(Photo by Jamie McPherson/Silverback/Netflix)What better way to spend this Earth Day – or any day, really – than learning about the wonders of our planet, all that threatens it, and some of the people working tirelessly to preserve it.We ve put together a list of some of the best planet-centric and environmentally conscious documentaries to watch on Earth Day. From harrowing investigative films like The Ivory Game and intimate series like Planet Earth (I and II!), to the vast oceans of Blue Planet and the chilly reality of Chasing Ice, this list taps into a number of fascinating ecosystems. It will also introduce you to some of the most inspiring people of our time, like Jane Goodall.Whether you re looking to admire Earth s beauty or gain some perspective on the challenges it faces, the movies, series, and specials on this list are sure to awaken and inspire, and they re all available to stream right now.Don t see your favorite nature special on this list? Share your recommendations in the comments.Our Planet: Season 1 (2019) 93% (Netflix)What it is: This Netflix series showcases the vast ecosystems of Earth, visiting 50 countries in the process. Each episode is practically a feature-length documentary in its own right. After the introductory episode, each installment focuses on a different habitat — “Deserts and Grasslands,” “Frozen Worlds,” “Forests,” and “Jungles” — and three separate episodes are dedications to freshwater and oceanic environments.Critics Consensus: A cornucopia of visual wonder and environmental advocacy, Our Planet s breathtaking cinematography explores more of this beautiful, blue marble while presenting an urgent call to action to its inhabitants.Where to watch it: NetflixCommitment: ~6 hours (8 episodes, around 50 minutes each)Planet Earth: Miniseries (2006) (Discovery Channel)(Photo by Discovery Channel/BBC)What it is: Like Our Planet, but released a decade earlier and by the BBC, Planet Earth charts the Earth’s ecosystems episodically. Perhaps no voice is more recognizable in the nature documentary genre than that of British natural historian David Attenborough, who narrates the BBC version of this documentary series (if you watch the Discovery Channel version, you’ll hear none other than Sigourney Weaver guiding you through each hour-long episode). Planet Earth is essentially the go-to for nature series. It won four Emmys the year it was released: non-fiction series, cinematography, sound editing, and music.Critics Consensus: Planet Earth weaves innovative camera techniques and patient observation to deliver viewers an astounding glimpse of the world s perils and wonders, capturing jaw-dropping scenery and animals on both an epic and intimate scale.Where to watch it: YouTube, Amazon, iTunes, Google Play, VuduCommitment: 9 hours (11 episodes, around 50 minutes each)Planet Earth II: Miniseries (2016) 100% (Discovery Channel)What it is: Ten years after the award-winning original, BBC’s Natural History Unit released a second, shorter sequel called Planet Earth II that takes viewers to new locales – and a few familiar ones – to document even more harrowing survival stories most of us have never seen before. This time around, the series also explores city-dwelling animals — and they’re probably not the species you’d expect to see thriving in urban environments.Critics Consensus: Planet Earth II offers a spectacular, moving, unprecedented account of the natural world.Where to watch it: Amazon, Google Play, iTunes, VuduCommitment: 5 hours (6 episodes, around 50 minutes each)Blue Planet II: Miniseries () 97% (BBC America)What it is: Even before they made Planet Earth, in 2001 the BBC released the first Blue Planet, yet another nature documentary series narrated by Attenborough. The original won two Emmys for its cinematography and music composition. This follow-up series was released in the U.S. in 2018 — Attenborough returned, and won the series another Emmy for his narration to boot. Both iterations in the series provide intimate, breathtaking looks at the undersea world with particular focus on its occupants (from seahorses to squids and whales) and the environmental issues that threaten them.Critics Consensus: Blue Planet II s hypnotic beauty is complemented by intense ethical musing, contrasting the micro and the macro in a humbling exploration of humanity s relationship with the ground it stands on.Where to watch it: Amazon, YouTube, iTunes, Google Play, VuduCommitment: ~6 hours (7 episodes, around 50 minutes each — plus an additional 6.5 hours if you want to watch the original series)Chasing Ice (2012) 96% (National Geographic)(Photo by National Geographic)What it is: Chasing Ice follows a celebrated National Geographic photographer as he documents several years of climate change using time-lapse cameras. Critics called the film “spectacular but depressing” and “the most important documentary of the year.” Chasing Ice is a call to attention — and for some, a call to action.Where to watch it: Amazon, iTunesCommitment: 1 hour 30 minutesFlight of the Butterflies (2012) 100% (SK Films)What it is: If you’re short on time this Earth Day, or on any other binge day, but still want to marvel at the planet’s beauty, look no further than this short but marvelously compelling documentary. Flight of the Butterflies follows the yearlong migration cycle of monarch butterflies from Mexico through the U.S. to Canada and back.Where to watch it: Amazon, iTunes, VuduCommitment: 45 minutesBlackfish (2013) 98% (Magnolia Pictures)What it is: This unforgettable documentary feature rattled the world when it was released in 2013. Blackfish follows the story of a performing orca named Tilikum, highlighting the species’ intelligence and the impact of lifelong captivity. Critics called the film “startling,” “powerful,” and “a troubling exposé of Sea World s hazardous entertainment trade.” It was powerful enough for the amusement park to make several changes.Critics Consensus: Blackfish is an aggressive, impassioned documentary that will change the way you look at performance killer whales.Where to watch it: Amazon, FandangoNow, iTunes, Vudu, Netflix, HuluCommitment: 83 minutesThe Ivory Game (2016) 77% (Netflix)What it is: This Netflix documentary (produced by Leonardo DiCaprio) goes undercover to investigate the ivory trade (both illegal and legal), and brings to light the horrific practice of elephant tusk poaching. A call to action for activists and governments alike, The Ivory Game sheds light on and condemns the international ivory trade to prevent the imminent and violent extinction of elephants. Since its release, some of the poachers seen in the film have been apprehended and sentenced to years in prison.Critics Consensus: Hard-hitting and ambitious to a fault, The Ivory Game serves as a fittingly urgent call to action against a looming threat against vulnerable wildlife and a fragile ecosystem.Where to watch it: NetflixCommitment: 1hour 52 minutesVirunga (2014) 100% (Netflix)What it is: Virunga is titled