek: Picard premieres Jan. 23 on CBS All Access.Where to watch: Amazon, CBS All Access, FandangoNOW, Google Play, Hulu, Microsoft, Netflix, VuduCommitment: Approx. 132 hours (for all seven seasons)Shrill 87% (Hulu)What it is: Based on the hit book by Lindy West and co-created by Alexandra Rushfield and Aidy Bryant (who also stars), this series puts a feminist, body-positive spin on the classic workplace drama as our hero Annie Easton (Bryant) finds her voice as a journalist and learns to love herself in unexpected ways.Why you should watch it: Saturday Night Live stalwart Bryant is finally given a star-making vehicle with Shrill, which earnestly and humorously portrays the daily microaggressions plus-size women face in the office and beyond. Season 2 premieres Jan. 24 on Hulu.Where to watch: Amazon, FandangoNOW, Google Play, Hulu, Microsoft, VuduCommitment: Approx. 3 hours (for the first season)BoJack Horseman 93% (Netflix)What it is: BoJack Horseman (voiced by Will Arnett) was once the hottest horse in town, star of a hit sitcom and riding high in Tinseltown. Fast-forward 20 years, though, and he’s a depressive has-been — and our titular protagonist of this hit Netflix comedy.Why you should watch it: It’s not often that an alcoholic horse and a fictionalized Hollywood full of as many flawed humans as talking animals teaches you about yourself, but this one does — trust us! There’s reason BoJack’s blend of pitch-black humor and weighty human circumstance has gained such a cult following over the last five seasons. The second half of season 6 — the series’ final episodes — premieres Jan. 31 on Netflix.Where to watch: NetflixCommitment: Approx. 34 hours (for the first five seasons and first half of season 6)Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.

4. 呼朋唤友 随心所欲
导读:最近很多玩家都在关注小小鬼屋探险这款手游,想知道具体的公测时间,小小鬼屋探险会经过封测、删档内测、不删档测试到最终的公测等几个测试阶段,才会正式上线小小鬼屋探险安卓或iOS版本,有很多玩家就会问小编小小鬼屋探险什么时候公测,究竟什么时候出呢?今天小编就为大家提供如何快速地知道小小鬼屋探险开放下载和公测的时间,你就可以最快知道小小鬼屋探险公测时间了!

5. HD 画质与高品质音讯
使用強大的百度引擎1建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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8.89.1 7月喜迎There might be a forbidden romance with a sexy vampire at the heart of A Discovery of Witches, which is now available to stream on Shudder and Sundance Now, but there are no shades of Twilight in this love story. For one, the heroine is no helpless human — she’s a witch, and possibly one of the most powerful witches who’s ever lived.The latest book-to-screen supernatural romance follows more in the footsteps of Outlander, chronicling a relationship of equals between modern-day witch Diana Bishop (Teresa Palmer) and wise, ancient vampire Matthew Clairmont (Matthew Goode) as they race to learn secrets that will ensure a safe future for all magical creatures.When historian Diana, who has spent her life ignoring her magical powers, discovers a long-lost manuscript in Oxford’s Bodleian Library, all sorts of magical creatures descend upon the quiet city in pursuit of the mysterious book. While different supernatural species — witches, vampires, and daemons — are not supposed to fraternize, Diana finds both comfort and protection in biochemist Matthew as the rest of the magical world attempts to track down the all-important book, putting both Diana’s life and the future of all creatures in danger.Book Diana vs. TV Diana(Photo by Sundance Now)The Diana Bishop of the books is a single-minded historian and Yale professor who is laser-focused on her research. She’s so fiercely independent that she refuses to use her magical powers, which are inherited from family lines on both sides that she can trace back to Salem. (Part of her denial of her powers is tied to the fact that her parents were both murdered when she was a young girl, and using magic reminded her too much of them.)In the show, however, Diana is more mild-mannered and patient, slow to embrace her power as a woman and as a witch as she learns more about her lineage. Palmer, who plays Diana, told Rotten Tomatoes that her character’s slow burn toward empowerment is a result of the fact that she’d spent her entire life wanting to fit in and just be “normal.”“It s this part of her that she hasn t liked and she s ignored, and I think when someone has something that they feel so antagonistic about, it s hard to just flip the switch and jump into that wholeheartedly,” she said.When Matthew arrives, however, he makes her feel grounded and stable — and thus more confident in herself and her abilities.“She had it all there, she just also needed a cheerleader to say, ‘You can do this and you are powerful and you are worthy.’ Once she realizes who she is, she dives into it so passionately and is rewarded for that,” Palmer said.Embracing Magical Powers(Photo by Sundance Now)One benefit to Diana’s self-discovery: getting to do badass stunts. Palmer’s character can harness different elements — including wind, allowing her to fly. That meant plenty of time in harnesses being flown around on a crane, but Palmer was thrilled to face the challenge.“All the wirework I especially loved because she has magic powers and she has the ability to fly,” Palmer said. “I don t want to give too much away, but I got to do so many stunts on this one. I was upside down on wires and getting swung around, and got to do a lot of work like that, which was just brilliant. At times I remember being on the wires and being up so high and thinking to myself, ‘This is my job! This is me at my job. This is really cool.’”Then there are the non-supernatural skills Diana has: she’s a runner and a rower, both things Palmer had to train for, and she’s a historian specializing in alchemy, something Palmer had to research to get a grasp on.Matthew Goode, Dreamboat(Photo by Sundance Now)Diana’s journey to discover her powers couldn’t be possible without the right foil, and The Crown veteran Goode provided the perfect pale skin, sharp cheekbones, chiseled jaw, and steely gaze to embody the sexy-but-scary vampire.“I always laugh about it because Matthew and Matthew are very similar,” Palmer said. “They both love their red wine, they re both hyper-intelligent, they re both prone to brooding — they’re very similar in real life. Matthew Goode just embodies Matthew de Clermont so seamlessly and organically that there were moments I was like, ‘Oh, this is such a walk in the park for you! He s British and pale and tall and handsome, and he s got the deep voice already. It s not a stretch of the imagination to be playing a handsome vampire.”While the duo smolders in front of the camera, behind the scenes things were decidedly less serious. Palmer credits their onscreen chemistry in large part to the fun, lighthearted friendship they struck up while filming.“He s one of the funniest people I ve ever met, and we would spend our time cracking each other up and laughing and mucking around and just being total goofballs,” Palmer said. “And then we d have to remind each other that we re at work, we have to get stuff done.”SPOILER WARNING: The next two sections contain mild spoilers relating to the second and third books in the All Souls trilogy, Shadow of Night and The Book of Life.The Books and Beyond(Photo by Sundance Now)The series has already been renewed for second and third seasons, which Palmer confirmed will roughly follow the stories in the second and third books of the trilogy. But while the second book focuses almost exclusively on Diana and Matthew’s journey back in time, Palmer said the story will be expanded to include other characters.“The second book takes place, obviously, in the Elizabethan Era — that s where we left off in the first season, time jumping through that well — but it s going to be exploring that time and that era and the way things were, and it s going to feel completely different, I think, from the first season.”As a historian, it’s a “dream come true” for Diana to be interacting with people she’d only read about in books, Palmer said. Plus, the dynamic between Diana and Matthew will be completely different in the past versus the contemporary setting where they fell in love.And after introducing a stellar supporting cast — Alex Kingston and Valarie Pettiford as Diana’s witch aunts; Edward Bluemel, Owen Teale, Malin Buska, Lindsay Duncan, and many more as other supernatural creatures — it makes sense to follow their stories further rather than focus solely on the main couple and the people they meet in the past.“I think we re going to try and figure out a way to have some of the contemporary world still in there, so that we don t lose those amazing characters,” Palmer said. “So there s going to be some slight tweaks to the second book in terms of the TV show, but I don t know what they are yet.”Season 2 Specifics(Photo by Sundance Now)While Palmer will be joining the production a little bit later than everyone else owing to the impending birth of her third child — she’ll film from July through January, after the birth of her daughter in April — she already knows one plot point she can’t wait to visit.Palmer listened to the audiobooks after she got the role, and there’s one character in particular she’s excited to meet: Kit, a.k.a. Elizabethan playwright (and Matthew’s BFF) Christopher Marlowe.“There s some tension between us,” she said. “I won t give anything away, but it s very interesting where the root of that tension comes from. I am excited about character dynamics, truly. There s so many amazing people we get to meet in the second season, and I just want to know how that rocks the boat for Diana and Matthew, and how they can stay a solid unit throughout all the things that get thrown their way. We will see!”A Discovery of Witches season 1 is available to stream in full on Sundance Now and Shudder.
