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亚博足球竞彩网首页采用百度引擎8(Baidu 5)相信很多玩家吃鸡手游老王等待这款卡牌RPG手游已经等了很lol蔚久了,但是不要冰封被削弱着急弹曲子的手游,这款刀变色软件游戏2月25日即将ro手游樱花城开启国服公测,如果你喜欢买葵还是零方舟手游igg的话,到时再安卓和苹果市场成就点怎cf至高领域手游么得上都能够下载体验。

1. 亚博足球竞彩网首页
英雄联盟手游有很多英雄联盟端游的玩家,但实际上两个游戏有很大的不同,那么英雄联盟手游和端游区别有什么?下面就让小编为玩家列举下两款游戏的区别吧。 Production may be on hold, but the news certainly isn t. This week saw a flurry of announcements, including some very of-the-moment news from Netflix, a bunch of treats for horror fans, and a sequel to the high-rating Disney Family Singalong. Check it out in our weekly rundown of the biggest stories in streaming and TV.TOP STORYNetflix s Social Distance Will Capture the Moment in Time We re All Living Through(Photo by Taylor Hill/FilmMagic)Though we’re all just waiting to be on the other side of the COVID-19 pandemic, Orange Is the New Black creator Jenji Kohan and her production team are creating a new series that will document the kinds of experiences we’re living during the time of coronavirus.Social Distance will be an anthology series that seeks to make viewers feel closer “through a broad spectrum of tales and moments, some seismic and some mundane,” Kohan and her fellow producers, Hilary Weisman Graham, Tara Herrmann, and Blake McCormick, said in a statement.In keeping with the rules of social distancing, Social Distance will be created remotely. The writers won’t work in the same physical space, the series director, Digeo Velasco (Cybergeddon), will direct episodes from his home, and even the showrunner, Kidding’s Graham, will oversee the entire production from home, as the cast members film their performances from their quarantine locations. The experience of social distancing is currently universal, but no individual story is the same, the producers’ statement reads, adding that “our job as storytellers is to reflect reality, and in this new, bizarre, bewildering reality we are all experiencing, we feel passionate about finding connection as we all remain at a distance.”(Photo by Screen Grab/CBS)The new series comes on the heels of the upcoming May 4 episode of the CBS drama All Rise, which was filmed via FaceTime, Zoom, and other online methods. The legal drama’s storyline will revolve around a virtual bench trial involving two brothers feuding about a car. Simone Missick’s Judge Carmichael will preside over the trial, while her real-life husband, actor Dorian Missick, will play a DJ who comments on the case throughout (via a laptop from home, of course).And the Pop TV comedy reboot of One Day at a Time announced this week the show will produce an animated episode to give fans new content during the pandemic shutdown. The episode, which will feature the voices of the series cast as well as some to-be-announced guest voices, will revolve around the family’s plans for how to deal with their conservative relatives, who are going to create tension when they visit around the time of the election in November.New Trailers: Janelle Monáe and Chris Cooper Star in New Mystery at the Center of Homecoming Season 2More trailers:Dead to Me, season 2, starring Christina Applegate and Linda Cardellini (Netflix)Becoming, a documentary about Michelle Obama and her memoir book tour (Netflix)Reno 911! reboot, starring Thomas Lennon (Quibi)Jerry Seinfeld: 23 Hours to Kill, an hour-long comedy special (Netflix)Don t, a new game show hosted by Adam Scott and produced by Ryan Reynolds (ABC)Unbreakable Kimmy Schmidt vs. the Reverend, interactive special (Netflix)Yellowstone, season 3, starring Kevin Costner (Paramount Network)Cup of Joe, travel docuseries, starring Joe Jonas (Quibi)Love, Victor, season 1, the Love, Simon spin-off starring Michael Cimino (Hulu)Crossing Swords, an adult animated comedy about an honorable squire who has to do battle with his criminal siblings, starring Nicholas Hoult and Tony Hale (Hulu)Hanna, season 2, starring Esme Creed-Miles (Amazon)Ramy, season 2, starring Ramy Youssef (Hulu)I Was Lorena Bobbitt, made-for-TV movie, starring Dani Montalvo (Lifetime)Into the Night, season 1, a sci-fi thriller based on the novel The Old Axolotl by Jacek Dukaj (Netflix)Marvel s Agents of S.H.I.E.L.D., season 7, starring Clark Gregg (ABC)Laurel Canyon, a two-part docuseries about Linda Ronstadt, the Doors, Bonnie Raitt, Jackson Browne, Don Henley, and the other musicians who made the signature sound of the titular Hollywood Hills neighborhood in the late 60s and early 70s (Epix)She-Ra and the Princesses of Power, season 5 (Netflix)For all the latest TV and streaming trailers, subscribe to the Rotten Tomatoes TV YouTube channel.Casting News: The Blacklist Superfan Al Roker Guests on the Series 150th EpisodeToday host and weatherman Al Roker will play himself on the May 8 episode of The Blacklist, the NBC drama’s 150th episode. Dukes of Hazzard star Tom Wopat also guests in the episode.Development News: HBO Raises Hellraiser from Dead With Help of Halloween and Krampus Filmmakers(Photo by © New World)HBO is developing “an elevated continuation and expansion” of Hellraiser, the movie franchise that’s based on Clive Barker’s novella The Hellbound Heart. Mark Verheiden (Ash vs. Evil Dead) and Michael Dougherty (Krampus) will write the HBO series, while 2018 Halloween director David Gordon Green will direct several episodes. The Hellraiser movie series includes 10 films. (Variety)LeBron James is hosting a May 16 all-star graduation special that will honor the high school graduates of 2020, most of whom are missing out on milestone celebrations like prom and graduation. Graduate Together: America Honors the High School Class of 2020 will air simultaneously on ABC, CBS, NBC, Fox, and social media platforms like YouTube, Instagram, Facebook, and TikTok, and will include appearances by the Jonas Brothers, Pharrell Williams, Lena Waithe, Bad Bunny, and Yara Shahidi, among many others.Mario Lopez will serve as executive producer on an upcoming reality competition series that will create the next version of the boy band Menudo, the group that launched Ricky Martin’s career. (THR)The next new season of The Bachelor, like nearly everything else in Hollywood, is on hold, so ABC will instead air 10 episodes of a greatest hits special, called The Bachelor: The Most Unforgettable – Ever!, beginning on June 8.(Photo by © Well Go USA)The Walking Dead alum Steven Yeun, who played beloved Glenn Rhee on the AMC drama (until he met Negan and Lucille), has signed a first-look deal with Amazon Studios to create and produce (and possibly star in) new series for Amazon Prime Video in more than 200 countries and territories. Yeun is the star of TWD creator Robert Kirkman’s upcoming animated series Invincible on Amazon.Sherri Shepherd, David Koechner, and newcomer Kevin Quinn will star in the Netflix movie musical A Week Away, a faith-based story, shot in Nashville, about a troubled teenager who lands in legal hot water and has to make a choice: go to juvenile detention or a summer Christian camp. (THR)The big, red balls are back! TBS has ordered 20 episodes of the obstacle course game show Wipeout – the one in which contestants routinely bounce off giant red rubber balls – which aired in ABC from 2008-14.ABC has planned a follow-up to its Disney Family Singalong special; The Disney Family Singalong Volume II will air on May 10, Mother’s Day, and once again be hosted by Ryan Seacrest. The first special, which aired on April 16, drew more than 10 million viewers, and included performances by Beyoncé, Michael Buble, Josh Groban, and Christina Aguilera.Sony Pictures Television and Scholastic Entertainment are teaming with producer Neal H. Moritz to develop a new live-action series based on R.L. Stine’s classic Goosebumps book series. A Goosebumps series ran on Fox Kids from 1995-98, while Moritz also produced big-screen Goosebumps movies in 2015 and 2018.The Daytime Emmy Awards will go remote this year, including awards for daytime programming, sports, news and documentary, and technology and engineering. The ceremonies had been postponed to June, but the Television Academy decided to make the celebration a remote one with continuing news that large gatherings of people will likely be impossible for months to come. The date for the virtual event has not yet been finalized.Amazon renewed its deal with the NFL to stream a dozen games for the next three seasons across Prime Video and Twitch live streaming, including one late-season game season year. Assuming there is an NFL season this year …In a nod to his Parks and Recreation catchphrase, Rob Lowe announced he will be launching a podcast called Literally! The show will be produced by Stitcher and Conan O’Brien’s Team Coco, and Lowe says, “I now have my own podcast, and it’s a literal blast! Funny, surprising, and sneaky thoughtful talks with people I love in movies, TV, and business.” The podcast launches this summer.Dr. Anthony Fauci Reacts to Brad Pitt s SNL SkitWondering what Dr. Anthony Fauci thought about Brad Pitt’s portrayal of him on last week’s Saturday Night Live? He liked it, he really liked it. Telemundo s Un Nuevo Día took a minute in their interview with the good doctor this week to ask his reaction. I think he did great. I m a great fan of Brad Pitt, and that s the reason why, when people ask me who I would like to play me, I mention Brad Pitt,  Fauci said.  He s one of my favorite actors. I think he did a great job. Fauci told Un Nuevo Día that he also admired Pitt for thanking health care workers at the end of the skit. I think he showed that he is really a classy guy when at the end he took off his hair and thanked me and all of the health care workers. So not only is he a really great actor, but he is actually a classy person, Fauci said.