after Virunga National Park in the Congo — “one of the most biologically diverse areas on the planet,” according to the park’s website, and home to an endangered group of mountain gorillas. This Netflix documentary not only aims to capture the wildlife in the national park, but also the dedication of teams aiming to protect it and the militia that target it. A year after Virunga was released, Netflix also provided a behind-the-scenes look at its production, with particular focus on the gorillas it features. Since the documentary’s release just a few years ago, the park has been temporarily closed to the public due to an increase in violence. Critics Consensus: Virunga offers a heart-rending glimpse of natural wonders vulnerable to the atrocities of greed — and the people devoting their lives to defending them.Where to watch it: NetflixCommitment: 1 hour 40 minutes (plus 30 extra minutes if you want to watch Virunga: Gorillas in Peril, too)Encounters at the End of the World (2007) 94% (Thinkfilm)What it is: Another legendary voice in the documentary genre alongside Attenborough is German director Werner Herzog. In Encounters at the End of the World, Herzog serves as both narrator and guide on a trip to Antarctica, and the result is a thoughtful (if at times absurd) study of the environment and human nature.Critics Consensus: Encounters at the End of the World offers a poignant study of the human psyche amid haunting landscapes.Where to watch it: Amazon, FandangoNow, iTunes, VuduCommitment: 1 hour 40 minutesJane (2017) 98% (National Geographic)What it is: This critically acclaimed National Geographic doc drew from more than 100 hours of previously never-before-seen footage to give viewers an intimate portrait of one of the most famous and beloved conservationists of our time, Jane Goodall. For those familiar with Goodall s work and current activism, Jane will be particularly fascinating, as it transports viewers back to the 1960s when Goodall was in her mid-20s and doing her earliest work observing chimpanzees. The film features a score from composer Philip Glass.Critics Consensus: Jane honors its subject s legacy with an absorbing, beautifully filmed, and overall enlightening look at her decades of invaluable work.Where to watch it: Disney+, Amazon, FandangoNow, Hulu, iTunes, VuduCommitment: 1 hour 30 minutesChasing Coral (2017) 100% (Netflix)What it is: After directing Chasing Ice in 2012, Jeff Orlowski turned his focus from the arctic to the ocean with Chasing Coral in 2017. The latter documents coral bleaching and the environmental impact of carbon emissions and pesticides on the reefs. Like many films on this list, this Netflix documentary is a call to consciousness regarding the tangible, quantifiable impacts of global warming.Critics Consensus: Chasing Coral offers a breathtakingly beautiful look at some of the Earth s most incredible natural wonders while delivering a sobering warning about their uncertain future.Where to watch it: NetflixCommitment: 1 hour 30 minutesThe Year Earth Changed (2021) 100% (Apple)What it is: This timely documentary narrated by David Attenborough reflects on the past year, during which the COVID-19 pandemic effectively shut down several aspects of everyday life for many of us and, rather unexpectedly, served as an invitation for elements of the natural world to creep back into virtually empty cities. It s a fascinating look at an unprecedented phenomenon and a testament to the resilience of nature. The release of The Year the Earth Changed also coincides with two other Apple TV+ originals: the second seasons of both the Paul Rudd-narrated Tiny World and the Tom Hiddleston-narrated Earth at Night in Color. (We assume you can gather what they re about from their titles.)Where to watch it: Apple TV+Commitment: 48 minutesMarch of the Penguins (2005) 94% (National Geographic)What it is: For viewers of a certain age, March of the Penguins represents their first exposure to nature documentaries. Thanks to some incredible cinematography, a compelling narrative, and the unforgettable voice of Morgan Freeman, the film was a hit at the box office and became a pop culture touchstone, going on to win the Oscar for Best Documentary. The sequel, March of the Penguins 2: The Next Step, can be streamed on Hulu.Critics Consensus: Only the most hardened soul won t be moved by this heartwarming doc.Where to watch it: Tubi, HBO MaxCommitment: 1 hour 20 minutesMy Octopus Teacher (2020) 95% (Netflix)What it is: Rather than a broad, sweeping look at the natural world, My Octopus Teacher instead offers a more intimate story about one man s journey to self discovery, thanks in large part to the unique relationship he forms with you guessed it an octopus. The Oscar-nominated documentary follows South African free diver Craig Foster, who meets an unusually curious octopus during one of his dives and chronicles a year of his experiences bonding with the creature. In the process, Foster learns to appreciate his own life and humanity s crucial ties to nature.Where to watch it: NetflixCommitment: 1 hour 24 minutesDavid Attenborough: A Life on Our Planet (2020) 95% (Netflix)What it is: As evidenced by this list, Sir David Attenborough has been the elegant, soothing voice behind many of the best nature documentaries ever produced, and his work over the past half century has not only highlighted the most astonishing wonders of our planet but also advocated for a greater dedication to ecological preservation. This documentary narrated by Attenborough himself, of course utilizes his remarkable life as a backdrop to examine how drastically the world has changed during the course of his career, and it serves as his personal witness statement to encourage humanity to fundamentally change its relationship with nature for the greater good.Where to watch it: NetflixCommitment: 1 hour 23 minutesOn an Apple device? Follow Rotten Tomatoes on Apple News. (Photo by Neon / Courtesy Everett Collection. Thumbnail image: Universal, RADiUS-TWC/Courtesy Everett Collection.)All Elisabeth Moss Movies RankedWith a full steam TV career ranging from The West Wing to Mad Men and The Handmaid s Tale, it took until last decade for Elisabeth Moss to start building her profile as a leading movie star. But in the years since 2014 breakthrough dramatic thriller The One I Love, she s put together an impressive catalog of diverse, complex film roles that complements her television work, as seen in Certified Fresh movies like Queen of Earth, Listen Up Phillip, Us, and Her Smell.In 2020, she made headlines on both sides of the pandemic: first with The Invisible Man (one of the last major theatrical offerings to enjoy some semblance of a full release window), and then with the dark, literary Shirley after it set up shop on streaming. She ll have an appearance in Wes Anderson s The French Dispatch, which was due for later this year and has now been unset without a new release date. Until then, we re ranking all Elisabeth Moss movies by Tomatometer!
