亚博官方是1YBIO采用百度引擎3（Baidu 6）The Toronto International Film Festival has already seen the world premieres of several high-profile movies, including the latest from directors Rian Johnson and Taika Waititi, as well as the Tom Hanks-powered Mr. Rogers biopic and Eddie Murphy s return to the big screen. But in between all the buzz for those films, we also got our first look at Hustlers, a based-on-true-events caper starring Jennifer Lopez and Constance Wu, which happens to open everywhere this week, and critics couldn t be more pleasantly surprised. Loosely adapted from a New York Magazine piece published in 2015, the story revolves around a group of enterprising strippers at a New York City club, led by a seasoned vet (Lopez) and her eager protege (Wu), who decide to carry out some financial justice on their wealthy clientele in the wake of the 2008 financial crisis. Critics say Hustlers is not only a satisfying chronicle of cosmic comeuppance, but also an intelligently crafted satire that s smart enough not to let everyone off the hook, and most agree that Lopez s performance in particular is worth the price of admission.
(Photo by © Warner Bros. / courtesy Everett Collection)When Ben Affleck first burst onto most moviegoers’ radars alongside childhood best friend Matt Damon in Good Will Hunting – and collected a screenplay Oscar for his efforts – he seemed destined for a venerable acting career. Damon may have been the hit movie s lead, but Affleck pulled focus in fascinating ways. Next to Robin Williams’ conversation by the pond, and the famous “it’s not your fault scene,” Affleck delivered one of the film’s most affecting moments when his character – a construction worker – rebuked Will for not maximizing his potential as a mathematician. The then 25-year-old s ability to move people, and his offbeat and mysterious charisma, had many critics predicting a bright future in prestige projects with a regular awards-season presence. He was going to be more DiCaprio than Stallone. And then something happened.From 1998 to 2006, studios attempted to fashion Ben Affleck into a prototypical leading man and his career went a decidedly different way than many had foreseen. First, he went the American hero route in Michael Bay’s jingoistic disaster movie Armageddon, and was largely accused of overacting as Liv Tyler’s love interest. Then came Force of Nature opposite Sandra Bullock, Reindeer Games with Charlize Theron, the lover’s triangle of Pearl Harbor, and a failed first run at superhero glory in Daredevil. There were bright spots – among them Shakespeare in Love and Changing Lanes – but they were the exceptions. In 2003, his turn in one of the worst films ever made, Gigli, and the next year’s sentimental Jersey Girl, had many forgetting what they originally saw in the promising young actor. (Photo by © Columbia/courtesy Everett Collection)Though Affleck is now lauded as an award-winning filmmaker, his stretch of questionable heartthrob and action-hero film roles during the early aughts instilled the widely held perception that he was a terrible actor. Forbes declared him Hollywood s biggest disappointment; others said he should stay behind the camera for good. But lately, with acclaimed turns in films like The Way Back, Affleck is reminding critics and audiences of the promise he showed early in his career, and his singular ability to portray forlorn and damaged characters seeking redemption. For those who ve watched his career closely, though, there has always been great work. It s about time we reconsider Affleck’s acting ability and recognize him as one of his generation’s great performers. Following Daredevil and other public failures, it was another superhero role of sorts that showed us again what Affleck was capable of. In 2006, the actor sharply shifted gears when he played former Superman George Reeves in Allen Coulter’s tragic biopic Hollywoodland. Here, Affleck played an actor trapped by the limited perceptions of his talent – a subject which presumably felt near to Affleck at the time. Reeves comes to hate the fame Superman brought to him, and turns to wrestling in the vain hope of revitalizing his career. The movie closes with a visceral sequence in which Reeves commits suicide with a Luger pistol. We watch as Affleck despondently stares into the distance as a tear grips his cheek; upon a close-up, he slightly turns his head, and the anger and hollowness of the man play vividly in his eyes. Few actors evoke the catastrophe of the soul as well as Affleck does here.(Photo by ©Warner Bros. Pictures/Courtesy Everett Collection)After the triumph of Gone Baby Gone, his first film as director, Affleck leaned into portraying miserably flawed men. In the taut political thriller State of Play, he’s a Congressman implicated in the death of his lover; in the exhilarating crime caper, The Town, which he also directed, his character severs himself from the love of his life after a botched robbery; in The Company Men, he explores corporate America’s apathy toward the middle-class worker. And though he plays the hero in the Oscar-winning Argo – a CIA specialist extracting American citizens from Iran during the hostage crisis – his character’s family life is fractured. Affleck s Tony Mendez loves his son, but so often misses the most important events in his life; when he tells Lester Siegel (Alan Arkin) he has a child, his voice cracks with regret. In these roles, Affleck rarely gets the girl, but he always claims the heartache. Affleck s most fantastically flawed and fascinating creation came in David Fincher’s unnerving thriller Gone Girl. An anti-romantic lead performance, Nick Dunne is neither suave nor appealing. Instead, the role turned the tables on everything studios wanted the actor to be during the late 1990s and early 2000s – America s heartthrob – by transforming him into the disturbing and philandering husband accused of murdering his wife, Amy (Rosamund Pike). (Photo by Merrick Morton/TM and ©Twentieth Century Fox Film Corporation. All rights reserved./Courtesy Everett Collection)While Pike rightfully earned a Best Actress Oscar nomination for her turn as the psychotic Amy, and the film was lauded for its skillful direction and shock twists, Gone Girl’s most memorable scene – and its iconic image – centers on a subtle acting moment from Affleck: The actor simply standing, feigning a smile while posing with the missing person’s poster of his wife. Dressed in a rumpled shirt and clearly exhausted, his half-hearted grin intimates both guilt and foolishness at once, a feeling that carries through his whole performance. When Nick goes on a talk show to apologize to Amy, hoping to coax her out of hiding