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2. 公平游戏环境
MOBA手游(王者荣耀)养成的非深度玩家的手游习惯是打一把就溜的手游节奏来说,与传统需要长时间甚至相约上线的游戏来说,简直是南辕北辙。对于现今来利用碎片化时间玩手游的玩家来说,长且感人的剧情没有必要,甚至没有时间仔细观看只能够跳过,所以厂家便不会对此下大功夫,甚至简简单单的的就应付了过去。亚博足球竞彩网首页With literally hundreds of films released in any given calendar year, not even professional critics who watch movies for a living can catch everything that comes down the pipe. As for general audiences, there are countless movies that open in just a few theaters in the biggest markets (i.e. Los Angeles and New York) before transitioning unceremoniously to home video, eluding the notice of most casual moviegoers entirely. Luckily, the staff at RT are here to offer up some recommendations for films we personally loved that quite possibly came and went from your local theater or never arrived at all without much fanfare. Maybe you re familiar with some of these and simply never got around to seeing them, or maybe this is the first time you ve heard of them; either way, there s a good chance you ll find something new and interesting in our list of compelling 2019 limited releases below.The Biggest Little Farm (2018) 91%It s difficult to describe the documentary The Biggest Little Farm without feeling as though you’re pitching a quirky sitcom: John and Molly Chester are an adorable married couple living in Los Angeles who, sick of the urban grind, decide to hatch a manic scheme: they’ll sink their savings into starting a farm! What the film offers, though, is a beautifully woven story of a family investing not merely money, but also their faith literally into the ground as they slowly construct a 213-acre biodynamic farm. Apricot Lane Farms was founded on a holistic approach, meaning every element on the property serves a connective purpose in the entire farm’s growth and survival (for example, the animals’ manure nurtures the soil, which then sustains the ground plants that feed their sheep, and so forth). Spanning an eight-year timeline, The Biggest Little Farm allows us an intimate look at the complex ecosystem at a working farm, depicting the high points – adorable animals, of course, including the marvelous Emma the pig – but also the low, such as the ongoing struggle with natural hardships and the impact of climate change on the Chesters’ utopian vision. Although it wanders into too-cute territory at times, The Biggest Little Farm is, at its core, an inspired look at the impact of humans purposely learning to coexist with nature. The perseverance and sincere aim of the Chesters is a heartening reminder that if we don’t give up on the Earth, she won’t give up on us.  Jenny JedinyAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduFast Color (2018) 81%Julia Hart s Fast Color deserves your attention. The multigenerational family drama about a black woman with unexplainable powers played in just 25 theaters this year and had almost no marketing to speak of, but still managed to be one of the most poignant looks at the superhero narrative in the last decade. Instead of going bigger, Fast Color made everything smaller, keeping the stakes to the realm of the family, and exploring how the vast possibilities presented by superhuman abilities might be exploited in a dying world. Lorainne Toussiant and Gugu Mbatha-Raw give incredible performances as Bo and Ruth, an estranged mother and daughter bonded by trauma and their love of Ruth s daughter Lila (Saniyya Sidney). This Certified Fresh original film is a nuanced take on responsibility, guilt, and grief, effectively built inside a genre we all know and love.  Cate YoungAvailable on: Amazon Prime, FandangoNOW, Google Play, iTunes, VuduGreener Grass (2019) 81%Welcome to a twisted vision of American suburbia as if there s any other interesting kind in the movies. Greener Grass takes a pillowy sledgehammer to the trappings of upper-middle-class home life to a repellent extreme. There s courtesy : Neighbors spend minutes at four-way stop signs, imploring everyone else to go first. There s looking good : Everyone unnecessarily wears braces. There s jealousy : A woman puts a soccer ball under her dress for the pregnancy attention, and then gives so-called birth to it later. There s being disappointed in your kids : A dad thinks his son is a loser until his problem is solved after he falls in a pool and turns into a golden retriever. And there s being neighborly : A woman gives her friend her newborn baby for the hell of it of course, there s the matter of what happens when she wants it back Jocelyn DeBoer and Dawn Luebbe pull off triple duty as stars, writers, directors, the Tim and Eric of this placid, candy-coated nightmare. Comedies of this head-scratching and disgusting variety often fall under the direction of men, and they re normally repulsive to look at and listen to from the top down. That s their, uh, charm. But DeBoer and Luebbe use a more fanciful touch: The sets are carefully arranged and presented, the colors pop, and there isn t really the threat of imminent violence which of course makes this demonic comedy of manners all the more pressurized and chaotic.  Alex VoAvailable on: Amazon, Google Play, iTunes, VuduHer Smell (2018) 84%I love Alex Ross Perry movies, but I’ve never been sure whether or not the writer-director has much love for people. Gifted at writing memorably vicious put-downs and mining agonizing tension from passive aggression, the indie filmmaker has made a name for himself with caustic chamber pieces about acerbic characters who are confronted by their own narcissism, only to emerge from the tumult even more misanthropic than before. Not so with Her Smell, the enfant terrible’s most redemptive film yet. Elisabeth Moss stars as tempestuous rocker Becky Something, whose abuse of her body and all of those within her proximity blazes a steady march towards self-immolation in the film’s first half. The slow-motion train wreck gives way to shaky optimism as Becky slowly rebuilds her life, haunted by past mistakes. This marks the director and star’s third collaboration, and Moss is astonishing as a musical dynamo who is too enthralled by the demons raging inside her mind to ever consider the damage she is wreaking upon colleagues and family. Her Smell is not just a vehicle for one of this generation’s greatest actresses, however; the ensemble is rich with some of the year’s best performances, from Agyness Deyn as a bandmate at the end of her rope to Eric Stoltz’s indefatigably patient manager. Perry’s evident affection for punk rock also infuses the set-pieces which are almost exclusively confined to green rooms and recording studios with an anarchic energy. Her Smell is an exhausting and rewarding testament to Moss’ power as a performer and evidence that Perry may be developing a soft spot for people after all.   Rob FowlerAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduHigh Life (2018) 82%The last few years, we have been gifted with a glut of space films that have taken great pains to explore the way humans love and find meaning in the galaxy, but none will disgust and mystify you the way that Claire Denis’ High Life will. Anchored by an arresting performance from Robert Pattinson and haunting work from Juliette Binoche, the film follows a group of prisoners sent on a space mission to explore a black hole and jumps back in forth in time filling us in on how its passengers were taken out. Denis dismisses the sleek and lavish looks of films like 2014’s Interstellar or this year’s Ad Astra in favor of a minimalist design, and unlike those films, High Life chooses to retain its focus inward on the existential dread that pervades those aboard. In space, no one can hear you cry? Denis explores what really lies underneath the surface of human nature with poetic rigor. High Life is angry. It’s ugly. But it’s beautiful and even hopeful. You will see nothing else like this, and its hypnotic allure will draw you in and never let go.   