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1.87.3 5月喜迎To really appeal to viewers unfamiliar with the deep canon of The Dark Crystal, as well as die-hard fans, the creators went out of their way to pay intricate attention to the design of each character and every piece of scenery. That means employing hundreds, or even thousands of workers, Leterrier explained, to make wigs, to punch holes for hair into the creatures, and more. It s an important part of the process that Netflix will celebrate, releasing a documentary going behind-the-scenes of Age of Resistance, that’ll appear as the season’s 11th episode. For a show that Henson describes as “a maker spectacular,” this announcement is a no-brainer. The amount of craft that goes into the making of the puppets, and the guys who operate them, we just arrive [on set] and it s sort of there, Egerton said of his responsibility as an actor on the series. The work that everyone else has done kind of feeds your performance, really. We really are just the top layer of a very tall cake. (Photo by Netflix)Hamill, who voices the iconic Skeksis known as the Scientist, couldn t stop raving about being a part of the series. What I loved was how daring and dark it was as opposed to the other projects associated with the Muppets. It s really come into its own. The script for Age of Resistance is very, very good. I don t care about the trappings of the salary or whatever, but you look for projects that are a challenge and stuff you d like to see, and it definitely falls into that category. Hamill will surely be a big draw for the show — his enthusiasm for the show is really quite contagious. But as gross and visceral as the Skeksis can get, Age of
The Directors Guild of America held the 71st Annual DGA Awards on Saturday at the Hollywood and Highland Center s Ray Dolby Ballroom. Alfonso Cuarón took home the top prize for Roma, while Eighth Grade director Bo Burnham caused something of an upset, winning the First-Time Feature award over A Star Is Born director Bradley Cooper. In a season that has been split for the major awards, all eyes were on the DGA to provide some clearer indications for which film might reign supreme on Oscar night. What does Roma s win mean for the Oscars? Well, Academy members and DGA members seem to share the same tastes: nine of the last 10 DGA winners went on to claim the Best Director Oscar and seven went on to win Best Picture.Follow along with all the winners of the season with our Awards Leaderboard. The full list of DGA winners and nominations are listed below.Feature Film
With Sunday’s Critic’s Choice Award ceremony done, all of the prominent critics groups have had their say on the best films of 2018. Each year, countless critics associations host year-end awards to recognize exceptional filmmaking, but the National Society of Film Critics, Los Angeles Film Critics Association, New York Film Critics Circle, and Broadcast Film Critics Association are carefully considered when making Oscars predictions. Each group will say they are independent to the academy in voting, tastes, and identity, but they help shape the race for the big one. And so we have our eyes on them.Our Awards Leaderboard tracks major critics groups and guilds honors, and looking at the current leaders, we think Roma, If Beale Street Could Talk, and The Favourite should feel fairly confident of some Oscar love when the nominations are announced on Tuesday. (Regina King, Olivia Colman, and Richard E. Grant in particular would not be risking much to set an early alarm.) This year, though, there have been coordinated efforts to bring lesser-known films and performances into the conversation, so we re also expecting a number of surprises among the noms. Where might those surprises come from? Below, we re looking at Oscar long shots who might just have enough buzz – and which have a couple of awards already in the bag – to break through with some Oscar voters.Toni Collette, Hereditary (2018) 89% Best ActressAlready recognized by: Gotham Awards, Film IndependentDo we need to say more about what Toni Collette did in Hereditary? It seems some may have forgotten the greatest full body performance of 2018. In the movie – which caught fire at Sundance and made an impact at the box office – Collette gifted all of us with a face-screwed-screech-filled-terrified performance that takes at least three viewings to fully deconstruct. The Aussie actress started strong this awards season with a Gotham win followed by a Film Independent nomination, but then things went quiet. Collette would be vying for the open fifth Best Actress nomination – assuming favorites Colman, Lady Gaga, Glenn Close, and Melissa McCarthy all come through as expected. She will need those horror lovers in the Academy to champion her incredible work.Yalitza Aparicio, Roma (2018) 96% Best ActressAlready Recognized by: BFCA, Gotham Awards(Photo by © Netflix)It s worth noting the star of the most awarded film of the season has gone largely unrecognized. An unknown actress, in a black-and-white foreign language film, distributed on a platform many Academy voters herald as the end of cinema, is a hard sell. Director Alfonso Cuarón has repeatedly said Roma does not exist without the women who inspired and made it, but the accolades have not exactly come streaming in. In Cuarón’s semi-autobiographical love letter to Mexico and the woman who raised him, Aparicio gave depth and aching authenticity to a character rarely featured on screen. Cuarón painted a masterpiece, but Aparicio is the canvas, paint, and brush.Steven Yeun, Burning (2018) 95% Best ActorAlready Recognized by: LAFCA, NSFC(Photo by @ Go Well USA)Yeun’s performance as a South Korean playboy in Burning is ethereal, charismatic, and unnerving. Another foreign language entry, Lee Chang-dong’s noir-thriller slowly unravels and builds to a climactic twist you don’t see coming – and so much of it rests on the former Walking Dead star s performance; our thoughts on Yuen’s character, Ben, mirror how we interpret the events of the film. Is he just a spoiled playboy formulating sinister plots for entertainment? Or is he a calculating psychopath? Or maybe just a guy who likes to burn greenhouses? It all rests on what we see in Yuen, in his gaze or sly smile. It’s a tightrope to pull off a likable Oscar-worthy villain, and Yeun makes it look effortless. The formula worked for Javier Bardem in No Country for Old Men, so fingers crossed.Debra Granik, Leave No Trace (2018) 100% Best DirectorAlready Recognized by: Film Independent, National Board of Review, LAFCA(Photo by JA/Everett Collection)In a year littered with exceptional work by female directors, it’s hard to justify their lack of inclusion come award time. The Rider, You Were Never Really Here, A Private Life, Can You Ever Forgive Me?, and Destroyer all are worthy of recognition. But Debra Granik’s Leave No Trace distinguishes itself from even those stellar entries – and not just because it still sits at 100% on our Tomatometer after 200 reviews. Director Jane Campion may have said it best in her impassioned plea for Leave No Trace: “A film filled with compassion… it has had a powerful impact on audiences. Not because it is loud, but because the truth that Granik speaks quietly can be heard even in a noisy world.”Elsie Fisher, Eighth Grade (2018) 99% Best ActressAlready Recognized by: Film Independent, Gotham Awards, DGA, BFCA, NYFCC(Photo by © A24)Cringeworthy Cinema: that’s how Bo Burnham’s Eighth Grade and its star Elsie Fisher charmed their way into our hearts. Reliving the painfully awkward moments of adolescence with such unflinching honesty, Fisher gave the best performance of the year that we had to watch through fingers and stooping down in our seats. (OK, maybe tied with Collette – but for very different reasons.) Burnham’s script is the quintessential coming-of-age story for the YouTube generation and, as with Roma, his film lives or dies by its central performance. As Kayla, Fisher is relatable and endearing for tweens and their parents, finding a perfect blend of earnestness and mortification.Ethan Hawke, First Reformed (2017) 93% Best ActorAlready Recognized by: Film Independent, Gotham Awards, NYFCC, BFCA, LAFCA, NSFC(Photo by © A24)Ethan Hawke often remarks that he doesn t want to be known just for the Dead Poets Society. But after the over 30 years, 80 credits, four Oscar nominations, and countless more beloved performances, Hawke still hears Oh Captain, My Captain on the regular. His turn as the conflicted and apathetic Reverend Toller is miles away from any previous role he has done. Many are taking notice: With a near clean sweep of the critics associations, Hawke s performance in First Reformed is second only to Regina King s in Beale Street in regards to acclaim this season. Why isn t he a lock for an Oscar nom? Hawke s lack of movement outside of the critics groups awards does not bode well. We ll be watching this one keenly.Oscar nominations are announced on Tuesday, January 22, 2019