through contrition, Affleck plays his remorse as perfectly canned, and when the blood-stained Amy returns home, his look of awestruck misery zings. And then, of course, came Batfleck. With Robert Pattinson now cast as Batman, there’s a keenness from some to forget Affleck’s caped crusader. Many fans are hoping Pattinson, following his psychologically violent roles in indie flicks like Good Time and The Lighthouse, will deliver some damaged goods and help them erase the memories of Affleck s Dark Knight and the movies in which he featured. But many fail to remember the promise the actor showed when first cast by Zack Snyder – and why he was, in many ways, so perfectly cast. (Photo by © Warner Bros. / Courtesy Everett Collection)The Batman in Batman v Superman: Dawn of Justice, a haunted loner born from the tragic milieu of Gotham, encompassed many of what audiences had seen in Affleck’s prior career highlights. Hollywood’s onetime golden boy, driven by failure toward darker material, fit perfectly into the older and more jaded mold Snyder crafted. Moreover, Affleck’s past as a romantic leading man, though spotty in quality, informed the belief he could adeptly capture the billionaire playboy persona of Bruce Wayne. And he largely succeeded in the role, ultimately, bringing the hardened edges grief provides, though his performance languished under a flawed script. This year, Affleck channeled a career’s worth of demons and struggles into Jack Cunningham, the basketball coach at the center of Gavin O Connor’s Certified Fresh dark sports drama, The Way Back. Though Jack’s an alcoholic father, still reeling from the collapse of his marriage and the death of his adolescent son from cancer, he’s recruited by his former Catholic high school to coach a now-crestfallen team. The onetime basketball star, now a construction worker, reluctantly grapples with his addictions for a chance at redemption. (Photo by © Warner Bros. / courtesy Everett Collection)The role resonated with much of what we know about Affleck’s personal life, and it gave him great freedom, too. In Dawn of Justice, when he leaned into Wayne’s tragic past and infamously screamed “Martha,” he was lampooned; as Coach Cunningham, Affleck had the independence to sketch those shades of grief and regret differently. Whether attending a triggering birthday party for his son’s best friend, or later during his drunken spell through a quiet neighborhood, he heartbreakingly portrays the destructive depths of grief and addiction. Critics and audiences took notice: Slashfilm s Hoai-Tran Bui described Affleck’s performance as “tremendous” and “raw,” while Christy Lemire described his portrayal as “the best work” he had done. The Way Back has even garnered the actor some quiet Oscar buzz. The film s success is fitting considering Cunningham, a construction worker, is a mirror of what Affleck’s character in Good Will Hunting might have become after Will left: a working stiff punching the time clock of life without the steady guidance of his friend. By looking toward the past, in concert with his past triumphs, Affleck proves both then and now his generationally great talent. The Way Back is available to rent or buy on FandangoNOW, Vudu, Google Play, and Amazon Prime. 五行天手游是同名小说改编手游，游戏高度还原小说剧情，渴望掌握命运而一心追求变强的少年，带着野兽般的战斗本能，带你掀起一场华丽的风暴。
After experimenting with documentary-scripted hybrid drama Mars, which finished airing its second season in December, the network is trying its hand at comedy with a series chronicling the 1990s tech bubble in Silicon Valley, as told through scripted drama as well as documentary interviews with some of the real-life founders.Zahn has definitely never seen anything like it — he rarely watches television, in fact, choosing instead to immerse himself in news and politics while at home with his family on his Kentucky farm.He does have a soft spot for documentaries, which he discussed with Rotten Tomatoes when we talked to him about what he’s watching on TV, why he should be credited for Game of Thrones’ success, and breaking the fourth wall in the innovative Valley of the Boom.What’s appointment viewing for you?(Photo by Comedy Central)I am the worst person that you would want to feature on a “What to Watch” list in the history of history. I have literally become my dad where my kids make fun of me about how much news I watch. That s what I watch, but I can t help it. It s so f king crazy right now. I feel like I m going to miss out.I just envy my kids when they can just sit and turn everything off and watch. I ll literally sit there and watch with my son — he watches South Park religiously, he s 18 — and that s kind of the only time I actually pause and laugh. We stand there for like a half hour eating Frosted Mini Wheats, laughing, and then I go back to being neurotic about the end of times.Well, what’s in your son’s streaming queue?[Calls to son] Henry, what are you watching? [To Rotten Tomatoes] Eh, he said, “Shut up.” You know what we re watching right now? We have screeners. I have to watch screeners, so we re in screenerland.What shows are on your DVR? Do you watch Game of Thrones or anything?(Photo by Netflix)Well, I m not in to the fantasy stuff. I m a documentary guy. I ll watch, you know, [they’re] coming out with a new one. Remember the murderer? What s it called? The big one, the guy in Wisconsin. Making a Murderer. I was working at the time and had to get up at 5:30 in the morning, and I remember watching that ‘til like 3:00 in the morning going, F k it. I ll get two and a half hours sleep and I ll go to work.’ I was obsessed. I get obsessed with stuff like that.[As for Game of Thrones], I was working with Pete Dinklage. I was doing a movie with him up in Spokane, Washington, and I knew Peter from theater in New York, and we were hanging out during that movie — like, inseparable. He was offered that while we were doing this movie. He was like, I don t know, should I do it? It s in Ireland. I m like, Yeah, man. You have to do it. What, are you kidding me? It s going to be great. So I want to take credit for it. [Laughs]What’s coming soon that you can’t wait for?(Photo by Warner Bros. Pictures)I haven t seen that BBC World War I documentary [They Shall Not Grow Old] that Peter Jackson did.