亚博论坛采用百度引擎8（Baidu 1）n is the creator, writer, and executive producer of Loafy, an upcoming Comedy Central digital series about a manatee who runs a drug empire from his water tank at the Center Park Zoo. Moynihan will also voice the main character in the series, which will premiere in 2020 on all Comedy Central digital and social platforms.The Freeform cable network is developing a modern day spin on Dante Alighieri’s 14th-century epic poem Inferno, which will be set in Los Angeles and revolve around Grace Dante, a young woman with serious responsibilities – a drug addict mother and dependent brother – whose life suddenly starts improving … thanks to the devil. To outsmart him, Grace has to make her way through the underworld, i.e. present-day L.A. (THR)Disney+ has ordered 10 episodes of Becoming – a documentary series that breaks down the early years of celebrities – from producer LeBron James’s Springhill Entertainment. Nick Cannon, Lakers All-Star Anthony Davis, and WNBA All-Star and two-time Olympic gold medalist Candace Parker are among the celebrities who will be profiled.Netflix has ordered eight episodes of Heaven’s Forest, an animated drama with stories and characters inspired by the Indian mythology of Ramayana. Castlevania creator Warren Ellis will write and serve as an executive producer on the project. (Deadline)Sony Pictures Television is developing The Good Dish, a syndicated daytime series for 2020 hosted by Daphne Oz, Vanessa Williams, Gail Simmons, and Jamika Pessoa. The spin-off of The Dr. Oz Show began with cooking segments on that series (hosted by Oz’s husband Dr. Mehmet Oz), and will expand on the cooking segments with lifestyle, budget, and menu advice.Spectrum cable customers will be able to watch all new episodes of the Mad About You reboot on Nov. 20. Spectrum customers can watch all 164 episodes of the original Helen Hunt/Paul Reiser series on demand at SpectrumTV.com.Wilmer Valderrama is producing The Trail, a drama CBS is developing about elite investigators who work for the U.S. National Park Service and solve high-profile cases at Yosemite National Park. (Deadline)Upcoming mobile video platform Quibi has announced a new celebrity gossip talk show called Potty Talk. The series, hosted by fashion designer Alexander Wang, will find the designer and a guest host interviewing their famous friends inside the bathrooms at various pop culture events.Quibi is also putting a new spin on the celebrity game show. Comedian Ron Funches will host Nice One!, in which comedians are pitted against each other and challenged to “out-compliment one another in a showdown of sweetness and consideration.” (Deadline)Lucifer will air its final season in two parts, each made up of eight episodes. Series star Tom Ellis announced the season 5 breakdown while he hosted a tour of the Lucifer set on The Kelly Clarkson Show.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
Networks are into day 7 of presentations to TV reporters gathered at the Television Critics Association winter press tour in Los Angeles. News out of Monday s FX panels includes information on upcoming series, a rivalry with Netflix, and more.TOP STORYFX Boss Blasts Netflix(Photo by Frederick M. Brown/Getty Images)Typically, FX Networks and FX Productions CEO John Landgraf addresses reporters at the Television Critics Association winter press tour about the state of “peak TV.” (For the record, approximately 496 scripted television series premiered original episodes in the U.S. in 2018.) The network boss used his 2019 time to focus on FX’s performance in critics’ end-of-year “best TV” lists versus competitors including HBO and especially Netflix.The network’s research department compiled data from 166 critics’ best TV shows of 2018 lists, and established that FX aired 14 original series across all genres that could be included, HBO had 70 that qualified, and Netflix had “an insane 530 original programs” that could’ve made year-end lists.“In 2018, 13 out of 14 FX series made a critic’s best shows of 2018 list. That is a 93 percent conversion rate, above the 80 percent we have averaged for the past few years, and, frankly, above any reasonable expectation,” he said. “Compared to our 93 percent, HBO placed 20 of its 70 programs on year end best lists, or 29 percent. And Netflix had 62 of its 530 original programs make a list, which is a 12 percent conversion rate.”Additionally, the network calculated that out of 2,237 slots in the 166 lists, Netflix led with 479 mentions (21 percent total), then FX with 334 and HBO with 327 (both 15 percent total). Amazon earned 168 mentions (8 percent), and BBC and AMC tied with 6 percent.“When you drill down to lists that name 10 best shows of 2018, which we feel measures the top of the top echelon, Netflix still led with 273 inclusions, but now is followed much more closely by FX with 259 and HBO with 225, with the others well behind,” Landgraf said. “And when you drill down even further to the best of the best counting only shows ranked No. 1 on a critic’s list that did numerical rankings, which is 118 of 166, FX leads all networks or streaming services with 53 No. 1s, or 45 percent of the total. Second by this measure is actually BBC America with 20, or 17 percent — paced by the outstanding Killing Eve, and third was Netflix with 14 No. 1s, or 12 percent, followed by HBO with seven No. 1s, or 6 percent.”To summarize, per Landgraf, “FX had less than 3 percent as many at bats as Netflix, but we had almost four times as many No. 1 rankings on year-end best lists. If we expand the time range to look at the past five years of top 10 inclusions on annual critics’ lists, HBO leads with 22 percent, followed by FX and Netflix tied at 19 percent, with all others far behind. So it has remained a three-horse race for quite some time. Netflix Has the Most Certified Fresh Films of All(Photo by Netflix)The Streaming Observer analyzed the streaming movie libraries of Hulu, Amazon Prime, HBO Now, and Netflix, and found that Netflix has 596 Certified Fresh movies available to watch – more than the other services combined.According to the study, just 232 of Amazon Prime’s 17,461 available movies are Certified Fresh (1.3 percent), 38 of HBO Now’s 815 (4.7 percent), 223 of Hulu’s 2,336 (9.6 percent), and 596 of Netflix’s 3,839 (5.5 percent). So while Amazon Prime has the most movies available to watch, Netflix has the highest-quality films by far.Legion Creator, Star Address How Upcoming Season 3 Will End the Series(Photo by Suzanne Tenner/FX)Noah Hawley originally went into his FX X-Men–adjacent series, Legion, with a three-season plan. And ahead of the show’s TCA panel, the network confirmed that the upcoming third season will be the series’ last.