亚博app手机下载

亚博app手机下载

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亚博app手机下载采用百度引擎7(Baidu 7)As more and more people are compelled to practice social distancing and encouraged to stay home, as movie theaters temporarily shutter their doors, and as studios continue to pull their scheduled 2020 films off the release calendar, we ve decided to reformat this weekly Critics Consensus column to focus on titles that are newly available on the home entertainment market. With that in mind, our list of digital new releases this week includes a trio of thrillers one about an insidious vacation destination, one about deep-sea terror, and one about a fledgling vigilante on the warpath. See below for the full list.

1. 亚博app手机下载
以上就是神途手游发布网辅助类型助战排名的介绍,希望能够给大家帮助!不了解的小伙伴们可以关注公众号:武易神途,下载试玩呀以及请评论给我们留言呀。 Parasite director Bong Joon-ho s path to Oscar glory began at the Cannes Film Festival last year. (Photo by Dominique Charriau/WireImage)At this stage, the Cannes International Film Festival has been postponed, while Venice and Toronto have yet to make any official call.The unpredictability Fear references makes it all the more challenging for freelancers to determine which films to cater their pitches to for the rest of the year.IndieWire’s Kohn echoed those concerns: “The festival usually would create buzz around a film in part because of the live event of a screening, hearing a crowd react to something, and seeing a Q A. And the kind of word-of-mouth in that very specific environment is something you can t replicate online. For certain films, it s just not going to have the same kind of impact.”At the same time, he sees online festivals as an opportunity for critics to jump on coverage for smaller movies that may have otherwise fallen under the radar at a major festival. “If you re a journalist and you re interested in writing about a movie that was supposed to have a premiere, that coverage has so much more currency than it used to,” Kohn says. “It s actually a real opportunity for people who are looking to cover films.”As President of the Chicago Film Critics Association, Tallerico has first-hand experience of making the call to cancel or delay a festival. “I actually produce a film festival in Chicago called the Chicago Critics Film Festival every May, and [this year] we had to pull the plug, of course,” Tallerico says. “Festivals feed the industry, they feed both industries, the film industry and the journalism industry. It definitely hurts that they re gone.”Today s production shutdowns will impact tomorrow s opportunities for critics and writersWhile film releases have been delayed theatrically or pushed to VOD, the television industry continues to churn out content at the moment. Physical production is universally halted, but episodes and/or seasons produced in advance of COVID-19–related shutdowns are rolling out on broadcast and streaming platforms. (Post-production continues remotely in many cases.)Several editors told us that critics well-versed in film coverage should attempt to exercise their TV-reviewing muscles for the time being. But even the TV and streaming content will slow down at some point.In addition to being an editor at RogerEbert.com, Tallerico freelances and is well-versed in television coverage. He predicts that, come summertime, the content drought will be even more deeply felt. “I think places like Netflix and Hulu and all them are going to empty the hopper and then have nothing to put in there because nothing has been produced,” Tallerico says.In short, some critics anticipate dry spells in content, depending upon how long the need for social distancing persists.Production for The CW s Riverdale was shut down in March after a crew member tested positive for the virus. Later that month, several major networks and upcoming blockbusters also halted production. (Photo by Katie Yu/The CW -- © 2020)Jean Bentley is a freelance television reporter for The Hollywood Reporter and InStyle, and former Assistant TV Editor for Rotten Tomatoes. According to Bentley, it’s “business as usual” for television reporters and critics – right now. “I have not really been impacted as much as reporters who cover film because all of those theatrical releases that have been pushed has not happened with TV,” she says.However, she predicts that, when things go back to normal, production scheduling will present major challenges to creatives who may newly be double-booked.“If someone was supposed to be shooting something now and then, say, production resumes in three months – they were already supposed to be doing something else, so now there s a conflict there that they didn t have before,” Bentley says. “I think it s going to result in more [shows] being canceled or just not picked up. Pilot season essentially got canceled and it doesn t seem like a smart proposition to me personally to do it at all, to be quite honest.”Rolling Stone’s Fear foresees similar challenges for film scheduling, as films whose production was shut down will not be finished in time for their original release deadlines. “There are going to be a bunch of holes that are going to be filled, too, because a film that was supposed to be done with its post-production in April, and then be ready for an August or November or a February slot, is not done,” Fear says.The challenge of tone when circumstances keep changingThere are also more nuanced adjustments required during a global pandemic. It’s not only that schedules are in flux and content is unpredictable, both of which impact print publications acutely because of the rigidness of press deadlines. But there’s also an interpersonal and emotional awareness of the ways that people are coping with the new “normal” in the wake of COVID-19, shelter-in-place, and stay-at-home orders.Bilge Ebiri is a movie critic at Vulture. In addition to producing online content, from reviews to feature stories and essays, Ebiri is involved in the print production for New York Magazine, which operates vulture.com. He spoke to the challenges of preparing print content weeks in advance, when global circumstances are changing by the day.“If you re doing it for online, that s one thing, but a lot of what I try to do is work with the print issue,” Ebiri says. “There is this question, when you re in a situation where every day is worse than the previous day: Where are we going to be two weeks from now? Trying to imagine what life is going to be like two weeks from now is already daunting…. If we have some kind of fun, frivolous, inane kind of thing to take people s minds off, in two weeks, this is going to look totally tone deaf.”Inkoo Kang, TV critic at The Hollywood Reporter, described a similar recognition when speaking of an article that she’d pitched before things really took a turn. “There was a review that I was passionate about, but also knew it was sort of this weird, more personal work – a trends piece, essentially, that I think was something that I knew was a little bit more on the frivolous side,” Kang says. “Then suddenly, it seems so incredibly stupid, because it just did not feel like it mattered, compared to everything else that was happening.”She adds: “It was just one of those things where, I don t know, 48 weeks out of the year, this could have been a viable thing to do a commentary piece about. Now people are dying, and the economy is in the toilet. It just did not feel like it mattered on any level.”
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2. 公平游戏环境
(Photo by Courtesy the Everett Collection)Our new Classic Film Catch-Up feature connects you with classic films to put on your watchlist – beloved favorites and hidden gems alike. With more time at home, there s no better opportunity to finally watch these titles that helped define cinema as we know it.The current situation of social distancing has many of us thinking of ways to maximize the time we spend at home. We re also eating several times a day and annoying our pets, but being productive does cross our minds from time to time. Puzzles, long-abandoned books, craft projects, and New Year s resolutions have suddenly jumped to the top of our to-do lists. In the RT comments, many of you have shared how you re catching up on classic films, and here at RT, we happen to agree that now is the perfect time to increase your classic film viewing.Concentrating on films released before 1980 (both well-known titles and hidden gems), we re producing new guides to essential classic films curated by theme, filmmaker, actor, genre, or style – all for your classic catch-up needs. Want to see our picks for the best French farces? How about a curated list of Fresh picks from Alfred Hitchcock, Peter Sellers, or Billy Wilder? As well as curating watchlists, we re breaking down the films, telling you where you can watch them, and giving you some more recent and/or well-known films the classics might remind you of so you can gauge which movies are right for you.And the movies are more accessible than ever. Turner Classic Movies may have had to cancel their annual classic film festival this year, and 2018 saw the demise of their classic film app, FilmStruck, but between the newly launched The Criterion Channel streaming app and other streaming services, movie fans still have access to thousands of old Hollywood masterworks.Read below for our list of seminal classic quirky romantic comedies you need to see or revisit. More than simple boy-meets-girl tales, these love stories go far beyond the typical meet-cute and in many cases reflect unique moments in film history.Got other quirky rom-coms you d add to our list? Have a suggestion for a future theme or classic film to feature in the column? Let us know in the comments. Bob & Carol & Ted & Alice (1969) 79% (Photo by Courtesy of Columbia Pictures)What is it? Married couple Bob (Robert Culp) and Carol (Natalie Wood) attend a life-changing workshop and swiftly adopt the practices they learned, much to the distress of their best friends Ted (Elliott Gould) and Alice (Dyan Cannon). The workshop and its aftermath profoundly change the couples marriages and their feelings for one another.Why you need to see it: Prior to the repeal of the Hays Code – the moral production code that regulated what could be shown on screen – most films could not overtly reference sex. This need to edit out the explicit content was one driver of the tongue-in-cheek sexual innuendo of 1940s and 1950s romantic comedies. After the Hays Code was officially abandoned in 1968, a new wave of sexually explicit comedies flooded cinemas. Bob Carol Ted Alice is one of the first sex comedies and one of the best. No longer did screenwriters have to dance around the subject; director and co-writer Paul Mazursky could, in fact, address the elephant in the room. Funnily enough, having your first film score four Oscar nods and make bank at the box office ruins Hollywood, according to Mazursky; the director joked later that the film was almost too perfect, and therefore its success could never be replicated.Watch it if you like: Obvious Child, Seems Like Old Times, Chances Are, Chasing AmyWhere to watch: Stream now on The Criterion Channel app, or rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.It Happened One Night (1934) 99% What is it? An heiress on the run (Claudette Colbert) joins forces with a man she meets, but little does she know he is actually a reporter in need of a story.Why you need to see it: One of only three films to ever pull a clean sweep of the five major Oscar categories (Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress), It Happened One Night is one of the truly great romantic comedies. The movie combines Clark Gable s undeniable charm, Claudette Colbert s comedic timing, and the feel-good filmmaking of Frank Capra. Our only question is, what has taken you so long to see it?Watch it if you like: Roman Holiday, Almost Famous, The Proposal, Annie Hall, You ve Got Mail, Nick and Norah s Infinite Playlist, Working GirlWhere to watch: Rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Sabrina (1954) 93% What is it? Sabrina (Audrey Hepburn) is a lovestruck chauffeur s daughter who nurses an impossible crush for David (William Holden), the youngest son of the family that employs her father. When Sabrina returns home after years in Paris, the newly engaged David is suddenly ready to romance her and dump his fiancée – something that David s older brother Linus (Humphrey Bogart) is determined to prevent.Why you need to see it: This is a must-watch because of Bogie, Hepburn, Holden, and writer-director Billy Wilder. Audrey Hepburn was the perfect choice for the stylish Cinderella love interest and rightfully earned the Best Actress nomination she received for the film. Nominated for six Oscars and taking home the prize for Best Costumes, Sabrina is an early example of a film whose cast was fleshed out with A-list talent and Oscar winners. Bogart, who replaced Wilder s first choice of Cary Grant, was arguably one of the biggest stars on the planet, and here he was cast alongside Hepburn and Holden, both of whom had taken home Best Acting Oscars in 1953. This was the kind of dream-team casting not often replicated. Bogart was never sure he was the right choice for Linus, but his put-off posturing both on and off set served his performance well.Watch it if you like: While You Were Sleeping, Pretty Woman, Some Like it Hot, She s All That, The Princess Diaries, Roman HolidayWhere to watch: Available to stream on Crackle, or buy or rent it at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Pillow Talk (1959) 93% What is it? Marriage-minded interior decorator Jan Morrow (Doris Day) must share a phone line with her playboy neighbor, Brad Allen (Rock Hudson). When Brad sees the beauty on the other end of his line he decides to woo Jan under a false identity and inadvertently falls in love during the process.Why you need to see it: Pillow Talk was a risqué project for the squeaky clean Doris Day and Rock Hudson, but turned out to be the first of several successful films the pair made together. The clever innuendos peppered throughout the Oscar-winning script were, in fact, scandalous by 1950s film standards; it was testament to the large screenwriting team that they got past the censor board with the hilarity still intact. Compare it to Bob Carol Ted Alice, and you can acutely appreciate how much progress was made in just one decade. Watching it with a modern eye is a bit like watching classic anti-drug films like Reefer Madness.Watch it if you like: 40 days and 40 Nights, Two Weeks Notice, Never Been Kissed, 10 Things I Hate About YouWhere to watch: Streaming now for free on Hoopla Digital, or rent or boy it at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Shampoo (1975) 62% (Photo by Courtesy of Columbia Pictures)What is it? A playboy hairdresser (Warren Beatty) enlists the husband of one of his rich female lovers/clients when he seeks a loan for his salon. A series of events then ensue that places the hairdresser at a party with his girlfriend, her husband, and several ex-lovers – including the one that got away. Why you need to see it: The Owl and the Pussycat and Bob Carole Ted Alice loosened the cap off cinematic sexual oppression, but after the success of X-rated films like Deep Throat and Midnight Cowboy, the initial shock of sex had lost its luster by the 1970s. In 1975, a fresh approach was needed to wow audiences, and Warren Beatty provided it with his satirical sex comedy Shampoo – though many at the time did not appreciate it. A sex comedy where nothing happens and *spoiler alert* no one falls in love? It is easy to understand why audiences and many contemporary critics dismissed the film. The laughs are tempered by bleakness and the film ends up saddened by its characters awkwardness, wrote Time Out London. However, on a second look, you can appreciate how George s womanizing ways were a direct product of the 1960s free love movement, and the film offered a clever depiction of the 1970s hangover that much of America was suffering after all of that 60s excess. Beatty s script, which he co-wrote with Robert Towne, acutely understood the character of George and his sexual apathy.Watch it if you like: American Pie, Three s Company, Wedding Crashers, The Birdcage, Fast Times at Ridgemont High, Don Jon, Trainwreck. Where to watch: Stream now on The Criterion Channel, or rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.His Girl Friday (1940) 99% What is it? No-nonsense news editor Walter Burns (Cary Grant) has only a few hours to prevent his star reporter – and ex-wife – Hildy Johnson (Rosalind Russell) from quitting the paper to marry a simple-minded insurance salesman she met on vacation. After a convicted murderer escapes from jail, Burns is thrust into a race against time to stop Hildy – and secure the exclusive story.Why you need to see it: If Capra s It Happened One Night firmly established the fast-talking screwball comedy, His Girl Friday might have perfected it. It Happened One Night is a near-perfect romantic comedy, but director Howard Hawks took over-talking and quick dialogue to new heights with His Girl Friday, establishing a style that has been replicated everywhere from the Gilmore Girls to Glengarry Glen Ross.  You don t know whether you have been laughing or having your ears boxed, wrote New York Times film critic Frank S. Nugent at the time of its release.Watch it if you like: Gilmore Girls, Obvious Child, Silver Linings Playbook, Raising Arizona, The Newsroom, MoonlightingWhere to watch: Streaming on Amazon Prime Video and Vudu, available to rent or buy from FandangoNOW, Google Play, and  iTunes.Death Is a Woman (1967) 82%(Photo by Courtesy of Criterion Collection. )What is it? An exotic dancer wants a child and her current lover is not willing – but his best friend might be tempted to fill in for him.Why you need to see it: We could go on and on about how A Woman is a Woman is a clever rebuttal to the American musical comedy. We could talk about Jean-Luc Godard and his visionary camera work and shooting style. We could talk about French New Wave or French sex comedies. But the best reason to see the film is a woman, and that woman is the incomparable Anna Karina. Just gaze into her eyes and let her performance hypnotize you.Watch it if you like: The Love Witch, Bridget Jones Diary, She s the One, Cleo from 5 to 7, Easy AWhere to watch: Now streaming on the Starz app, or rent or buy from Amazon, Google Play, iTunes, and Vudu.Barefoot in the Park (1967) 85%What is it? A conservative attorney (Robert Redford) rushes into marriage with a carefree woman (Jane Fonda). Realizing they are very different people, the young couple struggle to stay in love and avoid divorce.Why you need to see it: It would be criminal not include a Neil Simon film on any list of great classic romantic comedies. Writer of The Goodbye Girl, The Heartbreak Kid, and Seems Like Old Times, Simon was a master of opposites-attract love stories. Jane Fonda plays the free-spirited Corie to seductive perfection, and Robert Redford manages to stifle all his natural charms to embody the stuffed shirt, Paul. It s a love story where the question is never, Will these two fall in love?  The only question in Barefoot in Park is, Can they stay together? The film was not universally loved upon release, but we tend to agree with Time Magazine, which wrote at the time: Simon has taken a plot as bland as a potato, sliced it into thin bits – and made it as hard to resist as potato chips. Watch it if you like: Dharma Greg, My Fair Lady, Shakespeare in Love, Pretty Woman, Moonstruck, The Way We WereWhere to watch: Now streaming on the Starz app, or rent or purchase on Amazon, FandangoNOW, Google Play, iTunes, and Vudu.Looking for more movies and shows to watch? Check out our new section, Binge Central.亚博app手机下载Faith-based films don t exactly boast a heavenly track record on the Tomatometer, as they re frequently preachy and overtly sentimental, even if they re competently filmed and acted. But since they typically cater to a very specific audience one that doesn t mind a bit of sermonizing the studios that release them rarely allow for early screenings. Such is the case for this week s Overcomer, a drama about a small-town high school basketball coach (Alex Kendrick, also the director and co-writer of the film) who is asked to head up the cross-country team as well and bonds with one runner, Hannah (Aryn Wright-Thompson), who must overcome her asthma to become a winner. We d love to tell you what the critics thought of this movie, but almost none of them has seen it, and at the end of the day, their reviews probably won t matter a whole lot to the folks who will turn up for this film.