这里在我们看来,虽然会让一些追求pve难度的玩家沉迷,但这也会导致变成专业团队的狂欢,普通玩家望而却步的境地,也许天谕手游方面是自信觉得他们的福利和休闲玩法足够留住咸鱼玩家?(虽然他们送的确实很多)
iro is in top form… he hasn’t been this good in years, and his rather understated performance really carries the movie. Brett Arnold, Consequence of SoundFrank Sheeran gives [De Niro] his most satisfying lead role in years. Eric Kohn, IndieWireDe Niro’s superb performance is a close cousin to his work in GoodFellas. Owen Gleiberman, VarietyWhat a joy it is to have Pesci back on the screen and to see him deliver such soulful work in the process…. the film really belongs to Pesci. Chris Evangelista, SlashfilmJoe Pesci emerges from retirement to give a superbly measured performance… the polar opposite of the lit-fuse firecrackers Pesci famously portrayed for Scorsese. David Rooney, Hollywood ReporterAnd when they re together?De Niro and Pacino play off one another beautifully, with De Niro often playing the calm straight-man to Pacino’s loudmouth comedian. A warmth radiates between the two. Chris Evangelista, SlashfilmWhen [Pesci] and De Niro are onscreen together, you believe in the power of art. A.O. Scott, New York Times(Photo by Netflix)What about Al Pacino?Pacino arrives almost a third of the way into the film and instantly electrifies it. Caryn James, BBC.comPacino shines among an incredible cast. [It s] his best display of rampant emotion and thoughtful characterization since Heat. He is Hoffa. Robert Daniels, 812filmreviewsMore than just a believably magnetic Hoffa, Pacino kicks the film into the realm of pure, delicious crazy. Joshua Rothkopf, Time OutPacino’s over-the-top presence borders on parody, but at the same time, feels attuned to the larger-than-life shadow that Hoffa cast in his prime. Eric Kohn, IndieWireHow distracting is the de-aging effect?Is the de-aging process perfect? Of course not… the process is still amazing, and there’s a strange, singular way that it works for the movie. Owen Gleiberman, VarietyThe de-aging is pretty good. I’d say the best I’ve seen so far… you do get used to it. Mike Ryan, UproxxThe eyes adjust to the illusion. Moreover, this magic trick speaks to the unreliable unreality of memory itself… a problem with (potentially accidental) resonance. A.A. Dowd, AV ClubAfter a while, you adjust, or rather, you get tired of probing the slightly-off evidence of your eyes and the headache it produces. There’s a lot of fun to distract you. Joshua Rothkopf, Time OutNow and then I had to stave off a PTSD flashback to Robert Zemeckis’ Polar Express. Stephanie Zacharek, Time Magazine(Photo by Netflix)What about the runtime?The film, which clocks in at 209 minutes — even longer than The Return of the King and Avengers: Endgame — barely feels its length. Karen Han, PolygonThis is a remarkably brisk three-and-a-half hours — Scorsese, at a ripe 76, still directs with the energy of a hungry young filmmaker. A.A. Dowd, AV ClubThe material would have been better served by losing an hour or more to run at standard feature length, or bulking up on supporting-character and plot detail to flesh out a series. David Rooney, Hollywood ReporterI’m not sure The Irishman needed all 209 minutes… even when the characters are younger, [it] moves at a leisurely (or even elderly) pace. Matt Singer, ScreenCrushHow s the pacing?Its last half-hour is deeply moving in a way that creeps up on you, and it’s then that you see what Scorsese was working toward all along. Stephanie Zacharek, Time MagazineThe Irishman doesn’t fully engage until its second act. Robert Daniels, 812filmreviews[Steve] Zaillian’s messy script, an ambitious assemblage of timelines, takes its time to fully immerse the viewer into its world… the second half is more lively. Jordan Ruimy, World of ReelIt’s a film that only gets further under your skin after you leave the theater (or close your Netflix browser, as the case may be). Karen Han, Polygon(Photo by Netflix)Does it need to be seen in a theater?The film, by design, is episodic in a way that’s small-screen-friendly. Owen Gleiberman, VarietyThe movie s self-indulgent running time of three-and-a-half hours will pose challenges for home-screen viewing. David Rooney, Hollywood ReporterIt should go without saying but yes, if you can, definitely see a new Martin Scorsese movie on the big screen first. Frazier Tharpe, ComplexWhat about the film s female characters?If one fault could be found with Scorsese’s latest work, it’s the waste of intriguing women characters. Robert Daniels, 812filmreviewsFor much of The Irishman, the women are at the margins — wives and daughters, always around, rarely saying anything. This isn’t atypical in Scorsese’s work, which rarely centers on women. Alissa Wilkinson, VoxThe movie lacks a strong female voice but such limitations speak to Sheeran’s character flaws more than those of The Irishman. Eric Kohn, IndieWireIt s a shoo-in for the Oscars, though, isn t it?In terms of the Oscar race, The Irishman is what we thought it was, a likely Best Picture contender with a chance at a truckload of nominations. Gregory Ellwood, The PlaylistIf the Best Supporting Actor Oscar came down to Pacino and Pesci, I have no idea who I’d support. Both performances are transcendently good. Brett Arnold, Consequence of SoundThe Irishman opens in limited release on November 1 and releases on Netflix on November 27.

hat show’s producers is running the Dirty John series.“There’s this fun, twisted fairy-tale aspect to the story,” Alexandra Cunningham tells Rotten Tomatoes, explaining that her adaptation doesn’t just add visuals, but is actually able to expand on the emotions of the story by dramatizing it. “A lot of things we’ve maintained — the spine and the scaffolding of the story — because they are so compelling and true and heart-wrenching. We put a lot more flesh on some bones.”For instance, Cunningham says she was able to address a concern people who listened to the podcast or read the Los Angeles Times articles had raised: Many listeners thought Debra Newell was “an incredibly stupid woman” for falling for Meehan’s exploitative schtick in the first place.Casting Britton as Newell certainly helped Cunningham combat this perception, and she framed the events in ways that should make viewers more empathetic towards the main character. She was also able to add some more depth to Meehan, who was not a participant in the podcast for reasons that are obvious to anybody who listened to the end. The show can follow Meehan as he goes about whatever dodgy business he was involved in, whereas the non-fiction podcast had to keep the speculation at a distance.“It gives you an even more complete picture of this man and commits you more emotionally than [you would have been] just [reading] the descriptions of what he did in the podcast, since you’re sort of watching them along with him,” Cunningham says. “It’s a point-of-view perspective that the podcast couldn’t do.”Up and Vanished Continues the InvestigationTrue crime might be podcasting’s leading genre, but don’t forget that it’s also been a TV mainstay for decades, dramatized or not. The recent Up and Vanished special, about Tara Grinstead, a teacher and former beauty queen who went missing in Georgia three years ago, is as much a sequel to host Payne Lindsey’s original podcast as it is an adaptation.“Both mediums rely on good storytelling,” Lindsey says of the difference between podcasts and TV. “Even though a podcast is strictly audio, listeners develop their own visuals for the story. It’s kind of a more intimate experience, and sometimes I think it actually makes the audience feel closer to the people involved.”The podcast medium offered Lindsey one thing that TV doesn’t. Because podcasts are typically cheaper and faster to make than TV shows, Up and Vanished was able to generate renewed interest in the case that led to a crucial break in real time.“That would have been a lot harder to do with a television crew on the ground, following a production schedule, along with all of the other elements that make a TV show,” he says.The Future(Photo by Syed family/HBO)The three November podcast-inspired shows are quite different from another, revealing the fundamental wrinkle in any discussion about the future of podcasts on TV: It’s a medium, not single genre.“There’s a spread of genre that makes this a little hard to talk about efficiently,” journalist Quah says.The scripted drama–turned–prestige TV Homecoming is a very different beast than the two true-crime podcasts, even if Dirty John turned from non-fiction to scripted when Bravo dramatized it. There are also improvisational comedy podcasts like Comedy Bang Bang and My Brother My Brother and Me, both of which did their audio counterparts proud on TV (and both of which continue in podcast form, though not on television). Then there are the talk shows-with-a-twist, like Desus Mero and even Bill Simmons’ Any Given Wednesday (to a certain extent), which launched as a result of the hosts’ popular podcasts.There are even more TV adaptations in the works: Crimetown, a non-fiction podcast about corruption in Providence, Rhode Island, is coming to FX, as is the spooky Welcome to the Night Vale. Fantastically popular podcast Serial is getting an HBO documentary, The Case Against Adnan Syed (pictured above), but a scripted television adaptation of the murder-mystery by The LEGO Movie’s Chris Lord and Phil Miller has been in development hell since 2015. Limetown, a scripted horror podcast, will hit Facebook Watch and star Jessica Biel.Some of these shows will be good certainly. Others, maybe not so much. That they began their lives as podcasts doesn’t give them an inherent advantage or disadvantage over any other type of adaptation, aside from maybe being more buzzworthy than other series.“Isn’t it the story that’s more crucial? You wouldn’t say books make good movies — it depends on the book,” Homecoming’s Bloomberg says.Podcasts have a lot of things going for them: They’re cheap to make, generally flexible productions to undertake, and can connect with large audiences in an intimate way. They’re not a guarantee for success on TV, but the right podcast with the right creative team can, ideally, become something new — something that’s more than just a podcast with pictures.“The fundamental thing,” Quah says, “is to create something native to the experience.”