“I think endings are what give stories meaning. I said last year I’ve never done a second season of anything,” Hawley said on the panel. “I always thought about this as a complete story with a beginning, middle, and end, and it felt like three acts of a story, and so this just felt like the natural place to end it.”When the audience met David Haller, he was in a psychiatric hospital after a suicide attempt. Throughout the first two seasons, he’s gotten on medication and left the hospital, but then thought that maybe he didn’t need his meds and went in a downward spiral. In the third season, Hawley said, “The question is: Can he get back to some kind of good place, or is he gone for good? Once we tell that story, it just feels like we’re going back to the beginning of the cycle, potentially, so it just felt like the right place to end it.”Dan Stevens, who plays Haller, agreed.“As Noah said, great stories have endings, Stevens said. They don’t just stop. And when Noah first discussed this story with me, I knew where it was going. I didn’t necessarily know how, but I was promised that it would be weird and beautiful, and it certainly has been. I really like the way this twisted rainbow is emerging.”While the cast hasn’t filmed the finale yet, Stevens teased that “there’s definitely a destination David wants to get to,” and David’s destination and Hawley’s “will neatly coincide, I hope.”What We Do in the Shadows TV Show vs. FilmJemaine Clement and Taika Waititi starred in and directed their vampire feature film mockumentary What We Do in the Shadows. But when it came time to adapt the film for television, neither chose to be on screen. Waititi had to step away from the project to direct a little movie you may have heard of, Thor: Ragnarock, but Clement executive produced the series and didn’t write himself a role on purpose.“I have done it in the past, writing a show that I’m in, and it’s very difficult to do both,” Clement told reporters on FX’s What We Do in the Shadows TCA panel. “And at the time, we thought Taika wouldn’t be able to be in it because he was making [Thor], so it didn’t make any sense to have not him and the rest of us. It was set in America. It’s different people.”The series takes place in the same world as the film, so the New Zealand vampires still exist. In the TV format, there’s more time to spend developing each character and storyline and the writing is much more planned out than in the film, according to the creators.“[On the film] we wrote a script, and we didn’t show the actors the script at all, and so we shot a whole movie like that,” Waititi said. “We would tell the actors what they should be doing and what they should be talking about.”He and Clement would describe the scenes from the actors, who would then improv the scenes and keep going until they got the joke they wanted.“As a result, we had about 160 hours of footage that we had to get down to 90 minutes, and that’s why it took 14 months to edit,” Waititi said. “It was very exhausting. And I thought that we didn’t really want to do that this time. Going to give the script to the actors this time.”On the show, the actors would perform what was written in the scripts, but then would improvise later takes. And a lot of the time, Clement revealed, “that stuff makes it in.”Fosse/Verdon’s Secret Weapon: Nicole FosseFX’s Feud: Bette and Joan featured many real-life characters, and one of the people portrayed in the series, Olivia de Havilland, sued over that portrayal. The creators of the network’s Fosse/Verdon series don’t necessarily anticipate that happening on their series for two reasons: one, they’ve been “incredibly careful” when they talk about both living and non-living people, executive producer Steven Levenson said. But two, the fact that Bob Fosse and Gwen Verdon’s daughter, Nicole, is a producer on the series, helps more than anything else.“Having Nicole is an incredible asset because she’s able to share not only the facts as she remembers them, but the emotional experience,” executive producer Joel Fields said. “Our goal is to explore a relationship between these two characters and to do it in an authentic way, and we are never looking to whip something up. So I don’t think that’s been an issue for us. It’s been easy to follow what the truth was as we see it and to try to let the drama flow out of that.” Looks like HBO has big plans for its Game of Thrones universe — no, it s not a theme park (yet). Filmmaker Kevin Smith drops some Bat-gossip. John Wick creator and writer Derek Kolstad is serious about a Dungeons Dragons live-action series. The Boys showrunner Erik Kripke just got visibly excited about his Herogasm, Critics Choice Awards TV nominations are out, and more of the week s top TV and streaming news.TOP STORYAnother Game of Thrones Spin-off, Tales of Dunk and Egg, Is in Development at HBO(Photo by Robyn Beck / AFP via Getty Images; Random House )Disney+ has 734 Star Wars projects in the works (OK, we exaggerate a little), and HBO appears to be following the same plan to establish a signature franchise by developing another Game of Thrones prequel series, Tales of Dunk and Egg. Another prequel, House of the Dragon, is already in the works.The series, early in development and with no writers or cast yet attached, would be an hour-long drama based on a series of George R.R. Martin novellas that tell the adventures of Ser Duncan the Tall and Aegon V. Targaryen, 90 years before the time of the storyline in book series A Song of Ice and Fire, the source material for the Game of Thrones series.The three stories — The Hedge Knight (1998), The Sworn Sword (2003), and The Mystery Knight (2010) — were collected into the 2015 book A Knight of the Seven Kingdoms, which is the source for the series.The Dunk and Egg series, a fan-favorite storyline, is a priority for HBO, but the series is not a lock for a spot in the cable netwo