3. 激战团竞模式
In 2018, Jordan Peele’s Get Out jolted the Oscars status quo by earning nominations for four awards, including a Best Actor nod for Daniel Kaluuya. It’s not totally uncommon for prestige to pluck a horror performance from the dirt and see it as the radiant flower it is: Ruth Gordon won an Oscar for her eerie turn in Rosemary’s Baby; Bette Davis got a nod for her freaky What Ever Happened to Baby Jane? role; and Jodie Foster, Natalie Portman, and Kathy Bates all took home Oscars for Silence of the Lambs, Black Swan, and Misery, respectively. But even when a horror performance is honored, a whole lot of people twist themselves into knots trying to say a film wasn’t actually horror — Kaluuya was nominated for a Golden Globe in the Musical or Comedy category.Ever since the premiere of Peele’s sophomore feature Us at SXSW, Lupita Nyong’o’s stunning performance as Adelaide and Red — two distinctly different but complementary versions of the same character — has been earning her high praise. Not since Jeremy Irons’ turn in David Cronenberg’s Dead Ringers has an actor in a horror film rendered such a complex psychological study of the self through twinning. Nyong’o’s transformation is physical and visceral and — pretty clearly — the caliber for awards consideration. So Peele kindly settled any debate before it began by tweeting: “Us is a horror movie.”In honor of all the actors who’ve toiled away in horror, either to be forgotten or snubbed, here are 13 horror performances we’ve adored – but which the major awards ignored.Essie Davis in The Babadook (2014) 98%(Photo by ©IFC Midnight)Before Jennifer Kent’s The Babadook premiered in 2014, Essie Davis was best known in America for her roles in The Matrix films and her portrayal of master sleuth Phryne Fisher in Miss Fisher’s Murder Mysteries (check it out on Netflix – it s a lot of fun). But grieving single mother Amelia was an opportunity for Davis to shine as a complex, terrifying anti-heroine haunted by a ghoulish children’s book character, and the death of her husband. Davis was so committed to the role that she lost her voice for three days after performing a wrenching 11-second scream on set. She told the Guardian, “It didn’t matter if I looked like s t and felt like s t every day, because that’s what it needed.” Her face — often in closeup — is puffy, with wild eyes darting in response to every creak in the house. Amelia is creepy and dangerous, and yet Davis imbues her with a sensitivity that makes her circumstance relatable and that much more horrifying.Toni Collette in Hereditary (2018) 89%When we look back on the scariest mothers of movie history, Toni Collette’s performance as Annie will likely hover around the number-one spot for a long while. Annie is unabashedly selfish with her time and art, quite different from so many of the doting mothers on film who give up their lives for their children. She both has pain and inflicts pain — indicative of the generational trauma of their family — which means she can’t really be boiled down into Good or Bad. Collette slams her whole body and being into this character for a riveting, histrionic performance that lays waste to restraint. Annie’s grief, laughter, and anger show themselves on the screen with Shakesperian levels of gravity and calculated artifice, and no one will soon forget the horrific contortions of Collette’s face as she wails in mourning for the dead. Also, against all odds, Collette somehow finds little slices of humor and humility in Annie. Miraculous. (Miraculous, too, that she was snubbed last awards season.)James McAvoy in Split (2016) 77%How many completely different characters does a guy gotta play in the same movie to get any awards talk? In Split, McAvoy embodies 23 separate personalities, ranging from a literal beast who can crawl up walls to a prim, post-menopausal woman in heels and pearls named Patricia. McAvoy said his favorite character of the bunch was actually a 9-year-old boy named Hedwig, who’s got a slight speech impediment and a whole lot of saliva when he talks. In that role, McAvoy chewed up the scenery, shoulders slumped like a bored child, bouncing off the walls with the energy of a kid who’s seen way too many shoot- em-up movies. McAvoy’s greatest craft trick, however, was in finding the silliness amid the horror, keeping the tension taut throughout those laugh lines, and then searching his way back to a more tender performance as Kevin Wendell Crumb, a broken man lost in his many identities.Nicolas Cage in Mandy (2018) 90%(Photo by © RLJE Films)It’s no secret that Nicolas Cage is known for throwing himself deeply into his roles, creating a kind of fun dance of them, seeing how far he can take the character with spontaneous emotional outbursts. Too many filmmakers simply rely on that Cage-iness when they cast him in their movies, but director Panos Cosmatos offered the actor real motivation with the character of devoted and then heartbroken Red Miller, whose quiet, sensitive side embraces his love, Mandy, with all his heart, before she is brutally ripped from him. Despite Cage’s character having to smelt his own battle axe, Cage himself is actually appropriately restrained and then only unhinged in rare moments when the narrative calls for it, but every emotion is grounded in grief and then wild and painful revenge. Cage co-star Andrea Riseborough as Mandy deserves more than a mention here, as well, having delivered an equally stellar performance that ranges from philosophical monologues to maniacal laughter.Betty Gabriel in Get Out (2017) 98%Betty Gabriel was filming a low-budget action movie called Beyond Skyline when co-star Frank Grillo recommended her for a role in Blumhouse’s The Purge: Election Year. Word had it that Jordan Peele was going to direct his debut feature and was looking to fill out a couple of roles. Gabriel showed up, and the rest is history. As housekeeper Georgina, Gabriel locates the heart of this supporting character — both the woman she was and the new woman who’s inhabiting her body. In one pivotal scene, her voice quakes as she says, “No. No-no-no-no-no-no,” her eyes — filled with tears — at odds with the smile on her face, as though she’s a dummy puppet and either part is being manipulated by a different puppeteer. This chasm in Georgina’s personality becomes her central tension and the source of so many skin-crawling scenes, with the underlying message that the scariest thing is not knowing yourself.Gong Yoo in Train to Busan (2016) 94%Yeon Sang-ho’s ultra-violent zombie action film earned a place in America’s hearts, not just because of its thrilling and bloody chase sequences, but because it’s really the story about a father’s sacrifice for his child. Gong Yoo plays Seok-woo, a busy, divorced dad whose young daughter has asked him to take her to be with her mother in Busan. Before he even gets on the fateful train with the girl, he already feels like a failure, unable to properly show love. Gong Yoo’s performance of this sad dad finding his way grounds an otherwise flighty narrative. Even in busy action sequences populated by hundreds of zombified extras, Yoo exudes a kind of nervous strength focused singularly on the survival of his daughter. Sang-ho also includes another dad in the film, Sang-hwa, played by Ma Dong-seok, who offers an extremely complementary performance to Yoo’s, displaying a kind of earnest courage, which Yoo feeds off of for the transformation of his character.Tony Todd in Candyman (1992) 77%(Photo by ©TriStar Pictures)Who can make you jump out of your skin and also yearn for his fateful embrace? The candyman can! Tony Todd’s presence in this frightfully ridiculous story rises above the material. The convoluted urban fairy tale features Todd as its boogeyman, called from his grave when his name is said in the mirror three times. Todd said he was immediately taken with the role, despite some misgivings around race in the story, simply because the imagery of gore in the city was something he hadn’t seen before. In 2015, he told IGN: “I’ve always wanted to find my own personal Phantom of the Opera.” That desire is evident in Todd’s melodrama and theatricality. He embodies and flaunts the grotesque, a mythically imposing figure with sweeping grand gestures that become impossibly romantic — even though the Candyman’s got a rib cage of bees! Todd’s resonant voice, wide smile, and mesmerizing eyes add up to one tempting, unforgettable villain.Jeff Goldblum in The Fly (1986) 93%(Photo by 20th Century Fox Film Corp. )It’s galling that, at first, the studio couldn’t see Jeff Goldblum as Seth Brundle, the brilliant scientist destroyed by his own teleportation creation. But perhaps they didn’t know that Goldblum would work out like a madman and drink coffee every waking minute of his days to embody the maniac his character would become — the Brundlefly. Cronenberg knew. As Brundle, Goldblum s natural charisma perfectly matches Geena Davis’ Veronica, a journalist who’s come out to a stranger’s apartment to check out his weird machines. Veronica’s inquisitiveness puzzle-pieces together with Brundle’s excitement, and the two settle into a lovely, if short-lived, romance. Where Goldblum shines is when he transforms into a wild man capable of snapping off a strongman’s arm in a bar. In one scene, the actor ad-libbed an entire caffeine-fueled, buzzy monologue about philosophy and science while Davis played off his energy as the straight-man. Even under pounds of goopy makeup, Goldblum makes his Brundlefly a sympathetic monster of circumstance.Sissy Spacek and Piper Laurie in Carrie (1976) 93%Director Brian De Palma was adamant that Carrie’s telekinetic outbursts were simply about teenaged angst, but young actor Sissy Spacek latched onto the idea that Carrie was “really about a young girl who is an artist who just wants to be normal,” and that the girl dreamed of expressing herself through poetry one day, but her fascist mother took it away from her. Spacek’s mythology of her character was so deep that De Palma at times just let her run off with the role, while he focused on specific shots. Her mannerisms equally evoke an innocent naïf and an all-powerful goddess, and her performance is matched only by that of Piper Laurie, who didn’t at first understand what would be required of her from the script, until she read it with the eyes of Lady Macbeth. The result of Laurie’s work is an unrivaled whites-of-her-eyes performance of Biblical intensity, glimmers of it present in Toni Collette’s Annie of Hereditary.Mia Farrow in Rosemary's Baby (1968) 96%Though Ruth Gordon was honored by the Academy Awards for her part as the nosy neighbor attempting to lure Rosemary into an orgy with the devil, Mia Farrow sadly was not, despite the arc of her emotions anchoring this nightmarish tale. Director Roman Polanski himself said he didn’t really have to direct her. He trusted her to come to these emotions herself, and he didn’t pre-plan or storyboard any shots, instead watching how Farrow approached the scene and setting up around that. Rosemary transforms from shy, childlike cheerleader wife to pregnant paranoid prisoner of a cult. The way she moves between gullibility and strength becomes so relatable, while the gaslighting becomes more and more absurd an accurate, if frightening, portraiture of a woman at the whims of her man and the devil he’s made a deal with. Her performance is so affecting that the calm and resolute demeanor she strikes when she’s made peace with her destiny is both surprising and inevitable.Isabelle Adjani in Possession (1981) 88%(Photo by Courtesy the Everett Collection)Three words: Subway tunnel scene. Andrzej Zulawski’s tale of an unearthly sex monster who’s taken hold of a Berlin housewife turns into high art because of Isabelle Adjani’s dedication to self-annihilation over the course of the film. Here, she plays Anna, one half of a marriage that’s suddenly imploding in hysteria and intrigue. Anna’s husband, played by an impeccable Sam Neill, attempts to search out where and with whom she’s been spending her time. When she is in the house, she’s erratic, cutting herself and her husband with an electric knife, eyes possessed. But in that tunnel scene is where the audience gets the full indication of how much Anna’s body is not her own, as Adjani flagellates herself with a milk carton, ramming her tiny frame into the tile walls, bathing in the spilled milk as though she’s communing with a higher, violent spirit. She barks and gasps with laughter until her body erupts with blood and green goop, and, holy wow, is it unnerving.Linda Blair in The Exorcist (1973) 83%Linda Blair earned an Oscar nomination for her role as possessed little Reagan, thank God, but lost out to another young actor, Tatum O’Neil, in the Supporting Actress category. Famously, writer William Blatty blasted George Cukor for leading a campaign to denigrate horror films as undeserving of an Academy Award, but Blair’s performance lives on, award or not. As the lovable Reagan (pre-possession), she gleams with innocence and precociousness, which makes that moment when she stands with blank eyes, cursing her mother’s fancy guests and urinating on the carpet, so shocking. The emotional flexibility it takes for a child to then be strapped to a bed, globbed with green makeup, hurling incredible insults at adults, is otherworldly, not to mention the physicality required of her to constantly thrash on the bed and yank at the straps on her wrists and ankles. Oh, lord, and then there’s the crucifix… We’ll just say it’s a tour de force performance most adult actors wouldn’t have the maturity to do, let alone a child.Jack Nicholson/Shelley Duvall in  The Shining (1980) 84%Jack Nicholson and Shelley Duvall as Jack and Wendy Torrance are two sides of a terrifying coin. Jack is all action, while Wendy is reaction, their push and pull and friction grinding this film into brutal horror. One gets the sense that Nicholson was born to play his role of a sadistic alcoholic narcissist who blames his wife and children for his writerly failures, even though they’ve uprooted their lives to fulfill his dream of finally getting some free time to work on that novel. Nicholson is wild-eyed and untethered, some of his greatest lines (“Here’s Johnny!”) resulting from a multitude of takes meant to wear the actors down into lunacy. Duvall embodies pure, unadulterated fear, lip quivering, earth quaking beneath her. Nicholson’s performance lives on for its horror only because Duvall can deliver the uncertainty and panic, her arms limply but dutifully swinging a baseball bat at an approaching monster Wendy always knew lurked beneath.