Daisy GonzalezAvailable on: Amazon Prime, FandangoNOW, Google Play, iTunes, VuduThe Last Black Man in San Francisco (2019) 92%Change is inevitable, but that doesn’t make it any easier to swallow. The Last Black Man in San Francisco deftly captures the uncomfortable truths of change, both environmental and internal. The story follows Jimmie (Jimmie Fails) and his best friend Mont (Jonathan Majors) as they attempt to save the most precious thing in San Francisco: the house Jimmie’s grandfather built with his own two hands, now unlovingly left to rot by its new owners. Though his methods are not always… by the book, Jimmie is determined to do whatever he can to ensure the home of his dreams and the dreams of his forefathers aren t lost to the endlessly hungry monster that is gentrification. It’s a story of love and devotion, obsession and mythology, and above all, how difficult and disorienting change can be. It’s a familiar message to many living in quickly changing metropolitan areas: As money moves in, places once sacred are quickly consumed and repurposed for the new tenants. The Last Black Man in San Francisco explores the feeling of that change with poise, beauty, and of course, a lot of heartache. Visually, the film is stunning; shots are composed like paintings, with rich light bouncing off of deep saturation to create tableaus that look like oil paintings come to life. Fails and Majors’ easy chemistry and charming idiosyncrasies make it easy to root for them, even when they make questionable choices, while Rob Richert and Joe Talbot’s script gives them plenty to play with and surrounds them with an equally compelling cast of characters. But more than anything, The Last Black Man in San Francisco captures the beauty and suffering that is watching something you love die and become something entirely new, for better or worse. Haña Lucero-ColinAvailable on: Amazon Prime, FandangoNOW, Google Play, iTunes, VuduLittle Woods (2018) 95%Enjoying debut films tends to be an exercise in forgiveness.  They re made with limited resources, yet are under tremendous pressure to strive for perfection. They need to stand out long after the festival buzz has died down and hopefully become a career stepping stone for the filmmaker. As far as premiere films go, Little Woods definitely has a leg up, with stars Tessa Thompson, Lily James, and Lance Reddick.  However, the film ends up being a showcase for filmmaker and native New Yorker Nia DaCosta s poised voice as she puts forth a tense, emotionally honest look at what it means to be a woman living in rural poverty. Little Woods sometimes brushes up against romanticizing said poverty. The grit, rust, and long stretches of road at times feel poetic, rather than a harsh reality, but that s almost unavoidable with DaCosta s use of the gorgeous scenery that surrounds the film. The environment is a constant reminder that just outside of truck stops, fracking sites, and homeless encampments are natural riches the characters are rarely able to enjoy. Like Frozen River and Winter s Bone, these wide open spaces are both awe-inspiring and threatening. Tessa Thompson s Ollie and Lily James Deb are facing homelessness and an unwanted pregnancy unless Ollie manages to make some quick cash smuggling prescription pills across the Canadian border. However, Ollie is still on probation from a previous drug-running charge. Part heist and part rural noir, the film is still, at its core, an evocative, moving, family drama. If all this doesn t make you want to see Little Woods, maybe this will: DaCosta s been tapped to direct the upcoming Candyman reboot produced by Jordan Peele. Sara AtaiiyanAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduLuce (2019) 90%In 2018, director Julius Onah gave us The Cloverfield Paradox, which came in at 19% on the Tomatometer; in 2019, he released Luce, which stunned at Sundance and went on to land at a Certified Fresh 93% – and just happens to be one of my favorite films of the year. Talk about a turnaround. Luce did well enough at the specialty box office when it was released in September, and has earned three Independent Spirit Award nominations – for Onah, for Kelvin Harrison Jr., who plays the titular overachieving high school student, and for Octavia Spencer, who plays the teacher who sees something off in him. Yet it confounds me that this complex drama (almost a thriller, in some ways) isn’t lighting up awards seasons and top 10 lists. Based on a play by J.C. Lee, who also wrote the screenplay, the story centers on teenaged Luce, a star athlete and student, who was adopted as a young child after spending his early years in war-torn Eritrea; when his teacher brings a troubling essay he’s written to the attention of his adoptive parents (a harrowed and perfectly cast Tim Roth and Naomi Watts), they’re forced to wonder if their son is as perfect – and level-headed – as he seems. It’s the kind of set-up that could get silly if overplayed by any of the actors or oversteered by the director, but the work here is subtle, the audience left to guess at the truth and various motivations. Harrison Jr., who many will have seen in Waves this year, is great as the terrify-er/charmer at the movie’s center, and Octavia Spencer gives one of the best supporting performances of any man or woman on screen this year as the teacher who seems to see him for what he is. Seriously: Nominate her. It’s a small story, contained, and at times it can’t shake off its stage roots, but it’s also somehow big and bold and about everything happening in America right now. Onah didn’t need to go to space to make his mark – he found liftoff in a drab suburban high school.  Joel MearesAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduThe Nightingale (2018) 86%Jennifer Kent followed up her critically acclaimed horror film The Babadook (Certified Fresh at 98%) with this war story set in 1825 colonial Australia. Aisling Franciosi (Game of Thrones) plays Clare, an abused convict who has served out her seven-year sentence and is desperate to be free of her overseer, Lieutenant Hawkins (Sam Claflin) of the British military. When her husband Aidan (Michael Sheasby) retaliates for Hawkins refusal to release Clare, Hawkins and his men commit atrocities against her and her small family. Left for dead, Clare then finds herself on the road to vengeance, chasing the lieutenant and his men north, where Hawkins hopes to secure a promotion. Clare faces more brutalities along the road, with Aboriginal tracker Billy (Baykali Ganambarr) as the reluctant guide and unwilling protector of the traumatized and hostile young woman. A limited release in the States, the harrowing film was nominated for the Golden Lion at the Venice Film Festival, won several festival and critics awards, and took six Australian Academy of Cinema and Television Arts awards, including best film, screenplay, direction, lead actress, supporting actress, and casting. The Nightingale is also Certified Fresh at 87% on the Tomatometer with 220 reviews. “Jennifer Kent s The Nightingale is a film that bruises the soul,” wrote critic Clarisse Loughrey of the UK’s Independent. “One of the most powerful films yet seen about the country s colonial foundation and the cruelties that were an indelible part of it,” Sydney Morning Herald critic Sandra Hall wrote. Rolling Stone’s Pete Travers praised Franciosi: In Jennifer Kent s pulverizing revenge tale, Aisling Franciosi delivers a tour de force as an Australian woman determined to put a stake through the heart of toxic masculinity. You won t know what hit you.  Debbie DayAvailable on: Amazon, Google Play, iTunes, VuduEsto no es Berlín (2019) 82%Director Hari Sama’s This is Not Berlin is a coming-of-age story through the lens of 1980s Mexico City’s underground arts scene. It follows 17-year-old Carlos (Xabiani Ponce de León) as he falls in love with punk music, discovers drugs, explores his sexuality, shaves himself an undercut, sheds his shame, and challenges the world around him. When the film begins, Carlos is quiet, the least inclined of his classmates to engage in violent brawls, despite the fact that his masculinity appears to depend on it. When he discovers a space filled with eyeliner and protest art, he’s all-in. And the rest of the film sees him navigating his place in that space, where his talents as an engineer can be leveraged to amplify his voice. Carlos’ transformation is beautiful, and Sama’s direction places us right there with him through every peak and valley. This is Not Berlin paints a gritty, deeply felt portrait of teenage angst — the pressures, the temptations, the desire to be understood and heard by the world.   