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This Week s Ketchup brings you seven headlines from the world of film development news, covering such titles as Methuselah Man, Moonfall, Popeye, and Scarface. This WEEK S TOP STORYLUCA GUADAGNINO WILL DIRECT THE COEN BROTHERS  SCARFACE(Photo by Sandro Kopp/© Amazon Studios)As with movies like A Star is Born and The Magnificent Seven, the fan-favorite drug lord drama Scarface (Certified Fresh at 81%) was itself a remake of a 1932 mobster movie starring Paul Muni. So when Hollywood starts talking about remaking (or rebooting) a movie like Scarface, they re really talking about remaking a remake. Universal Pictures has been trying to do just that with Scarface for several years now, including periods in when the setting might have shifted to take place within a Mexican or African-American crime world. We can now report that the latest director attached to Universal s Scarface is Luca Guadagnino (Call Me By Your Name, Certified Fresh at 95%), who most recently directed another remake, Suspiria (Fresh at 65%), and who s also developing a remake of Lord of the Flies. It s unclear what Guadagnino s plans for Scarface are, exactly, except that the film will focus on an immigrant story and be set in Los Angeles, and that he ll be working off a screenplay recently rewritten by Joel and Ethan Coen.Other Top Headlines1. GEORGE MILLER EXPLAINS FURIOSA CASTING DECISION(Photo by Jasin Boland/©Warner Bros. Pictures)Although Australian director George Miller has been directing feature films for over 30 years (since the first Mad Max in 1979), his most recent film, 2015 s Mad Max: Fury Road (Certified Fresh at 97%) was such an impressive breakthrough that, for the five years since, he s left the world wondering what he ll do next. We ve known for a while now that his next film will be an epic romance called Three Thousand Years of Longing, and that Idris Elba and Tilda Swinton are attached to star. That film appeared to finally get close to a greenlight this week with the news that MGM has come aboard to distribute the project, which will be filmed on location in Australia, London, and Istanbul. As for the Fury Road prequel called Furiosa, this week Miller addressed his decision to cast the role with a younger actress instead of 44-year-old Charlize Theron, stating his concern that de-aging CGI hasn t yet escaped the uncanny valley and citing last year s The Irishman as an example of that. Anya Taylor-Joy (The Witch, Emma., The New Mutants) has been mentioned as a possible Furiosa star, but no official casting announcement has been made yet.2. DANNY BOYLE TO DIRECT MICHAEL B. JORDAN IN METHUSELAH MAN(Photo by JA/Everett Collection)A recurring theme in this week s news is that the directors of various 2019 movies are lining up their next films to be produced some time in the near future after the current COVID-19 crisis is somewhat alleviated. One of those directors is Danny Boyle (Slumdog Millionaire, Trainspotting), who last year gave us the Beatles-themed musical movie Yesterday (Fresh at 63%). Boyle s new project this week is the long-in-development Methuselah Man, which in some way tells the story of a man who is over 900 years old (like the Biblical character). At one point, Tom Cruise was going to star in Methuselah Man, but the part now will be played by Michael B. Jordan (Creed, Black Panther). Danny Boyle s frequent screenwriting partner Simon Beaufoy is expected to rewrite the script, although it s still unknown what the premise exactly is. Whatever it is, Warner Bros. reportedly sees it as potentially the first film of a new franchise. Michael B. Jordan s next film is expected to be the Tom Clancy adaptation Without Remorse, which is working its way through post-production as people work on it remotely.3. CATE BLANCHETT ADDS TWO MORE PROJECTS TO HER SCHEDULE(Photo by Lisa Tomasetti/©Sony Pictures Classics)Just last week, we reported that Cate Blanchett was the first acting talent to sign on for the video game adaptation Borderlands, even as her ambitious mini-series Mrs. America continues to air its final episodes on FX this month. Blanchett looks to stay busy, though, as she became attached to two more projects this week. Let s start with Armageddon Times, which will be the next film from director James Gray, whose most recent film was last year s Ad Astra (Certified Fresh at 84%). Armageddon Time was reportedly inspired by Gray s time at the prestigious Kew-Forest School, where Fred Trump served on the school board, and which his son Donald Trump also attended. Cate Blanchett s role in Armageddon Time hasn t been confirmed yet. The other movie Blanchett signed on for this week is a Netflix sci-fi satire called Don t Look Up with director Adam McKay (Vice, The Big Short, Anchorman: The Legend of Ron Burgundy). Jennifer Lawrence will also co-star in the comedy about a team of astronomers on a media tour trying to warn the world that Earth is about to be hit by a world-destroying asteroid. We also don t really know what Blanchett s role Don t Look Up will be.4. A NEW POPEYE MOVIE IS BACK IN DEVELOPMENTRussian-born animator and director Genndy Tartakovsky made the transition to feature films in 2012 with the first Hotel Transylvania after already achieving success on TV with shows like Dexter s Laboratory, The Powerpuff Girls, and Samurai Jack. It was also in 2012 that Tartakovsky came on board a Sony Pictures Animation adaptation of the long-running cartoon character Popeye (the Sailor Man). That led to test footage debuting online in 2014, but then Sony Pictures pulled the plug on the project in 2015, and it seemed like Tartakovsky s Popeye would never see the light of day. In a surprising (and rare) twist, the rights have reverted back from Sony to King Features, which has now greenlit the Popeye feature film, with Genndy Tartakovsky back on board to deliver his original vision from nearly 10 years ago. Sony Pictures is currently working on a Hotel Transylvania 4, but Tartakovsky won t be directing that one.