4. 呼朋唤友 随心所欲
(Photo by Netflix)Updated December 18, 2020Ho, ho, ho! You must ve been good this year, because TV Santa Claus is delivering a ton of great presents this year in the form of holiday-themed marathons, specials, episodes, and movies running through December. The usual suspects are here: Freeform s 25 Days of Christmas and AMC s Best Christmas Ever marathons; Netflix, Hallmark and Lifetime s plentiful Christmas movie offerings (and a Hanukkah one this year, too!); Rankin and Bass special airings.But there are also new additions to the holiday programming pantheon in 2020, including new HGTV and Food Network specials, several holiday-themed Netflix series (both scripted, like YA adventure Dash Lily, and unscripted, like Holiday Home Makeover With Mr. Christmas, which is an actual show starring an actual person named Mr. Christmas), and much more.Read on to plan your holiday viewing schedule this year, from Thanksgiving episodes to Christmas content and beyond.Jump to a section:SpecialsSeriesEpisodesMarathonsStreaming ProgrammingStreaming Original FilmsNetflix MoviesLifetime MoviesHallmark MoviesNew Year s ProgrammingArchive: Thanksgiving ProgrammingCHRISTMAS SPECIALSOnce Upon a Snowman — The previously untold origins of Olaf, the innocent and insightful summer-loving snowman who melted hearts in the Oscar-winning 2013 Disney animated feature Frozen and its acclaimed 2019 sequel, are revealed in the all-new Walt Disney Animation Studios animated short Once Upon a Snowman. Streaming on Disney+.LEGO Star Wars Holiday Special — Taking place following the events of Star Wars: The Rise of Skywalker, Rey leaves her friends to prepare for Life Day as she sets off on a new adventure with BB-8 to gain a deeper knowledge of the Force. Stars from the film series provide voices. Streams Tuesday, Nov. 17 on Disney+.Holiday Crafters Gone Wild — Jay Manuel hosts a competition of epic decorative proportions in this two-hour special, which will see four teams of talented holiday craft aficionados battle it out to win a ,000 cash prize and the title of ultimate holiday craft champion. With challenges ranging from over-the-top tablescapes to one-of-a-kind tree toppers, designer Kim Myles and celebrity party planner Michael Russo will grade on creativity, complexity and craftsmanship. Premieres Friday, Nov. 20, at 9 p.m. on HGTV.Craftopia — Two winter specials of the crafting competition premiere Thursday, Nov. 26 on HBO Max.All Is Calm: The Christmas Truce of 1914 — PBS presents the remarkably true story of a brief moment of camaraderie, music and peace between Allied and German soldiers during World War I in this hybrid of documentary theater, weaving a cappella period songs and firsthand quotes and letters from 30 World War I figures brought to life by 10 actors. The production features WWI patriotic tunes, trench songs, medieval ballads and Christmas carols from England, Wales, France, Belgium and Germany. Premieres Friday, Nov. 27 on PBS (check local listings), and streams Tuesday, Dec. 15 at pbs.org and the PBS Video app.Grandma Got Run Over By a Reindeer — Based on the hit song that became a worldwide holiday phenomenon, this goofy and heartwarming adventure features young Jake Spankenheimer on the quest of a lifetime to track his missing Grandma down on Christmas Eve to prove that Santa Claus is indeed real. Airs Friday, Nov. 27 at 8 p.m. and Monday, Dec. 21 at 8 p.m. on The CW.Frosty the Snowman — That “jolly, happy soul” whose old silk hat full of magic has turned him into a musical Christmas legend, once again demonstrates his unique showmanship. Narrated by Jimmy Durante, the special also includes the voices of Jackie Vernon (as Frosty) and Billy De Wolfe (as Professor Hinkle). Airs Friday, Nov. 27 at 8 p.m. on CBS.(Photo by Classic Media)Frosty Returns — There’s still more magic as Frosty (John Goodman) returns to continue his adventure and skate on the edge of danger. Jonathan Winters narrates. Airs Friday, Nov. 27 at 8:30 p.m. on CBS.Illumination Presents Minions Holiday Special — This half-hour primetime event, starring the iconic Minions, features four mini-movie escapades and includes special guest appearances from some of Illumination’s most beloved characters from their The Secret Life of Pets and Sing franchises. Airs Friday, Nov. 27 at 8:30 p.m. on NBC.Robbie the Reindeer: Hooves of Fire — Robbie (voiced by Ben Stiller) must train to compete in the Reindeer Races to become a part of the sleigh team for Santa (voiced by Jim Belushi). The animated special airs Saturday, Nov. 28 at 8 p.m. on CBS.Robbie the Reindeer: Legend of the Lost Tribe — Robbie (Stiller) battles Blitzen (voiced by Hugh Grant) in an effort to stop his nemesis’s launch of a reindeer theme park. Britney Spears, James Woods, Leah Remini and Jerry Stiller also star. Airs Saturday, Nov. 28 at 8:30 p.m. on CBS.The All-Star Nickmas Spectacular — Hosted by Nickelodeon’s Lex Lumpkin, the hour-long variety show will include musical performances by JoJo Siwa, That Girl Lay Lay and Ne-Yo, appearances by Gabriel Iglesias, Jay Pharoah, Tisha Campbell, Trevor Noah and Young Dylan, plus comedy sketches and special messages from animated stars. Premieres Saturday, Nov. 28 at 9 p.m. on Nickelodeon.The Story of Santa Claus — This musical holiday special revolves around a gentle toymaker (voiced by Ed Asner), whose only wish is to deliver a toy to every child on Christmas. Betty White and Tim Curry also star. Airs Saturday, Nov. 28 at 9 p.m. on CBS.The Disney Holiday Singalong — Ryan Seacrest hosts the family event, which features performances of Disney and holiday favorites with animated on-screen lyrics so viewers at home can sing along. Airs Monday, Nov. 30 at 8 p.m. on ABC.CMA Country Christmas — Country Music artist Thomas Rhett and his wife, New York Times bestselling author Lauren Akins, make their TV hosting debut together in this annual holiday music celebration featuring performances by Country Music’s biggest stars, including Kelsea Ballerini, Gabby Barrett, Dan + Shay, Florida Georgia Line, Lady A, Little Big Town, Tim McGraw, Thomas Rhett, and Darius Rucker with Lindsey Stirling for a spirited night of festive holiday classics. Airs Monday, Nov. 30 at 9 p.m. on ABC.Rudolph the Red-Nosed Reindeer — The annual showing of Rankin and Bass special, narrated by Burl Ives and based on the song by Johnny Marks, airs Tuesday, Dec. 1 at 8 p.m. on CBS — its 56th consecutive year on the network.Elliot: The Littlest Reindeer — Elliot, a small but determined horse, travels to the North Pole to compete for a spot alongside the famous reindeer that pull Santa s sleigh. Against all odds, Elliot and his friend Hazel the goat set out to prove that no dream is too big. Premieres Tuesday, Dec. 1 on Crackle.A Reindeer’s Journey — Meet Ailo, a newborn reindeer who embarks on an incredible odyssey with the help of his mother. Narrated by Donald Sutherland and set against the frozen majesty of northern Finland, their journey is an uplifting story for the whole family. Premieres Tuesday, Dec. 1 on Crackle.Christmas Spectacular Starring the Radio City Rockettes – At Home Holiday Special — Iconic performances previously recorded at Radio City Music Hall in Rockefeller Center will be broadcast alongside special appearances and holiday messages from Jenna Dewan, Whoopi Goldberg, Josh Groban, Carla Hall, Padma Lakshmi and John Legend. Today co-anchors Savannah Guthrie and Hoda Kotb host. Airs Wednesday, Dec. 2 at 10 p.m. on NBC.My Gift: A Christmas Special From Carrie Underwood — The singer performs a combination of beloved traditional favorites celebrating the joy and hopefulness of the holiday, as well as new original material from her first ever full-length Christmas album My Gift. Streaming Thursday, Dec. 3 on HBO Max.Jingle Ball Greatest Moments — Airs Thursday, Dec. 3 at 8 p.m. on The CW.A Charlie Brown Christmas — Streams Friday, Dec. 4 on Apple TV+, and will be available for free from Dec. 11-13. Will also air on PBS and PBS Kids Dec. 13 at 7:30 p.m. local time.The Hollywood Christmas Parade Greatest Moments — The special will highlight all the greatest and most special moments of the past parades. Airs Friday, Dec. 4 at 8 p.m. on The CW.Celebremos: Eterna Navidad — Grammy-winning artist Juanes and his wife Karen Martinez host this star-studded comedy and musical event featuring world renowned Latinx talent. Premieres Friday, Dec. 4 on Spanish-language streaming service Pantaya.Christmas Under the Stars — Singer and songwriter Lauren Daigle in a mix of big performance numbers and intimate, cinematic musical moments. Airs Sunday, Dec. 6 at 9 p.m. on BYUtv.Molly of Denali — Six new winter-themed episodes of the PBS series will premiere Monday, Dec. 7 through Wednesday, Dec. 9 on PBS Kids.Pinkalicious Peterrific — “Gingerbread House / Christmas Tree Trouble” premieres Monday, Dec. 7 on PBS Kids.The Great Christmas Light Fight — Season 8 sees lifestyle expert Carter Oosterhouse and famed interior designer Taniya Nayak judging as four decorating families face off to win ,000 should they “sleigh” the competition. Premieres Wednesday, Dec. 9 at 8 p.m. on ABC.Greatest Holiday Commercials Countdown 2020 — Hosted by Entertainment Tonight s Kevin Frazier and Keltie Knight, this holiday special will countdown the 12 best holiday commercials ever – one for each of the 12 days of Christmas. In addition to the top 12, the special features other great commercials from both the U.S. and abroad, that capture the true spirit of the holiday season – from the heartfelt to the hilarious, from the outstanding to the ridiculous. Airs Wednesday, Dec. 9 at 9 p.m. and Monday, Dec. 21 on The CW.Silent Night — A Song for the World — This musical film documentary narrated by Hugh Bonneville tells the story of the creation and cultural impact of the world’s most famous Christmas carol, composed in 1818 in Salzburg. Translated into 140 languages, Silent Night caused a Christmas ceasefire in World War I, while Bing Crosby’s version is the third best-selling single ever. The cast includes Kelly Clarkson, Joss Stone, John Rhys-Davies, David Foster, Kathrine McPhee, Randy Jackson, Gavin Rossdale, Josh Groban, The Vienna Boys Choir, and more. Airs Thursday, Dec. 10 at 8 p.m. and Wednesday, Dec. 23 at 8 p.m. on The CW.High School Musical: The Musical: The Holiday Special — The 45-minute special features the show s main cast members singing their favorite holiday staples and sharing their own family memories and New Year s Resolutions. Premieres Friday, Dec. 11 on Disney+.The Christmas Caroler Challenge — Hosted by Dean Cain and Laura McKenzie, the three-episode two hour-long Christmas caroling competition event series features 10 extraordinary Christmas carol groups, each with their own stylized brand of performance, in celebrating the great Christmas music we have all come to love. Airs Friday, Dec. 11 at 8 p.m. on The CW.My Lottery Dream Home: Holiday Extravaganza — David Bromstad will show fans how to deck the halls like a lottery winner — but on a realistic budget. The popular HGTV designer will transform a living room into a lush Christmas tree forest, set a spectacular tablescape for a festive dinner party and adorn a home’s exterior with so much holiday razzle dazzle that the whole neighborhood will cheer. Premieres Friday, Dec. 11 at 8 p.m. on HGTV.Joe Bob Saves Christmas — The Christmas spirit takes over The Last Drive-In as Joe Bob and Darcy close out the year with a double feature of holiday horrors. Premieres live on the ShudderTV feed on Friday, Dec. 11, at 9 p.m. ET, and will be made available on demand on Sunday, Dec. 13.The Walking Dead Holiday Special — hosted by Chris Hardwick and featuring cast members Lauren Cohan, Melissa McBride, Josh McDermitt, Khary Payton, Eleanor Matsuura, Cooper Andrews, Cassady McClincy, Lauren Ridloff, Cailey Fleming, Emily Kinney, and IronE Singleton, as well as Walking Dead Universe Chief Content Officer Scott M. Gimple and The Walking Dead showrunner and executive producer Angela Kang. Premieres Sunday, Dec. 13 on AMC+.The Netflix Afterparty: The Best Shows of the Worst Year — The hourlong end-of-year special features talent from the most talked-about Netflix series of 2020, including Anya Taylor-Joy, Lily Collins, Kevin Hart, The Crown s Emma Corrin and Josh O’Connor, and more.  