Sophie-Marie PrimeAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduVillains (2019) 85%Writer-directors Dan Berk and Robert Olsen s darkly comedic third feature is exactly the kind of oddball treat I tend to seek out when I m exhausted from heavy Oscar contenders and numb from blockbuster pyrotechnics. It s a fairly contained cat-and-mouse game of a thriller that makes the most of its dedicated cast, who all get individual moments to shine and look like they re having a blast with their characters. The setup isn t especially revolutionary: Petty criminals Mickey and Jules (Bill Skarsgård and Maika Monroe from It and It Follows  no relation) break into what looks like an ordinary house in search of a getaway vehicle, only to be confronted by the homeowners, George and Gloria (Jeffrey Donovan and Kyra Sedgwick), a disturbed married couple who just happen to have a young girl chained up in their basement. The tables quickly turn, before they turn again, and then again, but the moments in between are populated by off-kilter humor and little touches that almost  almost make you root for everyone involved, particularly thanks to a quartet of no-holds-barred performances. It s not the most subversive thriller, nor is it without a handful of predictable moments, but it s just weird enough, funny enough, and vicious enough to scratch multiple itches for me. Plus, Jeffrey Donovan s George, with his lazy drawl and mannered affectations, is the most charming psychopath this side of Ted Bundy, and he is just so much fun to watch. Ryan FujitaniAvailable on: Amazon, FandangoNOW, Google Play, iTunes, VuduLike this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.Thumbnail image: LD Entertainment, IFC Films, A24

3. 激战团竞模式
散人冰雪服手游等级:7.42021-04-07154.3MB简体中文下载推荐理由:散人冰雪服手游是一款可以享受到高爆率的复古传奇手游,玩家可以自由的选择自己的职业的等级战斗力发展,超多的装备可以自由的进行选择,享受到冰雪服轻松赚钱的玩法收益,玩家可以与自己的兄弟享受到更加爽快的游戏爆装体验,简单的散人职业多种技能可以自由的进行搭配,喜欢散人冰雪服手游的玩家快来下载吧!

4. 呼朋唤友 随心所欲
而在两周年庆期间,承载了“谁是外星人”玩法的电竞真人秀《猫鼠手游碟中谍》正式开播。这档用真人综艺模式演绎游戏玩法的节目,邀请到了人气主播和跨界嘉宾主播加盟,在这些猫鼠各大赛事的老熟人和高能综艺感的带动之下,让玩惯了1v4的老玩家感受到了游戏求变的决心,同时也通过综艺对泛用户的吸引力,为游戏带来更多外部的关注度,最终让游戏本体受益。

5. HD 画质与高品质音讯
使用強大的百度引擎2建构,提供丰富详尽的资讯、逼真的特效和广阔的HD地图,营造出惊人的战术动作游戏体验。高品质音讯和3D音效让您身心完全投入枪火轰鸣的火热战斗。

6. 团队合作
邀请您的好友共赴战场,透过队内语音商定策略,设下完美埋伏,在对手措手不及时给予迎头痛击。您可以在好友需要协助时回应其召唤,也可以为您的公会贡献一己之力。

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8.47.4 6月喜迎Uzo Aduba and Matthew Broderick will lead the cast of Netflix’s Painkiller, a six-episode series about the beginnings of the opioid crisis and specifically Purdue Pharma’s role in it. Aduba will play Edie, an investigator leading the case against Purdue, and Broderick will play Richard Sackler, the former chairman and president of Purdue. Peter Berg will direct all six episodes and serve as an executive producer, while Alex Gibney, the filmmaker of HBO’s recent similarly-themed documentary The Crime of the Century, will also be an EP. The limited series is based on author Barry Meier’s book Pain Killer: An Empire of Deceit and the Origin of America’s Opioid Epidemic and journalist Patrick Radden Keeke’s New Yorker article “The Family That Built an Empire of Pain.”Jeff Goldblum has joined the fifth season of HBO Max’s Search Party, where he’ll play Tunnel Quinn, a tech billionaire who becomes a business partner of Alia Shawkat’s Dory.Lost alum Dominic Monaghan will star in AMC’s space drama Moonhaven, playing Paul Sarno, a detective on the Moon who has the job of trying to solve Earth’s problems. The thriller, from Lodge 49 writer and producer Peter Ocko, revolves around cargo pilot and smuggler Bella Sway, who’s accused of a crime 100 years in the future and is sentenced to live in a utopian community called Moonhaven and help solve Earth’s problems before its civilization ends. (TVLine)Jerry O’Connell, who has been a guest co-host on CBS’s The Talk recently, has been hired as a permanent co-host, filling the spot vacated by Sharon Osbourne.(Photo by Leon Bennett/Getty Images)The Paramount+ limited series The Offer, about the making of The Godfather, has added to its cast, as the production began this week in Los Angeles. Grey’s Anatomy alum Justin Chambers (pictured) has signed on to play Marlon Brando, while Lou Ferrigno will play Lenny Montana, the actor who portrayed Luca Brasi in The Godfather, and The Sopranos’ alum Michael Rispoli will play New York mobster Tommy Lucchese. The rest of the cast includes Miles Teller as producer Al Ruddy, Matthew Goode as famed producer Robert Evans, Colin Hanks as Barry Lapidus (the head of Gulf Western, which owned Paramount at the time), Dan Fogler as Francis Ford Coppola, Juno Temple as Ruddy’s assistant Bettye McCartt, Giovanni Ribisi as mob boss Joe Colombo, Frank John Hughes as Frank Sinatra, and Patrick Gallo as Mario Puzo, the author of The Godfather novel.Both John Lithgow and Jennifer Carpenter, whose characters didn’t make it out of the original Dexter series alive, will reprise their characters in Showtime’s upcoming limited sequel series. Presumably in flashbacks, unless Dexter (Michael C. Hall) has gotten up to some supernatural shenanigans after his lumberjack days. Oscar nominee Sally Hawkins (The Shape of Water) and The Late, Late Show host James Corden will co-star in the Amazon limited dramedy series Mammals, about the relationship of a married couple. The series is written by Jez Butterworth (Flag Day), and reunites Hawkins and Corden, who starred in a spoof of The Shape of Water during her guest appearance on his CBS late-night show.DJ Kahled is replacing Snoop Dogg as a judge on season 2 of TBS’ competition series Go-Big Show. Comedian Cristela Alonzo will host The WB’s remake of Legends of the Hidden Temple, which premieres on Oct. 10. Nicole Ari Parker, Sarita Choudhury, and Karen Pittman have joined the cast of HBO Max’s Sex and the City prequel series And Just Like That, playing a documentary filmmaker named Lisa Todd Wexley (Parker); real estate broker Seema Patel (Choudhury); and Dr. Nya Wallace, a Columbia Law School professor (Pittman). Zach Braff has joined the cast of the HBO Max sci-fi romantic comedy movie Moonshot. The Scrubs alum (and Emmy nominee for directing a Season 1 episode of Ted Lasso) woll play an “entrepreneur and visionary” who colonizes Mars. Lana Condor, Cole Sprouse, Mason Gooding, Emily Rudd, and Lukas Gage also star. (THR)
随着手游在游戏行业的异军突起,越来越多人开始从事手游行业,手游代理也是逐渐的热门,再加上现在行业的不断发展,让很多人在无经验的情况下都可以操作这个项目,但正是因为手游代理要求的降低,不少人在做手游代理过程中经常会忽视一些重要的点。
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英雄联盟作为最有影响力的电子竞技游戏之一,《英雄联盟手游》无疑让很多玩家都很期待。虽然经历了一次跳票,但是好在《英雄联盟手游》国服终于正式可以游玩了,不过错过了国庆假期上线还是有些可惜。
合成大西瓜合个球是一款非常好玩的休闲益智手游,合成大西瓜合个球有着非常精致的游戏画面,游戏玩法也非常的有趣,通过不断的合成,让小球变成一个巨大的球,游戏过程非得的休闲愉快,更有多种关卡等着你来挑战。