Opportunities, pay parity, and awards recognition haven’t always reflected it, but it’s a fact: female showrunners have long been responsible for much of the best TV has to offer. Now, finally, as our round-up of superstar showrunners exemplifies, the women running TV are getting the deals, and accolades, they’ve long deserved.Phoebe Waller-Bridge(Photo by Frazer Harrison/Getty Images)How You Know Waller-Bridge: After creating and starring in the U.K. dramedy Crashing, she broke out by creating and starring in the Emmy, Golden Globe, BAFTA, and SAG-winning dramedy Fleabag, for which she was also showrunner, and she was the executive producer and showrunner for the first season of the thriller series Killing Eve.Upcoming Projects: She’s the creator and executive producer of (and an actor in) HBO’s romantic comedy–adventure series Run, starring Merritt Wever and Domhnall Gleeson. It premieres on April 12.Nahnatchka Khan(Photo by Astrid Stawiarz/Getty Images for Tribeca Film Festival)How You Know Khan: She created and was the executive producer and showrunner for the short-lived, but memorable Don’t Trust the B - in Apartment 23, and then created and was the executive producer and showrunner for ABC’s recently concluded sitcom Fresh Off the Boat.Upcoming Projects: She will write and serve as showrunner for Young Rock, NBC’s comedy about and starring Dwayne Johnson, and inspired by the action star’s formative years. She is also developing a dark comedy about a female serial killer, which reunites her with Don’t Trust the B - star Krysten Ritter, and she’s executive producer on ABC comedy pilot Valley Trash, starring Jason Lee.Marti Noxon(Photo by Jamie McCarthy/Getty Images for AMC)How You Know Noxon: She’s been developing strong female characters on TV for decades while being a showrunner on everything from Buffy the Vampire Slayer and Private Practice to Dietland and Sharp Objects.Upcoming Projects: Nixon is developing new series projects as part of an overall deal with Netflix.Ilene Chaiken(Photo by Alberto E. Rodriguez/Getty Images)How You Know Chaiken: She created and was showrunner for the autobiographical series The L Word (and is an executive producer on the reboot series The L Word: Generation Q), and helped develop the TV adaptation of The Handmaid’s Tale (on which she is an executive producer), but left the project to become the showrunner on Fox’s Empire. She’s a consulting producer on ABC’s Stumptown.Upcoming Projects: Along with The L Word star Jennifer Beals, Chaiken is developing for Freeform an adaptation of Taylor Jenkin Reid’s novel The Seven Husbands of Evelyn Hugo, a drama about a young journalist chosen by a Golden Age of Hollywood star to write her final tell-all book.Kerry Ehrin(Photo by Jason Merritt/Getty Images for A E)How You Know Ehrin: She was an Emmy nominee for her producing work on The Wonder Years and Friday Night Lights, before co-creating and being showrunner on stellar A E Psycho prequel series Bates Motel.Upcoming Projects: She will continue as showrunner of Apple TV+ drama series The Morning Show, and will develop new series for the streaming service as part of a multi-year deal with Apple.Tina Fey(Photo by Dia Dipasupil/Getty Images)How You Know Fey: After her stint as head writer and Weekend Update co-host on Saturday Night Live and roles as creator, executive producer, and star of 30 Rock, the Emmy, Golden Globe, SAG, WGA, and Peabody Award winner was co-creator and co-showrunner of the Netflix series Unbreakable Kimmy Schmidt.Upcoming Projects: She is co-creator and executive producer on NBC’s still-untitled Ted Danson comedy, about a wealthy businessman (Danson) who runs for mayor of Los Angeles, but has no idea how to actually do the job after he wins. She’s also an EP on Girls5Eva, a Peacock comedy about a one-hit-wonder girl group from the 1990s who reunite to give pop stardom another shot.Amy Sherman-Palladino(Photo by Rachel Luna/WireImage)How You Know Sherman-Palladino: She was a writer on Roseanne before creating, executive producing, and serving as showrunner on the beloved dramedy Gilmore Girls. She was also creator, EP, and showrunner of Bunheads and the Gilmore Girls: A Year in the Life miniseries for Netflix and the multiple Emmy winner The Marvelous Mrs. Maisel on Amazon.Upcoming Projects: She is working on a fourth season of The Marvelous Mrs. Maisel.Yvette Lee Bowser(Photo by Michael Kovac/WireImage)How You Know Bowser: She is the first African-American woman to create her own primetime series with the classic comedy Living Single, and she’s the showrunner for the Netflix drama Dear White People.Upcoming Projects: She is showrunner for the fourth and final season of Dear White People, and she created the Starz series Run the World, about “four vibrant, fiercely loyal best friends who work, live, and play in Harlem as they strive for world domination,” according to THR.com.Shonda Rhimes(Photo by David Livingston/Getty Images)How You Know Rhimes: As the creator, head writer, executive producer, and original showrunner of Grey’s Anatomy, which is currently in its 16th season on ABC. She also created and has executive produced Scandal, Private Practice, How to Get Away with Murder, The Catch, Station 19, and more.Upcoming Projects: Under her development deal with Netflix – estimated to be worth between 0 million–0 million – Rhimes created and is executive producer of the Netflix drama Inventing Anna, based on the New York Magazine article about a woman (played by Julia Garner) who tricked a group of New Yorkers into funding her extravagant life.Gloria Calderón Kellett(Photo by Jon Kopaloff/Getty Images)How You Know Kellett: In addition being an actress on How I Met Your Mother, Jane the Virgin, Dead to Me, and Trophy Wife, she was also a writer and producer on HIMYM, Rules of Engagement, Devious Maids, and iZombie, and is co-creator and showrunner of the bicultural remake of Norman Lear’s family comedy One Day at a Time.Upcoming Projects: The fourth season of One Day at a Time, which premieres on Pop TV on March 24. She also became the first Hispanic female to sign an eight-figure development deal, which begins in June 2020 at Amazon Studios.Jill Soloway(Photo by Amanda Edwards/Getty Images)How You Know Soloway: After stints as a writer on The Steve Harvey Show, Nikki, and The Oblongs, Soloway became a writer and co-producer on Six Feet Under. Also an author, Soloway wrote episodes of Grey’s Anatomy and Dirty Sexy Money and was the showrunner of Showtime’s United States of Tara before creating, writing, executive producing, and showrunning the groundbreaking, Emmy-winning Amazon family drama Transparent.Upcoming Projects: Soloway is focusing on big-screen projects right now, including writing and directing Red Sonja and Mothertrucker, and directing a biopic about astronaut Sally Ride.Marta Kauffman(Photo by John Lamparski/Getty Images for Tribeca TV Festival))How You Know Kauffman: She’s the co-creator and co-showrunner of Friends. She also co-created the HBO comedy Dream On, as well as Veronica’s Closet, and co-created and has been the showrunner of the Netflix comedy Grace and Frankie.Upcoming Projects: The seventh, and final, season of Grace and Frankie and HBO Max’s Friends reunion special.Jenji Kohan(Photo by Taylor Hill/FilmMagic)How You Know Kohan: She wrote episodes of The Fresh Prince of Bel-Air, Mad About You, Gilmore Girls, Sex and the City, and Will Grace, before she created, executive produced, and was showrunner of the dramedies Weeds and Orange Is the New Black, and is an executive producer on the Netflix dramedy GLOW. She also shared an Emmy as a supervising producer for the Tracey Ullman comedy Tracey Takes On….Upcoming Projects: As part of an overall deal with Netflix, she is an executive producer on the comedy Slutty Teenage Bounty Hunters, about a set of teenage twins who juggle working with a bounty hunter with their usual high school student lives.Ava DuVernay(Photo by Karwai Tang/Getty Images)How You Know DuVernay: In addition to her big-screen work, she created, directed, executive produced, and co-wrote the Emmy-winning Netflix miniseries When They See Us, the true story of the “Central Park Five,” young minority men who were falsely accused of the rape of a jogger in NYC’s Central Park. She is also the creator, executive producer, and sometime writer and director of the OWN drama Queen Sugar, and created and executive produced the OWN romantic drama anthology series Cherish the Day.Upcoming Projects: She will executive produce an Amazon adaptation of Octavia E. Butler’s 1987 novel Dawn, about an African-American woman who is tasked by aliens with bringing back the human race 250 years after a nuclear war destroys Earth. The Oscar nominee is also directing the pilot for the HBO Max drama DMZ, about a second American Civil War.Charlotte BrownHow You Know Brown: You probably don’t, but you should. After being hired to write episodes of The Mary Tyler Moore Show, The Partridge Family, and The Bob Newhart Show, Brown was hired to write an episode of the MTM Show spin-off Rhoda, and eventually became an executive producer, and the first female showrunner of a primetime sitcom.Upcoming Projects: Brown retired from Hollywood work after executive producing the 1995 Kirk Cameron sitcom Kirk on The WB.Issa Rae(Photo by Amy Sussman/Getty Images for Women In Film)How You Know Rae: In addition to starring in (and receiving Golden Globe and Emmy nominations for her performance on) HBO’s Insecure, Rae also created the autobiographical show and has served as its showrunner.Upcoming Projects: Season 4 of Insecure, which premieres in April, and a second season of A Black Lady Sketch Show, the comedy she executive produces for HBO. The entrepreneurial star also started her own record label, opened a coffee shop in Los Angeles, and is co-owner of a streaming analytics business.Jennie Snyder Urman(Photo by Emma McIntyre/Getty Images)How You Know Urman: After working on Hope Faith, Gilmore Girls, and 90210, she became the executive producer and showrunner of Jane the Virgin.Upcoming Projects: As part of her five-year deal with CBS Television Studios, Urman will be an executive producer on Broke, the CBS sitcom about a man (Jane the Virgin alum Jaime Cahill) and his wife who decide to move in with his sister-in-law (Pauley Perrette) after his father cuts him off financially.Aline Brosh McKenna(Photo by Jon Kopaloff/WireImage)How You Know McKenna: After writing the screenplay for The Devil Wears Prada, McKenna teamed with Rachel Bloom to create Crazy Ex-Girlfriend, originally for Showtime, before the clever, critically-acclaimed musical series landed at The CW, with McKenna as the