Premieres Sunday, Dec. 13 on Netflix.Christmas With the Tabernacle Choir — The 17th annual holiday special features Kelli O Hara and Richard Thomas. Premieres Monday, Dec. 14 at 9 p.m. and airs again Thursday, Dec. 24 at 9 p.m. on PBS. Also airs Thursday, Dec. 17 at 8 p.m. on BYUtv.A Saturday Night Live Christmas Special — Premieres Wednesday, Dec. 16 at 9 p.m. on NBC; encore airs Tuesday, Dec. 22 at 9 p.m. on NBC.Penn Teller: Merry Fool Us — The magical duo of Penn Teller is joined by host Alyson Hannigan to help kick off the holiday season with this special complete with magicians, costumes and a Christmas Trophy. Airs Wednesday, Dec. 16 at 9 p.m. on The CW.HBO Max’s 12 Dates of Christmas: Unwrapped — Shangela hosts the dating series reunion special, premiering Dec. 17 on HBO Max.The Jinkx DeLa Holiday Special — Drag queens Jinkx Monsoon and BenDeLaCreme star in a new holiday specaial available to stream now on Hulu.You’ll Be Home for Christmas — Albie Mushaney, world-famous strongman and Salem, Oregon-based real estate agent who moonlights as a Santa impersonator, will help first-time homebuyers find their forever home in time for the holidays. Alongside his festive family, Albie will make the houses extra “ho-ho-home-y” by adding special seasonal touches like a fully decorated tree with gifts underneath, stockings hung on the chimney and freshly baked cookies and hot cocoa welcoming them at the door. Premieres Friday, Dec. 18 at 10 p.m. on HGTV.Ella Wishes You a Swinging Christmas — The American Pops Orchestra and the Ella Fitzgerald Foundation team for the entire holiday classic album, hosted by Vanessa Williams. Premieres Tuesday, Dec. 15 at 8 p.m. and airs again Friday, Dec. 18 at 9 p.m. on Friday, Dec. 25 at 10:30 p.m. on PBS.Diego Torres Sinfonico — Argentine pop singer Diego Torres performs alongside the Orquesta Filarmónica Joven de Colombia (the Young Philharmonic of Colombia) in HBO Latino’s latest concert special. Premieres Friday, Dec. 18 at 9:30 p.m. on HBO Latino, TNT in Latin America and HBO Max.Let s Make a Deal Primetime — The primetime edition of the game show will be decked out for the holiday with Christmas decorations, and festively themed games and deals. On the third primetime episode, special guest Phil Keoghan, host of CBS’ The Amazing Race and Tough As Nails, joins the series to present one lucky trader with an outdoor adventure-themed trip of a lifetime. Airs Monday, Dec. 21 at 8 p.m. on CBS.Dr. Pimple Popper: Season s Squeezings — Hoping to give patients all they want for Christmas and feel ready to face the family photo sessions with confidence, Dr. Lee has a tough job ahead of her with several high-stake cases. Airs Monday, Dec. 21 at 9 p.m. on TLC.My Feet Are Killing Me: Under the Mistletoes — Dr. Ebonie, Dr. Brad, and Dr. Sarah are in for some shock in their stockings when they unwrap a 30-year-old wart, cut off cornflakes, and Dr. Ebonie discovers that her mom has a little extra something under her mistle-toe. Airs Monday, Dec. 21 at 10 p.m. on TLC.Disney Parks Magical Christmas Celebration — Tituss Burgess and Julianne Hough ghost this special from Disney World, featuring performances from Becky G, Maddie Tae, Tori Kelly and more. Airs Friday, Dec. 25 at 12 p.m. ET/9 a.m. PT on ABC.Disney Gallery: The Mandalorian — Making of Season 2 — premieres Friday, Dec. 25 on Disney+.Surprising Santa Claus — Good Morning America s Lara Spencer, host of Flea Market Flip, will work with a team of designers, contractors and volunteers to give the town of Santa Claus, Indiana, the biggest Christmas present it has ever received. It will be a race against the clock as the team tackles two surprise home renovations and a special bonus for the town square that will spread holiday cheer to the whole community. Premieres Friday, Dec. 25 at 9 p.m. on HGTV.Popstar s Best of 2020 — Presented by Associated Television International and based on polls from Popstar Magazine, host Elizabeth Stanton will count down the greatest and most memorable moments and trends of 2020. Airs Tuesday, Dec. 29 at 8 p.m. on The CW.Dogs of the Year — This special counts down the Top 10 dog stories of 2020, celebrating the dogs that go above and beyond, that leave their mark on society, and achieve the nearly impossible. Airs Thursday, Dec. 17 at 8 p.m. and Wednesday, Dec. 30 at 9 p.m. on The CW.A Creepshow Holiday Special — A holiday-themed hourlong episode of the horror series, Shapeshifters Anonymous, stars Anna Camp and Adam Pally and debuts Dec. 28 on Shudder.Call the Midwife Holiday Special — The popular series 2020 Christmas episode takes place in December 1965 with nothing going according to plan. Premieres Friday, Dec. 25 at 9 p.m. on PBS.Heroes on the Front Line — Hosted by Dean Cain, the one-hour television event celebrates the on-the-ground heroes who dared to make a difference in the midst of the unprecedented and unforeseen worldwide pandemic. Airs Wednesday, Dec. 30 at 8 p.m. on The CW.CHRISTMAS SERIESDash Lily — A whirlwind Holiday romance builds as cynical Dash and optimistic Lily trade dares, dreams, and desires in the notebook they pass back and forth at locations all across New York City, finding they have more in common with each other than they would have expected. The series is based on the young adult book series Dash Lily’s Book of Dares from the New York Times bestselling authors Rachel Cohn and David Levithan. Premieres Tuesday, Nov. 10 on Netflix.Holiday Home Makeover with Mr. Christmas — Benjamin Bradley, best known as Mr. Christmas, puts his design expertise and vast Christmas collection to good use as he and his team of elves work around the clock to bring holiday cheer to families and communities deserving of a home makeover for the most joyous time of year. Premieres Wednesday, Nov. 18 on Netflix.Buddy vs. Christmas – Buddy Valastro embarks on an extraordinary new Christmas-themed competition as he goes head-to-head with the greatest non-cake artists — an award-winning scenic designer, a glassblower, an animatronics expert and a Lego builder. With only 24 hours to capture the spirit of the holidays with their creations, the one that rises to the top with their elaborate design will be crowned winner. Premieres Sunday, Nov. 22 at 10 p.m. on Food Network.Biggest Little Christmas Showdown — The nation’s best miniaturists face off to create the merriest mini holiday houses, complete with all the festive, tiny trimmings in this four-part mini-sized holiday house tournament-style series hosted by actor James Monroe Iglehart. Judges include designer Genevieve Gorder and miniatures experts June Clinkscales and Dave Asling. Premieres Friday, Nov. 27 at 9 p.m. on HGTV.Sugar Rush Christmas: Season 2 — This competition series challenges bakers to create holiday treats that look festive and taste amazing — all against a ticking clock. Premieres Friday, Nov. 27 on Netflix.Überweihnachten — A three part Christmas mini-series starring Luke Mockridge, one of Germany s most popular comedians, as likeable loser Bastian who travels home for Christmas only to be confronted with the fact that his brother is now dating his ex-girlfriend. As the brothers fight and bicker through the Christmas period Bastian fails to notice that the parents are hiding something. Premieres in November on Netflix.The Great Gift Exchange — This 12-part series, hosted by gift wrap artist Alton DuLaney, highlights the art of giving where 12 YouTube creators participate in a giving chain that benefits a charity of their choice. All episodes stream on the creators YouTube pages on Dec. 1.The Holiday Movies That Made Us — This in-depth look at two iconic holiday movies (Elf, The Nightmare Before Christmas) uses behind-the-scenes footage and cast and crew interviews. Available Tuesday, Dec. 1 on Netflix.The Great British Baking Show: Holidays: Season 3 —  Tis the season for eight returning bakers to vie for the holiday crown as they race to make wondrous winter treats. Available Wednesday, Dec. 4 on Netflix.How to Ruin Christmas: The Wedding — When family rebel and disappointment Tumi Sello begrudgingly joins her dysfunctional family for the first Christmas holidays in years, it s not the merry return of the prodigal daughter everyone was hoping for. She manages to ruin her younger sister s Christmas wedding before it even takes place, and spends her next six days frantically trying to get things back on track. Premieres in December on Netflix.Home For Christmas: Season 2 — Just in time for the holidays, a new season of the Norwegian series returns in December on Netflix.Top Elf — Season 2 of Nickelodeon s holiday-themed competition series premieres Thursday, Nov. 19 at 7:30 p.m. on Nickelodeon.12 Dates of Christmas — Natasha Rothwell narrates this holiday dating series about three singles looking for their special someone to bring home for the holidays. The first three episodes premiere on Thanksgiving, Nov. 26, three episodes premiere on Dec. 3, and the final two episodes premiere Dec. 10 on HBO Max.CHRISTMAS EPISODESGreat Performances, “Fiddler: A Miracle of Miracles” — Travel through the history of the iconic musical exploring its reach across time and cultures featuring appearances by composer and lyricist Jerry Bock and Sheldon Harnick as well as famous fans including Lin-Manuel Miranda, Topol and more. Airs Friday, Nov. 13 at 9 p.m. on PBS.Nature, Santa s Wild Home — Get an intimate look into life in Lapland, fabled land of Santa Claus and actual home of tenacious wildlife such as reindeer, wolverines, brown bears and more. Premieres Wednesday, Nov. 25 at 8 p.m. on PBS.Bob s Burgers, “Yatchy or Nice” — When the Belchers get an unexpected invitation to cater the Glencrest Yacht Club s holiday boat parade, Bob wonders if there s a catch. Meanwhile, Louise has her eye on the present-loaded Santa Schooner. Airs Sunday, Dec. 13 at 9 p.m. on Fox.Family Guy, “The First No L” — When the family fails to help Lois with the Christmas shopping, she walks out on the family and the Griffins must try to save Christmas on their own. Airs Sunday, Dec. 13 at 9:30 p.m. on Fox.Raven s Home, Mad About Yuletide — It s Christmas Eve and the Baxter/Grayson family are trying to make the best of the holiday when a storm hits and disrupts their plans to celebrate together at a cabin on the lake. Streams Friday, Dec. 18 at 8 p.m. on Disney+.The Simpsons — 17 different Christmas episodes from the popular animated series are available to stream on Disney+.America s Funniest Home Videos — Select holiday-themed episodes from seasons 13 to 19 of the unscripted series are available to stream on Disney+.CHRISTMAS MARATHONS25 Days of Christmas, FreeformBeginning Tuesday, Dec. 1, watch a nonstop slate of Christmas favorites on the network, including Home Alone, The Santa Clause trilogy, Dr. Seuss How the Grinch Stole Christmas, Miracle on 34th Street, Love Actually, and many more. This year sees the network premieres of Almost Christmas, the 2018 film Dr. Seuss The Grinch, Daddy s Home 2, and more. Catch multiple airings of classics Frosty the Snowman and Rudolph the Red-Nosed Reindeer, including a special Christmas Day showing.Best Christmas Ever, AMCIt s already Christmas on AMC, which began airing its more than 800 hours of Christmas programming on November 2, with the event lasting all the way through December 25. Catch holiday favorite films including National Lampoon’s Christmas Vacation, The Polar Express, Love Actually, Frosty’s Winter Wonderland, ‘Twas the Night Before Christmas and Jack Frost (the majority of which will available on-demand on AMC.com and the AMC app). The event will also extend to premium streaming bundle AMC+, where you ll be able to catch the streaming debut of IFC’s Joe’s Pub Presents: A Holiday Special, hosted by Tony Hale; Shudder’s “Unhappy Holidays” collection of Christmas horrors; a special episode of BBC America’s The Graham Norton Show on Christmas Day; and the first-ever The Walking Dead Holiday Special, hosted by