hip.”“The relationship [between Ellie and Carl] was drawn largely from both Bob Peterson s relationship with his wife and my own relationship. There s high points and low points, difficulties and successes, and so we really wanted to portray the full wide breadth of that relationship. [There were] two relationships in particular that we focused on. Marc Davis was one of Disney s nine old men. He and Alice have a sort of fabled marriage and getting to know them was amazing. We got to visit their studio and talk about a little bit of their life together. And, actually, the two of them traveled to Papua, New Guinea. They went on these fantastic adventures as well as both being artists. So they were a great inspiration. [The other relationship was that of] Joe Grant, who was a guy that was head of story basically on Dumbo. He developed Fantasia, all these amazing films, was second in position down with Walt Disney in the 30s and 40s. And I got to know him late in his life as well and he had a wonderful relationship with his wife. So just looking around us at all these great role models and people, you realize, OK, nobody s perfect. Everybody has their bumps. I think that s what makes the sequence feel a little bit more real for people.”Pete Docter says he knew Carl had to have a reason to go on his adventure. (Photo by ©Walt Disney Co./courtesy Everett Collection)THE MOMENT: Carl and EllieOver the last three decades, the animator-tormenters at Pixar have been jerking the tears from our eyes with precision. Think of Jessie s When Somebody Loved Me sequence from Toy Story 2, or the moment Bing Bong fades away in Inside Out. Or the final moments of Toy Story 3. Or any of the other dozens of times the studio has turned on our waterworks. Chief among these moving moments is the opening sequence of Up, which sees Carl and Ellie meet cute as roughhousing kids, then court, marry, and persevere through some very dark times, ultimately living out a happy life until eventually Ellie dies, leaving Carl alone. It s beautiful and wrenching stuff, and goes to places few expect a family movie to go (at one point, we see the couple visit a doctor and learn that they cannot have children). Docter says the sequence underwent a number of changes before taking its final form. An original slapstick-style approach was ditched, as was most of the dialogue, and the filmmakers debated just how far they could push their audience when it came to the darker side of life.Ellie and Carl meet as kids at the beginning of the sequence. (Photo by ©Walt Disney Co./courtesy Everett Collection)“[Originally] Carl was, in the very first bit, trying to catch a bird and Ellie came to the bird s defense and punched him. Now Carl was out for revenge.”“The first draft of this was showing how their relationship [started]. So we introduced the characters to each other. We saw them as kids when they first saw each other. And it became kind of a battle. In fact, Carl was, in the very first bit, trying to catch a bird and Ellie came to the bird s defense and punched him. So now Carl was out for revenge. It became a back-and-forth of punching contests in the most unlikely places; in the middle of a Christmas pageant or taking the trash out. These very innocent scenes – the characters would surprise each other and punch each other. We thought it was hilarious, but [then] we showed it to the audience – we do a screening here at Pixar as we re making the films, we screen them about every three months – and it just kind of went over like a lead balloon. Nobody really laughed. So we thought, Well, this has to be shorter anyway because it s taking too long to get to the main action of our film. As it turned out that sequence really reduced down to about four-and-a-half minutes. It’s really not too long but it also becomes the emotional bedrock on which the rest of the film relies to move forward.”“Ronnie del Carmen, who was our head of story, came to me and said, ‘I think this would work better with no dialogue.’”“That sequence started fully scripted. We wrote multiple short little scenes where they were finishing each other s sentences and discussing stuff. Then as we started to storyboard it, Ronnie del Carmen, who was our head of story, came to me and said, ‘I think this would work better with no dialogue.’ And I said, ‘No, I think you re wrong. I think we should continue with the direction we set.’ But he eventually talked me into it and boy, the further we went We initially had sound effects and we took those out. We basically stripped it down just to music. My theory is, and it’s a somewhat crackpot theory probably, but I grew up watching Super 8 films that my parents had taken of all of us, and there s something about stripping away some element that makes it more emotional. Similarly, I have some audio cassettes that my parents recorded of us when we were kids and you can t see but you can hear. Something about having something lacking makes the audience have to fill in. They have to be an active participant and get involved in a way.”Ellie and Carl as their relationship progresses in the opening sequence. (Photo by ©Walt Disney Co./courtesy Everett Collection)“The pain and loss of that situation bonded those characters together and made you empathize more with them.”“There s one moment in that montage where Ellie has to go to the doctor and it s sort of implied that they can t have children for whatever reason. We didn t spell it out because we didn t feel like that was necessary. That raised some eyebrows even here at work as we were developing the film. Someone – it was an anonymous person – it must have hit too close to home and [they] got very upset. So, we did experiment with taking it out. And we thought, Well, maybe [the sequence] could still work [without it] because there s some really charming stuff. But the strange thing was, not only did we not feel the emotion as strongly in that one little sequence, but as we watched the rest of the film the whole film lost a little bit. I can t really fully explain that other than to say it was a real dark, low moment for them that I think made that relationship feel more real. The sort of pain and loss of that situation bonded those characters together and made you empathize more with them.”THE IMPACT: Life s Complexities, DistilledThe accolades came quickly for Up. The movie became at the time only the second animated movie ever to be nominated for Best Picture at the Academy Awards (it would take home Best Animated Feature, as well as Best Original Score for Michael Giacchino, whose composition, Married Life, is so key to the success of the opening sequence). Just as quickly, it entered the canon of Pixar greats, right alongside Finding Nemo, Toy Story, Wall-E, and the rest. But for Docter, the real lasting legacy of Up is felt in the form of letters and fan interactions, not shiny awards, when he sees first-hand how the moving moment that he helped create has affected and helped others.“She said it was very cathartic and that she felt as though she got to spend some time with her husband in a weird way.”“When we start out making these films, we re just trying to make something funny and entertaining and hopefully with a bit of heart and emotion to it. But they sometimes really tap into people s own lives in ways that are completely unexpected. There was a woman who wrote to me who said her husband had just died and so she went to the film just needing a break from life to get away from the sorrow. As I m reading the letter I m thinking, ‘Oh no’ – the wife dies and so it s mirroring her own life experience. But in the long run she said it was very cathartic and that she kind of felt as though she got to spend some time with her husband in a weird way. Even though this is a bunch of pixels on the screen and none of it actually exists. Part of what I really love [about] making animated films is that none of it exists. It s all a big trick. And yet when done well we can really make the audience care about these characters, believe in them as though they re real people.”Pete Docter at the Los Angeles premiere of Up in 2009. (Photo by Michael Germana/Everett Collection)“These films are dress rehearsals for life for a lot of people.”“These films in a way are dress rehearsals for life for a lot of people. I know when kids play house or cars or whatever, they re kind of acting out what they re looking [at] around them. They re kind of trying this suit on, and I think films are a little bit the same way. It s a way of understanding the world. We’ve had a lot of people respond, both on Up and especially on Inside Out, talking about how their autistic children really use these films in very significant ways to understand emotion, to understand interaction, relationships. I think because you can watch it over and over. This is something animation does; we try to distill down all the complexity and nuance and messiness into something clean and easy to see. It s like a caricature. In three lines, Al Hirschfeld would do these amazing caricatures of people that looked more like them than their own face did. That’s what we re striving to do with animation: to take all the messiness of life and make it more pure and easy to understand.”Up was released on May 29, 2009. Buy or rent it at FandangNOW.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.