(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Several years ago, Rotten Tomatoes tracked the location of the Infinity Stones going into Avengers: Infinity War. At the time, the big mystery was the location of the Soul Stone, which turned out to be a big plot point in the film. But three years later, the stones are gone. As revealed in Avengers: Endgame, Thanos (Josh Brolin) used their power to unmake them, forcing the Avengers into committing a Time Heist to reverse the effects of the Blip.Nevertheless, the Stones continue to exist thanks to variant timelines and that Multiverse that Marvel keeps teasing. And though Steve Rogers (Chris Evans) returned each Stone to the places in history from which the Avengers borrowed them – and their story is seemingly concluded – they may continue to prove relevant in the Marvel Cinematic Universe, particularly as the new Disney+ Loki series features the variant of Loki (Tom Hiddleston) who spirited away the Space Stone in Endgame. So, join us on a journey across time and possibility to track the Infinity Stones The Time Stone(Photo by Jay Maidment / © Walt Disney Studios Motion Pictures)Where Steve Left It: Presumably, in the hands of the Ancient One (Tilda Swinton) on the rooftop of the Sanctum Sanctorum.Where It Could Be Now: Although “our” Time Stone is still gone, the loss of it from within the Eye of Agamotto may play a role in the upcoming Doctor Strange in the Multiverse of Madness. Will Stephen Strange (Benedict Cumberbatch) convince himself he can safely take a copy of the Time Stone from another reality or timeline? Maybe that choice sets off the adventure as the dark future the Ancient One teased in Endgame comes to pass. Also, trying to break the laws of time feels like the sort of thing Strange would do, even if it means he’d have to talk an alternate version of himself into doing it.The Space Stone(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Where Steve Left It: Back at Camp Lehigh, the S.S.R./S.H.I.E.L.D. base in the 1970 where Hank Pym (Michael Douglas) is somehow tolerating the presence of Howard Stark (John Slattery).Where It Could Be Now: The Stone he returned is only one variant – which Mar-Vell (Annette Benning) will use a decade or so later. The other, as we mentioned above, was nabbed by Loki during the Avengers’ botched attempt to get it just after the Battle of New York. And as we saw as we saw in April s Loki trailer, it is in the possession of a TVA agent when Loki is arrested. That leaves one to wonder if the Stone will be in their evidence locker or if they have a way to return it to Thor’s (Chris Hemsworth) custody in that alternate timeline. Will it continue to be a part of Loki s overall scheme? Or will his experience with the TVA lead him down a path away from the Infinity Stones?Also, wouldn’t Steve feel honor-bound to retrieve the Space Stone from Loki and put it back in its proper place?The Soul Stone(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Where Steve Left It: The planet Vormir, where he presumably had a very awkward conversation with the Red Skull (Ross Marquand).Where It Could Be Now: Still on Vormir, as it requires a steep price to claim it. Although, the return of the Soul Stone brings us back to our favorite pet theory about the upcoming Black Widow movie. Specifically, returning the Stone will release Natasha Romanoff (Scarlet Johansson) from the Soul Space – a scene that could make a very satisfying mid-credit stinger. With rumors that Evans will return to the Marvel Cinematic Universe in some form swirling around, this is the sort of cameo we can see him agreeing to.The Power Stone(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Where Steve Left It: On Morag for Star-Lord (Chris Pratt) to discover while nursing a massive headache.Where It Could Be Now: The return of the Power Stone to its proper place in time is seemingly the most successful of the lot as it means the Peter Quill of that timeline will collect it and proceed through the events of the first two Guardians of the Galaxy movies being none-the-wiser. Unless, of course, his reality now lacks for a Thanos, Gamora (Zoe Saldana), Nebula (Karen Gillan), and Black Order – all of whom traveled into the future during Endgame. If that is the case, then the Stone is presumably still on Xandar under the protection of the Nova Corps.Provided, of course, the Guardians of the Galaxy came into existence to defeat Ronan the Accuser (Lee Pace). Otherwise, he maybe rampaging across space in some variant timeline.The Mind Stone(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Where Steve Left It: Next to an unconscious America’s Ass (also Evans) in Stark Tower shortly after the Battle of New York.Where It Could Be Now: The location of the Mind Stone in that other timeline could be important in the future as it needs to pass into Wolgang von Strucker’s (Thomas Kretschmann) possession not long after the battle. If it doesn’t, then that timeline goes without Wanda Maximoff (Elizabeth Olsen) unlocking an aspect of her powers, Pietro Maximoff (Aaron Taylor-Johnson) never getting his speed, and J.A.R.V.I.S. (Paul Bettany) never becoming a part of Vision (also Bettany). Such a timeline could offer “our Wanda” a source for a proper Mind Stone to give Vision back all his facilities. Well, once she learns about that corpse-like Vision flying around New Jersey.The Reality Stone(Photo by © Marvel Studios, © Walt Disney Studios Motion Pictures)Where Steve Left It: Somehow, injected back into Jane Foster (Natalie Portman) shortly after Thor and Rocket (Bradley Cooper) took it. Maybe Frigga (Rene Russo) helped out knowing Steve was a friend of her son?Where It Could Be Now: Presuming this alternate timeline is the same one Thanos was in before he leaped to the future, then the Stone would still be in the possession of The Collector (Benicio del Toro). But as we pointed out with some regularity in our coverage of WandaVision, the red energy Wanda wields visually connects to the Aether and it would not surprise us if the source of the Scarlett Witch’s power stems from the same primordial force contained in the Reality Stone. What that means for Wandas in realities where Thanos never collected the Stones – or even our own Wanda – remains to be seen.Of course, as the nature of the Marvel Multiverse is still unknown, we are making a lot of presumptions about where the Stones Steve returned could be. For one thing: we are assuming the Stones were mostly picked from one alternate timeline despite the Ancient One telling Bruce Banner (Mark Ruffalo) that stealing them would create divergent timelines at each point from which they were taken. If we take her at her word, then it is possible War Machine’s (Don Cheadle) decision to knock Peter out on Morag means the Guardians of the Galaxy never form and either Ronan or Ego (Kurt Russell) succeed in their plan. Also, the Ancient One’s reality may have been swallowed up by Dormammu even if Steve returned the Time Stone to her. The mere seconds it was gone still could matter.But one of the elements we’re looking forward to in Loki is a greater clarity about what it means to pluck a Stone from its rightful place in time. Perhaps we’ll even get greater clarity on the success of Steve’s mission to return them at the end of Endgame or, perhaps, we ll learn of a new power tempting the god of mischief away from his old objectives.Loki premieres on Disney+ Wednesday, June 9, 2021. On an Apple device? Follow Rotten Tomatoes on Apple News.