Chris Hardwick and featuring fan-favorite cast members (an exclusive for the streaming bundle).Nicmkas, NickelodeonMore than 100 hours of seasonal content and 21 premieres of live-action, animation and preschool series begin Thursday, Nov. 19 on Nickelodeon, including season 2 of festive competition Top Elf; The All-Star Nickmas Spectacular; new episodes of PAW Patrol, Blues Clues, All That, Danger Force, and more; and fan-favorite holiday episodes of Rugrats, SpongeBob SquarePants and The Loud House.Holiday Programming, OvationA monthlong celebration of the holiday featuring films and specials culminates with a Christmas Day movie marathon featuring some counter-programming like Fargo, Dances With Wolves, and Blazing Saddles.STREAMING HOLIDAY PROGRAMMINGAmazon Prime VideoHoliday selections headed to Amazon Prime Video in November include the movies A Christmas Switch (2018), Rock N Roll Christmas (2019), A Christmas Movie Christmas (2019), A Majestic Christmas (2018) and Holiday High School Reunion (Christmas Crush) (2012).HuluFrom Food Network programming (Christmas and Thanksgiving baking competitions) to a variety of holiday-themed films — Once Upon a Time at Christmas (2017), The Christmas Tale (2005), 12 Pups of Christmas (2019), A Nanny for Christmas (2010), The Dog Who Saved Christmas (2009) — there are plenty of holiday selections available to stream in November.Disney+Celebrate the most wonderful time of the year with the streaming service s joyful collection of movies, specials, and themed episodes. Specials include the LEGO Star Wars Holiday Special and High School Musical: The Musical: The Holiday Special, while holiday films include Black Beauty, Safety, and Soul — plus classic Disney films and holiday episodes from plenty of TV series, including That’s So Raven, Even Stevens, Kim Possible, The Proud Family, Suite Life of Zack and Cody, Girl Meets World and Sonny with a Chance.Holiday Wonderland, HBO MaxViewers can catch up with holiday favorites via this tailored portal launching Tuesday, Dec. 1. More than 200 hours of curated holiday movies and episode will be available, including classic holiday movies (Meet Me in St. Louis, A Christmas Carol) and holiday episodes of favorite TV shows (Friends, Big Bang Theory, South Park, The O.C., The Fresh Prince of Bel-Air and Doctor Who).CrackleNew channels on the streaming service for the month of December include A Very Crackle Christmas, Unlikely Heroes, Stream Me Up, Scotty, and more.TubiFox Entertainment s free streaming service is home to a holiday collection including comedy The Moodys, classic Christmas titles including Miracle on 34th Street and Rudolph the Red-Nosed Reindeer, and more.Pluto TV ChristmasThe free streaming television service has introduced a brand new holiday channel (Ch. 250) that will be home to fan-favorite holiday themed programs like Married with Children, St. Nick, Dear Santa, Beverly Hillbillies and more. Extended marathons will run daily through Dec. 31, so you don t have to stop celebrating even after Santa brings his presents. Additionally, the company has compiled classic holiday recipes inspired by the stars of the available shows and donated ,000 to World Central Kitchen to really celebrate the holiday.Shout! Factory TVThe company s holiday programming, which can be streamed on demand at ShoutFactoryTV.com or on its various streaming apps and channels, includes festive holiday content including holiday episodes from TV series such as The Carol Burnett Show, The Johnny Carson Show, Father Knows Best, Dennis the Menace, and even Ultraman and The Weird Al Show; films that get the Mystery Science Theater 3000 treatment; classic films including Black Christmas, An American Christmas Carol and Scrooge; modern film favorites like Feast of the Seven Fishes and Snowtime!; and s

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4.19.3 7月喜迎With film and television production shutdowns largely still in effect and most movie theaters still closed for the time being, the various film- and TV-related live events have likewise had to adapt to changing circumstances or cancel operations altogether. San Diego Comic-Con has been, both literally and figuratively, one of the biggest venues for Hollywood to flaunt its latest and most exciting projects, and this year, amid COVID-19 concerns, the convention has decided to go online. Now dubbed Comic-Con@Home, the event will take place via virtual panels from this Wednesday, July 22 to Sunday, July 26.While this change means nobody will be able to attend the pop culture mecca in person, it also means that all of the scheduled panels are now officially free for anyone who wants to tune in and watch. With that in mind, we went through the entire Comic-Con@Home schedule and found 10 exciting panel discussions you should definitely catch if you have the time.Star Trek Universe Virtual Panel(Photo by CBS All Access)When: Thursday, July 23 at 10:00 am (PT)This is the panel to check out if you re a Star Trek fan of any stripe, as it will cover the various projects going on in the franchise as a whole. First, Star Trek: Discovery stars Sonequa Martin-Green, Michelle Yeoh, Doug Jones, Anthony Rapp, Mary Wiseman, Wilson Cruz, Tig Notaro and many more will participate in a table read of the show s Season 2 finale, Such Sweet Sorrow, Part 2, followed by a Q A. Then the creator and showrunner of the upcoming animated comedy series Star Trek: Lower Decks, Mike McMahan will offer an extended first look at the series along with key voice cast members. And finally, the great Patrick Stewart will be on hand to talk about the new CBS All Access series Star Trek: Picard, with both current cast members and a few special appearances by familiar faces like Brent Spiner, Jonathan Frakes, Jeri Ryan, and Marina Sirtis.The New MutantsWhen: Thursday, July 23 at 2:00 pm (PT)After a long and winding road involving multiple re-writes and re-shoots, not to mention the Disney acquisition of Fox, Josh Boone s horror-tinged The New Mutants is officially set to open on August 28, notwithstanding any further delays. Ahead of that, the film s Comic-Con panel will feature Boone and stars Maisie Williams, Anya Taylor-Joy, Charlie Heaton, Alice Braga, Blu Hunt, and Henry Zaga in a discussion about the new film.The Boys: Season 2When: Thursday, July 23 at 3:00 pm (PT)Amazon Prime s hit series comes back for its second season on September 4, but if you can t wait, the cast and crew are offering a sneak peak. Executive producer Eric Kripke and stars Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, Jessie T. Usher, Laz Alonso, Chace Crawford, Tomer Capon, Karen Fukuhara, and Aya Cash, along with moderator Aisha Tyler, will offer a behind-the-scenes look at the upcoming season, with executive producers Seth Rogen and Evan Goldberg making a special appearance.Charlize Theron: Evolution of a Badass(Photo by Aimee Spinks/Netflix)When: Friday, July 24 at 10:00 am (PT)Hot on the heels of the successful Netflix premiere of The Old Guard, star Charlize Theron will engage in a career retrospective Q A session focusing on the producer and actress s steady evolution into one of modern Hollywood s most reliable and reliably bankable action stars, diving into the evolution of the modern female action hero, the roles that inspired her, and what drives her to constantly push her limits with fight training.Three Walking Dead PanelsWhen: Friday, July 24 at 12:00 pm (Fear the Walking Dead), 1:00 pm (The Walking Dead), 2:00 pm (The Walking Dead: World Beyond)AMC s popular zombie franchise will dominate the middle of Friday with three panels, one for each of their series, all moderated by Talking Dead host Chris Hardwick. The first will be the noon panel dedicated to Fear the Walking Dead, featuring TWDU chief content officer Scott M. Gimple, showrunners and executive producers Andrew Chambliss and Ian Goldberg, and cast members Lennie James, Alycia Debnam-Carey, Colman Domingo, Danay Garcia, Karen David, Jenna Elfman, and Rubén Blades, as they discuss the show s upcoming sixth season.Directly after that, at 1:00 pm, Hardwick and Gimple will welcome showrunner and executive producer Angela Kang, executive producer Greg Nicotero, who directed the episode, and cast members Norman Reedus, Melissa McBride, Jeffrey Dean Morgan, Lauren Cohan, Josh McDermitt, Seth Gilliam, Ross Marquand, Khary Payton, and Paola Lazaro to talk about The Walking Dead s Season 10 finale episode, A Certain Doom, which is scheduled to air sometime later this year.And finally, Hardwick and Gimple will host showrunner and executive producer Matt Negrete and cast members Aliyah Royale, Alexa Mansour, Hal Cumpston, Nicholas Cantu, Nico Tortorella, Julia Ormond, and Joe Holt in a discussion about the franchise s newest addition, The Walking Dead: World Beyond, which will follow the first generation raised by the survivors of the post-apocalyptic, zombie-infested new world.Constantine: 15th Anniversary Reunion(Photo by Warner Bros. courtesy Everett Collection)When: Saturday, July 25 at 12:00 pm (PT)Earlier this year, we celebrated the 15th anniversary of Constantine, the Francis Lawrence-directed Keanu Reeves supernatural thriller based on DC Comics  Hellblazer series. But if you want to know what the people directly involved have to say about the film, you can tune in to watch Reeves, Lawrence, and producer Akiva Goldsman reunite to reflect on the film and its legacy as a cult favorite.Guillermo del Toro and Scott Cooper on Antlers and Filmmaking(Photo by Lev Radin, James Atoa/Everett Collection)When: Saturday, July 25 at 1:00 pm (PT)Scott Cooper s (Crazy Heart, Hostiles) latest project, the horror film Antlers, was one of the films that fell victim to coronavirus-related rescheduling, as it was originally slated to open on April 17 but was pulled from the calendar and hasn t yet been assigned a new date. Nevertheless, Cooper and producer Guillermo del Toro will be on hand not only to tease their upcoming Searchlight Pictures project, discussing how they designed the Wendigo-inspired monster in it, but also to go in-depth on the craft of filmmaking and how they create a visual style.Bill Ted Face the MusicWhen: Saturday, July 25 at 3:00 pm (PT)The nearly-three-decades-in-the-making sequel Bill Ted Face the Music is still set to open on September 1 in select theaters and on-demand, and reveal how middle-aged Bill S. Preston, Esq. (Alex Winter) and Ted Theodore Logan (Keanu Reeves) will save the planet with a new song. But before that happens, Reeves and Winter will join director Dean Parisot, writers Ed Solomon and Chris Matheson, and co-stars Samara Weaving, Brigette Lundy-Paine, and William Sadler in a live discussion hosted by Kevin Smith.HBO s Lovecraft CountryWhen: Saturday, July 25 at 4:00 pm (PT)One of the most anticipated new series of 2020 is HBO s Lovecraft Country, a supernatural drama based on the novel of the same name that draws parallels between the horror writings of H.P. Lovecraft and Jim Crow-era racism in the United States. While much-hyped executive producers Jordan Peele and J.J. Abrams won t be on hand for the discussion, cast members Jurnee Smollett, Jonathan Majors, Michael Kenneth Williams, Aunjanue Ellis, Wunmi Mosaku, Abbey Lee, and Courtney B. Vance will take part in a conversation about the new show.What We Do in the Shadows(Photo by Russ Martin/©FX)When: Saturday, July 25 at 5:00 pm (PT)FX s acclaimed vampire-centric comedy series based on Taika Waititi s mockumentary of the same name was a breakout hit last year, and we re just a little over a month past the Season 2 finale. To celebrate, cast members Matt Berry, Natasia Demetriou, Kayvan Novak, Mark Proksch, and Harvey Guillén will jump online for a discussion about the series hosted by Haley Joel Osment, who guest-starred on the Season 2 opener.Thumbnail images by Lev Radin/Everett Collection, Aimee Spinks/Netflix, HBO