(Photo by National Geographic/Bettina Strauss)Jean Bentley for Rotten Tomatoes: As a news junkie who likes documentaries, what do you think of the documentary-scripted hybrid of Valley of the Boom?Zahn: Obviously, I m totally into documentaries and I thought, Oh, this would be challenging and different. When you read it, it s great because with this format you re able to take a lot of fat out of a script and just get to the good stuff. That s what s really intriguing about it. I think if you did just a drama about the birth of the internet, I don t know how fascinating that would be, or at least for how long, I don t know. But six hours? I doubt it.It really frees us up. There were really no rules, and [creator] Matthew Carnahan was just brilliant with that. He really let us play. It turned in to one of my favorite jobs by far, aside from my putting on a fat suit and a wig. It was like doing a play. It was insane. I was on board at page 10 when it said he does an interpretive dance in the sanctuary of the church. I was like, Wow, what? This is insane. Your character is definitely an interesting guy. How did you channel him?I was so intrigued and so excited to be offered it, number one, but then the fear sets in. Then you go, Wow, how am I going to do this? It s not like a play where you get four weeks of rehearsal. It sucked. You have to just do it. Matthew was so encouraging and so great. He just said, Man, you ve just got to dive in — which is literally like doing a film. You do any character, it s, like, the beauty of it: You jump off a cliff into the fog and hope that there s water below. That s what you do. Day one of filming has got to be as consistent, as good, as the last day.It s frightening, especially with somebody so broad as this guy. So I was constantly trying to find ways of making him less broad, basically, and more accessible to people and vulnerable and all those things that makes characters great, nutty. This guy was so smart. He s so intelligent, he s so assertive, and his faith is everything. There were a lot of qualities I felt were admirable.Some of your costars’ real-life counterparts were interviewed for the documentary parts of the show, but not your character. Did you approach playing him differently because of that?It gave me a little more room, actually. I was happy about that. They tried to get him, but it didn t work out. But in the end I was happy that was the case because then you re not reminded of the real guy. It s really odd that my character is somewhat kind of a fictional guy and yet he s not just because of that. All I saw was one interview that he did with Chris Cuomo like in 98. It was just a very strange short interview, like 15 minutes, but that s really all I needed. I was really intrigued and blown away by this guy that I assumed was this kind of boisterous dude, larger than life, and then I saw this interview and he was this really kind of meek, soft-spoken, high-pitched guy. Very intelligent. I was like, Wow. This is the guy? (Photo by National Geographic/Bettina Strauss)Going back to the interpretive dance, you frequently break the fourth wall on this show. What was that like?That was really fun. It was so theatrical, you know? If you just in two sentences explain this to somebody without explaining how we did it, it sounds boring. I mean, a six-hour show about the birth of the Internet is not really that exciting unless you re, like, an IT guy. When we addressed the camera, it was just quick and it wasn t like we were just breaking the rules to break the rules, so it was appropriate to the story.And I don t know, I haven t seen anything like this. I guess American Animals is a similar kind of storytelling, which I love, and yet it s totally different from that in a way. That was more of a film to me than it was a documentary. This is truly kind of split in two, a documentary and a film.I m trying to think of other things — like Touching the Void. Have you ever seen Touching the Void? About the climbers. Damn, that s a good movie. You ve got to watch that. And that s a drama. That s explaining a mountain-climbing expedition that goes awry and it s phenomenal, but it s done in the same kind of way where they are basically reenactments of what they re saying — they re done with high-quality and good people. It s not like the History Channel — no offense to the History Channel, but some of those Civil War documentaries [where] you have overweight guys from Ohio reenacting Pickett s Charge, and it just doesn t work.Speaking of documentaries and climbing, have you seen Free Solo?Dude. It was phenomenal. I m a big Alex Honnold fan. I ve been a fan of his for a long time, and I d go on his website and find out where he was climbing and stuff. I actually went to a screening of Free Solo in New York and met him and I m so blown away by that guy. That documentary is insane.I m pushing that to everybody, by the way. I m like, You have to see this. It s insane. And Won t You Be My Neighbor. What a great documentary.Valley of the Boom airs Sundays at 9 p.m. on Nat Geo.亚博官方是1YBIO1.社交性，你遇到个妹子加了个微信不知道怎么开口的时候叫她打两把王者荣耀一般没错，但是你叫人家打lol手游人家大概率不知道是啥，就算打了也会是，哎，这个不是王者里的xxx嘛，唉，我是谁我在哪我怎么死了，游戏体验极差
When the Emmy nominations are announced on Tuesday, July 16, there are some names and series that will definitely be on the list: Game of Thrones, Veep, and Chernobyl (and plenty more series and miniseries from other networks) are among the frontrunners. But in a world where around 500 scripted series are set to air in 2019, there s a lot of excellent TV out there that will unfortunately not be recognized by the Television Academy.The Rotten Tomatoes staff wanted to make sure to recognize some of our favorite series and stars that might not necessarily receive a nod come Tuesday, so read on for our list of Emmy underdogs we re rooting for.Superstore 93%, Outstanding Comedy SeriesOver the last four years Superstore has quietly established itself as one of network televisions’ best offerings. It’s the rare show that can successfully tackle a wide-array of hot-button issues — from identity politics to immigration and every robot-trying-to-take-our-jobs in-between — while consistently providing full-belly laughs. The season four finale alone is a masterclass in finding levity in impossible situations. It also features one of TV s most exceptional (and insanely-likeable) ensembles, who vibe so well off of one another that it brings a whole new meaning to the phrase “work family.” It’s smart, insightful, ridiculously funny, and absolutely worthy of awards consideration. – Haña Lucero-ColinBroad City 99%, Outstanding Comedy SeriesBelieve it or not, Comedy Central’s ode to female friendship from Ilana Glazer and Abbi Jacobson has never been nominated for an Emmy, despite its critical success — four of its five seasons are Certified Fresh at 100% on the Tomatometer (and the first is CF at a not-too-shabby 96%). Broad City has paved the way for plenty of female-fronted comedies currently on TV, like Hulu’s PEN15, Netflix s animated Tuca Bertie, and Pop TV’s just-premiered Florida Girls — so honoring the groundbreaking sitcom in its fifth