Hans Zimmer is one of just a handful of working movie music composers who can genuinely be called a household name. And no wonder: German-born Zimmer created the memorable scores for movies like Gladiator, The Dark Knight, and – Bwoaaaah! – Inception. Perhaps most famously, he composed the music for Disney s The Lion King, which was the first animated feature he had worked on (he would go on to compose scores for The Prince of Egypt, Madagascar, and more). Working closely with Lebo M., the South African artist whose voice many will know from the The Lion King s iconic opening chant, Zimmer created music for the Disney classic that terrified us as wildebeest stampeded through a canyon and moved us as a young lion stared at his own reflection and discovered a king staring back at him. It also nabbed him his first, and so far only, Academy Award. Zimmer recently returned to the story of Simba, Mufasa, Nala, and the rest of the Pride Lands characters for Jon Favreau s new take on The Lion King. Here Zimmer reveals what drew him back to the story, why he hesitated at first, and what s changed in the 25 years since the animated film s release.Joel Meares for Rotten Tomatoes: Someone I saw this movie with turned to me at the beginning and said, If I don t cry during the stampede, it will mean Hans hasn t done his job.” When I saw her at the end, she was bawling. So, I wanted to know how did you approach that particular scene the second time around?Hans Zimmer: Cautiously. If you think that was a dangerous comment, my oldest daughter who I d written the original movie s [music] for in the first place 25 years ago, she was still saying to me, Dad, you better not make a mess of this one. All the themes that I wrote all those years ago – I didn t know how to do animation [at the time] – so all the themes are slightly too epic and slightly too big, and they needed that little bit more space and that little bit more breath to really resonate. I mean, especially the stampede and its aftermath, I can t even put into words, you know, the benefit from having more space. More breathing room. More chance to battle. More chance to focus on the protagonist. More chance to focusing on the story.(Photo by ©Buena Vista Pictures/Courtesy Everett Collection)Rotten Tomatoes: You said that your daughter said, Don t make of a mess of it. Did you yourself have any personal hesitation about coming back to a project that you haven t worked on for a very long time and that was so beloved – and was kind of perfect already?Zimmer: Well, “kind of perfect,” I never think about things like that. But “loved,” yes. I had a very short conversation with Jon [Favreau], which basically went him saying, Come down, let me show you something. And that was 100 percent committing. I went down. He put me in a black room, showed me [footage of the film’s opening]. It completely and utterly surprised me and moved me, even though I sort of knew what to expect. And we look at it differently than we looked at it 25 years ago. I mean, we truly do. I ve spent now quite a bit of time working with Sir David Attenborough. So partly, I was looking at it from the sense of where s the world heading? It felt like I was on a slightly different mission. It was, even if the story is the same, the world has changed, so the meaning of the story has changed.Rotten Tomatoes: In terms of what was practically involved with producing the score, how did you approach it differently from the first time? Zimmer: In the last 30 years… Usually, I never leave a dark windowless room, but eventually I did, and eventually I got onto a stage, and eventually I – despite stage fright – I started playing things live. And I did Lion King at the Coachella festival, and performing it, and watching the reaction of an audience and performing it, it was like these amazing musicians that I now have access to, made me realize that this isn t a normal film score. We can do this as a performance. In a normal film score, the orchestra or the players never know why they are playing the notes, because they don t know the story. Everybody knew the story [this time]. So I managed to get a commitment that was just extraordinary, and the performance, and I made it all about the performance. I think for a movie that relies that much on technology, there s a sense of improvisation and a sense of performance in this movie, far more than the original one. And a sense of humanity in the story. Everything is slightly paradox, but I think that s what gives it its great strength.(Photo by Courtesy Everett Collection)Rotten Tomatoes: And so you performed everything on the score live with an orchestra?Zimmer: Yeah. I mean, I said to Jon and everybody at Disney, Can I do this? Can I try this experiment?” You know, I had 102 people in the room. We re just going to rehearse. We re just really going to get it under our fingers, and then we re just going to go and do the whole movie for a couple of days. And don t worry about wrong notes. Next time around, we ll probably figure it out. It truly was exciting. And that s what I was trying to do, is get the authenticity of really hearing the musicians.Rotten Tomatoes: When you originally wrote the music for the stampede scene, the track To Die For in the original and new score, were you drawing from compositions or scores that you had heard before? What inspired the musical moment there?Zimmer: Not really. I mean, I ll tell you what I did draw from. It s just my childhood memories of listening to Mozart. It s like I was always slightly worried about this idea that as a German, you re sort of pillaging the culture of Africa. So one of the things I did on the first one, and I ve before with Lebo M., it s like I kept saying, I m a German, so I m going to write with a German accent, just the way we re speaking now. And let me go and take this into Africa and give it to Africa, and let them just respond with their culture, and see what happens where the two cultures collide, if another new thing can come out of it. So I think that s really part of the strength of the score.(Photo by © Walt Disney Studios Motion Pictures)Rotten Tomatoes: What was it like to work with Lebo M. again on the score? Had you worked together much in the intervening years?Zimmer: Yes. We had worked on a couple of movies nobody went to see (, and we did touring together. Africa s always been important to this world, and at the same time, it s like it needs more respect. It needs more love. And Lebo s been touring with me, so we have been doing Lion King, bits and pieces of it live. Yes, we ve been comrades in arms for a long time, you know? And he s been sort of the guardian of the musical. Because he s really great at casting this thing. That sort of stuff. He s been looking after our legacy in a much more profound way than I have.So, your daughter: Has she seen the film? Did she say whether you screwed it up?Zimmer: No, but there is something which has puzzled everybody at Disney. They let me have a lot of tickets for the London premiere, and I sent them all back, and I said, I only want two tickets, because I want it to be a father-daughter date.  I hope she s still going to be speaking to me afterwards. Simple as that. But it s just going to be the two of us.Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week.The Lion King is in theaters July 19.