(Photo by ABC/Craig Sjodin)The biggest question leading up to Oscar night wasn’t about the awards themselves. Following several months of indecisiveness that saw a Popular Film award announced then rescinded, Kevin Hart stepping down as host amid controversy, the decision not to feature performances of every original song, and the decision to relegate some craft awards to commercial breaks (also rescinded), the question was whether the Academy’s decision to forego a host altogether was smart or not.Rotten Tomatoes has a rundown of the biggest moments of the ceremony, from Adam Lambert and Queen’s opening performance to Green Book’s Best Picture upset. We’ve also rounded up critics’ reactions to the ceremony itself — the first host-less outing in three decades — to find out whether a host is needed.As of press time, the 91st Academy Awards ceremony is Fresh at 73% on the Tomatometer, which would put it in the top five Oscar ceremonies of the past decade by Tomatometer (the majority of which are Rotten). Below, read what critics thought about the host-less three hours and 17 minutes.No Host? No ProblemThe majority of critics wrote that going without a host allowed for a tighter ceremony with much less filler.May the Academy Awards never bother hiring an official host again, because this was the zippiest Oscar Night in years. No stupid montages, no dance sequences, no “give sandwiches to the audience” stunts, no moronic “this is what the magic of the movies means to me” clips, no “let’s ride the subway with Sting” comedy sketches. – Rob Sheffield, Rolling StoneWhat is the Oscars without a host? Better. It’s not just about the pacing. Though Lord knows, without the cumulative bloat — the monologue, the ad-libs, the in-the-audience bits, the jokey introductions to presenters who then do their own introductions — the 2019 Oscars were free to trip along at a brisk pace, and ended just 17 minutes past 11 p.m. ET. But beyond lending a rare efficiency to the proceedings, the lack of a host allowed the Academy and ABC — or should I say, forced them — to loosen the vice grip of habit and try some new things. – Kristen Baldwin, Entertainment WeeklyRight from that first, energetic musical performance by Queen and Adam Lambert, this year’s Oscars felt infused by an energy that did not flag throughout the three-hour(ish) event. The evening moved along at a steady clip, unencumbered by dragging comedic bits or jokes that just wouldn’t land. And was it just us, or did the presenters — perhaps because they assumed a greater responsibility for keeping the night on track — seem more committed to their duties than in years past? – Kimberly Roots, TVLineThe ceremony was over in record time because there was no host doing a long monologue or roasting various attendees. There were no cringeworthy bits involving unfunny songs or escapades with “normal” people. The presentations and speeches and performances flowed more or less seamlessly from one to the next. The telecast didn’t serve up as many viral or memorable moments as it might have with a host at the helm, but it was also refreshingly focused on the movies. Which seems like a real win for everyone involved. – Alissa Wilkinson and Todd VanDerWerff, VoxA Host Is NecessaryFor other critics, the idea of a host-less ceremony was potentially good in theory, but the execution made the ceremony feel like something was missing.It wasn’t as bad as everyone expected. It was worse. No cohesion, no gravitas, only a scattering of memorable moments, a slew of terrible wins, and a Best Picture winner so ridiculous that Crash suddenly looks like a masterpiece — the Academy Awards made its own case for the ceremony’s irrelevance. The most aggravating reaction an Oscars fan gets when they obsess about the awards year after year is the snarky scoff, “Who cares?” How sad that the show itself is making it harder to answer that question. – Kevin Fallon, The Daily BeastSo what would a probably male, probably comedic host have added by taking up air time and spewing Trump jokes that we ve all heard before? A thematic through line and entertainment element that this year s Oscars desperately needed. – Kelly Lawler, USA TodayThis was the first Academy Awards not to have a host or hosts since the all-time rock bottom ceremony of the Oscars of 1989 — and it really showed. … With a stage framed with what was either a Game of Thrones set reject or a Jeff Koons interpretation of Donald Trump’s hair, tonight’s bloated Oscars was a live ceremony that certainly lacked form, far too often function. – Dominic Patten, Deadline HollywoodYes, hosts can be sloppy, but that also gives the show a personality, and some banter. I like banter! And, apparently, I like my Oscars to be more sloppy than efficient. … It’s more like having some sort of authority figure who comes from the perspective of the audience. If something weird happens, it’s nice to have a host who can pop out and say, “That was weird, right?” Or if someone gets his or her speech cut off, but were in the middle of saying something important, it’s good to have a host who can come out and make sure that person can finish, as Jimmy Kimmel has done in the past. – Mike Ryan, UproxxSince so much of the night hinged on winners giving entertaining speeches, some worried that trying the same experiment again would fall flat. There is a kind of paradox at the heart of the Oscars, which is that people don’t really remember the show itself. They remember moments, maybe something the host did, but more often something the winners did — a spontaneous show of emotion, a turn of phrase. The Academy Awards is a huge, glamorous production that desperately wants to entertain you, but the long-term measure of whether a year was any good has to do with the details, which are mostly unplanned. – Willa Paskin, SlateNormally, the host is a warm body used as a buffer between the industry and the audience. The absence of a host this year was a reminder that this figure can take up an inordinate amount of space — space that isn’t always used particularly well or efficiently, and certainly space that might be better off given to others. … It felt like the People’s Oscars, even if some of the movies that won revealed serious flaws in the ongoing discussion about how media reflects and propagates broken narratives about race and sexuality. Not every Oscars will have such an unpredictable slate, sure. But doing without a host showed us a different kind of Hollywood: a Hollywood where the audience calls the shots. – Sonia Saraiya, Vanity FairGive Maya, Tina, and Amy the JobOne thing everyone agreed on is that the trio of Maya Rudolph, Tina Fey, and Amy Poehler, who delivered the show’s pseudo-monologue, could’ve hosted the whole thing and probably pleased everyone in the process.It couldn’t have happened without Maya Rudolph, Tina Fey and Amy Poehler, the hosts in all but name. The three amigas kept cracking that they weren’t really the hosts, but they did everything a host is supposed to do, i.e. welcome the crowd, set the comic tone, get out of the way. They crunched a whole night’s worth of host duties into three minutes, running through