showrunner.Upcoming Projects: McKenna recently signed a three-year deal with ABC Studios, which includes the musical comedy series Hit, about a pop star whose record label sends her to a songwriting boot camp.Abbi Jacobson and Ilana Glazer(Photo by Lane Savage/Comedy Central)How You Know Jacobson and Glazer: As the creators, stars, and showrunners of the late, great Comedy Central series Broad City.Upcoming Projects: Comedy Central is rife with projects from Broad City alums, who cite Jacobson and Glazer as supportive inspirations. The longtime friends, who will continue to produce projects together, also have solo efforts in the works. Jacobson will executive produce and star in Amazon’s series adaptation of A League of Their Own, while Glazer recently released a comedy special, Ilana Glazer: The Planet Is Burning, on Amazon.Julie Plec(Photo by Amy Sussman/Getty Images)How You Know Plec: As showrunner of The Vampire Diaries and its spin-off, The Originals, and now that spin-off’s spin-off, Legacies. Plec is also an executive producer on The CW’s  Roswell, New Mexico.Upcoming Projects: Plec co-created and will executive produce the Netflix drama The Girls on the Bus, about female political reporters. The series is based on a chapter in the Hillary Clinton campaign memoir Chasing Hillary, by Amy Chozick.Liz Meriwether(Photo by Laura Cavanaugh/FilmMagic/Getty Images)How You Know Meriwether: She created and served as showrunner of New Girl, and is co-creator and co-showrunner on a pair of ABC comedies, Bless This Mess and Single Parents.Upcoming Projects: Developing additional series under her four-year, reportedly eight-figure deal with 20th Century Fox TV.Courtney A. Kemp(Photo by Brad Barket/Getty Images for STARZ)How You Know Kemp: After writing for series like The Good Wife and The Bernie Mac Show, she created Starz’ Power universe.Upcoming Projects: Power ended its six-season run as one of Starz’ highest-rated shows in February, but Kemp is creating four spin-off series, including a prequel and three sequel series.Michelle King(Photo by David Livingston/Getty Images)How You Know King: As creator and showrunner, with writing partner and husband Robert King, of The Good Wife and its spin-off The Good Fight, and creator of the CBS horror-thriller Evil.Upcoming Projects: She is an executive producer on Showtime’s Bryan Cranston drama Your Honor, about a judge (Cranston) who tries to protect his son from the mafia.Mara Brock Akil(Photo by Steven Ferdman/Getty Images)How You Know Akil: As the creator of Girlfriends and its spin-off series, The Game, as a producer on writer on Cougar Town, and as the creator of the BET drama Being Mary Jane. She is currently an executive producer on The CW superhero drama Black Lightning.Upcoming Projects: She recently signed a deal with Fox Entertainment to create and write a scripted series for the Fox network.Angela Kang(Photo by Albert L. Ortega/Getty Images)How You Know Kang: She’s been a story editor, producer, and co-executive producer on The Walking Dead, and, since season 9, the AMC zombie series’ showrunner.Upcoming Projects: More TWD. Despite recently losing three of the drama’s lead cast members – Andy Lincoln, Lauren Cohan, and, soon. Danai Gurira – Kang’s current season as showrunner is drawing rave reviews from fans and critics.Diane English(Photo by Frederick M. Brown/Getty Images)How You Know English: She created – and won three Emmys for – the groundbreaking CBS comedy Murphy Brown, about the smart, opinionated, controversial titular TV newswoman played by Candice Bergen.Upcoming Projects: English was an executive producer on the short-lived Murphy reboot on CBS in 2018.Linda Bloodworth-Thomason(Photo by Angela Weiss/WireImage)How You Know Bloodworth-Thomason: She created another of the most classic sitcoms of the 1980s, the CBS comedy Designing Women, which also revolved around a group of strong, opinionated female characters who operate an interior design firm. Women and Murphy Brown aired back-to-back on CBS’ Monday nights for two seasons.Upcoming Projects: As of 2018, Thomason was writing and executive producing a Designing Women sequel for ABC.Lauren Schmidt Hissrich(Photo by Matt Winkelmeyer/Getty Images)How You Know Hissrich: She followed work as an executive producer and writer on Private Practice, Parenthood, Power, and The Umbrella Academy with creating and showrunning the Netflix fantasy series The Witcher, based on the book series by Andrzej Sapkowski.Upcoming Projects: She returns as showrunner for season 2 of The Witcher – one of Netflix’s most popular series – planned for 2021, and is also developing a spin-off anime film, The Witcher: Nightmare of the Wolf.Meredith Averill(Photo by Amanda Edwards/WireImage)How You Know Averill: She was a writer and producer on The Good Wife, created The CW sci-fi teen drama Star-Crossed, and was a producer on Jane the Virgin before serving as executive producer and co-showrunner on The Haunting of Hill House for Netflix. Currently, she’s an EP and co-showrunner for Netflix’s adaptation of the graphic novel Locke Key.Upcoming Projects: While awaiting a decision on another season of the recently completed Locke Key premiere run, Averill told io9 she’d like to pitch a modern series adaptation of Nightmare on Elm Street, one that would employ her trademark tone of mixing supernatural, horror themes with a more grounded, emotional story.Elizabeth Berger(Photo by Rodin Eckenroth/Getty Images)How You Know Berger: She’s a co-showrunner on This Is Us, TV’s top drama.Upcoming Projects: She’s co-creator and an executive producer on Love, Victor, the Hulu series that’s set in the same world as the movie Love, Simon, which she co-wrote, and her production company is behind 90s Popstar, an ABC movie about a Florida teen whose life changes overnight when she becomes a famous pop star.Mindy Kaling(Photo by David Crotty/Patrick McMullan via Getty Images)How You Know Kaling: While she was playing Kelly Kapoor on The Office, she was also a writer, director, and executive producer on the NBC comedy. She followed that up by creating, starring in, and executive producing The Mindy Project, and last year co-created and executive produced the Four Weddings and a Funeral miniseries for Hulu.Upcoming Projects: Kaling co-created and is an executive producer on the autobiographical Netflix coming-of-age dramedy Never Have I Ever, about a first-generation Indian American teenage girl. The series will premiere later this year.Krista Vernoff(Photo by Alberto E. Rodriguez/Getty Images)How You Know Vernoff: After writing and producing for Law Order, Charmed, Private Practice, and Shameless, she became the Grey’s Anatomy showrunner in 2007. Grey’s creator Shonda Rhimes has credited Vernoff as the person responsible for injecting all those “Seriously?!”s into the drama. Upcoming Projects: Vernoff took over as showrunner for the third season of Grey’s spin-off Station 19, which premiered in January. She’s also writing and executive producing the ABC drama pilot Rebel, starring Katey Sagal as a character inspired by Erin Brockovich.Liz Flahive and Carly Mensch(Photo by Emma McIntyre/Getty Images for Netflix)How You Know Flahive and Mensch: Their joint resumes included producing and writing on Homeland, Nurse Jackie, Orange Is the New Black, and Weeds before they began giving us heart, humor, complex characters, and, of course, female wrestling, while steering the ship on the Netflix dramedy they created, GLOW.Upcoming Projects: The fourth, and final, season of GLOW is expected to hit Netflix later this year, and Flahive and Mensch are teaming with producer Nicole Kidman to adapt Cecilia Ahern’s short story collection Roar as a series.Liz Tigelaar(Photo by Erik Voake/Getty Images for Hulu)How You Know Tigelaar: She’s been a producer and writer on Once Upon a Time, Revenge, Nashville, and Bates Motel, and became the showrunner and an executive producer on the Hulu comedy Casual. Upcoming Projects: She is the showrunner for Hulu’s upcoming drama series Little Fires Everywhere, starring Reese Witherspoon and Kerry Washington, and will also adapt July Blume’s 1998 adult novel Summer Sisters as a limited series for Hulu.Sera GambleHow You Know Gamble: She was a showrunner for two seasons on Supernatural, and is the co-creator, EP, and showrunner for the Syfy adaptation of Lev Grossman’s bestselling novel The Magicians. Gamble also co-created and serves as showrunner of the Lifetime-to-Netflix adaptation of Caroline Kepnes’ bestselling novel You.Upcoming Projects: She’s an EP on the upcoming Apple TV+ dramedy Physical, starring Rose Byrne as a 1980s housewife who finds happiness via aerobics, and will develop series for NBCUniversal networks like USA, Syfy, and streaming service Peacock, as well as Netflix, as part of her new overall deal with Universal Content Productions.Deb CoxHow You Know Cox: She’s the co-creator and writer on SeaChange, the 1998-2000 Australian drama about the big-city lawyer who moves to a small town filled with colorful characters (the Aussie answer to Gilmore Girls), which was rebooted in 2019. She also created, with producing partner Fiona Eagger, the Australian drama series Miss Fisher’s Murder Mysteries, which spawned the spin-off series Ms. Fisher’s Modern Murder Mysteries and the feature film Miss Fisher and the Crypt of Tears.Upcoming Projects: Her Every Cloud Productions company, a joint venture with Eagger, is developing a remake of the classic Australian family drama series Seven Little Australians and is awaiting word on another season of the SeaChange reboot.Charlie CovellHow You Know Covell: She’s an actress and writer whose British series adaptation of the graphic comic series The End of the F***king World became a hit that was picked up by Netflix and became a U.S. streaming hit that earned an Emmy nomination and a Peabody Award.Upcoming Projects: She created the Netflix series Kaos, a “genre-bending series (that) puts a modern twist on Greek and Roman mythology, exploring themes of gender politics, power, and life in the underworld.”Maddalena RavagliHow You Know Ravagli: She co-created the Italian mob drama Gomorrah, which was more popular in Italy than Game of Thrones, and aired in the U.S. on SundanceTV. She also co-wrote the 2019 spin-off film, The Immortal, and is a writer and producer on the follow-up Italian crime drama ZeroZeroZero, starring Andrea Riseborough and Gabriel Byrne, which premiered in the U.S. on Prime Video earlier this year.Upcoming Projects: Developing a fifth season of Gomorrah, a series that has now been sold in more than 170 countries.Liked this? See our list of the 150 best female-directed movies of the 21st century.