(Photo by Paramount /Courtesy Everett Collection)All Mission: Impossible Movies, Ranked By Tomatometer Hey, Tom. Paramount here. Yes, the studio. Your mission, should you choose to accept it, is to create a new summer franchise out of a 30-year-old TV show, and have it virtually improve with each sequel over 20 years And so Tom Cruise as Ethan Hunt has halo-jumped, rock-climbed, motorcycle-duelled, and face mask-revealed his way across dozens of countries to unravel all manner of world threats in the Mission: Impossible movies. He s had help along the way, featuring a cast of series veterans, like Ving Rhames and Simon Pegg, and occasional players like Jeremy Renner and Paula Patton. Hunt hasn t had too much help from the IMF, though, considering how many times they think their star employee has gone rogue.A trademark for most of Mission: Impossible s lifespan was bringing in a new director for each entry, ranging from John Woo to Brad Bird to Brian De Palma, giving each entry a unique spin. But Since Rogue Nation, Cruise (who also produces) has found a perfect collaborator in Christopher McQuarrie. He was the first to direct two M:Is in a row, with Fallout raking in the series best box office and critical marks. McQuarrie will direct the next two films, both shooting concurrently, scheduled for May 27, 2022 and July 7, 2023.Before we see what death-defying hijinks they get into next (we don t think Ethan s been to the moon yet), we re ranking all Mission: Impossible movies by Tomatometer!亚博论坛烈火王座是一款角色扮演手游。游戏在保留经典游戏特色的前提下，结合潮流，与时俱进。细腻而写实的游戏场景；经典的战、法、道职业;经典的红名PK爆装与boss副本刷宝机制，并提供丰富的PVE和PVP玩法，细致入微的操作设置以及丰富的玩法内容，所有亮点都将向你一一呈现，让我们一起拭目以待！
This August, Rotten Tomatoes turns 21 and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. For this special video series, which we’ve been publishing over the last four months, we spoke to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details about how the moments came to be and diving deep into why they’ve stuck with us for so long. You’ll find big ’90s twists – yep, he sees dead people – as well as super-recent cliffhangers, like Thanos’s universe-halving Snap. There are laughs (The 40-Year-Old Virgin, Elf, Bridesmaids) and romance (The Notebook, Spider-Man) and more than a few scares (The Blair Witch Project, 28 Days Later…). But which moment is the single most memorable of the last 21 years? Well, that’s where you come in. We’re asking you to watch the below videos and then vote on your favorite movie moment of the last two decades (and a bit).Voting is open now and runs until midnight Friday August 16 and we will announce the winner on August 19. Fans get a single vote – so choose wisely – and moments are listed in the order they were published over the past few months, most often to tie in with anniversaries and relevant occasions.Take me to the voting!“Remember Me!?” from Mad Max: Fury Road (2015) 97%Director George Miller: “It’s a moment by the way, I think, is available only to her. I don’t think any other character could have done it. I remember the line. I remember Charlize on that day said that she wanted to say the line. It wasn’t a written line. She said, ‘Look, I feel like I really want to say it. OK by you?’ I said, ‘Great.’ It just hit a sweet spot in amongst that action, and it was a little pause before the brutality of the moment and the continuation of the action that was to come.”Read director George Miller’s full interview about the “Remember me!?” moment.The Snap from Avengers: Infinity War (2018) 85%Co-director Joe Russo: “Anth and I, through our entire experience at Marvel, always tried to make very disruptive choices with each film. The end of Winter Solider, good guys and the bad guys, we flip everything on its head. In Civil War we divorce the Avengers. With Infinity War we knew we wanted to make a strong narrative choice. There s an adage where you write yourself into a corner, and you try to figure out how to get out. That usually creates really dramatic moments for the audience. There s no bigger way to write ourselves into a corner than killing half the characters.”Read directors Joe and Anthony Russo s full interview about the moment Thanos devastates the universe.Satine s Entrance from Moulin Rouge (2001) 76%Director Baz Luhrmann: “I thought, wouldn t it be great if we put her in a circus trapeze and we did a trapeze number, but we ll have to have a stunt person. But Nicole being Nicole was like, ‘No way.’ So she trained with a circus person for a good, I would say, two weeks to do that number and when you see her swing around that s her. It s her all the way through that footage. She s on the trapeze, she s being swung around, she comes down, she falls into all those guys. So she was 100% stunt-free on that moment.”Read director Baz Luhrmann and production and costume designer Catherine Martin s full interview about Satine s big moment.The Joker from The Dark Knight (2008) 94%Makeup artist John Caglione Jr.: “Heath [Ledger] was great in the chair. Special actors like Heath – and my experience with Al Pacino over the years – these actors help you relax so that you can bring your game… I always got the feeling that [Heath] had already worked it out in his head, from what I remember. He knew where he was going. Early on, in first meeting Heath and playing around with the makeup, he already kind of