their gags at Ramones speed. – Rob Sheffield, Rolling StoneBy the end of the evening, I was fully convinced that the Academy should give up on hosts for good. But I reserve the right to change my mind if Tina, Amy and Maya agree to do it next year. – Judy Berman, TimePresenting Duos Were InspiredProducers paired celebrity presenters in incredibly interesting combinations, resulting in both hilarious and touching moments. The lack of a host made the success of those moments that much more important.John Mulaney and Awkwafina, two of the funniest people in the entertainment industry, commiserating over their first-time Oscar jitters? Divine. Michael B. Jordan and Tessa Thompson, followed by Constance Wu, a vision in yellow on the arm of a glittering Chadwick Boseman? #TrueDetectiveSeason4 vibes. The presenters didn’t waste time with endless stiff, scripted repartee, either. – Judy Berman, TimeBest Actress nominee Melissa McCarthy joined If Beale Street Could Talk’s Brian Tyree Henry for a blissfully silly presentation of Best Costume Design, a gag that combined elaborate wardrobe with the simplicity and perfect stupidity of a bunny puppet trying to open the red Oscar envelope. – Kristen Baldwin, Entertainment WeeklyLady Gaga and Bradley Cooper’s Chemistry SizzledWhile A Star Is Born took home just one award — for Lady Gaga’s original song “Shallow,” of course — its live performance by Gaga and her costar-director Bradley Cooper provided so much chemistry that it exploded into living rooms across the country.The much-anticipated, heavily hyped “Shallow” performance from Bradley Cooper and Lady Gaga somehow shattered those sky-high expectations. With a brilliant choice to show it in one uncut take, masterful blocking, and a raw yet honed turn from the two stars, the Oscar telecast burst to life and never looked back. – Ben Travers, IndieWire Shallow was the thing the show was building to. All of it. From the moment A Star Is Born premiered this fall, it was an inevitable winner and the inevitable cornerstone to this telecast. There was nowhere for the energy to go after that, and I wonder if the producers gave consideration to pushing it to closer to the end. Shot with theatrical intimacy that verged on uncomfortable — everybody I know was speculating about Gaga and Cooper s private lives and don t pretend that you weren t — Shallow was a lovely performance and a reminder of why you need these live musical moments in this show. – Daniel Fienberg, The Hollywood ReporterA dozen crew members emerged from the wings to place a piano and two microphones on the stage, and the camera swooped to the front row of the theater as Bradley Cooper led his A Star Is Born costar Lady Gaga to the stage. Their soulful duet on subsequent Best Song winner “Shallow” ended on an almost comically tight shot, as the two stars nuzzled each other through the final few bars — an unabashedly intimate moment in front of millions. It gave me chills, thinking of all the memes to come. – Kristen Baldwin, Entertainment WeeklyEmotional Speeches Saved the NightNo matter how critics felt about the hosting decision, they all agreed that the majority of the night’s speeches, which were alternately emotional and funny (and sometimes both), elevated the ceremony.Winners like Black Panther’s costume designer Ruth E. Carter and production designer Hannah Beachler gave thoughtful and inspiring speeches befitting the pathbreaking nature of their movie, and the relative rarity of women of color accepting prizes on moviedom’s biggest stage. – Daniel D’Addario, Variety[Regina King gave] a lovely speech, filled with the sort of graceful humility that, as a cynic, you know is only as good as it is because they re a great actor, but that, as a fan, you fall for because look how pretty they are in that dress and oh my god I have loved her since Friday. – Bobby Finger, TVGuide.comThere was also the sheer joy when — a minute after having to hold his nose with the Green Book award — Samuel L Jackson got to give best adapted screenplay to BlacKkKlansman s writer Spike LEEEEEEEEEEEEEEE! – Ben Sutherland, BBC News
Time is rumored to be up for the first female Doctor in Doctor Who, Prodigal Son casts Catherine Zeta-Jones, while Clancy Brown takes the baddie role in Showtime s Dexter revival. Plus, Catherine Hardwicke film Lords of Dogtown will become a series, new trailers, and more of the week s top TV and streaming news.TOP STORYDoctor Who: The BBC Won t Confirm or Deny the Rumor About Jodie Whittaker Quitting (Photo by Casey Crafford/BBC America/BBC Studios)Could this be the end for the first female Doctor? According to a report in the British newspaper The Mirror, Doctor Who star Jodie Whittaker is quitting the classic series at the end of the next season, season 13, which is set to premiere later this year. Showrunner Chris Chibnall, according to The Mirror, will stay with the series, which is also losing co-stars Bradley Walsh and Tosin Cole, who play Graham and Ryan, respectively, in previously announced departures.Whittaker is the 13th Doctor, and if she does leave the series at the end of the next season, she would follow David Tennant, Matt Smith, and Peter Capaldi as Doctor Who stars who left the series after three seasons each. Mirror sources say Whittaker wants to leave the show to be available to take on other roles.The BBC responded to the rumor without confirming or denying it, telling Digital Spy, “We won t be commenting on any speculation around Jodie s future on the show.”Catherine Zeta-Jones Joins Prodigal Son for Season 2(Photo by John Russo courtesy of Fox)Oscar and Tony Award winner Catherine Zeta-Jones has joined the cast of Fox’s Prodigal Son for season 2, playing Dr. Vivian Capshaw, the resident MD at Claremont Psychiatrics.Capshaw will immediately butt heads with Michael Sheen’s serial killer, Dr. Martin Whitley, who is assigned to clean bedpans and mop floors in the infirmary. Capshaw takes great pleasure in seeing “The Surgeon” perform janitorial tasks, until he begins to help with medical cases and the two bond. But that’s only going to spell trouble.Zeta-Jones joins the series in the second half of the season. Prodigal Son, the No. 1 new series of last season, begins its sophomore run on Jan. 12.NEW TRAILERS: WandaVision: Wanda and Vision Tie the Knot in the Wanda/Scarlet Witch Origins SeriesHere’s the latest peek at WandaVision, the MCU series starring Elizabeth Olsen and Paul Bettany as Wanda Maximoff/Scarlet Witch and Vision. In this clip, we see Wanda and Vision get married, in their own efficient way. The series follows the characters after the events of 2019’s Avengers: Endgame. Premieres Jan. 15 (Disney+)More trailers and teasers released this week:• Solar Opposites, season 2, finds the fam all set to leave Earth behind. Very briefly. Premieres March 26 (Hulu)• In Search Party, season 4, the search is on for an MIA Dory (Alia Shawkat). Premieres Jan. 14 (HBO Max)• Blown Away, season 2, gives viewers another look at the competition among the world’s most creative and talented glassblowers. Premieres Jan. 22 (Netflix)• The trailer for Power Book III: Raising Kanan is a brief preview of the second