(Photo by Courtesy the Everett Collection)Our new Classic Film Catch-Up feature connects you with classic films to put on your watchlist – beloved favorites and hidden gems alike. With more time at home, there s no better opportunity to finally watch these titles that helped define cinema as we know it.The current situation of social distancing has many of us thinking of ways to maximize the time we spend at home. We re also eating several times a day and annoying our pets, but being productive does cross our minds from time to time. Puzzles, long-abandoned books, craft projects, and New Year s resolutions have suddenly jumped to the top of our to-do lists. In the RT comments, many of you have shared how you re catching up on classic films, and here at RT, we happen to agree that now is the perfect time to increase your classic film viewing.Concentrating on films released before 1980 (both well-known titles and hidden gems), we re producing new guides to essential classic films curated by theme, filmmaker, actor, genre, or style – all for your classic catch-up needs. Want to see our picks for the best French farces? How about a curated list of Fresh picks from Alfred Hitchcock, Peter Sellers, or Billy Wilder? As well as curating watchlists, we re breaking down the films, telling you where you can watch them, and giving you some more recent and/or well-known films the classics might remind you of so you can gauge which movies are right for you.And the movies are more accessible than ever. Turner Classic Movies may have had to cancel their annual classic film festival this year, and 2018 saw the demise of their classic film app, FilmStruck, but between the newly launched The Criterion Channel streaming app and other streaming services, movie fans still have access to thousands of old Hollywood masterworks.Read below for our list of seminal classic quirky romantic comedies you need to see or revisit. More than simple boy-meets-girl tales, these love stories go far beyond the typical meet-cute and in many cases reflect unique moments in film history.Got other quirky rom-coms you d add to our list? Have a suggestion for a future theme or classic film to feature in the column? Let us know in the comments. Bob & Carol & Ted & Alice (1969) 79% (Photo by Courtesy of Columbia Pictures)What is it? Married couple Bob (Robert Culp) and Carol (Natalie Wood) attend a life-changing workshop and swiftly adopt the practices they learned, much to the distress of their best friends Ted (Elliott Gould) and Alice (Dyan Cannon). The workshop and its aftermath profoundly change the couples marriages and their feelings for one another.Why you need to see it: Prior to the repeal of the Hays Code – the moral production code that regulated what could be shown on screen – most films could not overtly reference sex. This need to edit out the explicit content was one driver of the tongue-in-cheek sexual innuendo of 1940s and 1950s romantic comedies. After the Hays Code was officially abandoned in 1968, a new wave of sexually explicit comedies flooded cinemas. Bob Carol Ted Alice is one of the first sex comedies and one of the best. No longer did screenwriters have to dance around the subject; director and co-writer Paul Mazursky could, in fact, address the elephant in the room. Funnily enough, having your first film score four Oscar nods and make bank at the box office ruins Hollywood, according to Mazursky; the director joked later that the film was almost too perfect, and therefore its success could never be replicated.Watch it if you like: Obvious Child, Seems Like Old Times, Chances Are, Chasing AmyWhere to watch: Stream now on The Criterion Channel app, or rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.It Happened One Night (1934) 99% What is it? An heiress on the run (Claudette Colbert) joins forces with a man she meets, but little does she know he is actually a reporter in need of a story.Why you need to see it: One of only three films to ever pull a clean sweep of the five major Oscar categories (Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress), It Happened One Night is one of the truly great romantic comedies. The movie combines Clark Gable s undeniable charm, Claudette Colbert s comedic timing, and the feel-good filmmaking of Frank Capra. Our only question is, what has taken you so long to see it?Watch it if you like: Roman Holiday, Almost Famous, The Proposal, Annie Hall, You ve Got Mail, Nick and Norah s Infinite Playlist, Working GirlWhere to watch: Rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Sabrina (1954) 93% What is it? Sabrina (Audrey Hepburn) is a lovestruck chauffeur s daughter who nurses an impossible crush for David (William Holden), the youngest son of the family that employs her father. When Sabrina returns home after years in Paris, the newly engaged David is suddenly ready to romance her and dump his fiancée – something that David s older brother Linus (Humphrey Bogart) is determined to prevent.Why you need to see it: This is a must-watch because of Bogie, Hepburn, Holden, and writer-director Billy Wilder. Audrey Hepburn was the perfect choice for the stylish Cinderella love interest and rightfully earned the Best Actress nomination she received for the film. Nominated for six Oscars and taking home the prize for Best Costumes, Sabrina is an early example of a film whose cast was fleshed out with A-list talent and Oscar winners. Bogart, who replaced Wilder s first choice of Cary Grant, was arguably one of the biggest stars on the planet, and here he was cast alongside Hepburn and Holden, both of whom had taken home Best Acting Oscars in 1953. This was the kind of dream-team casting not often replicated. Bogart was never sure he was the right choice for Linus, but his put-off posturing both on and off set served his performance well.Watch it if you like: While You Were Sleeping, Pretty Woman, Some Like it Hot, She s All That, The Princess Diaries, Roman HolidayWhere to watch: Available to stream on Crackle, or buy or rent it at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Pillow Talk (1959) 93% What is it? Marriage-minded interior decorator Jan Morrow (Doris Day) must share a phone line with her playboy neighbor, Brad Allen (Rock Hudson). When Brad sees the beauty on the other end of his line he decides to woo Jan under a false identity and inadvertently falls in love during the process.Why you need to see it: Pillow Talk was a risqué project for the squeaky clean Doris Day and Rock Hudson, but turned out to be the first of several successful films the pair made together. The clever innuendos peppered throughout the Oscar-winning script were, in fact, scandalous by 1950s film standards; it was testament to the large screenwriting team that they got past the censor board with the hilarity still intact. Compare it to Bob Carol Ted Alice, and you can acutely appreciate how much progress was made in just one decade. Watching it with a modern eye is a bit like watching classic anti-drug films like Reefer Madness.Watch it if you like: 40 days and 40 Nights, Two Weeks Notice, Never Been Kissed, 10 Things I Hate About YouWhere to watch: Streaming now for free on Hoopla Digital, or rent or boy it at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.Shampoo (1975) 62% (Photo by Courtesy of Columbia Pictures)What is it? A playboy hairdresser (Warren Beatty) enlists the husband of one of his rich female lovers/clients when he seeks a loan for his salon. A series of events then ensue that places the hairdresser at a party with his girlfriend, her husband, and several ex-lovers – including the one that got away. Why you need to see it: The Owl and the Pussycat and Bob Carole Ted Alice loosened the cap off cinematic sexual oppression, but after the success of X-rated films like Deep Throat and Midnight Cowboy, the initial shock of sex had lost its luster by the 1970s. In 1975, a fresh approach was needed to wow audiences, and Warren Beatty provided it with his satirical sex comedy Shampoo – though many at the time did not appreciate it. A sex comedy where nothing happens and *spoiler alert* no one falls in love? It is easy to understand why audiences and many contemporary critics dismissed the film. The laughs are tempered by bleakness and the film ends up saddened by its characters awkwardness, wrote Time Out London. However, on a second look, you can appreciate how George s womanizing ways were a direct product of the 1960s free love movement, and the film offered a clever depiction of the 1970s hangover that much of America was suffering after all of that 60s excess. Beatty s script, which he co-wrote with Robert Towne, acutely understood the character of George and his sexual apathy.Watch it if you like: American Pie, Three s Company, Wedding Crashers, The Birdcage, Fast Times at Ridgemont High, Don Jon, Trainwreck. Where to watch: Stream now on The Criterion Channel, or rent or buy at FandangoNOW, Amazon, Google Play, iTunes, and Vudu.His Girl Friday (1940) 99% What is it? No-nonsense news editor Walter Burns (Cary Grant) has only a few hours to prevent his star reporter – and ex-wife – Hildy Johnson (Rosalind Russell) from quitting the paper to marry a simple-minded insurance salesman she met on vacation. After a convicted murderer escapes from jail, Burns is thrust into a race against time to stop Hildy – and secure the exclusive story.Why you need to see it: If Capra s It Happened One Night firmly established the fast-talking screwball comedy, His Girl Friday might have perfected it. It Happened One Night is a near-perfect romantic comedy, but director Howard Hawks took over-talking and quick dialogue to new heights with His Girl Friday, establishing a style that has been replicated everywhere from the Gilmore Girls to Glengarry Glen Ross.  You don t know whether you have been laughing or having your ears boxed, wrote New York Times film critic Frank S. Nugent at the time of its release.Watch it if you like: Gilmore Girls, Obvious Child, Silver Linings Playbook, Raising Arizona, The Newsroom, MoonlightingWhere to watch: Streaming on Amazon Prime Video and Vudu, available to rent or buy from FandangoNOW, Google Play, and  iTunes.Death Is a Woman (1967) 82%(Photo by Courtesy of Criterion Collection. )What is it? An exotic dancer wants a child and her current lover is not willing – but his best friend might be tempted to fill in for him.Why you need to see it: We could go on and on about how A Woman is a Woman is a clever rebuttal to the American musical comedy. We could talk about Jean-Luc Godard and his visionary camera work and shooting style. We could talk about French New Wave or French sex comedies. But the best reason to see the film is a woman, and that woman is the incomparable Anna Karina. Just gaze into her eyes and let her performance hypnotize you.Watch it if you like: The Love Witch, Bridget Jones Diary, She s the One, Cleo from 5 to 7, Easy AWhere to watch: Now streaming on the Starz app, or rent or buy from Amazon, Google Play, iTunes, and Vudu.Barefoot in the Park (1967) 85%What is it? A conservative attorney (Robert Redford) rushes into marriage with a carefree woman (Jane Fonda). Realizing they are very different people, the young couple struggle to stay in love and avoid divorce.Why you need to see it: It would be criminal not include a Neil Simon film on any list of great classic romantic comedies. Writer of The Goodbye Girl, The Heartbreak Kid, and Seems Like Old Times, Simon was a master of opposites-attract love stories. Jane Fonda plays the free-spirited Corie to seductive perfection, and Robert Redford manages to stifle all his natural charms to embody the stuffed shirt, Paul. It s a love story where the question is never, Will these two fall in love?  The only question in Barefoot in Park is, Can they stay together? The film was not universally loved upon release, but we tend to agree with Time Magazine, which wrote at the time: Simon has taken a plot as bland as a potato, sliced it into thin bits – and made it as hard to resist as potato chips. Watch it if you like: Dharma Greg, My Fair Lady, Shakespeare in Love, Pretty Woman, Moonstruck, The Way We WereWhere to watch: Now streaming on the Starz app, or rent or purchase on Amazon, FandangoNOW, Google Play, iTunes, and Vudu.Looking for more movies and shows to watch? Check out our new section, Binge Central.