had it all figured out. It was my job to just basically gild the lily and try to catch up with him, really. That s what I felt.”Read makeup artist John Caglione Jr. and marketing company 42 Entertainment CEO Susan Bonds full interview about this iconic take on the Joker.Heather s Confessional from The Blair Witch Project (1999) 86%Co-writer and co-director Eduardo Sánchez: “The direction was: You re not going to make it out of here. This is like an internal monologue. We were directing these actors to almost be like their conscience speaking to them. For Heather, it s like, ‘You re responsible for this. You re the one who brought them out here. You didn t heed the warnings. You knew this is dangerous and you brought these guys out here. Say your goodbyes. If you want to apologize to people, apologize to people, just basically say goodbye. We called it a confessional, your last confessional before you re going. You re not going to get out, and hopefully, somebody will find these tapes and will be able to tell your story, but tell your mom goodbye, and tell your family goodbye.”Read writer-directors Eduardo Sánchez and Daniel Myrick s full interview about Heather s confessional.The Upside-Down Kiss from Spider-Man (2002) 90%Director Sam Raimi: In the rain while he was doing the scene, I remember, he was slightly drowning because he couldn’t wipe his nose and the water was falling down into his upside-down nose, into his nostrils. So he was kinda drowning, and the only way he could breathe was through his mouth. It doesn’t look un-pleasurable, but I think it must’ve been.”Read Sam Raimi and stunt coordinator Jeff Habberstad s full interview about the upside-down kiss.London is Deserted from 28 Days Later (2002) 87%Director Danny Boyle: One of the technical advantages of using these smaller cameras is that you could shoot a location, not multiple times, but you could shoot it from multiple viewpoints simultaneously. Cillian was in no rush, he could just walk across. But you don’t get much time at these locations free of people even at four o’clock in the morning when we shot. So what happened was we hired a lot of students, because they’re cheap, to be our traffic marshals.”Read Danny Boyle s full interview about creating an eerily deserted London for the opening moments.A Kiss in the Rain from The Notebook (2004) 53%Director Nick Cassavetes: There was something built up between these two kids, and it has nothing to do with directing. Because when we turned the cameras on, the scene was like: He s mad at her, she s mad at him, and then he says that he wrote her every day, and that s the key that unlocks the door. And when that door got unlocked, I didn t need to direct nothing. They wound up together for many years after the movie, which is…I don t know if I m proud of it, but I think it s fantastic that they found each other like that. And I think that was the moment, because they weren t together before that kiss. But they were together after that kiss, so maybe that was one of the deciding moments.”Read Nick Cassavetes full interview about the kiss in the rain moment.Crossing the Edmund Pettus Bridge from Selma (2014) 99%Representative John Lewis: I truly believe that Oprah, Ava, and the staff working on the film sought my involvement because they knew my history. Selma represented an attempt to redeem the soul of America, to help us move closer to the participation of all people in the political process. This film can educate and inform the mind of hundreds and thousands of young people around America and around the world.”Read Representative John Lewis and actor Stephan James s full interview about the final bridge-crossing moment. Cars don t fly! from Furious 7 (2015) 82%Actor Vin Diesel: And it was that moment where we realized that Fast and Furious didn’t need to be restricted in any way. That we were so thorough about story and character, and it’s so much a tale of brotherhood and family, right, that we were allowed these kind of outrageous and fantasy-filled moments, and flying through the air was playing to that. Flying from building to building was playing to that. It was one of those solutions to the riddle, or answers to the riddle, How do we one-up the spectacle of each film? ”Read Vin Diesel s full interview about the skyscraper-jump moment.Juan teaches Chiron to Swim in Moonlight (2016) 98%Cinematographer James Laxton: When Barry alerted us to the storm approaching, we gathered our equipment together as quickly as possible, ran out into the water, and in some respects… I don t want to say improvised, because what is in the script is on camera, if not in the exact way it was depicted. But we had a lot more shots in our shot list, and [were going to be] much more organized about capturing it. We had to really get out there and let Mahershala as Juan guide this young man, and [have] me out in the water, as well, trying to capture this swimming lesson as it came. It [was shot] almost like a documentary, less so like a film in some respects. Sometimes your reaction to moments is as good as a well detailed plan might be. Sometimes it s even better.”Read James Laxton s full interview about the swimming lesson moment.Carl and Ellie in the Opening of Up (2009) 98%Director Pete Docter: There’s one moment in that montage where Ellie has to go to the doctor and it’s implied that they can’t have children for whatever reason. That raised some eyebrows even here at work as we were developing the film. So, we did experiment with taking it out. And we thought, ‘Well, maybe [the sequence] could still work [without it] because there’s some really charming stuff.’ But the strange thing was, not only did we not feel the emotion as strongly in that one little sequence, but as we watched the rest of the film the whole film lost a little bit. I can’t really fully explain that other than to say it was a real dark, low moment for them that I think made that relationship feel more real. The sort of pain and loss of that situation bonded those characters together and made you empathize more with them. Read Pete Docter s full interview about Up s opening sequence.Gollum Talks to Smeagol from The Lord of the Rings: The Two Towers (2002) 95%Actor Andy Serkis: I d never considered myself a voice actor, just a regular actor, and I had to kind of think my way into it. I started to work on this notion that he s called Gollum because of the way he sounds – and what would make his voice sound like that? I started to think about constriction of the throat, and as I was doing that, I was actually fortunate enough to witness my cat throwing up a fur ball. It suddenly gave me this idea that the whole physicality of the role would be determined by this force within, which is kind of built out of guilt and torment – this involuntary physical action is what caused this sound coming out of his mouth. The cat throwing up a fur ball is actually what generated the idea for this involuntary spewing out of words. Read Andy Serkis s full interview about the Gollum-Smeagol moment.The Bridesmaids get Food Poisoning from Bridesmaids (2011) 90%Co-Writer Annie Mumolo: We [originally] had a fantasy sequence where they go into the dress shop, and Kristen s character tries on this dress and she has this fantasy that when she wears this dress, she s all of a sudden in a castle. And all the men at the wedding are fawning over her. There s so many of them wanting her so badly [that] just to escape from the castle she goes running out into this field and runs into the forest. And she naturally sees Christian Bale there, who’s chopping wood without a shirt on. And they end up on a bearskin rug, and he was combing her hair, and it was this expansive sequence of her little love affair with Christian Bale. In the meantime, [back in the real world] Helen gets the women to get the dress she wants because Annie is caught up in her fantasy. So that was the original [scene]. And then I think Judd said at one point we ll never get Christian Bale to do this. And then we tried to put in Matt Damon and then we re like, As if we re going to get Matt Damon to do this.’ He was concerned we weren t going to get anybody to do it. And also he felt it needed harder comedy there, rather than what we had. So, we sadly let that go. We did not want to let that go. We loved that sequence. Read Annie Mumolo and director Paul Feig s full interview about the food-poisoning moment.Harry Potter and Lord Voldemort Duel from Harry Potter and the Deathly Hallows: Part 2 (2011) 96%Director David Yates: “Harry so
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3.36.2 7月喜迎(Photo by @ A24)While the rest of the world debates the casting of Robert Pattinson as Batman, the actor appears to have wowed audiences at the Cannes Film Festival with what might be his best performance yet. The Lighthouse, the sophomore effort from The Witch writer/director Robert Eggers, screened early Sunday morning; the character-focused 19th century ghost story, which also stars the great Willem Dafoe, earned an extended standing ovation. It’s another old-timey piece of Gothic cinema from Eggers, and the first reviews hint that this psychological drama might be even better than Eggers’ feature debut, if not as widely appealing to horror fans.Here’s what critics are saying about The Lighthouse:How would you describe The Lighthouse?“The most immersive film experience of the year… a throwback black-and-white fever dream, shot in boxy 1.33.1 and filled with arcane lingo.” Ben Croll, The Wrap
King of the New Crop: Ralph Drops, But Remains On Top – And on Pace to Pass the Original(Photo by © Walt Disney Studios Motion Pictures)Ralph Breaks the Internet had a near record-setting Thanksgiving. (We won’t get into the semantics over Frozen again.) And it is on top again this weekend with .8 million. With 9 million in the bank after 12 days, that puts it on par with both Moana and Madagascar: Escape 2 Africa, when it comes to November releases, which each had between 9 and 0 million at this point in their runs. Moana made .2 million in its post-Thanksgiving weekend and went on to make over 8 million. Ralph is in a similarly favorable position, though with nothing to challenge it next week. (Moana beat Office Christmas Party .5-to-.8 million in week three.) Barring some extreme drop-off, Ralph Breaks the Internet could still best Wreck-It Ralph’s 9 million finish. That film had 1 million by Day 12. The sequel’s worldwide haul is at 6 million.Rotten Returns: Horror Film Hannah Goes Mostly Ignored (Photo by © Screen Gems )The Possession of Hannah Grace (formerly titled, Cadaver – nice!) may have only cost .5 million, but a .5 million start for the film and a 17% on the Tomatometer is not going to put it into sleeper or surprise hit territory. That opening puts it just ahead of past November openers, Bad Santa 2 and Babe: Pig in the City, which finished with .7 million and .3 million, respectively. A finish like that won’t be enough to cover Hannah’s minuscule budget (when you factor in marketing) but it is also nowhere near the losses of Sony’s The Girl in the Spider’s Web, which is looking to be the studio’s biggest disappointment of the year. Good thing it has the 100% Spider-Man: Into the Spider-Verse just around the corner.The Top 10 and Beyond: Fantastic Beasts Passes 0 million globally as Robin Hood Continues to Miss the Mark(Photo by © Warner Bros.)Last week’s honest-to-goodness record breaker, Creed II (a.k.a. the highest live-action Thanksgiving opening ever) is ahead of the pace of 2008 s Four Christmases at the moment, which puts its estimated finishing haul at about 5 million. Fantastic Beasts: The Crimes of Grindelwald is already at 4 million, but that puts it behind the first Twilight film and Madagascar: Escape 2 Africa on the 17-day chart; neither of those films hit the 0 million mark. Nevertheless, it is the 15th film this year to pass the half-billion mark at the worldwide box office, with 9 million so far. The