Power spin-off, this one a prequel about Kanan, the character played by series EP 50 Cent. Premieres summer 2021 (Starz)• Whitney Houston and Bobbi Kristina: Didn’t We Almost Have It All is a two-hour documentary about the late pop superstar and her daughter, who both died tragically after battles with drugs and alcohol. Premieres Feb. 6 (Lifetime)• Tiger is HBO’s two-part series about the spectacular rise and fall of Tiger Woods, and his eventual comeback. Premieres Jan. 10 and 17 (HBO)• 50 Cent released “Part of the Game,” his new music video for the song that will also serve as the theme song for Power Book III: Raising Kanan.For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.CASTING: Dexter Reboot Gets Its Villain: Clancy Brown (Photo by Axelle/Bauer-Griffin/FilmMagic)Showtime’s Dexter reboot has just cast its villain (meaning the foe for Michael C. Hall’s titular serial killer): Clancy Brown. The Billions actor will play long-haul trucker–turned–truck and truck-stop owner Kurt Caldwell, who’s a favorite resident of a small town called Iron Lake – perhaps the Oregon town where Dexter settled in the disappointing 2013 Dexter series finale, after faked his death and fled Miami? Caldwell is a real man of the people in Iron Lake, as long as you’re his friend. But if you cross him, he can be just as powerful an enemy. Enter Dexter Morgan. (TVLine)The Office alum Amy Ryan has joined the Hulu comedy Only Murders in the Building, a series that follows three true crime fans – played by series creator Steve Martin, Martin Short, and Selena Gomez – who become embroiled in a crime mystery. Ryan will play a musician who lives in the titular building. (Deadline)Tony winner and former All My Children soap star Tonya Pinkins has replaced Niecy Nash in the ABC limited series Women of the Movement, about Mamie Till-Mobley, the woman who spent her life seeking justice for her murdered son, Emmett Till. Deadline reports Nash left the project, which begins filming next week for premiere later this year, for “personal reasons.”Rhys Darby will star in Our Flag Means Death, the HBO Max period comedy about a wealthy farmer (Darby) who suffers a mid-life crisis and becomes the captain of a priate ship in the 18th century. The series reunites Darby with Taika Waititi, who is an EP and director on OFMD and worked with Darby on Flight of the Conchords. Writer David Jenkins created Our Flag Means Death. (Deadline)Lauren Graham has exited Zoey’s Extraordinary Playlist because of COVID-related shooting delays on her other series, the Disney+ TV adaptation of The Mighty Ducks. Graham played Joan, Zoey’s (Jane Levy) boss on the NBC series.PRODUCTION DEVELOPMENT: Lords of Dogtown TV Series Coming to IMDb(Photo by © TriStar/courtesy Everett Collection)Lords of Dogtown director Catherine Hardwicke is adapting her 2005 movie for a TV series for IMDb (the free, ad-supported streaming service owned by Amazon). The series, written by 13 Reasons Why and Queen Sugar writer Kat Candler, will be a one-hour drama about the skateboarding scene in 1970s Southern California, centering around a teen growing up in foster care who makes friends with a group of skateboarders who idolize the famous Zephyr skateboarding team featured in the documentary Dogtown and Z-Boys. The Shield creator Shawn Ryan will be an executive producer on the project.A “well-placed industry insider” tells the New York Post’s Page Six that HBO Max is considering a limited series reboot of Sex and the City. Sarah Jessica Parker has said she would be interested in finding out where all the characters are in their lives now, especially in the wake of #MeToo and social media, but Kim Cattrall has made it very clear she wants to part of the series, thanks to her ongoing feud with Parker. Is there any point to a return to SATC without Samantha?In case you’re missing any of Quibi’s programming, the short-lived streaming service’s series may find a new home at Roku, The Wall Street Journal reports.The next season of Larry David’s Curb Your Enthusiasm has already begun filming, and will be set in the post-COVID world. Season 11 is scheduled to premiere in the fall. (THR)Also returning despite COVID: Animal Planet’s alternative to the Super Bowl, the Puppy Bowl! Puppy Bowl XVII will air on Feb. 7, several times throughout the day, just as in previous years. The three-hour special will feature 70 puppies from nearly two dozen shelters, and all the doggos are available for adoption. The event boasts a 100 percent adoption rate for the pup participants of Puppy Bowl one through 15.The Mandalorian Is the Most Pirated Series(Photo by © 2020 Lucasfilm Ltd. ™. All Rights Reserved.)TorrentFreak has released a list of the most pirated TV series of 2020, and at the top of the list, in no surprise, is Disney+’s The Mandalorian. The rest of the top 10: The Boys, Westworld, Vikings, Picard, Rick and Morty, The Walking Dead, The Outsider, Arrow, and The Flash.Fun with GroguAnd finally, what if The Mandalorian was a 1990s sitcom? It might look a little something like Grogu Pains …On an Apple device? Follow Rotten Tomatoes on Apple News. 荣耀之巅传奇是一款即时战斗类型RPG玄幻动作手游。英雄在无休止的斗争中主宰世界同兄弟们一起谱写自己的传奇人生，老区的玩家战力很高，心动的玩家还在犹豫什么，喜欢的朋友快来下载试试吧。
If you’ve been putting off subscribing to YouTube Premium to watch Cobra Kai, you won’t have any more excuses. Plus, SNL loses a beloved cast member, but an old friend makes his long-awaited return.COBRA KAI AND OTHER YOUTUBE ORIGINALS WILL BE FREE IF YOU WATCH ADSYouTube announced today that it would officially offer its original series as free, ad-supported videos on demand. You can still subscribe to YouTube Premium to watch them commercial free, but if you just want to see Cobra Kai and don’t mind watching a few ads, you can watch it for free as of today.Cobra Kai season 2 then becomes available for free on YouTube on September 11. When season 3 rolls around, you may still want to subscribe so you can binge the whole season at once. Complete seasons will be available to Premium subscribers first, and free episodes will drop weekly. YouTube Premium also promises to offer exclusive bonus content for its subscribers.YouTube also announced more new and returning originals. The documentary The Gift: The Journey of Johnny Cash will premiere Tuesday, October 8. Three new European originals are coming: The School Of…, Virtually History and The Edge of Science. Second seasons of Liza On Demand and Impulse premiere on September 25 and October 16, respectively. The first seasons are streaming for free so you can catch up in time for the new episodes.LESLIE JONES LEAVES SNL, BUT EDDIE MURPHY RETURNS(Photo by Elizabeth Goodenough/Everett Collection)As Saturday Night Live gears up for its 45th season, cast member Leslie Jones has opted not to return after her fifth season on the show. EW reported that Jones had decided to focus on movies, comedy specials, and game show hosting opportunities. Jones will appear in Queenpins, I Am Maurice, and Coming 2 America.SNL announced the fall lineup of hosts and musical guests, including Eddie Murphy on December 21. He appeared in the 40th anniversary special, but this will mark Murphy’s first time appearing