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(Photo by Focus Features)Yes, we know what you’re thinking: Just days after one of the most drama-filled awards seasons in recent memory, we are already looking ahead to next year. Best Picture winner Parasite is still in theaters, and we are several months away from the unofficial kick-off of the awards season in September. Still, we are already eyeing a list of hopefuls we think can go the distance in 2021. With Cannes re-emerging as a launching pad for contender films (Oscar winners Once Upon A Time in Hollywood and Parasite both premiered at Cannes last year, where the latter won the Palme d Or), the “Oscar movie” starting line continues to shift to earlier and earlier in the year. And following huge wins for genre-defying, foreign-language underdog-turned-Best Picture-winner Parasite, the very notion of an awards movie is ever-changing.After a fresh crop of films that premiered at Sundance in January, a number of new trailers from movies likely to be in the Oscar conversation, and festival circuit stops announced by others, we are starting to get excited. Read on to see our picks for Oscar contenders in 2020/2021 and why we are betting on them early.Don’t agree with our picks? Have at us in the comments.Mank (2020) 83% Cast: Gary Oldman, Amanda Seyfried, Charles Dance, Lily CollinsWhat it is:  A biopic about Herman J. Mankiewicz, the co-screenwriter of Citizen Kane, and his battles with co-writer Orson Welles.Why it could win: Director David Fincher has earned at least one Oscar nomination for each of his last four pictures, including the two-time Academy Award winner The Social Network. Following the success of his Netflix show Mindhunter and earlier films like Zodiac, many voters and critics are excited to see what Fincher   the new master of the historical thriller   has in store for this Hollywood tale of betrayal, inspiration, and intrigue.Promising Young Woman (2020) 90%Cast: Carey Mulligan, Bo Burnham, Alison Brie, Connie Britton, Adam Brody, Jennifer CoolidgeWhat it is: A revenge thriller/dark comedy about a young woman who moonlights as a vigilante, feigning helpless drunkenness at bars to bring justice to would-be sexual predators, until she meets an old classmate who helps her shift focus and confront her past.Why it could win: Carey Mulligan has been consistently serving award-worthy performances for the past few years (Wildlife, Suffragette, Mudbound). After a successful nomination campaign for Cynthia Erivo in Harriet, we are betting Focus Features has a plan to get the previously nominated Mulligan back in contention. Writer-director Emerald Fennell is also a threat for a screenplay award following her Emmy-nominated success with TV series Killing Eve.The White Tiger (2021) 91%Cast: Rajkummar Rao, Priyanka ChopraWhat it is: A man s rags to riches tale of self-determination comes to life in this adaptation of the Man Booker Prize-winning novel from India.Why it could win: Aravind Adiga s 2008 novel The White Tiger was an international bestseller, and director Ramin Bahrani has been a darling on the festival circuit since his breakout with 99 Holmes. With the addition of Priyanka Chopra in her first English-language lead role in a feature film, we are motivated to keep our eye on this one for end-of-year accolades.Nomadland (2020) 93%(Photo by Searchlight Pictures)Cast: Frances McDormand, David StrathairnWhat it is: A woman in her sixties loses everything and takes off on an exploration of the West, living in her van as a modern-day nomad.Why it could win: After the critical success of The Rider, we automatically signed up for anything Chloe Zhao wanted to do next. Before she set off to shoot Eternals for Marvel, Zhao filmed Nomadland, starring two-time Best Actress Oscar-winner Francis McDormand, who also shows up elsewhere on this list. We are similarly excited for what McDormand will do, and #Vanlife seems ripe for actorly drama.Dune (2021) 89% Cast: Dave Bautista, Javier Bardem, Rebecca Ferguson, Timothée ChalametWhat it is: An epic sci-fi adventure that chronicles the lives of the royal Atreides family as they strive to protect the most valuable resource in the universe.Why it could win: Dune has been at the top of just about every most anticipated film list since it was announced in late 2017. It may be a stretch as an awards contender, but the fact that Denis Villeneuve is one of the few directors capable of producing pure genre films that still appeal to Academy voters does work in his favor. Add the internet s boyfriend and voter favorite Timothée Chalamet, and it would not shock us if it became a serious contender for above- and below-the-line honors.The Forty-Year-Old Version (2020) 98% (Photo by Courtesy of Sundance Film Festival)Cast: Radha Blank, Peter Y. KimWhat it is: An aging playwright battling with the choice to stay broke or sell out turns to rapping about her life as a 40-year-old as a way to reclaim her identity.Why it could win: Radha Blank was a well established playwright within the theater community when she made her stunning debut at Sundance earlier this year. The film, which delighted critics, was quickly snapped up by Netflix. It s a no-brainer to compete for Best Original Screenplay, so we fully expect a fall roll-out and a heavy awards push from the streaming giant.Benedetta (2021) 85%Cast: Charlotte Rampling, Virginie Efira, Lambert WilsonWhat it is: A 17th-century nun beset by erotic visions forms a relationship with her caregiver, and the two women become engulfed in a passionate love affair.Why it could win: Paul Verhoeven, the director of Elle, is making an erotic lesbian nun love story based on a true story. Need we say more? If, by chance, you think this premise is too much for Academy Voters, we would remind you that Isabelle Huppert was nominated for Oscar and won a Golden Globe for Elle  a dark rape/revenge love story.Respect (2021) 68% Cast: Jennifer Hudson, Audra McDonald, Forest Whitaker, Tituss Burgess, Marc Maron, Marlon WayansWhat it is: A biopic profiling legendary singer-songwriter Aretha Franklin.Why it could win: Musical biopics have worked out rather well, particularly recently, for people like Renee Zellweger and Rami Malek, as well as past Oscar winners like Jamie Foxx, Reese Witherspoon, Barbra Streisand, and Sissy Spacek, so it could do the same for Jennifer Hudson as Aretha Franklin in Respect. Hudson had previously sung her way to an Oscar in 2007 s Dreamgirls, so the long-awaited feature about the Queen of Soul has promise, and thankfully, we expect it won t need much CGI like her last musical offering, Cats.The Eyes of Tammy Faye (2021) 66%Cast: Jessica Chastain, Vincent D Onofrio, Andrew GarfieldWhat it is: A drama charting the rise and fall of televangelists Jim and Tammy Faye Bakker, particularly through the lens of the latter. The film is a narrative adaptation of the 2000 documentary of the same name.Why it could win: Televangelists Jim and Tammy Faye Bakker were reality stars before the Kardashians, and they came with more baggage. They were two of the richest, most popular personalities on television at the height of their success, and their fall from grace was tabloid fodder for decades and tailor-made for awards consideration. Throw in two-time Oscar nominee Jessica Chastain and Best Actor nominee Andrew Garfield, as well as director Michael Showalter, who directed the Oscar-nominated The Big Sick, and there s plenty of reason to think this will resonate with the Academy.In the Heights (2021) 94% Cast: Anthony Ramos, Corey Hawkins, Jimmy Smits, Lin-Manuel Miranda, Stephanie Beatriz, Marc Anthony, Dascha PolancoWhat it is: The big-screen adaptation of Lin-Manuel Miranda s Tony-winning Broadway musical about life in the Washington Heights neighborhood of Manhattan, New York.Why it could win: The fact that the original musical won a Tony is reason enough to get excited about In the Heights, but with the addition of Crazy Rich Asians director Jon M. Chu, we have had a hard time picturing anything topping one of the new songs from this film for Best Original Song in 2020. The colorful visuals and production design we spied in the trailer also had us instantly buzzing.Hillbilly Elegy (2020) 25%Cast: Amy Adams, Glenn Close, Haley Bennett, Freida PintoWhat it is: The film adaptation of J. D. Vance s acclaimed memoir chronicling three generations of his Appalachian family.Why it could win: He has not been in the Awards conversation for over a decade, but double Oscar winner Ron Howard is always a threat, and Netflix is betting big on the memoir s long-awaited adaptation. With the inclusion of two actresses (Amy Adams and Glenn Close) who have 13 Oscar nominations but zero wins between them, there will be a lot of eyes on Hillbilly Elegy come fall.Tenet (2020) 70%Cast: John David Washington, Robert Pattinson, Elizabeth DebickiWhat it is: A mindbending sci-fi tale about time travel and a race to save the world.Why it could win: Christopher Nolan behind the camera alone should be enough for anyone, but Robert Pattinson, Elizabeth Debicki, and John David Washington make Tenet a must-see, albeit a risky bet, for nominations