next to cross that list will be Bohemian Rhapsody, and if you had bet on it grossing more domestically than Fantastic Beasts this season, you would have broken the bank in Vegas. But that is what s shaping up here with the Queen biopic making 4 million after 31 days and just over million separating them this weekend. Bohemian Rhapsody has a current worldwide total of 3 million.Illumination’s The Grinch is still the current champ of the season and does not look to be challenged until Mary Poppins Returns attempts to claim the crown. It joined the 0 million club on its 24th day, which has actually put it ahead of Ron Howard’s How the Grinch Stole Christmas – that film had 5.6 million by this stage in its run. The lowest-grossing November release to earn 0 million at this point in its run was Justice League, which left theaters with 9 million. We’re still liking a final estimate between 0 million and 0 million for The Grinch.Over on the disappointment side, we have Instant Family. The film looks like it may stretch itself to million after a lackluster start, but without some international help it is going to come down on the red side of its million budget. This despite being surprisingly well received by critics – it s Certified Fresh at 82%. Widows cost million and is just passing million this weekend. Meanwhile, Universal might have been wise to expand the National Board of Review’s Best Picture of 2018, Green Book, further than just a couple theaters this weekend; instead it rests in 1,065 venues and dropped 26% to .1 million and a total of million.(Photo by © Lionsgate)None of those disappointments compares to Lionsgate’s Robin Hood which, short of a forthcoming international haul (it’s made .3 million overseas so far), is shaping up to join the year s 0 million-budget under-performers A Wrinkle in Time, Solo: A Star Wars Story, and The Nutcracker and the Four Realms.In limited-release news, The Favourite expanded into 34 theaters and made another .1 million, giving it the top per-theater-average for a second straight week with ,500 per screen. In second place on that list is Anna and the Apocalypse (Certified Fresh at 84%) which made ,163 in five theaters for a decent, if unspectacular, ,033 average. Then Hirokazu Kore-eda’s Shoplifters, which is scoring 99% on the Tomatometer, had the third best average after grossing 6,000 in 14 theaters.
This Week s Ketchup brings you more headlines from the world of film development news, covering such titles as Star Trek, Swan Lake, and TRON: Ares. This WEEK S TOP STORYJARED LETO TO STAR IN TRON: ARES(Photo by Derek Storm/Everett Collection)It s now been ten years since the release of the long-in-development sequel TRON: Legacy (Rotten at 51%), which was perceived by some as a box office disappointment, despite actually earning over 0 million worldwide. That sequel came about 28 years after the first TRON, but it looks like the gap between 2 and 3 will be a lot shorter. That s because Disney is moving ahead with a third TRON movie, which will be directed by Garth Davis (Lion, Mary Magdalene). Original TRON star Jeff Bridges returned for TRON: Legacy, along with newcomer Garrett Hedlund, but it appears that the star of this third TRON movie will be Jared Leto (though it s also possible others will return as well). Although plenty of what Disney makes these days is for Disney+, it sounds like this new TRON is indeed planned for a theatrical release (presuming the pandemic ends soon). We also learned this week, via Jared Leto s Twitter, that the title will be TRON: Ares, which is a reference to the Greek god of war maybe this is the name of Jared Leto s character, or maybe it s a God of War or Assassin s Creed-style game that is the new film s in-game setting. In related news, Jared Leto also confirmed on his Instagram this week that he is attached to star in an upcoming movie as famous pop art superstar Andy Warhol, although it s unclear what movie that might be (an Andy Warhol biopic was announced in 2016, but not much has been heard of it since).Other Top Headlines1. ELISABETH MOSS AND BLUMHOUSE REUNITE FOR MRS. MARCH (Photo by Mark Rogers/©Universal Pictures)Most of 2020 is completely borked when it comes to box office numbers because of the COVID-19 pandemic, but one of the year s (relative) successes happened just before theaters shut down. Universal Pictures and Blumhouse Productions released their reimagining of the classic monster movie The Invisible Man (Certified Fresh at 91%), starring Elisabeth Moss, on February 28, earning 0 million worldwide (a number impacted by the shutdowns in March) before pivoting to a premium VOD release. Elisabeth Moss and her Love and Squalor Pictures production company are partnering again with Blumhouse on a psychological thriller called Mrs. March, in which Moss will also star. Mrs. March will be an adaptation of an upcoming novel by Virginia Feito about an a polished Upper East Side housewife who unravels when she begins to suspect the detestable protagonist of her husband’s latest bestselling novel is based on her. Moss said in a s
总体来说，目前的《英雄联盟手游》刚刚上线，许多玩家都还在努力升级，但是一局游戏加的精粹太少，虽然开服活动赠送了数十个英雄，但是对于玩家来说还远远不够，以后还会有更多英雄加入，所以在后续LOL手游可能会推出一些经典的快节奏游戏模式，让玩家感受快乐的同时还能快速获得资源，比如：克隆模式、极限闪击、事件相关的PVE模式等。在手游里也可以感受不同的游戏乐趣。 Hey, Billie Eilish, here s a tip: How about just changing Bad Guy to Bond Guy and calling it a day? You re welcome, and we re sure no one else has made this joke today. The 18-year-old is bringing her joie de vivre, all creepy and haunting and weird, to No Time To Die as the newly-selected theme song singer. This makes Eilish the youngest to ever write and record a James Bond theme, the ultimate movie-song gig that has welcomed the likes of Paul McCartney, Tina Turner, Adele, Madonna, Duran Duran and more. Listen to Eilish s song here:No Time to Die, starring Daniel Craig in his fifth and final outing as 007, hits theaters April 10. And now, you can vote on your favorite James Bond theme songs over the past six decades!