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8.7
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游戏时长 4.8小时

Ghcxuf Once Upon a Time in Hollywood, Quentin Tarantino s ninth film (if you count the Kill Bill movies as one), just earned him his highest opening-weekend box office, so it s safe to say mainstream audiences were primed and ready for another of the maverick director s stylized adventures. Currently sitting Certified Fresh at 84% on the Tomatometer, the rambling tour through the Los Angeles of 1969 ranks just below Django Unchained in Tarantino s filmography, marking only the latest critical hit in a career full of them.But what did average moviegoers think of the movie? Once Upon a Time currently holds an Audience Score of 72%, which ties 2007 s Death Proof as the lowest of any of his films. Is 72% a bad score? Not by any means, but considering Tarantino s reputation as a filmmaker, it indicates a certain level of dissatisfaction not commonly associated with his movies. With that in mind, we decided to take a peek at the user reviews to get a broader sense of how the moviegoing public at large responded to the film and suss out what might have brought that Audience Score down just a touch more than we expected. Check out the user reviews of Once Upon a Time in Hollywood and let us know what you thought of the film, and these reviews, in the comments. (Note, some of the reviews have been slightly edited for length and grammar/spelling.)(Photo by Andrew Cooper / © Columbia Pictures)How does this compare to Tarantino s previous work?Not Tarantino s best. Sean W C, 2.5 starsThis is for the hardcore Tarantino fan. Good, but not mind-blowing.. Sean B, 3 starsIt was just OK. The most un-Tarantino movie he s made. Stephen M, 3 starsTarantino never ceases to make a masterpiece time and time again. The cinematics were pleasing, classic, and very on brand  If you are a fan of good visuals, excellent acting, and a compelling storyline with Tarantino s classic touches as the cherry on top, then this is the movie to see.– Zada, 5 StarsWhat a wild ride. The first two hours are definitely a different take from Tarantino, very different from his usual stuff. But the last 40-or-so minutes are unmistakably Tarantino in full. Kyle, 5 starsI really enjoyed the movie. It was a bit different from Quentin’s other movies, but nonetheless the cast pulled it off. The movie kept me wondering, and then I really got to see what the tale was, and was immediately hooked and impressed. It’s safe to say Tarantino hasn’t lost his touch. I would like to watch it again. Jay A, 5 stars(Photo by Andrew Cooper / © Columbia Pictures)How is the pacing and plot?Terrible movie no plot, no entertainment value, just three hours of pointless dialogue. Wow, I don’t know how people enjoy this crap. Literally nothing happened until the last 20 minutes! Nothing! Do not see this movie!!! Matthew K, 0.5 starsNot his best work. Meandering and pointless. Very disappointing. David S,  2 starsThere really is not any character development or a main driving plot in the film. I would closely relate it to Pulp Fiction, in that it’s more of a series of random but loosely collected clips. A lot of people left the theater asking, “What was the point of this ?” I think the film would be more enjoyable at home when there is time to burn; there’s just too much dead time that could’ve been removed and made this movie ~1.5 hours shorter.  Daves_Ratings,  2 starsA little long. Could have cut out about 1/3 of the movie. Stephen M, 3 starsThis movie, to me, is a triumph. Although devoid of a clear plot/narrative, Tarantino crafts the dialogue and characters in ways which make it fun to watch. And although the second act tends to drag at times, the overall story is a blast to watch, along with incredibly written characters acted perfectly (especially DiCaprio and Pitt). Also, the incredibly entertaining first two hours and 15 minutes lead into what may be my favorite scene in a movie this year. David A, 4.5 starsI love Tarantino s attention to detail, nuance and creativity. The camera tells a story in every scene. If you like fast food more than well-marinated, slow-cooked steak, then this might not appeal to you. CO Critic, 5 stars(Photo by Andrew Cooper / © Columbia Pictures)What about the cast?The stars carried it. Steven B, 2.5 starsI enjoyed the movie, but it wasn t one of Tarantino s best. Great acting. Great camera work. Great sound track. But it didn t have the energy of Pulp Fiction or Kill Bill 1 and 2. Maybe I just expected too much. Gene, 3 starsMovie was enjoyable fun and Leo and Brad were electric together. Gina, 3.5 starsDamn fine filmmaking! I want a Rick Dalton movie, stat! Damien C, 4.5 starsA wonderful, meandering road with superb acting performances by both DiCaprio and Pitt that eventually leads us to one hell of an ending. If you re a Tarantino fan, or a fan of any of these actors, you should love this movie. Mike M, 5 starsDiCaprio Delivers yet Again. One of the best ensemble pieces in years. Brad Pitt was phenomenal and nuanced. Will see again. Siskel No Ebert, 5 stars(Photo by Andrew Cooper / © Columbia Pictures)And the historical context?Do some research before watching. A big overarching plot point in the film (which I didn’t know going in) is centered on a famous cult murder from the 1960-70 period. Daves_Ratings, 2 starsA good story, but it lacks most of the thrill and suspense often found in his films. The difference with this one is that it explores Hollywood as a past and present establishment more than creating specific stories with protagonists who set out to achieve clearly defined goals. Mark, 3.5 starsLoved the 60s eye candy from small, well-curated objects like Aqua Net hairspray and the ode to 60s neon signs  All in all, a wonderful stroll down memory lane (my era) by a director who has a unique personal style. Amy, 3.5 starsRecreation of the era and the story, cast, and characters will make you want to see this one again. Thomas, 5 stars(Photo by @ Columbia Pictures)What about that ending?The last 15 minutes were good. Too drawn out. Barry M, 2 starsI found the movie boring. The end was way too violent and weird. Very weird. Some people walked out early, and some people applauded the ending. It’s just a matter of personal taste, I guess. Donna W, 2.5 starsThe ending was a little disappointing and actually had some humor in it. Gina, 3.5 starsI don t want to spoil anything, but I was not expecting the ending at all. Zada, 5 stars(Photo by Andrew Cooper / © Columbia Pictures)Any final thoughts?I feel misled about this movie; it s Helter Skelter revisited. I do not think that I would have gone to see this movie if I would have known. Ray B, 3 starsThis movie is so much fun! Don t miss it. Tarantino, DiCaprio, and Pitt knock it out of the park. They will both get Oscar nods, well deserved. Can t wait to see it again and again. Warren W, 4.5 starsCheck out all of the user reviews for Once Upon a Time in Hollywood. Like this? Subscribe to our newsletter and get more features, news, and guides in your inbox every week. 😈😈

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(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Critics and fans alike are loving Avengers: Endgame. The movie is Certified Fresh at 95% and made a cool .2 billion at the global box office in its first weekend. It could very well turn out to be the biggest movie ever – and one of the most beloved. The key to its success? Critics say it s all about giving the MCU s loyal fans what they want. Eric Eisenberg of Cinema Blend was typical in his assessment, calling Endgame,  A wonderful gift to all those who have spent the last decade-plus emotionally engaging with the lives and adventures of these characters.” It s stacked with f k yeah moments and delights, the best of which make callbacks to early films in the franchise.And one of those movies is more important than any other.So, hear us out: Endgame owes much of its success to that under-sung hero of the MCU, Avengers: Age of Ultron. While one of the least popular entries in the MCU, and the lowest-rated Avengers flick on the Tomatometer at 75% (which is still not bad!), Ultron deserves credit as the foundation on which the entire second half of the MCU was built. And we re about to make a spoiler-filled case as to why, breaking down the story beats and relationships that Ultron established and that Endgame would use to such great effect – so be warned if you ve not seen Endgame, Ultron, or both.Major spoilers for Avengers: Endgame follow. Hulk Taking Control of Both Sides? It Started With Ultron.