Endgame vs. the MCU: After three days, the Fifth Biggest MCU Movie – and Coming for the CrownAt 0 million, Avengers: Endgame immediately becomes the 50th highest-grossing domestic film of all-time. That is already more than Aquaman grossed in 105 days. It also took Captain Marvel 24 days to gross what Endgame did in three; and Endgame is now the fifth highest-grossing film in the MCU. In a remarkable bit of solidarity, Captain Marvel moved up to second place at the box office this weekend, dropping just 11% for an eighth-weekend haul of million. That’s the 10th best eighth weekend of all time (up from last week’s 15th best seventh weekend) and the fifth best this for the current century, behind Avatar (.8 million), Frozen (.7 million), Jumanji: Welcome to the Jungle ( million), and Black Panther (.7 million).And let s get super math-y for a minute. If we were playing the Take Two game from The Price is Right – where you have to pick the cost of two prizes that add up to a specific amount – the only MCU title one could pick to combine with another for a total less than Endgame’s opening weekend is The Incredible Hulk. Take that movie s 4.8 million, match it with Captain America: The First Avenger (6.6 million), Ant-Man (0.2 million), Thor (1.0), or Thor: The Dark World (6.3 million) and you have the only pairings that come up less than Endgame’s 0 million start. Only eight films in the MCU have grossed more in their entire run than Endgame did in three-and-a-third days.There has been no fatigue with the MCU, as frequently as that myth has been told. Endgame had already grossed 5 million outside of the U.S. before even opening here. Through Sunday, Endgame has grossed 9 million internationally (14th all-time) and .2 billion globally (the eighth MCU film to reach that milestone and the fastest ever to pass it). Those numbers make Endgame the 18th highest-grossing film of all time internationally. And it s done that since Thursday.Records on the Horizon: Endgame Sets its Sights on Avatar, The Force Awakens(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Domestically, Avengers: Endgame is now beyond targeting the totals of the two mega-grossing James Cameron films, Avatar and Titanic – because it is going for the big dog. Star Wars: The Force Awakens, the highest-grossing film ever domestically, earned 6.7 million here and Endgame is already blowing past all of its early records. Avatar is the all-time world champ with .78 billion – and that s going to be a tough number to beat, even for a film expected to become just the fifth film ever to gross billion worldwide. Other records that Endgame has its eye on for next week include:Biggest 10-Day Gross: Star Wars: The Force Awakens (0 million)Biggest Second Weekend: Star Wars: The Force Awakens (9.2 million)Smallest Drop For A Film Opening To Over 0 million: Star Wars: The Force Awakens (-39.8%)Fifth Highest Worldwide Gross Ever: Jurassic World (.671 billion)It would take a drop of more than 57.4% for Endgame to not break the second-weekend record held by The Force Awakens. Thirteen of the 21 previous MCU films had drops lower than that. We predict that at least two of the records above will fall next week. Though highly unlikely, it would be remarkable if it bests the 39.8% drop of Star Wars: The Force Awakens. And if it does, one should expect just about every record to fall after that.This Time Last Year: It All Began With a Record-Breaking First Weekend for Infinity War(Photo by @ Walt Disney Studios Motion Pictures, @ Marvel Studios)Getting a sense of déjà vu? On this same weekend last year, Avengers: Infinity War grossed 7.6 million, breaking the record for the highest opening weekend ever – a record that lasted officially one year minus a day. Its per-theater-average of ,599 was still second to The Force Awakens, and it would not go on to outgross the all-time champ, nor its Marvel counterpart, Black Panther. That film got a similar boost to what Captain Marvel got this week, dropping just 4% from the previous weekend and finishing in the top five. The rest of the Top 10 grossed a combined .31 million for a grand total of 3.01 million, and the films averaged 59.3% on the Tomatometer. This year’s Top 10 grossed an estimated 7.5 million and averaged 69.5% on the Tomatometer.On the Vine: Long Shot Set To Top Newcomers, At a Distant SecondJoel MearesIt takes a brave rom-com to go up against a juggernaut, but next week s has the critics on its side. Jonathan Levine’s Long Shot, with Charlize Theron and Seth Rogen, is at 84% on the Tomatometer after its SXSW premiere in March. Look for it to lead the newcomers handily. Among those newcomers are STX’s first foray into animation with UglyDolls, based on the line of plush toys. In The Intruder Dennis Quaid pulls a reverse Cold Creek Manor as the previous owner of a home terrorizing the new couple (Michael Ealy and Meagan Good) who have moved in.The Full Top 10: April 26-28Avengers: Endgame (2019) 94% – 0 million (0 million total)Captain Marvel (2019) 79% – .05 million (3.58 million total)The Curse of La Llorona (2019) 28% – .5 million (.28 million total)Breakthrough (2019) 63% – .30 million (.11 million total)Shazam! (2019) 90% – .52 million (1.15 million total)Little (2019) 46% – .44 million (.85 million total)Dumbo (2019) 46% – .24 million (7.01 million total)Pet Sematary (2019) 57% – .29n (.61 million total)Dumbo (2019) 46% – .14 million (2.84 million total)Penguins (2019) 92% – .05 million (.72 million total)

同时《黑暗与光明手游》最重要的元素就是魔法了,在这款游戏中存在着上百种的玩法,支持玩家传送、战斗、探索、召唤等等,甚至玩家还可在游戏当中使用魔法改变天气,还能实现用水系魔法浇灌农作物的举动。从这些方面也看得出,这款游戏的脑洞十分大。
u had?Arkin: The show doesn’t specifically, but I had two great, great acting teachers who I revered. I learned an enormous amount in different directions from both of them. The first guy, who had himself studied with Stanislavski, was named Benjamin Zemach. I studied with him out here in Los Angeles. The second guy was my professor at Bennington. His name was Larry Arrick.(Photo by Netflix)RT: Had you and Michael encountered each other through business circles over the years?Arkin: No, we had never met until about a month before we signed on for the show. I felt if you’re going to be working with somebody for five years it’d be a good idea to sit next to them for half an hour and find out if you happen to like each other, so we had a lunch and it was fine and I signed on. It feels enormously comfortable, flexible, and playful.RT: Was the chemistry immediate from that lunch?Arkin: Yeah, it seemed to be. A little bit tentative for an hour or two, and then slowly loosened up, and it continued to loosen up as the series went on. I feel incredibly trusted by him, and I trust him tremendously.RT: Did you and Michael ever discuss his remake of The In-Laws?Arkin: [Laughs] We have mercifully kept off that subject.RT: Well, I’m glad that question made you laugh. Your character has an emotional breakdown at the dry cleaners in episode three. Was it difficult to perform? How did you get there?Arkin: Oh my God, it was a nightmare, that day. I knew what was coming, and I just had to rev myself and use every ounce of acting training I had to get myself into that place. That and also the speech I gave at the funeral was similar — wrenchingly painful days on what is supposed to be a comedic show. I’m not criticizing it. It goes in a lot of directions, which is one of my favorite things about it. I just hope it doesn’t go in those specific directions very often.RT: In Dumbo you’re playing a brand new character. Tell us about J. Griffin Remington.Arkin: I’m trying to buy the circus. I’m a magnate. I’m interested in this new act and kind of a plutocrat, trying to run everything.RT: Were you able to see any of the Dumbo footage?Arkin: Not a frame. Not a frame, not a photograph.RT: Was that a new experience with visual effects?Arkin: Looking at things that aren’t there? Yeah, pretty much. I haven’t done a lot in the way of fantasy, but It was just looking at an elephant that wasn’t there rather than a person or a car going by.The Kominsky Method premieres Friday, November 16 on Netflix.
We’re not crying, you are! Our latest edition of Vs. is sure to bring you to tears – and maybe have you singing a song or two – as the two biggest titans of animation and heartstring-pulling face off for ultimate cartoon supremacy. Will it be Disney that gets to occupy the castle when we dig into box office, Tomatometer and Audience scores, social impact, and iconic moments? Or will Pixar dispose of the Mouse House like some discarded toy on the side of the… no, no, we said we wouldn t cry. Join Rotten Tomatoes contributing editor Mark Ellis as he crowns a winner at his peril.As always, if you don t agree with our choice of winner, let us have it in the comments.Thumbnail courtesy © Walt Disney Studios Motion Pictures, © PixarOn an Apple device? Follow Rotten Tomatoes on Apple News.
HBO)The Night King flies in on a high pressure storm front and, with a wave of his hand, commands his followers to create wight bridges over the trench fires, so that the others can climb over them. The zombies crawl up and over the walls World War Z style.Arya fighting on the wall is awe-inspiring and strikes Ser Davos silent. It also prompts The Hound to get his ass in gear to save her.7. “Not Today”(Photo by Helen Sloan/HBO)Arya plays a deadly game of hide-and-seek with the wights who have made it inside Winterfell.There are too many of them. So now we know what was obscured in the darkness of the trailer: dozens of wights chasing our petite hero.When Beric and The Hound later come to her rescue, it’s almost as if Arya had given up. She stares almost helplessly when wights attack Beric, which is very unlike her. The trio retreats to a room where Melisandre has been hiding/waiting for them, and Beric dies.“What do we say to the god of death?” Melisandre asks Arya, which immediately summons the ghost of Syrio Forel (not literally).Arya: “Not today.”(Photo by HBO)8. Dragon Fight!(Photo by HBO)The dragons in the moonlight above the storm clouds is a beautiful image – this-dragon-moment-is-brought-to-you-by-Hallmark beautiful. But the scene later turns deadly as Jon and Rhaegal lock together in dragon battle against the Night King and wight dragon Viserion, who tears at his brother’s flesh and snaps his jaws at snack-sized Jon on Rhaegal’s back. The Night King tries to be smooth and grabs for his ice spear, but falls off (not to his death, of course – because that would be too easy).The scene of Winterfell from the air at this point, by the way, looks like a nighttime Burning Man riot: a circle of fire and waves of bodies flowing this way and that.Rhaegal goes down and Jon tumbles off. Daenerys tries dragonfire on the Night King on the ground, but he does not burn (like a Targaryen). She retreats when he aims a spear her way, but Jon pursues him on foot with Longclaw. The Night King raises a new army from the freshly dead, including those inside Winterfell – including, they make a point to show, Lyanna, Qhono, and Edd. Was that Podrick standing behind the Night King before he pimp-walked away? OMG, where’s Podrick?Wights, meanwhile, swarm Drogon, and Daenerys falls off.9. Tales from the Crypt(Photo by Helen Sloan/HBO)Tyrion laments that he’s not out there. Sansa says he’d be dead. Then he suggests they should’ve stayed married. She rightly notes his divided loyalties (aka “You loooove her, you want to marry her…”) for Daenerys.The dead rise in the crypt of Winterfell even (thanks for the heads-up, Jared Harris), and dusty, ancient Starks start tearing at people.Next time, maybe freeze them in carbonite?10. Theon and Jorah(Photo by Helen Sloan/HBO)The Night King swaggers into the godswood with his court. Bran: “Theon, you’re a good man. Thank you.” Theon charges the Night King and gets a spear thrust into his side.Elsewhere, when a wight wave threatens to overcome Daenerys, Ser Jorah puts himself between them and her and is mortally (maybe, probably) wounded protecting her. He leans on Heartsbane in his final stand.11. “Arya Stark” Becomes a Verb(Photo by HBO)Holy sh ! Arya killed the Night King. She takes a flying leap and, despite being caught by the throat, still manages to thrust that ancient Valyrian-steel dagger into his belly. (To Arya Stark someone will forever refer to that move.) He explodes, his court explodes, Viserion (who Jon has been dodging all this time) collapses to the ground in a pile of loose bones and ragged flesh, as do all of the other wights.(We heard echos of Jon’s voice: “How did you sneak up on me?”)(Photo by Helen Sloan/HBO)There’s a roll call of who’s still alive: Arya, Bran, Daenerys, Jorah (until he s not), Drogon, Jon, Tormund, Gendry, Grey Worm, Brienne, Jaime, Podrick, Tyrion, Sansa, Varys, his new little crypt birds, Missandei, Gilly and Little Sam (did anyone see Samwell Tarly in the roll call?), The Hound, Melisandre (until she isn’t), and Ser Davos. Where s Ghost!? Did Rhaegal survive?I hit “replay.”What was your favorite moment of the episode? Tell us in the comments!Game of Thrones airs Sundays at 9 p.m. on HBO.
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游戏时长 26分钟

ttle in the way of unforgettable moments, they re always intriguing enough to keep curiosity burning about what will happen next (or, for those who know the book, how the series will stage or reshape it). — Keith Phipps, TV GuideIs Now the Right Time for Another Apocalyptic TV Series?(Photo by Photo Cr: Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.) Whether the world needed another TV adaptation of The Stand (there was a 1994 version with Gary Sinise and Molly Ringwald) is a fair question, particularly when the COVID-19 pandemic continues to rage around us. If it was just a reminder of the world around us, the answer might be no. But approached as an intriguing diversion, it works. — Bill Goodykontz, Arizona Republic The apocalypse isn t the point – it s simply the backdrop for what is unabashedly an epic modern fantasy. — Joshua Sargent, San Francisco Chronicle In a year ravaged by a far different virus, The Stand carries a different significance as it closes out a year terrifyingly similar to the story on screen. Told over nine episodes, including an all-new ending written by Stephen King and his son Owen, this new version of The Stand is a very uncomfortable story to watch while the world is mired in a real pandemic but still manages to be a faithful adaptation of King s masterpiece with timely updates that more or less work. — Alex Maidy, Jo Blo s Movie NetworkAny Final Thoughts?(Photo by Robert Falconer/CBS ©2020 CBS Interactive, Inc. All Rights Reserved.) This adaptation of one of Stephen King’s most dense, sprawling works never quite reaches the epic scope illustrated so clearly in the 1978 novel. — Roxana Hadadi, Variety It s a sometimes overstuffed, sometimes overly simple book, but also one whose vision of a fantastic America whose potential for greatness and moral clarity is always at war with its self-destructive impulses. Even if many missed it at the time, King found a way to express an underlying truth about the place he calls home. The best parts of this adaptation channel that well. — Keith Phipps, TV Guide The performances are strong, the set pieces are cinematic, and, most importantly, the commitment to King’s prose is stonier than a man’s heart. — Michael Roffman, Consequence of SoundThe Stand premieres on Thursday, December 17 to CBS All Access.On an Apple device? Follow Rotten Tomatoes on Apple News.