in a full episode of SNL since he was in the cast. Woody Harrelson hosts the season premiere with Billie Eilish on September 28, Phoebe Waller-Bridge and Taylor Swift on October 5, and David Harbour and Camila Cabello on October 12. Kristen Stewart hosts November 2 and musical guests for Murphy and Stewart’s shows are still TBA.THE OA REALLY IS OVER(Photo by JoJo Whilden/Netflix)Fans were disappointed when Netflix canceled The OA after its second season. Now, they will have to accept the season finale as the series finale as Variety reports that talks about a wrap-up movie have ended. Creators Zal Batmanglij and Brit Marling envisioned five seasons, so they felt they could not wrap up the remaining three in two hours, according to Variety.A VERY MERRY MR. ROBOT FINAL SEASONUSA released a first look at the final season of Mr. Robot, which will be set around the holidays. The festive decor provides an ominous contrast to the cryptic hacking and violence in store for the big finale. Mr. Robot (Christian Slater) cautions Elliot (Rami Malek) over what he’s about to embark upon over hints of scenes to come. The teaser ends with Elliot’s response.Also, the first teaser for El Camino: A Breaking Bad Movie shows Skinny Pete (Charles Baker) withstanding an interrogation, refusing to give up Jesse Pinkman (Aaron Paul). Paul is sadly not featured in the trailer but will star in the movie, premiering October 11 on Netflix.You can also check out the following new trailers: The trailer for American Horror Story: 1984 finally shows scenes from the season. A trailer for season 2 of Titans on DC Universe, featuring Bruce Wayne (Iain Glen) and Cameron Kent (Joshua Orpin) with his dog Krypto. A trailer for the Netflix limited series The Spy with Sacha Baron Cohen in a dramatic turn. A new featurette for the third and final season of HBO’s The Deuce
亚博网站是什么 The Rest of the Top 10 and Beyond: Halloween Slides, A Star Is Born Soars, and Boy Erased and A Private War Light Up Specialty Box Office(Photo by © Universal)Halloween ruled the box office for the last two weeks. However, Octover 31 is over and audiences are starting to abandon it fast. A 65% drop this week puts the film at just over 0 million. Looking historically at films that had earned box office totals in that range after 17 days, the lowest grosser is X-Men Origins: Wolverine, with a total take of 9.8 million. If Halloween can get there, it will surpass Get Out as Blumhouse’s highest domestic grosser to date. Not so fast though. XMO: Wolverine had a third weekend of .7 million; Tim Burton’s Planet of the Apes, which finished with 0 million, made .3 million; and The Simpsons Movie made .2 million on its third weekend, though went on to finish with 3.1 million. Halloween made million this weekend. If Halloween drops below .8 million next week, Jordan Peele’s Oscar-winning film is going to start breathing a little easier.Because they re so heavily frontloaded, only 45% of Marvel films have managed a 2.60 multiple or higher over their opening weekend. Venom, which will be hitting 0 million in the next week, needs to earn 8.7 million to enter that club. Meanwhile, A Star is Born is climbing its way to one of the biggest multiples of 2018 for wide openers. With 5 million to date, it currently has the 10th best multiple of the year, and the seventh best of movies opening in more than 3,000 theaters. The year’s champion remains WB’s Crazy Rich Asians, with a 6.52 multiple.Tyler Perry had a new film with Tiffany Haddish out this weekend called Nobody’s Fool. It finished third with .8 million, which is the filmmaker s third weakest opening ever ahead of just Daddy’s Little Girls (.2 million) and The Single Moms Club ( million). Nobody s Fool is the ninth film directed by Perry to hit 25% or below on the Tomatometer.(Photo by Paul Conroy / © Aviron / courtesy Everett Collection)In limited release, Beautiful Boy was bumped up to 540 theaters this weekend and it grossed .4 million for a total of .2 million to date. That’s just a ,620 per-theater-average, which is just below the expansion of Luca Guadagnino’s Suspiria (61% on the Tomatometer): Last week, the horror remake had the highest PTA of the year in just two theaters, but after adding another 309 to that total it grossed just 4,722 for an average of ,102 per theater. Joseph Kahn’s rap-battle festival favorite, Bodied (Certified Fresh at 87%), made ,528 for a ,609 average in 14 theaters. In another corner of the music world, Sony Classics’ documentary, Maria By Callas, posted a ,540 average in 16 theaters for a total of 2,633. Lee Chang-dong’s Burning (94% on the Tomatometer), released by Well Go, just beat that out with a ,592 average in six theaters. Its total stands at ,299. Leading the PTA battle this week was Joel Edgerton’s Boy Erased, Certified Fresh at 85%, which made 0,000 in five theaters, followed by A Private War (88% on the Tomatometer), featuring an incredible Rosamund Pike, which made ,000 in four theaters.This Time Last Year: Psychedelic Ragnarok Anchors a Huge Weekend(Photo by © Marvel / © Walt Disney Studios Motion Pictures /Courtesy Everett Collection)Marvel kicked off the holiday box office with a bang when Thor: Ragnarok opened with 2.7 million. That film s earnings made up 68% of all grosses tracked that weekend and was the ninth highest opening for a Marvel film at the time. Since then, Black Panther, Avengers: Infinity War, and Deadpool 2 have knocked it back to 12th. A Bad Moms Christmas opened on Wednesday and managed .2 million in its first five days; the first film made .8 million in its first three days. As for milestones, It crossed the 5 million mark in its ninth weekend. The top 10 films grossed a total of 4.6 million and averaged 53.9% on the Tomatometer; this year the top 10 earned an estimated total gross of 8.3 million and is currently averaging 57.1% with critics.On the Vine: Christmas Set To Be Stolen, Once Again(Photo by @ Universal)The studio behind Despicable Me, The Secret Life of Pets, and Sing is set to deliver their next major success when Dr. Seuss’ The Grinch gets the Illumination treatment. The film, featuring the voice talent of Benedict Cumberbatch in the lead mean role, should have legs as it plays into the holiday season. Meanwhile, it’s Claire Foy’s turn to play Lisbeth Salander in The Girl in the Spider’s Web, director Fede Alvarez’s follow-up to his successful thriller, Don’t Breathe. The movie is currently Fresh at 68% based on 22 early reviews. J.J. Abrams’ production company releases their first R-rated effort with the Nazi horror film, Overlord, and Hugh Jackman assumes the role of disgraced politician, Gary Hart, in Jason Reitman’s The Front Runner.The Full Top 10: November 2-4Bohemian Rhapsody – million ( million total)The Nutcracker and the Four Realms – million ( million total)Nobody s Fool – million ( million total)A Star Is Born – .1 million (5.6 million total)Halloween – .1 (0.4 million)Venom – .8 million (8.6 million total)Smallfoot – .8 million (.4 million total)Goosebumps 2: Haunted Halloween – .5 million (.3 million total)Hunter Killer – .5 million (.9 million total)The Hate U Give– .4 million (.4 million total)