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Around the time of Age of Ultron, there was still hope at Marvel that they would be able to make a deal for the Hulk and start a string of Hulk-only movies. Universal still owned the rights to the character for all standalone films, but behind the scenes, there were talks. When it became clear that a deal was not going to be forthcoming, Marvel spread the planned events for a standalone Hulk film throughout Avengers: Age of Ultron, Thor: Ragnarok, and the Infinity War two-parter. That’s right, the seeds of the fantastic Hipster Hulk payoff in Endgame were first sewn in Ultron. Think back to the Hulk/Banner in Ultron; he’s held back from the team at times to make sure he doesn’t do too much damage. Then, after a wave of the finger from Scarlet Witch, he wreaks havoc. Throughout Ultron, Banner is always questioning whether the team needs a ‘code green.’ He knows the Hulk s a powerful weapon, but he s terrified that he s not in control. By Endgame, we ve finally seen the complete character arc from this struggle in Ultron, to the Hulk completely taking over in Thor: Ragnarok, to Banner s inability to summon the green guy in Avengers: Infinity War, to the eventual blend of the Hulk s might and Bruce s mind in the new movie. (The latest incarnation is a play on a storyline that first appeared in The Incredible Hulk #377, in which Banner finally has control of both the monster and his mind – adding hipster glasses with a huge cardigan is just a lovely bonus.)The Start of a Beautiful and Pivotal Relationship: Wanda and Vision, a.k.a. WandaVision.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)The WandaVision relationship, as well as their powers, would become crucial to the MCU and especially to the Infinity Saga. It is also central to two of the saga s biggest moments: it s Vision s death in Infinity War that breaks our hearts, and it s Wanda s moment of revenge and power in Endgame that gives us such great feels. And that all started with Ultron. From her first encounter with Vision in Age of Ultron, Wanda is drawn to his mind; even when we still didn t know if he was good or evil, her first words about him were, “I can read him… his mind. Ultron introduces Wanda and her brother to his creation in the final stages of completion and even before his birth, Vision s mind called out to her. Talk about a meet-cute.When we finally learn Thanos master plan to gather all the Infinity Stones, we realize quickly that Vision will be in danger. The Mind Stone is the origin of his powers – it s literally fused to his head using whatever tech stuff Shuri was talking about in Infinity War. That connection sets up what might be the Infinity Saga s ultimate and most painful sacrifice: Killing Vision in Infinity War as a last-ditch effort to thwart Thanos turns out to be a pointless and heartbreaking effort – with a twist of the Infinity Gauntlet, it is all undone. We watched them fall in love, beginning in Ultron, and witnessed their tragic end in Infinity War. When she appears in Endgame, summoning her powers in fury, it s a completely satisfying bookend to everything Ultron began.Who is worthy? THE PERFECT SETUP FOR CAP S BIG HAMMER MOMENT.In one of the best scenes in Age of Ultron, the Avengers pal around with a few drinks at an afterparty. What is played as an entertaining comedic break, with the various members trying to lift Thor’s hammer, Mjölnir, actually sets up one of the biggest moments of Endgame. Iron Man, War Machine, Hawkeye, and – comically – Bruce Banner all try to lift the hammer and prove themselves worthy. None are successful, but for one brief moment, Captain America tugs at Mjölnir, and it quivers. The movement wipes a confident smirk off Thor’s face and signals that maybe Steve Rogers could one day wield the hammer. So it’s no surprise in the finale of Endgame to see who is lifting Mjölnir. Thor even exclaims, “I knew it!” (It s actually another direct pull from the comics: Captain America is one of the few worthy enough to wield the hammer forged in the heart of a dying star – we re still getting goosebumps just thinking about it.)Clint Barton, Hawkeye, and the farm.According to Ultron director Joss Whedon, there were several creative differences between him and Marvel Studios during the filming of Age of Ultron, none more contentious than the debate over the trip to the farm to meet Clint’s family. Marvel brass were apparently not into giving Hawkeye a familial backstory – having seen Endgame, we re thankful they lost on that one. The broken, singularly focused, vigilante Ronin that Hawkeye becomes in Endgame doesn t have the same resonance if we haven t spent time with his family. (And what about that opening scene?!) The device of the farm is also used to further establish the closeness between Natasha and Hawkeye, as in Ultron we learn that she is the only one with prior knowledge of the farm and his family life. These quiet moments raise the emotional stakes of the fight we see between Clint and Natasha in Endgame, as they do battle over who will sacrifice themselves for the Soul Stone. Without the Ultron setup, those stakes would not be so high.Tony vs. Cap: A Civil War begins.Civil War may have been the first battle between the Avengers, but some early, quiet shots were fired in Ultron. The argument on the farm during which Steve scolds Tony for creating, and especially for not telling him about, Ultron, is one many will point back to as the start of their fracturing. Then there is the physical fight between Captain America and Iron Man that happens later in Ultron, while Tony tries to finish his Vision . Steve and Tony come to blows about it just before Thor harnesses lighting to finally birth Vision. The Russo brothers told us in our extended interview that the Avengers failed in Avengers: Infinity War because they were divided, and the cracks of that fatal divide first began to appear in Ultron. Even direct quotes from Age of Ultron reappear in Endgame with Tony repeating his warning, “We’ll lose – adding Steve’s reply of “We’ll lose together” is of little solace. That broken version of Tony, ripping his core from his chest, was perhaps even harder to watch than his heroic end.Tony, always trying to get ahead of things.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)It starts and stops with Tony. The whole plot of Ultron comes from one driving force: Tony’s fear of the next thing from space trying to annihilate the earth. That up there, he quips, pointing to the sky and referencing the alien invasion of New York. That s the endgame. And it was, in every sense of the word. Thanos does come to destroy the earth, and that threat is what the Avengers were created to stop. Tony, in creating Ultron, was trying to win a war before it started; during the wood cutting argument, Steve astutely reminds him, “Every time someone tries to win a war before it starts, people die.” Before the events of Ultron, Tony created Veronica just in case they ever lost control of The Hulk (or a lullaby didn’t work). The Hulkbuster back-up plan kind of worked. That drive to plan ahead, to be prepared, may have been a fatal flaw with Ultron, but it also allowed Tony to outsmart Thanos in Endgame. The glove Tony installs on his suit to steal the infinity stones is just that type of planning. He was reluctant to join the second fight and the visions of defeat he saw in Ultron still haunt him, but he was, in the end, able to use that fear to defeat their most formidable foe. It s a complete bookend to the character and his essential motivation.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)And there are so many smaller Ultron setups:Ragnarok: Heimdall first teases Ragnarok and the fact they will lose in Thor’s vision before he later heads to a cave to get more answers. Thor sees the Infinity Stones and the gauntlet for the first time. More breadcrumbs to our final battle.Avengers Assemble: The “Avengers Assemble” line that Captain America calls out in the final battle was first teased in Ultron. A near synonymous tag line for Earth’s Mightiest Heroes, it is a line comic book fans have been waiting to hear. We cut to credits before Cap could call it out in Ultron, but we finally get it in Endgame.Wakanda: In a quick scene with Ulysses Klaw, we first hear reference what would turn out to be the key destination in the highest-grossing superhero movie ever – before Endgame. Vibranium, Andy Serkis with a Wakandan tattoo, and the rest is history.(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Captain America Back With Carter: We’d have to guess it’s not a coincidence that Wanda’s visions sent Captain America back to Agent Carter and the 1940s. Throughout the series, his greatest regret is not being able to share a life with her, thus making his ending as an old man who stole time to get a life all the sweeter. Fine, I ll do it myself : We meet a winking and silent Thanos in The Avengers, and we first spy the Infinity Gauntlet in Thor’s Scarlet Witch vision. But it s not until Ultron s mid-credits stinger that we see our big baddie in full armor – voiced by Josh Brolin – snatching the gauntlet and saying, “Fine, I’ll do it myself.”(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)The Avengers Facility: A small but noteworthy moment. The Avengers get a new home. The Avengers compound is basecamp going forward.

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2022-01-24
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