and final season would be a fitting end for the series. – Jean BentleyTuca & Bertie 99%, Outstanding Comedy SeriesTuca Bertie is for those wondering how their lives will go on after the end of Broad City. Creator Lisa Hanawalt’s buddy comedy goes to some pretty heavy places, but with a more surreal and absurdist bent. There’s an array of talented actors voicing the supporting characters (Steven Yeun! Richard E. Grant! Isabella Rossellini!), but Ali Wong and Tiffany Haddish really bring the endearing, sloppy charm of these characters to life. An Outstanding Character Voice-Over Performance nom for either would be awesome, but the show’s adult themes and newness probably won’t work in its favor. – Sara AtaiiyanOne Day at a Time 99%, Outstanding Comedy SeriesTalk about a Cinderella story. Imagine this: The critically acclaimed sitcom reboot that Netflix axed following its third season, but which — after a long fan campaign — was saved by Pop, takes home the Emmy for Best Comedy. Gods, wherever you are: Make it happen. It would be a miracle of course, but it would be a well-deserved one. One Day at A Time, created by Gloria Calderon Kellett and Mike Royce and executive produced by Norman Lear, has shown that the multi-camera sitcom can still be hilarious, heartfelt, and just as edgy as many of the rougher-edged comedies on streaming and cable. The setup is simple — a working-class Cuban-American family lives in an apartment building where they are friendly with their hipster landlord — but the character arcs and writing are anything but. Watch how skillfully the showrunners blend complex narratives about immigration and gentrification into the laughs, and how organically season-long storylines coalesce. It’s smart, underappreciated stuff. As are the performances, particularly from Justina Machado as the mother trying to keep everything together and Rita Moreno as the scene-stealing live-in grandma, Lydia. – Joel MearesBoJack Horseman 93%, Outstanding Comedy SeriesSeason 5 gave Bojack his Horseman-aissance after being cast in an edgy TV show. We also got a deeper look at supporting characters Diane, Princess Carolyn, and everyone’s favorite asexual, Todd. Maybe it’s because of and not despite the fact that it’s a cartoon that allows the series to deal so astutely with questions about what it means to be person who’s trying to be better, and the #MeToo movement. – AtaiiyanFleabag 100%, Outstanding Comedy SeriesPhoebe Waller-Bridge is seemingly a lock for a comedy actress nomination, but with the comedy series category overstuffed with hilarious options, we’re unsure if this member of our exclusive 100% club is an underdog or a frontrunner. Look at the contenders: Veep, The Marvelous Mrs. Maisel, Barry, The Kominsky Method, The Good Place, GLOW, Russian Doll, black-ish, Schitt s Creek, Better Things, and on. What’s a Fleabag got to do to get some recognition around here? – Debbie DayThe Good Fight 95%, Outstanding Drama SeriesThis tight and punchy spin-off to The Good Wife is the single best reason to subscribe to CBS All Access (and there are a bunch of very good reasons its competing against, with The Twilight Zone and Star Trek: Discovery available on the streaming service). The super-smart and sometimes surreal legal drama offers fascinating cases — many of which touch on “big issues” in tech and politics in small and intimate ways — and a compelling crew to tackle them. Chief among that crew is Diane Lockhart (played by Christine Baranski, who deserves her Emmy, now!), who featured in The Good Wife, and she’s well-matched by rising star and new mom Lucca Quinn (Cush Jumbo), senior partner Adrian Boseman (Delroy Lindo), and the scandal-hounded young Maia Rindell (Rose Leslie), who’s taken a liking to Fentanyl lollipops in season 3. The Good Fight deserves its nomination not just for being the smartest legal drama out there, but for being one of the few shows on TV right now to grapple with — and laugh at — some of the meatiest issues in American politics, law, and society. – MearesBusy Tonight , Outstanding Variety Talk SeriesBusy Philipps translated her personable, intimate online presence into a TV show that felt more like eavesdropping on friends hanging out than a traditional late-night series, which made Busy Tonight’s untimely cancellation sting a little bit more. The actress proved to be both a likable and skilled host, and her accomplishments deserve to be recognized. – BentleyEmmy Rossum, Shameless 82%, Outstanding Lead Actress in a Comedy SeriesFor years Emmy Rossum has been turning in some of the best work of her expansive career on Shameless, and for years the TV Academy has been ignoring her in favor of William H. Macy’s much showier role as the deadbeat patriarch of a large Chicago family. But Rossum’s performance as the eldest child keeping her siblings together as they struggle to keep their heads above water is at times hilarious and heartbreaking, and what better way to repent for their years of ignorance than by the Academy recognizing her work in her final season on the show? – BentleyCatherine O’Hara, Schitt's Creek 93%, Outstanding Lead Actress in a Comedy SeriesCatherine O’Hara has never won an Emmy award for acting, and that, in and of itself, is criminal. O’Hara, who currently stars as matriarch Moira Rose on Canadian Pop TV sensation Schitt’s Creek is as good as it gets. Schitt’s Creek itself deserves all the awards. From the writing to the acting to hair and makeup, the series is genuinely one of the greatest shows to ever hit the small screen, but what O’Hara brings to Moira makes the character so special and the actress so deserving. She has given an unlikable person a depth and a growth that is unseen in on television today. She is eccentric, she is quick-witted, she is wearing a fabulous wig, and she truly deserves to be in the conversation for best actress in a comedy series. – Zoey MooreSuranne Jones, Gentleman Jack 90%, Outstanding Lead Actress in a Drama SeriesNot content to simply act the role, Gentleman Jack star Suranne Jones paints her worldly, outsider character, Anne Lister, with bold strokes into otherwise placid scenes of lush 19th–century West Yorkshire, England. When she takes on local graft, she bares her teeth with such palpable menace that in her more vulnerable moments — as when she confronts a skittish lover — her tears break hearts. But in a category stuffed with meaty dramatic roles performed by names more familiar to voters, Jones, like her Lister, seems an upstart with an uncertain fate. – DayStephan James, Homecoming 78%, Outstanding Supporting Actor in a Drama SeriesSam Esmail’s Homecoming was one of the best reviewed series of 2018, and it’s not