As more and more people are compelled to practice social distancing and encouraged to stay home, as movie theaters temporarily shutter their doors, and as studios continue to pull their scheduled 2020 films off the release calendar, we ve decided to reformat this weekly Critics Consensus column to focus on titles that are newly available on the home entertainment market. With that in mind, our list of digital new releases this week includes an action-comedy sequel 17 years in the making, a worthwhile video game-inspired adventure, and a ho-hum horror sequel. See below for the full list.
亚博论坛 Though Marvel Entertainment’s television division did a great job bringing aspects of the Marvel universe to the small screen with shows like Agents of S.H.I.E.L.D. and Daredevil, the early promise of clear connections back to the films never really materialized. Beyond S.H.I.E.L.D. using the twist from Captain America: The Winter Soldier in its first season to change the nature of the show, the programs rarely made mention of film events and never featured appearances from the movies’ title characters (or vice-versa).But that is about to change. Marvel Studios now controls television projects directly. And the first series under this new arrangement, WandaVision, is set to debut on January 15, 2021, and unlike Runaways or Cloak Dagger, it stars marquee Avengers in a story with deep ties to the events of the films.Despite Marvel Studios’ well-known cone of secrecy, we know a few things about the project. So let’s take a look at those details and try to guess how Marvel will change the face of its TV universe with WandaVision.[Updated on 11/12/20]It Stars Scarlet Witch And Vision, And More From the MCU(Photo by Marvel Studios/Disney+)Click image to see full poster in a new tab. The most obvious connection to the films is right in the name: it stars Elizabeth Olsen as Wanda Maximoff (a.k.a. the Scarlet Witch) and Paul Bettany as Vision. The latter character was seemingly killed in the final reel of Avengers: Infinity War, so the series starts with a question: Is Vision alive? In fact, the question forms a key part of the trailer Disney+ released during the 2020 Emmy Awards.The program will also feature Kathryn Hahn as Agnes – more on that in a moment – and see the return of Thor’s Kat Dennings as Darcy Lewis and Ant-Man and the Wasp’s Randall Park as FBI Agent Jimmy Woo. The series will also feature another returning Marvel Cinematic Universe figure in a new form: Teyonah Parris will star as a grown-up version of Monica Rambeau, the character played by child actor Akira Akbar in Captain Marvel.That mixture of talent is, in its own way, quite eclectic and telling of what the show might be. Parris’s Rambeau is consistent with a contemporary setting, while the return of Darcy and Woo suggest Wanda’s new adventure has some government intrigue. But perhaps the setting is something we should consider on its own.It Counts As A Phase 4 MCU Tale(Photo by Walt Disney Studios)Unlike the previous Marvel TV efforts, WandaVision is part of the MCU’s “Phase” calendar system. As Marvel Studios President Kevin Feige revealed at the company’s 2019 Comic-Con International: San Diego presentation, the series is part of Phase 4, which counts the feature films released from next year’s Black Widow to 2022’s Doctor Strange in the Multiverse of Madness, which will feature Olsen as the Scarlet Witch. Phase 4 will also include the Disney+ series The Falcon and the Winter Soldier, Loki, and the animated series What If..!? – although the canonicity of that last series is up for debate as it will tell alternative versions of established MCU history.Curiously, WandaVision leapfrogged The Falcon and the Winter Soldier in September with Disney+ featuring the former in a late 2020 sizzle reel video and the recent trailer. Falcon, one of the few series to resume production after the first wave of the COVID-19 pandemic, is said to have slid into a 2021 launch window after missing its original August release plan. That switch suggests both series may have a certain flexibility in what overarching Phase 4 information they contain although, in a recent EW interview, Feige said close MCU watchers will find a wealth of rewards waiting for you as it all unfolds. At the very least, events of The Falcon and the Winter Soldier have little-to-no impact on WandaVision, even if both programs set up something for the larger world. In previous interviews, Feige said WandaVision – set after the events of Avengers: Endgame – will have a far-reaching impact on Phase 4 and establish the Scarlet Witch name.With that time frame in mind, we know Vision is definitely dead from our point of view. So is Wanda using the healing power of laughter to cope with the loss?It’s Also A Family Sitcom(!?)Ryan FujitaniThe few glimpses Marvel and Disney+ have offered look like a pastiche of family sitcoms from different eras. Indeed, even the first info about the series at last year’s D23 Expo featured a soundbite from The Dick Van Dyke Show. Subsequent trailers saw Wanda transforming from a black-and-white 1950s housewife into an updated version of the archetype across the rest of the 20th century. The recent trailer even makes a meal out of the arrival of color.During that D23 presentation, Feige and showrunner Jac Schaeffer alluded to the series having a different feel and look – and few things are further from the Marvel Studios house style than a three-camera sitcom. At the very least, though, it gives fans the chance to see Olsen and Bettany in comic-book–accurate Scarlet Witch and Vision costumes. For his part, Bettany said the story is so funny and it just ends up being this huge epic. According to the recent EW interview, the series will begin with Wanda and Vision moving to the black-and-white town of Westview. Their home may look like Rob and Laura’s dwelling