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亚博app手机下载 具体到各个分路的话,线上英雄基本是很难游走支援的,影响最大的就是中路。端游带节奏主要靠中野辅,但是手游的中路不管是什么英雄,大概率都会被兵线牢牢拴在线上,哪怕有时间也大多是回家出装备,强行游走支援非常容易掉兵,慢慢就会被拉开差距。上路的情况也类似,由于传送变成了鞋子附魔,上路前期根本不可能参与小规模团战,只能老老实实发育。下路反而变成了最热闹的分路,经常打得热火朝天。

Watch: Danny Boyle on the making of 28 Days Later  above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, director Danny Boyle recalls shooting London s loneliest landmarks and resurrecting zombies for a new century.VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLThe Movie: 28 Days Later (2002) 87%28 Days Later, directed by Danny Boyle from an Alex Garland script about humans mutated into speedy zombies by virus infection, was an inflection point for horror movies. The underground hit made over million worldwide, and signaled a shift away from post-Scream teen slashers of the late 90s and earl 2000s, and showed studios that audiences all over have were seeking horror flicks that bit harder. The film was shot with digital cameras, just above consumer-level grade, giving survivor Jim (Cillian Murphy) and his journey across a newly deserted England a rush of post-apocalyptic immediacy. This was when shooting on film was still the norm, so grimy, tethered footage felt like a glimpse into a new world. And it was a horrific, and horrifically effective world that Boyle created.Danny Boyle on the set of 28 Days Later. (Photo by © Twentieth Century Fox) We made It s officially the month of Halloween, so it s only appropriate that all of the most anticipated movies of the coming weeks fit the theme in one way or another. Not only is the top film (by a wide margin) about one of the most iconic comic book villains ever (and a perennial staple of cosplayers), but it s followed up by the sophomore effort from the man who brought us The Witch, a sequel to a zombie horror-comedy, a psychological thriller infused with dark comedy, and another sequel to a fantasy film about one of the most iconic Disney villains ever. In other words, there s a lot to be excited about this month, so read on to find out the five most anticipated movies of October, as voted by Rotten Tomatoes users and our fans on social media.1. Joker (2019) 68%8,357 Want-to-See Votes#1 pick by our Facebook, Instagram, and Twitter fansOpens October 4No surprise here. Todd Phillips realistic take on the Batman arch-villain was always going to be the most anticipated film of the month, if popular buzz was anything to go by. Not only did the film win the top prize at the Venice Film Festival earlier this year, it s generated a lot of discussion around its themes and its unflinching portrayal of a severely disturbed man who is driven to violence. Despite all of the controversy surrounding it (or maybe because of it), the movie has mostly impressed the critics and is looking to rack up a monster opening weekend. It was the top pick across all of our social polls, and it racked up the highest total of Want-to-See votes of any film this month by a landslide and a half.2a. The Lighthouse (2019) 90%#2 pick by our Facebook, Instagram, and Twitter fansOpens October 18 (limited)It s a little bit surprising that The Lighthouse is so high on this list, if we re being honest, because director Robert Eggers first film, The Witch, was an infamous example of the audience s reaction to the film not lining up with the critical acclaim. The Lighthouse is likely to be divisive in its own way, as its decidedly more experimental and abstract than The Witch was. Filmed in a 4:3 aspect ratio in black and white, the story revolves around a pair of New England lighthouse keepers at the turn of the century who are left alone to tend to their task and slowly go mad. Or do they? This is another film that s already achieved Certified Fresh status, based on the reviews it got after its premiere at Cannes, but it will be interesting to see if audiences will adjust their expectations of it after their experiences with The Witch.2b. Zombieland: Double Tap (2019)2,411 Want-t0-See Votes#3 pick by our Facebook and Twitter fans, #4 pick by our Instagram fansOpens October 18Did anyone ask for a sequel to Ruben Fleischer s wildly popular 2009 horror-comedy Zombieland? Probably not. Does that make us any less excited that we re getting one anyway? Absolutely not. After the worldwide commercial success of Venom, Fleischer returns to the film that put his name on the map, successfully reuniting the core members of the original cast 10 years later for a follow-up adventure. The first film was Certified Fresh at 90% and became an instant fan favorite; will this new movie be just as well received? It s hard to say, but as our social polls indicated, there are plenty of fans who can t wait to find out.4. Parasite (2019) 98%

2022-01-19

Watch: Judd Apatow on the making of The 40-Year-Old Virgin above.In 2019, Rotten Tomatoes turns 21, and to mark the occasion we’re celebrating the 21 Most Memorable Moments from the movies over the last 21 years. In this special video series, we speak to the actors and filmmakers who made those moments happen, revealing behind-the-scenes details of how they came to be and diving deep into why they’ve stuck with us for so long. Once we’ve announced all 21, it will be up to you, the fans, to vote for which is the most memorable moment of all. In this episode of our ‘21 Most Memorable Moments’ series, director and co-writer Judd Apatow takes us behind the scenes of the infamous (and real-life!) chest-waxing scene from The 40-Year-Old Virgin.VOTE FOR THIS MOMENT IN OUR 21 MOST MEMORABLE MOVIE MOMENTS POLLTHE MOVIE: The 40-Year-Old Virgin (2005) 85%It’s hard to believe that Judd Apatow’s The 40-Year-Old Virgin is just 14 years old – it feels like we’ve been living in the Apatow comedy era for so much longer than that. Back then, Steve Carell – whose series The Office had just debuted and had yet to take on cult status – was not quite a household name, and Apatow himself hadn’t become his own brand of comedy. (Say “Apatow production” today and moviegoers know exactly the kind of smart, sweet, and raunchy ride they re in for – and who’s likely to be appearing in it.) In a sense, Virgin, Apatow’s feature directing debut, recalibrated comedy for the new millennium, bringing an edge to the rom-com formula, introducing us to a new kind of hero in Andy (Carell), and ushering in the faces who would come to dominate comedy for the next decade and a half (Seth Rogen, Elizabeth Banks, Paul Rudd, Jonah Hill, and Mindy Kaling all appear in parts big and small). It all got started on the set of another seminal comedy, Anchorman, which Apatow was producing and Carell was co-starring in “I think that the pitch he had was, ‘You know how when you touch

亚博app手机下载 This week s Ketchup brings you more headlines from the world of film development news, covering new projects for stars like Idris Elba, Morgan Freeman, and Owen Wilson.This WEEK S TOP STORYCHRISTOPHER NOLAN  TO TAKE ON TRUE STORY OF ATOMIC BOMB INVENTOR (Photo by Melinda Sue Gordon/©Paramount Pictures)Every once in a while, pop culture hits upon a certain peanut butter and chocolate combination that goes together far better than you could ve guessed. In 2014, that happened when Warner Bros. revealed the very first teaser for their reboot of Godzilla (Certified Fresh at 76%), featuring the ominous voice of atomic bomb creator J. Robert Oppenheimer saying, over scenes of mass destruction, I am now become death, destroyer of worlds. (J. Robert Oppenhimer was a very serious dude.) Now, another very serious dude, Christopher Nolan, is preparing his next film after Tenet (Fresh at 70%), and it s a drama about J. Robert Oppenheimer and his involvement in the development of the atomic bomb during World War II, which led to the destruction of the cities of Hiroshima and Nagasaki. The screenplay is reportedly finished and being looked at by various studios, which is something of a departure for Nolan, who has pretty consistently worked with Warner Bros. for most of his career as a Hollywood director (not counting his early films like Memento). The reason for Nolan s interest in shopping around his Oppenheimer drama is being interpreted by press as being directly related to Nolan s dissatisfaction with Tenet debuting on streaming day-and-date with theatrical, which included Nolan slamming HBO Max as the worst streaming service. No definite casting decisions have been made, but frequent Nolan collaborator Cillian Murphy (Nolan s Scarecrow in Batman Begins, for example) might be in the runnning to star as Oppenheimer. (Cillian Murphy, also a very serious dude).Other Top Headlines1. SECRET TRAILER FOR P.T. ANDERSON S NEXT FILM DEBUTS AT SELECT CINEMAS(Photo by Laurie Sparham /© Focus Features)While decades like the 1980s and 1960s continue to leave prominent, long-lasting impressions on pop culture, the 1970s offer some pretty amazing relics, too. Consider, for example, the Licorice Pizza record store chain named for the physical appearance of a vinyl record which once had 34 locations throughout California until it was bought by Musicland in 1986. This week, we learned that Licorice Pizza happens to be the new title of the latest California period piece (previously called Soggy Bottom) from director Paul Thomas Anderson, who previously gave us the similarly themed Boogie Nights (Certified Fresh at 93%). The trailer appeared at theaters around the world in front of very specific films, such as American Graffiti and Beavis and Butt-Head Do America, suggesting someone chose those films for a reason. The trailer, which hasn t appeared online (yet), also reveals that Maya Rudolph and Tom Waits, who hadn t previously been announced, are also part of the film s cast, which also includes Bradley Cooper, Sean Penn, and Philip Seymour Hoffman s son Cooper Hoffman in a lead role.2. PARASITE CO-STAR JOINS THE MARVEL CINEMATIC UNIVERSE (Photo by Neon)The surprise wins for Parasite (Certified Fresh at 98%) at last year s Academy Awards (including Best Picture and Best Director) are still slowly having an impact, although arguably slower than usual. South Korean actor Seo Jun Park, who had a supporting role in Parasite, recently departed from Seoul to start filming on an unspecified Marvel Studios film, but most sources have guessed that the project in question is the Captain Marvel sequel called The Marvels (11/11/2022). (The Marvels isn t the only MCU movie currently filming, as the two others are Black Panther: Wakanda Forever and Ant-Man and the Wasp: Quantumania). Presuming it is indeed The Marvels that Seo Jun Park is joining, it s unclear what character he might be playing, but the fansites already have some good guesses.3. OWEN WILSON AND ROSARIO DAWSON JOIN HAUNTED MANSION REMAKE(Photo by Priscilla Grant/Everett Collection)Walt Disney Pictures is currently casting up their next attempt at adapting the theme park attraction Haunted Mansion, which was previously adapted as a 2003 movie (Rotten at 14%) starring Eddie Murphy. Before this week, Tiffany Haddish and LaKeith Stanfield were already attached to star in the new Haunted Mansion, and this week, they were joined by two more stars. On Tuesday, Owen Wilson (who co-starred earlier this summer in Loki on Disney+) joined Haunted Mansion in an unknown role, and then the next day, Rosario Dawson also joined the remake. In related news, the made-for-streaming movie Muppets Haunted Mansion will debut on Disney+ on October 8, 2021.4. IDRIS ELBA SAYS WE ALL DIE YOUNG (Photo by Michael Gibson/STX Entertainment)Daveed Diggs might be best known for his dual roles in Hamilton (Certified Fresh at 97%) as Thomas Jefferson and Marquis de Lafayette, but Diggs also co-wrote and starred in the indie comedy hit Blindspotting (Certified Fresh at 94%). Now, another screenplay written by Diggs is reportedly a hot sales package at the Toronto International Film Festival market. Idris Elba, Justice Smith (Pokémon Detective Pikachu), and Taylour Paige (Ma Rainey s Black Bottom) are attached to star in the drama We All Die Young, which will be directed by Jake Schreier (Robot Frank, Certified Fresh at 86%; Paper Towns, Rotten at 58%). Smith will star in We All Die Young as a rapper in the midst of breaking big who s undertaking the biggest live tour anyone has ever seen (the screenplay is also drawing comparisons to Fellini s 8 1/2).5. FOUR SCREEN LEGENDS JOIN RETIREMENT HOME FILM NOIR(Photo by Derek Storm, Elizabeth Goodenough/Everett Collection)Taylor Hackford has a long career dating back to the early 1980s that has resulted in two Academy Award nominations for Best Directing (An Officer and a Gentleman and Ray), but in the 17 years since Ray, his Tomatometer scores have all been Rotten. Hackford may be swinging for the fences with his new film, Sniff, which is described as a stylish reinvention of the film noir genre set at a high-end luxury retirement community. Sniff is being sold at the Toronto Internatiional Film Festival this week with four impressive movie stars attached, three of whom have won Academy Awards for acting, while the fourth is a nominee: Morgan Freeman, Al Pacino, Danny DeVito, and Helen Mirren (also, perhaps not coincidentally, Mrs. Taylor Hackford). Freeman will play a retired detective, DeVito will play his partner, Pacino will play a kingpin, and Helen Mirren will play his femme fatale enforcer. 6. GEORGE BERNARD SHAW TO GET THE SAVING MR. BANKS TREATMENT (Photo by Keystone Features/Getty Images)Hollywood has a long history of depicting its own relationship with writers and screenwriters, such as Barton Fink, Adaptation, and last year s multiple Academy Award-winner Mank. A similar (but less common) trope involves the writer of a popular story or character who is wooed by Hollywood to sell the rights, such as with the making-of-Mary-Poppins comedy Saving Mr. Banks. Like Mary Poppins author P.L. Travers, George Bernard Shaw was also apparently hesitant about selling a popular play to Hollywood was George Bernard Shaw; his Pygmalion was first adapted as a movie in 1938 (Fresh at 90%) before it was adapted again as the more popular classic film My Fair Lady (Certified Fresh at 95%), which won eight Academy Awards, including Best Picture, Best Director, and Best Actor (Rex Harrison). The story of how it all started in 1933 will soon be told in the film Mr. Shaw Goes to Hollywood. Emmy- and BAFTA-winning British actor Derek Jacobi will star as George Bernard Shaw, alongside Dustin Hoffman (as Louis B. Mayer), Sam Neill (as William Randolph Hearst), Eileen Atkins, Aidan Turner (as Clark Gable), and Brittany Snow.7. BEST SELLING 1980S DOLL TEDDY RUXPIN FINALLY READY FOR THE MOVIES (Photo by South China Morning Post/Getty Images)Teddy Ruxpin was a talking teddy bear that was first introduced for the Christmas season of 1985, and it quickly became the best selling toy for that year and for 1986. When Chucky starred in the original Child s Play horror film in 1988, he didn t look anything like Teddy Ruxpin, but an argument can be made that it was an inspiration (and horror fans have since written Teddy Ruxpin stories online). Teddy Ruxpin himself, however, never got a movie (and the Teddy Ruxpin TV show only ran for one season). Nostalgia is a strong incentive for the movies, however, so DJ2 Entertainment, the production company behind video game adaptations like Sonic the Hedgehog and Tomb Raider, has acquired the film and TV rights to Teddy Ruxpin and is reportedly talking to potential writers with the goal of a Sonic the Hedgehog-style live action/animation movie that would then lead into an animated TV series.On an Apple device? Follow Rotten Tomatoes on Apple News.

2022-01-19
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更新时间 2022-01-19
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