hard to see why. This taut adaptation of the beloved narrative podcast played out like 11 little shots of Hitchcock — a slow burn that caught fire as the story evolved, back and forth through time, with twists upon twists and some of the finest performances of the year. Julia Roberts has been rightly lauded for her put-upon Heidi Bergman, and Bobby Cannavale gives excellent Cannavalian obnoxiousness as Colin Belfast. But Stephan James, as military veteran Walter Cruz, gives what could be a pretty cold affair its warmth and heart and makes that final diner scene so damn devastating. – MearesAnnie Murphy, Schitt's Creek 93%, Outstanding Supporting Actress in a Comedy SeriesYes, Twitter, we know, and we agree: Catherine O’Hara is everything in Schitt’s Creek, and the fact that she doesn’t have four Emmys on a shelf somewhere right next to a collection of Moira Rose wigs is some sort of crime against comedy. But let’s shine equal light on Annie Murphy, who plays the younger socialite-in-the-sticks, Alexis Rose, in the Canadian series. It’s the less showy role — no wigs, no accent — but it’s also stealthily a bit of genius. Murphy plays a ditzy rich girl mid-awakening and every season her characterization deepens. She still gets to nail those insane Alexis lines alluding to a wild past of kidnappings, engagements, and foreign dignitaries, and put out the occasional puppy-dog whine. But she’s also increasingly real, grounded, drawing us into her increasingly tender relationships with her family and Ted. David, giver her an Emmy nom, like, now! – MearesLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail photo credit: Tyler Golden/NBC; Pop TV; Amazon Prime Video
4. 呼朋唤友 随心所欲
5. HD 画质与高品质音讯
亚博官方是1YBIO shoots back at Michael upon hearing the news he’s moving to the Grand Canyon State. Marvel at the way Walter nods her head with conviction, eyes wide open.Her Chicken A bunch of Bluths concocted awesomely absurd chicken imitations, usually to mock Michael for being a wimp, but Lucille’s version (making a flying motion with her arms and repeating “coodle-doodle-do”) might be our favorite.“Look what the homosexuals have done to me.”Lucille’s introduction in the pilot episode tells you just about everything you need to know about her character. Bonus points for how Walter emphasizes “dramatic” in her dig that “everything they do is so dramatic and flamboyant, it just makes me want to set myself on fire.”“Did nothing cancel?”(Photo by Carin Baer / TM and Copyright © 20th Century Fox Film Corp. All rights reserved / Courtesy Everett Collection)Lucille’s put downs of her daughter Lindsay (Portia de Rossi) are constantly amusing throughout the show s run. But this scorcher of a line, delivered after Lindsay says she has the afternoon free, hilariously shows just how armed and ready Lucille is with a hurtful comeback.On an Apple device? Follow Rotten Tomatoes on Apple News.
So it wasn’t even close. The legend of John Wick only grew this weekend when it took the presumption of a tight battle for the top spot and turned it into a franchise growth that Lionsgate can be proud of. The Endgame crowd delivered a bit less than expected this weekend but with Wick’s foot firmly on the pedal this weekend, the Avengers never had a chance. King of the Crop: John Wick Unleashed With Million Debut(Photo by Summit Entertainment)Since 2016, Lionsgate has only had two films open over million (one of them being John Wick: Chapter Two) and another five open over million. They also have not had a 0 million grosser since Wonder in 2017 and only had one movie (Tyler Perry’s A Madea Family Funeral) gross a total higher than what John Wick: Chapter 3 – Parabellum made this weekend: million and another million internationally. Not bad for a film series with humble beginnings whose original film grossed all of million domestic. JW3 is the second-highest 3-day opening of Keanu Reeves’ career. While The Matrix Reloaded is the highest with .7 million, the third chapter of that notable series (The Matrix Revolutions) opened on Wednesday and had .8 million in its first three days and a first weekend of .4 million. This is a success story all around for the actor, the studio and the filmmakers.Rotten Returns: The Sun Sets On WB As Star Joins Weakest Wide Openings(Photo by Warner Bros. / courtesy Everett Collection)There is no other way to describe The Sun Is Also A Star’s numbers this week than rotten. Warner Bros. did not seem to do much for the film marketing-wise and only got the film released in 2,073 theaters. That is the lowest wide launch for the studio since 2012’s Cloud Atlas opened in 2,008 theaters. The .6 million estimate for Sun ranks down there with Almost Heroes (.83 million), Lucky You (.71), Grind (.51), The Adventures of Pluto Nash (.18), Major League: Back to the Minors (.08) and the Zac Efron DJ film, We Are Your Friends (.76) for WB lows on films opening in over 2,000 theaters.The Top Ten And Beyond: Endgame Still Eyeing The All-Time Record(Photo by Walt Disney Studios Motion Pictures / © Marvel Studios / courtesy Everett Collection)So where is Avengers: Endgame after four weeks? At 0 million it is now officially the second-highest grossing film of all-time both domestically. Worldwide, it sits at .61 billion still chasing down Avatar’s .78 billion with just 3 million to go. However it has fallen off of The Force Awakens’ pace by million and all of a sudden falling back to just the 11th best fourth weekend of all-time, it is pretty guaranteed at this point that J.J. Abrams’ film will remain the all-time domestic champion.Pokemon Detective Pikachu finds itself on similar ground with Hotel Transylvania 3 which had .7 million after its second weekend of wide release. Adam Sandler’s animated sequel made .7 million that weekend while the Pikachu made .8 million and stands at million. That suggests the 0 million production is headed somewhere around 7 million domestic. It has made 6 million worldwide to date.The rest of the Top Ten is a sad place. Not just with dogs dying over and over in A Dog’s Journey, but the numbers for the sequel are just not up to Universal’s expectations. They had a surprise little hit with A Dog’s Purpose which opened to .2 million in January 2017 and finished with .5 million domestic and 5 million worldwide. Journey opened to just million and is going to have to stretch hard to reach million. Maybe even million. And it just gets more depressing from there. Any movie making more than the Certified Fresh bomb Long Shot on this list has been critically reviled, like STX’s double failure of UglyDolls (.2 million/30%) and Poms ( million/32%). And for the third straight week The Intruder ( million/29%) managed to beat the Charlize Theron/Seth Rogen comedy. Looks as if The Hustle (.1 million/15%) is going to outgross it too.This Time Last Year: Deadpool Continued The Summer Superhero Dominance(Photo by 20th Century Fox Film Corp. All rights reserved./courtesy Everett Collection)Audiences substituted one group of superheroes for another when Deadpool 2 took over the top spot from the Avengers with a 5.5 million start. Avengers: Infinity War fell to second place and was just short of 0 million. Book Club started much better than Poms did last week, opening in third with .5 million. Finally, the controversial family film, Show Dogs, opened to just million and was later edited to remove its offensive take on consent. The Top Ten films grossed an impressive 0.4 million but they averaged a dismal 50.4% on the Tomatometer. This year’s Top Ten grossed an estimated 1.8 million and averaged 53.4%.On the Vine: Disney Tries To Avoid Another Dumbo Will Booksmart’s Critical Support Be Enough?