morning, as Tenet might be too genre to capture Oscar voters attention. Still, Nolan earned nominations for Inception and Memento, so his latest, which looks like a cross between the two, is difficult not to picture on the Oscar stage.Greyhound (2020) 79%Cast: Tom Hanks, Elisabeth Shue, Rob Morgan, Karl GlusmanWhat it is: In WWII, 37 Allied ships cross the treacherous North Atlantic while hotly pursued by a fleet of Nazi U-boats during the lead captain s first command.Why it could win: It s hard to bet against a Tom Hanks war movie. After Hanks broke a nearly 20-year Oscar nomination drought with his Best Supporting Actor nom for A Beautiful Day in the Neighborhood, we like his chances for this based-on-true-events story, which he both wrote and leads on screen.The French Dispatch (2021) 80% Cast: Benicio Del Toro, Adrien Brody, Tilda Swinton, Timothée Chalamet, Frances McDormand, Bill Murray, Owen Wilson, Saoirse Ronan, Léa SeydouxWhat it is: A film anthology of the stories from the final issue of an American magazine published in a fictionalized version of 20th century France.Why it could win: Wes Anderson has been nominated for seven Academy Awards and has never won not even for the beloved The Grand Budapest Hotel, which seems a downright tragedy. However, with this cast of Oscar winners and an expected glitzy debut on the festival circuit later this year, The French Dispatch is an early favorite to lead all nominations next January.Passing (2021) 86%Cast: Alexander Skarsgård, Tessa Thompson, Ruth NeggaWhat it is: Two white-presenting Black women are forced to confront their own choices, and each other, after they reunite to learn one is living as a white woman and the other as Black.Why it could win: Based on Nella Larson s award-winning novel, the premise alone has critics and film fans intrigued. Written and helmed by Rebecca Hall (an actress who s a magnet for stellar scripts built for powerhouse performances), we are anticipating a story that gives stars Tessa Thompson and Ruth Negga plenty of material for an awards highlight reel.Minari (2020) 98% (Photo by A24 films)Cast: Steven Yeun, Han Yeri, Youn Yuh-JungWhat it is: A family drama seen through the eyes of a seven-year-old Korean-American boy whose father moves the family from California to rural Arkansas to learn to farm and make a better life.Why it could win: A24 s Minari left Sundance riding high on praise from critics and, as of today, it s still Fresh at 100%. A quiet story about an Asian-American family with an eccentric grandmother is what earned Lulu Wang s The Farewell the top prize at the Independent Spirit Awards this year, even if it didn t break through with Oscar voters. Starring indie darling Steven Yeun in the lead role, Minari could succeed where The Farewell and Yeun s previous awards contender Burning fell short.Thumnail images by Warner Bros. Pictures, Searchlight Pictures, Focus Features

游戏时长 5.1小时

Ghcxuf Joel Meares for Rotten Tomatoes: When you were talking about where to place the camera, I thought, that s a good segue into asking about Oxygen because you have a single location here, and it s a tight location. In Crawl, at least you had the whole area under the house, right? Here you have just this tight pod that s essentially as big as Melanie. What was the greatest challenge of shooting in what appears to be a tiny space – and keeping things interesting for the audience?Alexandre Aja: So I think the biggest challenge was obvious, because it was a very small cryo unit, almost like the size of a coffin. We took that challenge and we turned it into, I think, an advantage. I realized early on in the script that I had an obvious continuity of locations in that pod and I had a continuity of character with her, with Melanie, who was in every single shot and was so fun to direct, and who is carrying the emotion. So I thought about this as, okay, I m going to in fact do something that I never even think about doing in other movies. I m going to list down on a piece of paper all the different styles of directing, styles of framing, styles of effects, of types of lenses, of types of gadgets In fact, that kind of continuity with her and the location gave me the opportunity of going completely in different places scene after scene. So I avoid repeating myself and, most important, ensure that the audience doesn t get bored of the same location. Also, not only to avoid repeating myself, but also trying to underline in better ways every single emotion. I think in another movie, if you do that, it becomes like a very bad taste or bad style, because you will just get out of the experience and you stop watching because you will see the camera movement every time. But because we had that perfect storytelling inside the box, I don t think that you feel it. Then the camera becomes more like something that comes to underline every feeling or every new obstacle or nightmare that she s going through.(Photo by Shanna Besson, © Netflix)RT: It s interesting too that you mention Spielberg and Kubrick in your film selections, because watching this, just design-wise and also in some of the framing, I couldn t help thinking of the Precogs in Minority Report and the tentacle things in War of the Worlds. And then obviously there s the voice of HAL 9000. Were they direct influences on you?Aja: I love science-fiction, and grew up reading a lot. I still read a lot of science-fiction, I m watching a lot of science-fiction. I unfortunately didn t have the opportunity until this movie to work on a science-fiction movie. I did develop many of them that either didn t get made or will get made at some point – I hope. But yes, all the references that you were talking about, they all were in my mind. Of course, when you read a script and you have an AI talking, and it s going to be a really important one, you cannot help but think about HAL 9000. And the same with Minority Report. I would say Philip K. Dick in general. There is not a real link between Oxygen and Philip K. Dick. But it was really in mind as I was doing it for a strange reason. But yes, I definitely love sci-fi. I think sci-fi at its best has a mission to think about the world we re living in and what our position is within it and what we re supposed to be doing or not. There is a very big cautionary tale aspect of sci-fi. I think it s one of the things that really got me in and interested in the script when I read it the first time.RT: Just finally, you mentioned sci-fi as a genre you love, but I think I fell in love with your work, and many others did, with your sort of hardcore slasher material like High Tension and The Hills Have Eyes. I loved Piranha 3D as well. I m wondering: will you return to that genre? I think a lot of fans would love to see a really terrorizing horror film from you at some point in the future.Aja: I have them. I have a lot of them! With the traffic jam created by the pandemic, suddenly I have no idea which one is going to get done first. I still love the more extreme survival experience as well. I have a couple [of those films] that I m developing that I really want to make. Going back to Alien – Alien is the perfect mix between very smart and sophisticated sci-fi, and is a very brutal film as well.Oxygen is available on Netflix from May 12, 2021. 😈😈

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亚博手机登录网址 The Suicide Squad – a group of mostly obscure supervillains from the DC Universe who go on deadly missions on behalf of the government in exchange for reduced prison sentences – have already graced the big screen once. In 2016, Will Smith and Margot Robbie led the team in director David Ayer’s Suicide Squad. Reviews weren’t great, to say the least, but the movie did well enough that Warner Bros. commissioned a reboot due out in 2021, this one titled The Suicide Squad.There have been a couple of trailers for the film, the most recent of which came out on June 22, 2021. Prior to that, on March 26, DC revealed the explosive (and explosively funny) first trailer for the movie. Last August at DC’s FanDome event, director James Gunn and Co. revealed a bunch of new details about the film, giving fans their first glimpse of which characters are featured in the movie, along with an extended behind-the-scenes featurette. Now that the Suicide Squad is really gearing up for big summer action, it feels like a good occasion for a rundown of everything you need to know about The Suicide Squad. [Updated with new trailer on 6/22/21]Guardians of the Galaxy helmer James Gunn Is the Director(Photo by Christopher Polk/Getty Images)James Gunn, best known for the Marvel Cinematic Universe’s two Guardians of the Galaxy films, is the writer-director behind The Suicide Squad. Gunn was hired to write the movie in October of 2018, a few months after Disney fired him from Guardians of the Galaxy Vol. 3 due to old, inappropriate joke tweets. Perhaps because the tweets were brought up as part of a targeted campaign by alt-right agitators, Disney eventually reversed its decision and re-hired Gunn. However, Guardians 3 would have to wait, because the director was already committed to The Suicide Squad. Gunn is the first person to make