from The Dick Van Dyke Show, but the couples’ dilemma is straight out of Bewitched – Wanda must hide her witchy powers and Vision’s synthetic nature from the community. These very 1950s sitcom scenes were even filmed before an actual studio audience. But as Wanda and Vis re-run through the sitcoms of subsequent decades, it becomes clear Westview is not a generic TV town.If we might speculate for a moment, the use of American family sitcom tropes feels right for the character. Considering Wanda was raised in relative isolation alongside her brother Pietro in a Hydra facility, it is entirely possible her notion of a normal family life was informed by watching American sitcoms. As it happens, these sorts of shows were regularly exported across the world in our reality, giving the notion of a Leave It to Beaver nuclear family purchase in real-life Sokovians. Alternatively, Hydra may have been trying to show Wanda what they sought to destroy. Either way, it is clear Wanda is trying to create a family unit of her own using whatever ideas and means available to her.Unless, as the trailer suggests near its end, this is all Vision s doing And It s About Grief(Photo by © Walt Disney Studios)The Scarlet Witch of Marvel Comics fame is known for being so powerful that she can alter reality to remove mutants from the world or will children into existence. Though the MCU Wanda has yet to exhibit such an ability, her powers originate from the Infinity Stones and may be strong enough to transport her into various sitcom realities. In fact, a moment late in the trailer sees Monica Rambeau seemingly ejected from a sunny world into a park lit by artificial means. But why would Wanda do all of this? To mourn Vision’s passing, of course. Or, perhaps, to find a way to bring him back.Though rooted in sitcom iconography, the series also appears to be taking several cues from Tom King and Gabriel Hernandez Walta’s Vision comic book miniseries; the writer even suggested as much at a 2019 New York Comic Con panel. In that story, Vision was himself trying to find domestic bliss by building an android family. Virginia, the wife model, had a brain pattern modeled after Wanda and … well, let’s just say things ended badly. Besides her power, comic book Wanda also suffers from various mental illnesses and can be her own worst enemy.Ryan FujitaniFrom the recent interview, we also know the series is inspired, in part, by some very specific Scarlet Witch stories Olsen read before filming 2015’s Avengers: Age of Ultron. If these stories include the time she used magic to have children with Vision or when she changed all of reality to restore their existences – they disappeared when it turned out they were aspects of the demon Mephisto – it is easy to see how Wanda’s ongoing grief might lead to her conjuring a new world to live in.Combining those strands, it is entirely possible the series will be set in the sitcom world and the MCU. In the trailer, Kathryn Hahn is seen as the “nosy neighbor in the 1950s sitcom reality, but her later appearance in the seemingly modern world may be an attempt to wake up Wanda or Vision. If he s still dead, then this version of him may part of her own consciousness. And a powerful but disassociated Scarlet Witch would be a good reason to bring in Monica and Jimmy Woo, who may or may not be a former S.H.I.E.L.D. agent, into the mix.Then again, there’s another Marvel organization acronym we might be seeing.It Will Introduce S.W.O.R.D. Into The MCU(Photo by © Walt Disney Studios)If certain cast lists are to be believed, we will see S.W.O.R.D. agents at some point in the series. The organization debuted in the pages of Marvel Comics back in 2004 as the space-based version of S.H.I.E.L.D., defending Earth from alien incursion or subversion. And if you consider the space fleet Nick Fury (Samuel L. Jackson) was assembling in the Spider-Man: Far From Home stinger scene, it would seem S.W.O.R.D. has been in the Marvel Cinematic Universe for quite some time. Perhaps Fury’s been building the group since he went off the grid in Winter Soldier. Alternatively, it may be something he whipped together with Talos (Ben Mendelsohn) in the time since Endgame. Either way, it is easy to see why Wanda’s power would be valuable to him and to S.W.O.R.D.And from the trailer, its clear some organization with deep resources is keeping tabs on whatever is happening to Wanda and Vision.It’s Set To Be A Winter Treat, And Will Likely Last Just One SeasonRyan FujitaniThough always intended to run after The Falcon and the Winter Solider, WandaVision held to a late 2020/early 2021 launch for much of its development, with it officially premiering on Disney+ on January 15, 2021. Thanks to the September sizzle reel and the subsequent trailer, we fully expected it to take The Mandalorian’s place as your must-watch streaming program after the Star Wars series concludes December 18. But it seems the real-life pressures of making a television series pushed the program s debut into the new year. Considering the much longer delays for Black Widow and Eternals, a handful of weeks isn t too much longer to wait.Like The Mandalorian and other Disney+ originals, the series will stream weekly. Consisting of six episodes, it is also expected to be the only season of WandaVision. Indeed, all of the Phase 4 Disney+ shows were initially pitched as limited series. We assume the format made it more attractive to the actors, who would know from the get-go there would be no long-term commitments to a television show. Then again, with the Phase 5 shows like She-Hulk being pitched as more traditional, multi-season ideas – and with the Loki series reportedly revving up for a second year – it is always possible WandaVision will return. Maybe she’ll transport herself and Vision to cop shows next time. You know you want to see Vision with a greasy comb-over.