(Photo by Walt Disney Studios Motion Pictures / courtesy Everett Collection)Disney hopes to avoid another Memorial Day disappointment with their second live-action remake of 2019 with Aladdin. Can Will Smith replace the memory of Robin Williams or will the film go the way of Dumbo? Meanwhile, James Gunn is producing the bizarro Superman tale, Brightburn, a horror film about an intergalactic child using his powers for evil. Finally there is Olivia Wilde’s directorial debut, Booksmart, which drew raves at SXSW this year (still a perfect 100% on the Tomatometer). But can the already struggling United Artists Releasing partnership between Annapurna, MGM and Orion successfully get the word out or will this be doomed to discovery after it leaves theaters?The Full Top 10: May 17-19John Wick: Chapter 3 -- Parabellum (2019) 89% – .02 million (.02 million total)Avengers: Endgame (2019) 94% – .41 million (0.80 million total)PokÃ©mon Detective Pikachu (2019) 68% – .81 million (.00 million total)A Dog's Journey (2019) 51% – .00 million (.00 million total)The Hustle (2019) 14% – .08 million (.14 million total)The Intruder (2019) 33% – .02 million (.05 million total)Long Shot (2019) 81% – .40 million (.7 million total)The Sun Is Also a Star (2019) 52% – .60 million (.60 million total)Poms (2019) 36% – .09 million (.01 million total)UglyDolls (2019) 28% – .60 million (.24 million total) ING RICHARD III (Photo by Jason Smith/Everett Collection)One of the most amazing relatively recent stories for fans and followers of British royalty came in 2012 when the skeletal remains of King Richard III (1452-1485) were discovered under an English parking lot, answering many long-lingering theories about Richard III s physical condition during his life and the circumstances of his death. Actor Steve Coogan (The Trip, Philomena) is now signed to reunite with his Philomena director Stephen Frears for a comedy/drama called The Lost King, which will tell the true story of historian Philippa Langley, who helped discover King Richard III s remains. Coogan will play Langley s husband, but the actress who will play her hasn t been cast or announced yet.6. PIERCE BROSNAN AND HELENA BONHAM CARTER IN A ROMCOM? NOT BLOODY LIKELY (Photo by Steve Mack, Elizabeth Goodenough/Everett Collection)Almost certainly because of Election Day (or Election Week, as it were), this was actually sort of a slow week for movie news out of Hollywood proper, but England made up for it. One of the projects announced across the pond is Not Bloody Likely, which is described as a romantic comedy (though not necessarily a traditional rom-com ) set during the original 1914 stage production of George Bernard Shaw s Pygmalion. If you re not familiar with that title (or the 1938 movie starring Leslie Howard and Wendy Hiller), you might know the 1964 remake My Fair Lady (starring Audrey Hepburn and Rex Harrison), or maybe one of the loose remakes like She s All That. Pierce Brosnan will star in Not Bloody Likely as George Bernard Shaw opposite Helena Bonham Carter, who will play an actress that Shaw is determined to cast in the play, but partly just as a ploy to rekindle their past romance. Helena Bonham Carter will soon be seen reprising her role as Princess Margaret in Season 4 of Netflix s The Crown.7. COLIN FIRTH WILL STAR IN A ZOMBIE COMEDY(Photo by Giles Keyte/©Universal Pictures)We may have already gotten to the point of a zombie movie potentially having anybody as its star with Warm Bodies (Nicholas Hoult), The Dead Don t Die (Adam Driver, Bill Murray), and Pride and Prejudice and Zombies (where does one even start), but if those films all form some sort of arthouse zombie subgenre, well, we got news of another entry this week. Academy Award winner Colin Firth has signed to star in the tentatively titled zombie movie New York Will Eat You Alive, which will be an adaptation of the Chinese digital comic Zombie Brother. New York Will Eat You Alive will be directed by Todd Strauss-Schulson (Isn t It Romantic, Fresh at 70%), and one of the producers will be Channing Tatum, though it s not yet known if Tatum will also take a role in the film. The exact nature of Firth s role isn t clear, but it will reportedly be a chance for him to show off his deadpan humor (get it, because it s a zombie movie, and right, moving along).8. ELLEN PAGE TO STAR IN ESPORTS MOVIE 1UP (Photo by James Atoa/Everett Collection)Hollywood is still slowly working on improving its critical relationship with video game movies, but things have started to get better recently with movies like this year s Sonic the Hedgehog (Fresh at 63%). One of the reasons Hollywood is compelled to keep trying is that video games continue to be a major pop culture phenomenon (with many younger fans never knowing a time when they weren t). Recently, eSports has grown in popularity for the unfamiliar, the term refers to organized competitive gaming similar professional sports, including leagues, huge arenas filled with spectators, sponsorship deals, and celebrity players. As big of a deal as eSports has become, it hasn t been the center of a major Hollywood film yet, but that will soon change. Ellen Page and Paris Berelc are now signed to star in 1UP, an underdog comedy set in the world of competitive eSports. 1UP will be directed by Kyle Newman (Fanboys, Rotten at 32%) for BuzzFeed Studios as part of that company s new efforts to expand into film production. Paris Berelc will play a gamer who quits her college eSports team over the sexism of her male teammates, and Ellen Page will play the coach of her new all-women s team (who s dealing with her own recent experience with a GamerGate-style scandal).On an Apple device? Follow Rotten Tomatoes on Apple News.