both an MCU movie and a modern DC movie. At DC FanDome, Gunn said the movie – which finished shooting in February – was by far the biggest movie I ve ever made, and promised it had as many explosions and crashes as any other film ever made.It’s not a sequel to the 2016 movie (not exactly)(Photo by © Warner Bros. Pictures)The Suicide Squad is not a sequel to the 2016 movie, as producer Peter Safran told ComicBook.com in April of 2019. But, it’s not completely not a sequel, either, as there will be some returning actors and characters from the Ayer movie. This is fitting with DC’s more laissez-faire approach to continuity ever since Justice League underwhelmed critically and at the box office. Films like Aquaman and Shazam! have nominally existed in the DCEU, but they largely exist on their own. Harley Quinn: Birds of Prey was technically a sequel to the first Suicide Squad, but aside from Margot Robbie’s titular character and one tossed-off line referencing the events of the earlier film, it didn’t really acknowledge the 2016 movie at all. Expect The Suicide Squad to take what worked from the first movie and leave behind anything that didn’t. Continuity doesn’t matter nearly as much as having some fun.A handful of actors from the first movie will reprise their roles(Photo by Clay Enos/©Warner Bros.)Margot Robbie’s Harley Quinn will return for the third time in The Suicide Squad. She’ll be joined by three of her 2016 co-stars: Viola Davis will reprise her role as agent Amanda Waller, the brains behind the Squad’s mission; Joel Kinnaman will play Rick Flag, the team’s handler; and Jai Courtney will return as the Aussie villain Captain Boomerang.Will Smith will not be reprising his role as Deadshot, Jared Leto’s Joker is apparently too twisted for a reprise appearance (despite showing up in Zack Snyder s Justice League), and nobody from the Birds of Prey cast, aside from Robbie, is confirmed to return, either. A Ton of DC characters Are Making Their First Appearance, and Most Are ObscureAlthough most of the cast had been revealed earlier, it wasn’t until DC’s FanDome event on August 22, 2020 that the full list of new characters was revealed — and most of them are very obscure for the casual DC viewer. Idris Elba is playing Bloodsport, a mercenary with high-tech weaponry who is traditionally a Superman villain in the comics. The trailer released in June reveals that he’s working with the Suicide Squad because Waller is using his daughter Tyla (Storm Reid) as leverage. We also hear that he “put Superman in the ICU” with a Kryptonite bullet, which is pretty hard-core. Pete Davidson plays Blackguard, a villain to the time-traveling hero Booster Gold who wears high-tech armor. (He is also very afraid of werewolves, apparently.) Doctor Who’s Peter Capaldi is playing the telepathic Flash villain The Thinker. John Cena plays Peacemaker, who he described during FanDome as a “douchey Captain America.” Nathan Fillion plays T.D.K. — and it’s rumored that “T.D.K.” is an acronym for “The Detachable Kid,” a new name for one of DC’s most infamous characters, a wannabe Legion of Super-Heroes member called Arm-Fall-Off Boy.David Dastmalchian plays Polka-Dot Man, a corny Batman villain (and a personal favorite of Gunn s); Daniela Melchior plays Ratcatcher 2, another Batman villain who can control vermin; and Mayling Ng plays Mongal, an alien conquerer. Javelin, an Olympic athlete-turned-Green Lantern villain, will be played by Flula Borg, while we also finally learned who will be voicing King Shark, a giant walking shark, as James Gunn revealed on Twitter that it s none other than Sylvester Stallone.And, because this is a James Gunn movie, two of his frequent collaborators appear too: Michael Rooker plays Savant, a genius blackmailer, while Gunn’s brother Sean Gunn, who did on-set stop-motion work as Rocket Raccoon in Guardians, will again get into the mo-cap suit to play a rodent, this time a character named Weasel. In addition, Storm Reid plays Bloodsport s daughter Tyla, Juan Diego Botto is General Luna, Joaquín Cosío is Major General Suarez, and Jennifer Holland is Emilia Harcourt.Tinashe Kajese, Julio Ruiz, and Taika Waititi, who many initially speculated might provide the voice of King Shark, will also appear in the film in undisclosed roles.Don’t know who most of these characters are? That’s OK! It’s kind of the point. Suicide Squad, especially in Gunn’s hands, is an excuse to use a bunch of obscure characters and either turn them into fan-favorites or kill them off without a second’s hesitation — or both.The Villain Is a Classic — And Very Goofy — Justice League Bad Guy(Photo by ©Warner Bros.)The first proper trailer for The Suicide Squad hinted at the film debut of another DC character — one of the strangest but most important villains in comics history. The starfish-like kaiju is Starro, an alien conqueror who has the distinction of being the first bad guy the Justice League ever fought.The June trailer makes it clear that Starro is going to be the villain in The Suicide Squad, or at least the antagonist, since pretty much all the main characters are villains  — that’s kind of the whole point. Waller reveals that the Squad’s mission is to destroy every last trace of “Project Starfish,” clarifying to Cena’s Peacemaker that the name has nothing to do with buttholes. Instead, it’s likely that “Project Starfish” is some sort of secret operation to harness Starro’s psychic and mind-controlling powers. Presumably, it all went sideways, and it’s up to the Squad to defeat a giant starfish. Remember when superhero movies were concerned about being serious? What a time to be alive.It Will Be a Gritty 1970s War Movie, With Laughs and Plenty of ActionThe trailer doesn’t specifically reveal too much in terms of plot, other than showing that the Squad will be in some Central American-type setting and eventually battle Starro. The restricted red-band trailer is instead more focused on re-establishing the “rules” of the Suicide Squad and demonstrating the R-rated tone. Amanda Waller offers a group of criminals reduced prison sentences if they either complete their mission or die trying, and bombs are implanted in everybody s skulls in case they try to jump ship. But King Shark literally rips a dude in half and John Cena’s Peacemaker states that it would be “no problemo” for him to eat every dick on a beach in the name of liberty, so yeah, very James Gunn.The earlier FanDome event featured a preview clip with a bunch of juicy behind-the-scenes footage, but it didn’t give away much in the way of plot either. The clip, which featured lots of gunfire and talk of “exploding genitals,” certainly makes the movie seem action-packed. At FanDome, Gunn said it has “more explosions than any movie ever” and teased that it had a massive amount of special effects, both of which seem to be born out by the trailer. Producer Peter Safran likened it to a “gritty 1970s war movie combined will the brilliance of James Gunn’s characters and comedy.” During FanDome, Gunn said he considered the film to be a spiritual sequel to comic writer John Ostrander’s original 1987 Suicide Squad series rather than an adaptation. “It has the spirit and the lifeblood of the Ostrander books,” Gunn said, noting that he was just adding some of the wonderful and weird characters that have been created for DC in the years since the comic ended. It Will Premiere on August 6 in Theaters and on HBO MaxThe Suicide Squad is slated to hit theaters on August 6, 2021, and it will also stream on HBO Max for subscribes on that same day for no additional cost, as is the plan for all 2021 Warner Bros. releases. (It will leave HBO Max one month after it premieres, so watch fast.) It appears that The Suicide Squad was spared from the most disruptive aspects of the coronavirus pandemic. In April, Gunn tweeted that they were “extremely fortunate” that they were able to wrap shooting and set up the ability to edit from the crew’s homes before COVID-19 shut down the movie industry. During FanDome, he once again affirmed that the film would hit theaters on August 6.The Suicide Squad premieres in theaters and on HBO Max on August 6, 2021.On an Apple device? Follow Rotten Tomatoes on Apple News.

nd masculinity. Nichols walks a fine line between finding Val’s request and the subsequent comedy of errors it precipitates as preposterous and hilarious, insulting and entertaining. And while Albert may look like a fey stooge, it is his sensibility which runs through the film; it’s his drag which saves the day and reveals the Keeleys’ (and Val’s) hang-ups as utterly laughable. In its campy theatrics, The Birdcage encourages us all to be more like Albert, to see in his gay femininity a kind of strength we all too often mock and disparage. Sometimes even within ourselves.Manuel Betancourt is a culture writer and film critic interested in all things queer and Latinx. www.mbetancourt.comLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. 《光与夜之恋》是一款女性向恋爱手游,由北极光工作室群研发。在游戏中,玩家将以「设计师」的身份邂逅数名男主角。阿杰、李元韬、赵路、吴磊等多名声优均参与了配音。

2022-01-26
详细资讯
Google Play
游戏官网 官网
語言
英文
目前版本 4.15.5
游戏大小 753 MB
更新时间 2022-01-26
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