亚博官方是1YBIO While COVID-19 continues to impact the TV industry in big ways, talk show hosts try to keep giving us things to laugh about (including a brief comeback from Rosie O Donnell to help her fellow entertainers), Netflix gives us a new way to be socially less distant, and more in the week s top TV news.TOP STORYNetflix Party Makes It Possible to Have a Group Bingewatch (and Not Just a Virtual One)(Photo by Chris Haston/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)Binge-watching episodes of The Office for the 37th time just got more fun. Thanks to a new Google Chrome extension called Netflix Party (available here), you can have movie nights and group TV viewing parties of your favorite Netflix programming.And not only does the extension allow you to watch programming at the same time on your computers, but Netflix Party also features a chat room, so you can quote Michael Scott’s wackiest words to each other, or debate whether or not “Scott’s Tots” is the worst Office episode of all time. We kid. There’s no debate. It is absolutely the worst Office episode of all time.Hopefully you stashed away plenty of snack fare, because COVID-19 social distancing just got the tiniest bit more bearable.Update: Netflix also announced that the company has created a 0 million emergency support fund for entertainment industry workers. Netflix Chief Content Officer Ted Sarandos said in a statement:The Covid-19 crisis is devastating for many industries, including the creative community. Almost all television and film production has now ceased globally leaving hundreds of thousands of crew and cast without jobs. These include electricians, carpenters, drivers, hair and makeup artists and more, many of whom are paid hourly wages and work on a project-to-project basis.This community has supported Netflix through the good times, and we want to help them through these hard times, especially while governments are still figuring out what economic support they will provide. So we’ve created a 0 million fund to help with hardship in the creative community.Most of the fund will go towards support for the hardest hit workers on our own productions around the world. We’re in the process of working out exactly what this means, production by production. This is in addition to the two weeks pay we’ve already committed to the crew and cast on productions we were forced to suspend last week.Beyond helping workers on our own productions, we also want to support the broader film and television industry. So million of the fund will go to third parties and non-profits providing emergency relief to out-of-work crew and cast in the countries where we have a large production base.Netflix will provide million each to the SAG-AFTRA Covid-19 Disaster Fund, the Motion Picture and Television Fund, and the Actors Fund Emergency Assistance in the U.S., and million between the AFC and Fondation des Artistes. Additional allocations worldwide will be announced next week.Lord of the Rings, The Witcher Among the Latest Coronavirus-Related Production HaltsAmazon Prime s The Lord of the Rings series was shut down March 16, according to a memo acquired by The New Zealand Herald. This is done in an environment where travel restrictions directed at the control of Covid-19 are issued daily by New Zealand and most other countries we are doing this to minimise stress on the resources and infrastructures around us by doing our part to reduce population density in our communities and daily activities, in efforts to help reduce the spread of the virus, the memo read in part.Netflix similarly shut down production on season 2 of The Witcher for two weeks, Deadline reported, noting that crew will continue to be paid during the hiatus. The show is filmed around 40 miles west of London at Arborfield Studios. Meanwhile, another Netflix production, The Crown was so near completion on season 4 that filming continued this week; though the production wrapped early, according to EW.Plus, that Friends reunion special that was going to be a highlight of HBO Max’s debut month in May might have to wait. THR.com reports the show, which will feature Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc, Matthew Perry, and David Schwimmer getting together for an unscripted celebration of the 10-season sitcom, was scheduled to tape next week, but now could be pushed off for a May tape date, because of coronavirus concerns. HBO Max will be the streaming home for the series when it launches.In other coronavirus-related TV rescheduling news:American Idol suspended production and sent contestants home for now. Taped episodes will continue to air through the middle of April, when live episodes were scheduled to begin. (TV Line)Because of a delay in production on the fourth season of Fargo, starring Chris Rock, FX has postponed the premiere of the season, which was scheduled to debut on April 19.New episodes of Saturday Night Live have been postponed until at least the middle of April. John Krasinski had been scheduled to host the March 28 episode, with musical guest Dua Lipa.ABC has temporarily replaced its daytime talk show Strahan, Sara and Keke with a daily coronavirus update special. Pandemic: What You Need to Know is hosted by Amy Robach, and will include news updates, interviews with experts, and conversations with service workers, corporate CEOs, and others deeply impacted by the pandemic.The Kelly Clarkson–hosted Billboard Music Awards, scheduled to air live from Las Vegas on April 29, have been postponed indefinitely.Netflix has postponed its first-ever, all-star Netflix Is a Joke comedy festival, originally planned for April 27–May 3.WrestleMania 36 will continue as a pay-per-view event, with no audience, and spread across two nights: April 4 and 5.The British Academy has postponed its TV awards, originally scheduled for May 17, and its TV craft awards, originally scheduled for April 26, indefinitely.Several TV series that have shut down production during the pandemic have donated goods to hospitals whose medical supplies are running dangerously low. EW reports The Resident, The Good Doctor, and Station 19 have donated boxes of masks, gloves, and gowns to hospitals in Atlanta, Vancouver, and Los Angeles.TV writers rooms have found a way to keep working – offering hope that new series will launch and that we’ll see new seasons of our favorite shows – thanks to virtual meetings via the Zoom app. (THR)The Kentucky Derby has been postponed for the first time since World War II. Usually run on the first Saturday in May, it is now rescheduled for the Saturday of Labor Day weekend, Sept. 5.With studio production on The Late Show With Stephen Colbert shut down, CBS has moved the production of CBS This Morning to Colbert’s home at the Ed Sullivan Theater in Times Square, as the network has moved operations out of two of its buildings in NYC.MIPTV, the international television market that was originally scheduled for the end of March in Cannes, has created a digital alternative. MIPTV Online+ will launch on March 30 and be available free to those who were registered for the Cannes event.The Dr. Oz Show will be filmed remotely, after a staffer on Dr. Mehmet Oz’s daytime series tested positive for coronavirus. (Page Six)Nervous about conflicting information about the pandemic, Whoopi Goldberg began performing her co-hosting duties on The View from from home this week. Meanwhile, Today host Savannah Guthrie and weatherman Al Roker are also performing their morning show duties from home.Showtime will begin airing just one new episode of its Don Cheadle comedy Black Monday, instead of two, per week, beginning on March 22.Vice TV’s Vice News Tonight series has gone on hiatus for an indefinite time.In the rare piece of good news in TV land this week: ABC, CBS, Fox, and NBC saw a three percent increase in viewership for the week ending March 15, when working at home and social distancing became a reality for many viewers. The week’s top shows: NCIS with 10.7 million viewers, 60 Minutes with 10.4, Young Sheldon with 8.8, The Voice with 8.7, and The Bachelor with 8.4.But The New York Times warns that while social distancing has led to an uptick in viewers across network, cable, and streaming services, as the economic impact of the coronavirus pandemic grows, viewers could soon be looking to cut the cord and cancel their streaming subscriptions.Talk Shows Keep the Home Fires Burning on DigitalJimmy Fallon is also promising a nightly YouTube version of The Tonight Show: Home Edition, with his wife as camera person, songs and jokes, a spotlight on a different charity each night, and guest appearances by his kids. Jimmy Kimmel is also offering fans episodes of Quarantine Minilogues from his home, The Daily Show host Trevor Noah launched The Daily Social Distancing Show from his home (specifically, his couch), and Stephen Colbert is also dropping bon mots from various locations in his house, including the bathtub.Samantha Bee has launched a daily digital series – Beeing at Home with Samantha Bee! – in which “Sam has relocated to a rustic woodshed to teach everyone how to chop their own wood for warmth while practicing social distancing,” according to TBS. “She gives an answer to the question of how much wood would a late-night host chop? It’s one, one piece of wood.”Conan O’Brien announced he will resume his TBS late-night talk show Conan on March 30, making the show the first late-night show to return to a regular schedule. He will be filming via iPhone, without an audience. His staffers will work from home, and guests will appear via video. In a release, O’Brien joked, “The quality of my work will not go down, because technically, that s not possible. The Rosie O’Donnell Show is back … for one night only, and only online. But O’Donnell, whose Emmy-winning talk show ran for six seasons in 1996-2002, has gathered a line-up of A-listers to appear via social distancing-friendly video from their homes. The special, which will raise money for The Actors Fund to benefit entertainment and performing arts professionals who are out of work because of the coronavirus, will include appearances by Beth Behrs, Nate Berkus, Tituss Burgess, Norbert Leo Butz, Kristin Chenoweth, Darren Criss, Gloria Estefan, Jesse Tyler Ferguson, Harvey Fierstein, David Foster, Morgan Freeman, Neil Patrick Harris, Judith Light, Barry Manilow, Audra McDonald, Katharine McPhee, Idina Menzel, Brian Stokes Mitchell, Billy Porter, Andrew Rannells, Chita Rivera, and Ben Vereen, plus dozens more. The show will air live on YouTube and Broadway.com at 7 p.m. ET on Sunday, March 22. (THR)Queer Eye star Antoni Porowski has launched a new quarantine-era cooking show on Instagram. Quar Eye: Cooking Lessons from Quarantine has so far included a how-to on making a “Keep Calm-lette.”New Trailers: Harley Quinn Season 2 Offers More Raunchy Animated VillainyMore trailers:Billions, season 5, starring Paul Giamatti, Damian Lewis, Maggie Siff, and Corey Stoll (Showtime)Upload, season 1, a new comedy from The Office creator Greg Daniels, starring Robbie Amell (Prime Video)Reno 911! revival (Quibi)Insecure, season 4, starring Issa Rae (HBO)One Day at a Time, season 4, starring Justina Machado (Pop)Bosch, season 6, starring Titus Welliver (Prime Video)Wynonna Earp, season 4, starring Melanie Scrofano (Syfy)Liar, season 2, starring Joanne Froggatt and Ioan Gruffudd (SundanceTV)Vice revival (Showtime)Dismantled, reality cooking competition hosted by Tituss Burgess (Quibi)The Platform, a horror satire movie, starring Ivan Massagué (Netflix)Nailed It!, season 4, hosted by Nicole Byer (Netflix)Murder House Flip, reality series about renovating homes that were crime scenes (Quibi)For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.R B Star Kelis Will Host New Cannabis-Themed Cooking Competition on Netflix“Milkshake” singer Kelis will co-host a cooking competition series that challenges chefs to create a three-course meal featuring cannabis. Cooked with Cannabis premieres on Netflix on April 20.I m really excited to announce my new